Rooty is the second studio album by English electronic dance music duo Basement Jaxx. It was released on 26 June 2001 on XL and Astralwerks in the UK and US respectively. The singles released from the album were "Romeo", "Jus 1 Kiss", "Where's Your Head At?", and "Get Me Off". "Do Your Thing" was also released as a single in Australia in 2003, and in the UK in 2005, after the release of their compilation album The Singles.

The name is taken from Basement Jaxx's regular club event held at a small pub in Brixton. The cover art features Snowflake, the world's only known albino gorilla.

The music video for the song "Romeo" stars Divya Dutta.

Track listing[link]

All songs written and composed by Felix Buxton and Simon Ratcliffe, except as indicated. 

Critical reception[link]

Professional ratings
Aggregate scores
Source	Rating
Metacritic	(82/100) [1]
Review scores
Source	Rating
Allmusic	[2]
Robert Christgau	(A−)[3]
Entertainment Weekly	(A−)[4]
PopMatters	(mixed)[5]
Pitchfork Media	(3.8/10)[6]
Rolling Stone	[7]
Blender	[8]
Vibe	[9]
Q Magazine	[10]
Mixmag	[11]
NME	[12]
Spin	[13]
Billboard	[14]
Alternative Press	[15]

Rooty was well-received critically. Allmusic gave it 5 out of 5 stars, calling it "so raw you can't believe they spent over an hour per track, so perfect you're glad they stopped noodling about long before most producers would, and so poppy they should get picked up by commercial radio in America as well as the rest of the world".^[2] Entertainment Weekly gave it an A- grade and called the album "where heart and feet meet and lovingly coexist".^[4] Billboard said the album "revels in exploiting rhythms that shouldn't work—but definitely do".^[14] PopMatters' review was mixed, calling the album "either a brilliantly innovative record, or an unlistenable mess, depending on your point of view".^[5]

Pitchfork Media's review, however, was very negative. While calling band members Felix Buxton and Simon Ratcliffe "two of the weirdest, most innovative and talented house producers on the scene", the website wrote that "[Basement Jaxx] have taken kitsch too far", noting that the music is "often so tacky that it's impossible to stomach."^[6] However, Pitchfork would later name Rooty the 33rd best album of the 2000s.^[16]

Personnel[link]

• Felix Buxton – vocals and production
• Simon Ratcliffe – production and various instruments

References[link]

External links[link]

• Rooty at Allmusic

John Hubley (May 21, 1914 – February 21, 1977) was an American animation director, art director, producer and writer of traditional animation films known for both his formal experimentation and for his emotional realism which stemmed from his tendency to cast his own children as voice actors in his films.

Biography[link]

Hubley was born in Marinette, Wisconsin. In 1935, he gained a job as a background and layout artist at Disney, where he worked on such classic films as Snow White and the Seven Dwarfs, Pinocchio, Dumbo, and Bambi, as well as "The Rite of Spring" segment from Fantasia.

On February 25, 1939, the famous architect Frank Lloyd Wright visited the studio, and brought with him a copy of the Russian animated movie The Tale of the Czar Durandai (1934), directed by Ivan Ivanov-Vano, which he showed to the artists, among them Hubley. Wright thought that the different style and design, that was very different from the typical Disney animation, would inspire and give the animators new ideas. Hubley liked what he saw and was influenced by it. He left the company during Disney animators' strike in 1941, and found work directing films for Screen Gems and the Army's First Motion Picture Unit until he joined United Productions of America which was founded by Stephen Bosustow, Zack Schwartz, Dave Hilberman and former Disney animator Ub Iwerks. UPA soon became known for their highly stylized designs and limited animation.

In 1949 he was the creator of the Mr. Magoo cartoon character, based on an uncle, and directed the first Magoo cartoon with Jim Backus (later in Gilligan's Island) voicing Magoo.

He was forced to leave UPA in 1952 when he refused to name names before the House Committee on Un-American Activities. He founded Storyboard Studios the next year and worked on commercials (where he would not be credited) such as creating the Marky Maypo character,^[1] but was forced to turn down more exciting projects (such as an adaptation of Finian's Rainbow) because his name was still blacklisted. He moved his studio to New York in 1955, where he switched production over to independent short films.

Hubley was the originally the director of Watership Down, until his death which caused producer Martin Rosen to take over. Some of his work, including the opening sequence, remaining in the final version.

He married Faith Elliott (September 16, 1924 – December 7, 2001) the same year as the studio's move, and they collaborated on nearly every film he made until his death in 1977 at age 62 during heart surgery; their final production was A Doonesbury Special (with creator Garry Trudeau), which aired on NBC in November of that year. Faith and their four children carried on his legacy in the renamed Hubley Studios. Hubley is survived by his daughters Georgia Hubley, who plays drums and sings for the rock band, Yo La Tengo as well as Emily Hubley, a filmmaker and animator, who has made numerous short films, including animated inserts and segments for documentaries such as Blue Vinyl and the film version of Hedwig and the Angry Inch, and a feature called The Toe Tactic (www.thetoetactic.com) which combines live action and animation. Their two other children were Mark and Ray Hubley, whose voices were used for the Academy Award for Best Animated Short Film-winning Moonbird.

Filmography[link]

Screen Gems[link]

• Wolf Chases Pigs (1942)
• Old Blackout Joe (1942)
• The Dumbconscious Mind (1942)
• King Midas, Junior (1942)
• The Vitamin G-Man (1943)
• Professor Small and Mister Tall (1943)
• He Can't Make It Stick (1943)

UPA[link]

• Flat Hatting (1944)
• Robin Hoodlum (1948)
• The Magic Fluke (1949)
• Ragtime Bear (1949)
• Spellbound Hound (1950)
• Punchy de Leon (1950)
• Gerald McBoing-Boing (1951)
• Fuddy Duddy Buddy (1951)
• Rooty Toot Toot (1952)

Storyboard Studios[link]

• Adventures of an * (1956)
• Harlem Wednesday (1957)
• A Date with Dizzy (1958)
• Tender Game (1958)
• Moonbird (1959)
• The Tale of Old Whiff (1959)
• Children of the Sun (1960)
• Of Stars and Men (1961)
• The Hole (1962)
• The Hat (1963)
• A Herb Alpert and the Tijuana Brass Double Feature (1966)
• Urbanissimo (1966)
• Windy Day (1967)
• Of Men and Demons (1968)
• Zuckerkandl (1969)
• Sesame Street ("Imagination E", 1969)
• Sesame Street ("O Song", 1969)
• Sesame Street ("Polar Bear & Exit", 1970)
• Sesame Street ("Small V", 1970)
• Eggs (1970)
• Sesame Street ("F for Football", 1971)
• Sesame Street ("Baby Fantasy", 1971)
• Sesame Street ("Birds 1-20", 1971)
• Sesame Street ("Penguin Rhythms", 1971)
• Sesame Street ("Hungry M", 1971)
• Dig (1972)
• Sesame Street ("Letter S", 1972)
• Cockaboody (1973)
• Voyage to Next (1974)
• People, People, People (1975)
• Everybody Rides the Carousel (1976)
• Second Chance: Sea (1976)

National Film Board of Canada[link]

• The Cruise (1966)

Notes[link]

External links[link]

• John Hubley at the Internet Movie Database
• Moma Exhibition – The Hubley Studio: A Home for Animation

James Lavelle (born 1974 in Oxford, United Kingdom) is a DJ, electronic recording artist and record label boss.

Early years[link]

Born into a family with a strong tradition of music, Lavelle first began by learning the cello with his grandmother in Oxford.

Music career[link]

While attending Cherwell Upper School, Lavelle's music career started at 15 when he ran block parties in Oxford. At only 18 he started the Mo' Wax label, taking the name from his club night at the time, Mo' Wax Please. Around the same time he started the That's How It Is night with Gilles Peterson, which went on to become one of London's longest running nights.

In 1996 Mo' Wax released one of electronic music's most celebrated albums, DJ Shadow's seminal Endtroducing...... Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow-up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full time member of UNKLE. It featured collaborations with 3D of Massive Attack and Josh Homme of Queens of the Stone Age among others.^[1]

He is a long time resident at Fabric in London, mixing the inaugural Fabric Live mix album.^[2] He has also mixed three DJ mix albums for Global Underground.

He has produced a number of film soundtracks, including Sexy Beast. Also an in demand remixer, he has reworked tracks by Garbage, The Verve, Beck and Massive Attack.^[3]

In an August 2006 interview with The Skinny, Lavelle revealed that he was working with Chris Goss and Autolux on the follow-up to Never, Never, Land, entitled War Stories. Of the album's direction, he said “It’s rawer than '‘Psyence Fiction’' and Never, Never, Land although it’s more in the vein of the traditional singer/songwriter. If the first record was UNKLE does hiphop and the second record was UNKLE does electronic, then this one is like UNKLE does rock, but it’ll hopefully still have its continuity.”^[4]

He has recently finished working alongside his brother Aidan Lavelle on the soundtrack for the movie of the popular sci-fi series The X Files.

Lupe Fiasco mentions Lavelle along with DJ Shadow in the single "Superstar."

In 2010, he released another UNKLE album called Where Did the Night Fall with numerous collaborators such as Gavin Clark and Mark Lanegan.

Selected discography[link]

UNKLE[link]

• Psyence Fiction (1998)
• Never, Never, Land (2003)
• Edit Music for a Film: Original Motion Picture Soundtrack Reconstruction (2005)
• Self Defence: Never, Never, Land Reconstructed and Bonus Beats (2006)
• War Stories (2007)
• More Stories (2008)
• End Titles... Stories For Film (2008)
• Where Did the Night Fall (2010)

Mix albums[link]

• Cream Live Two - Disc 3 (1996)
• Tribal Gathering 96 - Disc 3 (1998)
• FabricLive.01 (2001)
• GU023 Global Underground, Barcelona (2002)
• Do Androids Dream of Electric Beats? (2003)
• Do Androids Dream of Essential Beats? (2003)
• WWIII - UNKLEsounds vs. U.N.K.L.E. (Bootleg) 2004)
• GU026 Global Underground, Romania (2004)
• Big Brother is Watching You (Bootleg of Do Androids Dream of Essential Beats) (2005)
• GU037 Global Underground, Bangkok (2009)

Quotes[link]

• "I became a DJ because I couldn't breakdance and I was no good at graffiti."
• "I'm into a whole concept, it's a whole scene. I'm totally involved in it. We cover hip-hop fused music. We want to do this rock hip-hop thing. We are gonna launch a mad hip-hop/thrash fused band, a young Beastie Boys kind of thing. I'm into the total energy of the Beasties and that whole kind of skate thing. I want that energy and total madness surrounding the whole idea."
• On Mo' Wax: "We put out 200 records in 4 or 5 years, I don’t think I’d ever be able to do that again. I don’t think I could ever work like that again, it was just insane."^[5]

References[link]

External links[link]

• Inspiring interview about James Lavelle's creative journey by SUBvert magazine
• James Lavelle discography at MusicBrainz

DJ Shadow
Background information
Birth name	Joshua Paul Davis
Also known as	Josh Davis
Born	(1972-06-29) June 29, 1972 (age 39) San Jose, California, U.S.
Origin	Davis, California, U.S.
Genres	Hip hop, Hyphy, Plunderphonics, instrumental hip hop, trip hop, turntablism, electronic
Occupations	Producer, DJ
Instruments	Keyboards, turntables, sampler, synthesizer
Years active	1989–present
Labels	Mo'Wax Quannum Projects Solesides MCA Universal Verve
Associated acts	UNKLE The Quannum Collective Cut Chemist
Website	djshadow.com

Joshua Paul "Josh" Davis (born June 29, 1972)^[1][2] better known as DJ Shadow is an American music producer, DJ and songwriter. He is considered a prominent figure in the development of instrumental hip hop and first gained notice with the release of his highly acclaimed debut album Endtroducing....., which was the first album to be recorded using only sampled sounds.^[3] He has an exceptionally large personal record collection, with over 60,000 records.^[4] He is the cousin of singer and guitarist Richie Kotzen.

History[link]

Early years[link]

DJ Shadow was experimenting with a four-track recorder while in high school in Davis, California, and began his music career as a disc jockey for the University of California, Davis campus radio station KDVS. During this period he was significant in developing the experimental hip hop style associated with the London-based Mo' Wax record label. His early singles, including "In/Flux" and "Lost and Found (S.F.L.)", were genre-bending works of art merging elements of funk, rock, hip hop, ambient, jazz, soul, and used-bin found records. Andy Pemberton, a music journalist writing for Mixmag, coined the term "trip hop" in June 1994 to describe Shadow's "In/Flux" single and similar tracks being spun in London clubs at the time.^[5] Though his music is hard to categorize, his early contributions were certainly important for alternative hip hop. He cited groups such as Kurtis Mantronik, Steinski, and Prince Paul as influences on his sample-based sound, further claiming that "lyrics (...) were confining, too specific". His music rarely features more than short clips of voices or vocal work.^[6]

During 1991-1992, DJ Shadow remixes were released on Hollywood BASIC, a short-lived rap/hip-hop subsidiary label of Hollywood Records. Notable amongst these is a 1992 compilation release titled "BASIC Beats Sampler",^[7] which features a remix of The Real Deal, a song by Lifers' Group, as well as a 12-plus-minute "Mega Mix" of the rest of the album, including tracks by west-coast underground hip-hop act, Raw Fusion and east-coast acts, Organized Konfusion and Zimbabwe Legit. Also in 1992, Shadow contributed scratching and production work to Sleeping with the Enemy, the controversial second release by rapper Paris.

Early in 1993, Shadow was a part of the creation of the Solesides underground hip-hop label, in conjunction with Blackalicious and Lyrics Born (whose stage name at the time was Asia Born). The first 12" release on this new imprint was titled "Entropy",^[8] with the A-side containing the Asia Born track "Send Them" and a dub rendition of the DJ Shadow track "Count and Estimate", and the entire B-side consisting of the 17-plus-minute title track. Rapper Gift of Gab is featured in the version of "Count and Estimate" that appears in Entropy. Shadow continued to participate in releases on the Solesides label for years to come, until the label was disbanded in 1996 in favour of Quannum Projects.

Also in 1993, Mo' Wax's James Lavelle contacted Shadow about releasing "In/Flux" on the fledgling imprint. The association with Mo' Wax was a productive one; his tracks "In/Flux" and "Lost and Found" made their way onto a number of releases over the next few years. Shadow also worked with DJ Krush during this period. On a 1995 visit to the Mo' Wax studios in London, England, Shadow was recruited to perform scratches on a James Lavelle and Tim Goldsworthy mix of the Massive Attack song Karmacoma.^[9]

[edit] Endtroducing.....

Shadow's first full-length work, Endtroducing....., was released in late 1996 to critical acclaim. Endtroducing would go on to make the Guinness World Records book for "First Completely Sampled Album" in 2001.^[10] The only pieces of equipment Shadow used to produce the album were the AKAI MPC60 12-bit sampling drum machine, a pair of turntables and a borrowed-by-visiting Pro Tools setup from an early adopter of the technology, Dan "The Automator" Nakamura. In November 2006 Time magazine named it one of its "All-Time" 100 best albums.^[11]

[edit] Preemptive Strike

In 1998 Shadow released Preemptive Strike, a compilation of early singles. Later that year, he produced Psyence Fiction, the debut album by Unkle, a long-time Mo' Wax production team that featured guest appearances including Thom Yorke (Radiohead), Richard Ashcroft (The Verve), Mike D (Beastie Boys), Kool G. Rap, Jason Newsted (Metallica) among others.

[edit] Dark Days

Around 2000 he produced the score for the documentary Dark Days filmed by British director Marc Singer. This film is about a community of transients who live underground in a subway tunnel. It has six award wins in various competitions.^[12]

[edit] The Private Press

Nearly six years after his debut production album, his second album, The Private Press, was released in June 2002. In the same year^{[clarification needed]}, the movie Scratch (2001, Doug Pray) was released to DVD with DJ Shadow appearing several times throughout the movie. A video for his track "Six Days" was also released in 2002, directed by Wong Kar-wai. The album was mixed by Jim Abbiss.

[edit] In Tune and on Time

In 2004, Shadow's first feature-length DVD, In Tune and on Time, was released. It features a live performance in London that emphasizes visuals.

[edit] The Outsider

The Outsider album was released on 18 September 2006. A special edition CD box set was also released containing The Outsider, the album on CD and a DVD entitled Tour Visuals. The Outsider, which prominently featured several artists from the local San Francisco Bay Area hyphy hip hop movement, got a mixed welcome among Shadow's fans. Responding to criticisms, the DJ/producer explained on his blog why he made no apologies: "Repeat Endtroducing over and over again? That was never, ever in the game plan. Fuck that. So I think it's time for certain fans to decide if they are fans of the album, or the artist."^[13][14] DJ Shadow has also collaborated with fellow DJ Cut Chemist. Together they have created three popular mixtapes entitled Brainfreeze, Product Placement, and the recent The Hard Sell. These mixes fuse jazz, funk, and soul in the framework of a cohesive concept. He has also collaborated with several other artists, including Blackalicious, Zack de la Rocha, Keak Da Sneak, Mos Def, David Banner, and Dr. Octagon, an alter ego of Kool Keith.

In 2006, he signed a deal with Universal Records. DJ Shadow and Cut Chemist toured in 2008 in support of their mixtape The Hard Sell with Kid Koala opening for them.

[edit] Diminishing Returns

Diminishing Returns was a 2-hour DJ Mix originally broadcast on BBC Radio 1 on March 29, 2003. It was released in 2003 on CD in a pressing limited to 1000 copies on the Reconstruction Productions label.^[15] Reconstruction Productions reissued the album in 2009 with a sticker stating "official, last chance limited edition, re-release".^[16]

[edit] The Less You Know, the Better

During Shadow's Outsider 2007 tour, he was spotted filming with Dean Fernando (aka "DINO") as reported on Shadow/Quannum fansite Solesides. On April 1, 2009, DJ Shadow announced on his Facebook page that he was working on a Diminishing Returns re-release.

On March 7, 2009, Shadow announced that he was working on new music. Though no release date was given, he assured, "It will sound different from the last one."^[17] DJ Shadow released a track from the new album called "Def Surrounds Us" as a preview. During his gig in Antwerp in August 2010, he played some tracks from the new album, although he stated that it was not yet ready and that he would continue working toward having it ready in time for his 2011 tour.

On May 10, 2011, Shadow confirmed via his Facebook page and official website that his new album, titled The Less You Know, the Better, was finished and that it would be released the following September on Verve/Universal.^[18] The same day, he also released a EP called I Gotta Rokk featuring remixed tracks from the forthcoming album. A second single "I'm Excited" was also released, featuring Afrikan Boy, on July 29, 2011. However the single was pulled because of copyright infringement.^[19] The infringement also delayed the album's release. Another song from the album, titled "Warning Call," featuring Tom Vek, was released on 7 September 2011, and was featured as a free download on the official DJ Shadow Facebook page. Shadow announced on September 30, 2011 via Twitter that The Less You Know, the Better would be released on a 3xUSB format.

The artwork for this album, the associated singles and promotional material was done by Tony Papesh, an artist from San Francisco, California.^[20] The album was mixed by Jim Abbiss

Studio and equipment[link]

The book Behind the Beat documents Shadow's home studio (named "Reconstruction") through photos and a brief description (as of 2005).^[21] It is "nestled within a leafy San Francisco suburb"^[21] and Shadow apparently moved to the area "to be closer to the local record store".^[21] It also states that "Shadow only keeps a small selection of vinyl at home with the rest occupying storage units around town".^[21] His equipment as of 2005, according to Behind the Beat, consists of two Akai MPC 3000s and a Korg Triton.^[21] His album Endtroducing was "created on an AKAI MPC60 and an ADAT".^[21]

Sampling[link]

DJ Shadow's reputation is largely built on the skill with which he manipulates samples, taking rare and unheard pieces of music and reworking them into parts and phrases for his songs. Many of his tracks feature dozens of samples from a wide array of styles and influences including rock, soul, funk, experimental, electronic and jazz. Shadow famously sampled American composer David Axelrod twice: the piano in "Midnight In A Perfect World" from 1996's Endtroducing was originally recorded for Axelrod's "The Human Abstract"; and on his collaboration with DJ Krush, "Duality", sampling Axelrod's "The Warnings" (Part 1). Although Shadow currently uses fewer samples than on his earlier albums, several examples feature on 2006 album, The Outsider. His collaboration with David Banner, "Seein' Thangs", features a synthesizer and vocals from Cecilia's "Crimson Red" and "Outsider Intro" includes an excerpt from Ron Geesin's "Concrete Line Up" from the 1973 album, As He Stands.^[22]

Discography[link]

• Endtroducing..... (1996)
• Preemptive Strike (1998)
• The Private Press (2002)
• The Outsider (2006)
• The Less You Know, the Better (2011)

References[link]

External links[link]

Wikimedia Commons has media related to: DJ Shadow

• Official website
• Quannum Projects
• Solesides
• DJ Shadow discography at Discogs

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2008)

Junaid Jamshed (Urdu: جنید جمشید; born September 3, 1964) is a Pakistani recording artist who gained fame as the frontman of the pop group, Vital Signs in 1987 with the hit song, "Dil Dil Pakistan", and remained in demand throughout the 1990s. In 1994, he released his debut solo album, Junaid of Vital Signs, which also quickly became a national hit, followed by Us Rah Par in 1999 and Dil Ki Baat in 2000

Since then, he has focused on Islam and concentrated on reciting nasheeds. His debut religious album, Jalwa-e-Janan was released in 2005 and was followed by Mehboob-e-Yazdaan in 2006, Badr-ud-Duja in 2008, and Badee-uz-Zaman in 2009. He also runs a boutique with the name "J.", read as "Jay Dot", which has several outlets all over Pakistan.

Early life and education[link]

Junaid Jamshed is the son of Pakistan Air Force Group Captain (retired) Jamshed Akber Khan and Nafeesa Akber Khan.^[1] Jamshed wanted to join Pakistan Air Force as a fighter pilot. He studied pre-engineering before joining University of Engineering and Technology, Lahore where he completed his university degree, graduating in 1990.^[2] Despite joining the Pakistan Air Force, he moved on to a career in Aeronautical Engineering due to his weak eyesight.^[3]

Music career[link]

Vital Signs[link]

Though the band Vital Signs was launched in early 1986 in Rawalpindi by record producer Rohail Hyatt and bassist Shahzad Hasan (Shahi), it wasn't until later when Jamshed, then a young aeronautical engineering student from Lahore, joined them as their lead singer.^[4] Though their debut hit single, "Dil Dil Pakistan", released on 14 August 1987, skyrocketed them into fame, the song's success was not seen by him as something that would turn him into a professional musician. Jamshed, who wanted to become a professional engineer, initially didn't want to have anything to do with music other than just treating it as a hobby.^[4]

However, Rohail and Shahzad soon managed to convince him otherwise.^[5] After a string of chart-topping songs and albums, the band split in 1994 and Jamshed began a solo career, achieving increasing commercial success.^[6]

Solo career[link]

Jamshed performing in a 2009 concert

Jamshed released his first solo album, Junaid of Vital Signs in 1994. The album's name was later changed to Tumhara Aur Mera Naam. This was followed by Us Rah Par in 1999. Us Rah Par went on to become one of the best selling albums of that year. The album included several tracks which were released as singles which became popular. They included such songs as, "Us Rah Par", "Na Tu Ayegi", "Aankhon Ko Aankhon Ney" and "O Sanama". In 2000, Jamshed released his next album, The Best of Junaid Jamshed, which contained remixes of some of the hit singles of the Vital Signs era. His last solo album, Dil Ki Baat, was released in 2001.

In 2003, BBC World Service conducted an international poll to choose ten most famous songs of all time. Around 7000 songs were selected from all over the world. According to BBC, people from 155 countries/territories voted in the poll. "Dil Dil Pakistan" was ranked third among the top 10 songs.^[7]

In 2004, Jamshed renounced music and devoted his life to Islam.^[8] To supplement his income, he opened a clothing store "J.", selling Khaadis (a form of Kurta-Shalwar).

Influence[link]

In 1987, Jamshed took Pakistani media by storm with his band's hit patriotic number "Dil Dil Pakistan", viewed as one of the most popular songs of all time.{{by whom|date=November 2011}http://www.bbc.co.uk/worldservice/us/features/topten/} This was a turning point in Pakistan's music history which ushered in a new era of pop music. Fourteen years later, he announced his retirement from music^[4] and devoted a significant amount of his time to religious preaching.^[9] Jamshed now sings Urdu and English nasheeds.

Charity work[link]

Jamshed is also actively involved in charity work and has been associated with the NGO Muslim Charity since 2003. Under the leadership of Jamshed, Muslim Charity has made a significant impact since then, and which has in the last few years and expanded its operations to 17 countries.^{[citation needed]}

Discography[link]

With Vital Signs[link]

• 1989: Vital Signs 1
• 1991: Vital Signs 2
• 1993: Aitebar
• 1995: Hum Tum

Solo Pop Albums[link]

• 1994 - Junaid of Vital Signs (تمہارا اور میرا نام), renamed Tumhara Aur Mera Naam
• 1999 - Us Rah Par (اس راہ پر)
• 2000 - The Best of Junaid Jamshed
• 2001 - Dil Ki Baat (دل کی بات)

[edit] Nasheed Albums^[10]

• 2005 - Jalwa-e-Janan (جلوہ جاناں) (English: The Sight of the Beloved)
• 2006 - Mehbob-e-Yazdan (English: The Beloved of God)
• 2007 - Badr ud Duja (English: The Night's Full Moon)
• 2008 - Yad-e-Haram
• 2009 - Rehmat Ul Lil Aalamin
• 2009 - Badi uz Zaman (English: the wonder of the age)
• 2010 - Hadi Ul Anaam (English: The Guide To The World)

See also[link]

• Vital Signs

Dil Badal de

References[link]

External links[link]

Wikimedia Commons has media related to: Junaid Jamshed