- published: 17 Apr 2009
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WTVS, virtual channel 56 (UHF digital channel 43), is a PBS member television station located in Detroit, Michigan, United States. The station is owned by the Detroit Educational Television Foundation. WTVS maintains studio facilities and offices located at the Riley Broadcast Center and HD Studios in Wixom, with a satellite studio located at the Maccabees Building in Midtown Detroit; its transmitter is located at 8 Mile and Meyers Road in Oak Park (operating on the same tower as WMYD, channel 20, and WWJ-TV, channel 62).
The station partners with Detroit Public Schools in the management of classical and jazz music station WRCJ-FM (90.9). WTVS is also one of only three Detroit stations that mention Windsor and London, Ontario, Canada as part of its primary service area (alongside WDIV-TV, channel 4, and WMYD).
The station first signed on the air on October 3, 1955; WTVS began broadcasting in color in 1968. Previously the studios were in the New Center area of Detroit which are now served for its fixed satellite services. WTVS broadcasts its digital signal from the same tower as at a height of 1073 feet (327 m). Prior to the digital TV switchover, WTVS transmitted its signal from a 1,000-foot (300 m) tower located near the intersection of 11 Mile and Inkster Roads in Southfield, along with WMYD (channel 20) and WKBD-TV (channel 50). Today, only WKBD-TV and WPXD-TV (channel 31) broadcast from that tower.
Station identification (ident, network ID or channel ID) is the practice of radio or television stations or networks identifying themselves on-air, typically by means of a call sign or brand name (sometimes known, particularly in the United States, as a "sounder" or "stinger", more generally as a station or network ID). This may be to satisfy requirements of licensing authorities, a form of branding or a combination of both. As such, it is closely related to production logos used in television and cinema, alike.
Station identification used to be done regularly by an announcer at the halfway point during the presentation of a television program, or in between programs.
Idents are known as a montage in Thailand, and as an interlude in Cambodia and Vietnam.
Station IDs in the Philippines differ from the original concept. Instead of a way to identify television networks, these are presented in the form of music videos that represent the season in which the ident is aired during, which consist of tag-init (summer season), tag-ulan (rainy season), and Pasko (Christmas season). Station IDs in the Philippines runs for three to six minutes depending on the television station. The longest station ID is "Thank You Ang Babait Ninyo", which was used by ABS-CBN as a Christmas ID in 2014, lasting for ten minutes and 36 seconds. However, ABS-CBN, alongside some networks (i.e. UNTV, RPN, IBC, and PTV), also releases CGI-animated station IDs, not yearly but sporadically.
Channel 56 refers to several television stations:
The following television stations operate on virtual channel 56 in Canada:
The following television stations broadcast on analog channel 56 (UHF frequencies covering 723.25-727.75 MHz) in Mexico:
The following television stations operate on virtual channel 56 in Mexico:
The following low-power television stations broadcast on analog channel 56 in the United States:
WTVS - Final Sign Off - April 16, 2009
WTVS Channel 56, Detroit MI - Sign-Off recorded in 1992.mpg
WTVS 2008 Station ID #1
1993 WTVS Commercials
WTVS October 19, 1991 Long Station ID
"Paul Winter" (Saul Wineman): WTVS (Detroit Public Television)
WTVS Detroit Station ID (1995, High Quality, with Fanfare, HDV 720p)
WTVS / WTVS / CPB (1992)
WTVS Detroit: 1980 Pledge Drive Coverage
WTVS Ident from 1990
WTVS Channel 56, Detroit Public Television, Detroit, MI. Today, WTVS signed off the air for the final time on Channel 56. Their digital chanel remains going on channel 43. A classy sign off with the national anthems, including the Canadian one, a slight rarity for a US station, perhaps a nod to its being on an international boundary or its siginificant cable coverage and contributions to and from Canada.
A late Saturday night sign-off of Detroit's Public Broadcasting Service (PBS) member station. At the time, WTVS was one of a few PBS stations that was on the air 24 hours a day, with the exception of early Sunday mornings. The clip commences with the closing moments of The Lonesome Pine Specials, which is followed by PBS promos for Austin Citry Limits and two Ken Burns documentaries, Brooklyn Bridge and Empire Of The Air. The WTVS sign-off follows, rendered by the late Paul Winter, the long-time voice of WTVS. The announcement is two and a half minutes long and is chock full of technical information. Following is the national anthems for both Canada and the United States. The SSB film was produced by the State of Michigan to commemorate its 150th anniversary. After 45 seconds of black scre...
Here's a long version of the "Circle 56" station ID of WTVS as seen on October 19, 1991 before 11:30 pm ET, when an episode of "Doctor Who" from the 1980s was due up.
And there has high-quality i found to this logo when of flash version because had audio from a reverb was improved. i own nothing UNIVERSAL DISCLAIMER IN POEM FORM: All credits go to their respective owners whoever they may be and all the IVE logos are the only things from me! (C) 2015-2016 The Kyoobur Company All Right Reserved.
Originally aired on a Saturday evening sometime during the Spring of 1980. WTVS is the PBS affiliate in Detroit, Michigan. Shown here is station manager Jack Hall and Aggie Scott director of development leading the pledge drive. Interesting footage and graphics.
I said man, can you help me out?
Bring me back to love
Bring me back to life
Oh why should I care?
I said how, could you keep me out?
Without a wish to share
So without a doubt
Oh why should I care?
Well we have been warned
It's a classic sign
It's a wicked mind
With an axe to grind
Oh when is it our, our turn
So why should we care, care, care?
Yeah we have been warned
It's a classic sign
Why should we care?
If this is our last summer
Oh then why should we care?
If this could be our last summer