The East River is a tidal strait in New York City. It connects Upper New York Bay on its south end to Long Island Sound on its north end. It separates Long Island (including the boroughs of Queens and Brooklyn) from the island of Manhattan and the Bronx on the North American mainland. In reference to its connection to Long Island Sound, it was once also known as the Sound River.

The strait was formed approximately 11,000 years ago at the end of the Wisconsin glaciation. The distinct change in the shape of the strait between the lower and upper portions is evidence of this glacial activity. The upper portion (from Long Island Sound to Hell Gate), running largely perpendicular to the glacial motion, is wide, meandering, and has deep narrow bays on both banks, scoured out by the glacier's movement. The lower portion (from Hell Gate to New York Bay) runs north-south, parallel to the glacial motion. It is much narrower, with straight banks. The bays that exist (or existed before being filled in by human activity), are largely wide and shallow.

Grover Washington, Jr. (December 12, 1943 - December 17, 1999) was an American jazz-funk / soul-jazz saxophonist. Along with George Benson, John Klemmer, David Sanborn, Bob James, Chuck Mangione, Herb Alpert, and Spyro Gyra, he is considered by many to be one of the founders of the smooth jazz genre.^{[citation needed]} He wrote some of his material and later became an arranger and producer.

Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits, including "Mister Magic," "Reed Seed," "Black Frost," "Winelight," "Inner City Blues" and "The Best is Yet to Come". In addition, he performed very frequently with other artists, including Bill Withers on "Just the Two of Us" (still in regular rotation on radio today), Patti LaBelle on "The Best Is Yet to Come" and Phyllis Hyman on "A Sacred Kind of Love". He is also remembered for his take on the Dave Brubeck classic "Take Five", and for his 1996 version of "Soulful Strut".

Washington had a preference for black nickel-plated saxophones made by Julius Keilwerth. These included a SX90R alto and SX90R tenor. He also played Selmer Mark VI alto in the early years. His main soprano was a black nickel plated H.Couf Superba II (also built by Keilwerth for Herbert Couf) and a Keilwerth SX90 in the last years of his life.

Laurie Spiegel (born September 20, 1945 in Chicago) is an American composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software Music Mouse. She also plays the guitar and lute.

Spiegel was seen by some as a pioneer of the New York new-music scene. She withdrew from this scene in the early 1980s, believing that its focus had shifted from artistic process to product. While she continues to support herself through software development, Spiegel aims to use technology in music as a means of furthering her art rather than as an end in itself. In her words, "I automate whatever can be automated to be freer to focus on those aspects of music that can't be automated. The challenge is to figure out which is which."

Spiegel's realization of Johannes Kepler's "Harmonices Mundi" was chosen for the opening track on the "Sounds of Earth" section of the golden record placed on board the Voyager spacecraft in 1977. Her piece called "Sediment" was used in the "cornucopia scene" of the 2012 movie The Hunger Games.

Jeffrey Lewis (born November 20, 1975 in New York City) is an American singer/songwriter and comic book artist.

Lewis attended State University of New York at Purchase and graduated in 1997 with a degree in Literature. His Senior Literary Thesis was on the comic book Watchmen.

Lewis also lectured on the topic of Watchmen at the Institute For Cultural Studies at the University of Leuven, Belgium, in 2000, and the text of his lecture ("The Dual Nature of Apocalypse in Watchmen") was published in the book The Graphic Novel, edited by Jan Baetens, in 2001.

Starting in 2000, he spent about 2 years living in Austin, Texas, playing open mic nights, working odd jobs and distributing his autobiographical comics to local coffee shops.

Several of his musical influences have been acknowledged in his songs such as "Williamsburg Will Oldham Horror", "The History of The Fall" and "The Chelsea Hotel Oral Sex Song", concerning the song by Leonard Cohen. Lewis' lyrics are complex and literate, often combining a nihilistic world-view with a hopeful message and sharp wit. Growing up on the Lower East Side of Manhattan Island his songs are also highly informed by his home surroundings, with songs name-dropping places such as Williamsburg, the FDR Drive and the East River.

Robert Dennis Crumb (born August 30, 1943)—known as Robert Crumb and R. Crumb—is an American artist, illustrator, and musician recognized for the distinctive style of his drawings and his critical, satirical, subversive view of the American mainstream.

Crumb was a founder of the underground comix movement and is regarded as its most prominent figure. Though one of the most celebrated of comic book artists, Crumb's entire career has unfolded outside the mainstream comic book publishing industry. One of his most recognized works is the "Keep on Truckin'" comic, which became a widely distributed fixture of pop culture in the 1970s. Others are the characters Devil Girl, Fritz the Cat, and Mr. Natural.

He was inducted into the comic book industry's Will Eisner Comic Book Hall of Fame in 1991.

Robert Crumb was born on August 30, 1943 in Philadelphia, Pennsylvania. He is of English and Scottish ancestry, and is related to former U.S. president Andrew Jackson on his mother's side. His father, Charles, was a career officer in the United States Marine Corps; his mother, Beatrice, a housewife who reportedly abused diet pills and amphetamines. Their marriage was unhappy and the children — Robert, Charles, Maxon, Sandra and Carol — were frequent witnesses to their parents' loud arguments.