Rod Serling on Erich von Däniken

planet-of-apes-01_01While shopping at a local vintage toy shop last week, I happened upon the first issue of Marvel’s Planet of the Apes magazine from way back in 1974. It was somewhat tattered and obviously well-read but I still thought that the $5.00 asking price was more than fair. It’s a great read even now, full of original material including comic stories and articles. The interview entitled “Rod Serling Recalls” is probably my favorite piece in the issue, as it not only discusses Serling’s work in writing the screenplay for Planet of the Apes, but also touches on some of his  lesser-known projects, including the 1973 American television version of the documentary Chariots of the Gods. Erich von Däniken’s book Chariots of the Gods?, which was the basis for the documentary, was one of my favorite books as a kid and I was interested to know Serling’s opinion on von Däniken’s research and assertions. Here’s the relevant excerpt:

Did Rod have any thoughts about the theories expressed in Erich von Däniken’s controversial bestseller Chariots of the Gods? (Serling did the narration for the TV version.) “I believe much of it. Some of it I will take in a neutral fashion. I’ll say, ‘I’m not sure you’re right. But somebody else give me something else by way of a projection.’ I feel much of what he said can be put to scientific test and found pretty valid!

“The most negative reaction has come from theologians! They hate it. Because obviously everything von Däniken suggests by way of theory — evolutionary and otherwise — goes very much against the New Testament. So when you read a book like Crash Go the Chariots, which was supposed to be the definitive knockdown of the von Däniken book, you look at the critic’s credits! He’s written nothing but theological books. What he’s defending is the Mother Church. So his rebuttal to von Däniken is subject to considerable thought and second-guessing.”

The entire interview with Serling, as well as the full contents of the UK edition of Planet of the Apes #1 is available as a PDF via Hunter’s Planet of the Apes Archive.

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Whither “revisionism”?

Marxist circles on the Internet are some of the scrappiest neighborhoods in cyberspace. It turns out that lefites, when critiquing one another, are almost as dysfunctional as the kind of keyboard warriors who inhabit the so-called “Internet Wrestling Community,” except that Marxist-types are busy arguing about stuff like who was responsible for ruining the USSR while the IWC dudes debate over who was the worst WCW champion ever—David Arquette or Vince Russo. Both questions are valid ones, for sure. But in the broad scheme of things, they’re better treated as “thought exercises” rather than the kind of issues that have simple, objective and definitive answers. (Besides, everyone knows the answer to the latter question is Russo.)

If any leftists are still reading this after suffering through that wrestling reference, don’t worry; I’m getting get back to the political side of things now. See, it used to be that the most often-used pejorative term amongst Marxists online was the word “sectarian”—in all its various and sundry terms. These days, it seems the best way to roundly condemn a person, a group or a political line is to denounce thebrezhnevitem as “revisionist.” But revisionism is too often a term that is subject to broad interpretation among political lines and, consequently, its meaning in a general sense (as well as its most appropriate applications) become easily distorted. Tom Bottomore’s A Dictionary of Marxist Thought provides an overview of revisionism that, while not completely devoid of problematic language (such as use of the word “courageous” to describe anti-Soviet opposition forces), offers a well-researched foundation that serves as suitable platform for further discussion and analysis of the term.

Presented below is the full text of the aforementioned definition, penned by David Coates for the first edition of A Dictionary of Marxist Thought. The definition is provided in its entirety, including all quod vide suggestions, in-text citations and references.


revisionism   Revisionism can be understood in a narrow or a wide sense. At its widest it is integral to Marxist theory and practice, predicated as that must be on a social ontology which has ‘self creation through labour as the fundamental characteristic of being human’ (Gould 1978, p. xiv), and on an epistemology which has the knowing subject in a dialectical relationship of analysis and action with the object known (see DIALECTICS; KNOWLEDGE, THEORY OF). A body of inherited truths, frozen beyond revision by the pedigree of its authorship, ought to be wholly incompatible with such a tradition of scholarship and political practice; and particularly so under capitalism, where that system’s unique propensity to institutionalize perpetual change, and to create in the proletariat the agency of its own destruction, means that neither Marxist theory nor its associated political practice car afford to atrophy into a set of timeless axioms. It ought not to surprise us, therefore, that ever since 1883 the imperatives of a changing class structure and the ambiguous legacy of Marx himself have combined to make each major Marxist a revisionist by default. Lenin revise Marx. So did Luxemburg, Trotsky and Mao. Even Engels has been castigated as ‘the first revisionist’ by those who see in his interpretation of Marx’s writings the theoretical roots of a non-revolutionary political degeneration (Elliott 1967; Levine 1975).

bottomoreYet this serves to remind us that revisionism is rarely understood in so wide and so positive a way. Instead, as later Marxists became adept at legitimizing their own innovations by denying them and tracing instead a direct line of descent for them from Marx’s own writings, Marxism became canonized and revisionism gained a narrower, negative and shifting connotation. Before 1914, in the first general use of the term, revisionism became synonymous with ‘those writers and political figures who, while starting from Marxist premises, came by degrees to call in question various elements of the doctrine, especially Marx’s predictions as to the development capitalism and the inevitability of socialist revolution’ (Kolakowski 1978, vol. 11, p. 98). After 1945, in contrast, revisionism became a term of abuse used by Communist Parties to criticize the practices of other communist parties and to denigrate critics of their own policy, programme or doctrines. It is important to differentiate these two phases of the revisionist controversy, not least because in the first the term was used to protect the revolutionary current in the European labour movement from the rising tide of conservatism, while in the second it has been mobilized so often to defend a different type of conservatism from critics keen to return to a more independent and even at times revolutionary path. And yet in each period the term was meant to carry the same sense: of a break with the ‘truth’ contained in ‘scientific socialism’ (Marx’s own before 1917, Bolshevik orthodoxy thereafter) that carried with it the associated danger of a reformist political practice that could only reconstitute or consolidate capitalism (see REFORMISM).

It was certainly this danger of reformism that inspired Rosa Luxemburg to criticize Eduard Bernstein in the first major revisionist controversy, in the German Social Democratic Party (SPD) in the 1890s. The Marxism that Bernstein sought to revise was a highly deterministic one (see DETERMINISM) which argued the inevitability of capitalist crises, class polarization and socialist revolution. Bernstein challenged the philosophy underpinning these assertions, preferring a neo-Kantianism (see KANTIANISM AND NEO-KANTIANISM) that made socialism desirable without being inevitable. He challenged too the political strategy to which they gave rise, one that declined to pursue that parliamentary alliance with the liberal middle class and peasantry that he saw as crucial to the peaceful and gradual democratic transformation of capitalism. Against the predictions of SPD he offered his famous alternative: that peasants do not sink; middle class does not disappear; crises do not grow ever larger; misery and serfdom do not increase’, and argued instead that socialists should build a radical coalition on the more realistic premise that ‘there is increase in insecurity, dependence, social distance, social character of production, functional superfluity of property owners’ (quoted in Gay 1952, p. 250). It was this revision of Marx’s characterization of capitalism that was formally rejected by the SPD in 1903 but which in the end came to inspire the more moderate politics of the party in the Weimar Germany of the 1920s.

The subsequent use of the term has had a different focus and origin, serving mainly to discredit those who challenged the orthodoxy of STALINISM. Tito’s Yugoslavia was condemned as revisionist by the CPSU after 1948, and each side regularly condemned the other as revisionist during the long Sino-Soviet dispute from the late 1950s. Soviet leaders have regularly denounced as revisionist the repeated and courageous attempts of East European militants to humanize socialism there by moderating the political monopoly of the highly bureaucratized communist parties; and the recent attempts by certain Eurocommunists (see EUROCOMMUNISM) to find a third way to socialism in the advanced capitalist countries has been similarly condemned as revisionist by more orthodox comrades both in the West European communist parties and in Moscow.

Finally it should be noted that revisionism has also been a feature of the social democratic parties (see SOCIAL DEMOCRACY) that took the Bernsteinian route after 1917. Many of these parties reacted to prolonged capitalist prosperity after 1948 by removing elements of doctrine and programme that remained from their Marxist past (or in the British case, in the absence of such a past, from the socialist consensus of the Attlee period). A new generation of social democratic revisionists declared capitalism replaced by a mixed economy in which further nationalization was no longer necessary and where socialist parties were left only with the task of pursuing greater social equality within a Keynesian consensus. It has been the failure of that revisionism to cope with the return of capitalist crises in the 1970s that has prompted many left wing social democrats to adopt radical policies that are close to certain of the positions taken by Eurocommunism; and in this way revisionism within the communist movement, and the failure of a very different revisionism within social democracy, are starting to erode the divisions within the West European socialist movement that was set in train by the original revisionist debate of the 1890s.

-DC

Reading
Bernstein, E. 1899 (1961): Evolutionary Socialism.
Crosland, A. 1956: The Future of Socialism.
Elliott, C. F. 1967: ‘Quis Custodiet Sacra? Problems of Marxist Revisionism’. Journal of the History of Ideas, 28.
Gay, P. 1952: The Dilemma of Democratic Socialism: Eduard Bernstein’s Challenge to Marx.
Gould, C.C. 1978: Marx’s Social Ontology.
Haesler, S. 1969: The Gaitskellites: Revisionism in the British Labour Party.
Kolakowski, L. 1978: Main Currents of Marxism.
Labedz, L. 1962: Revisionism.
Levine: N. 1975: The Tragic Deception: Marx contra Engels.


Note: The above-noted selections are presented for purposes of commentary and criticism. No copyright on this material is claimed by this website or by anyone associated with it.

Excerpted material is from the following source:
Coates, David. “Revisionism” A Dictionary of Marxist Thought. Tom Bottomore, ed. Oxford: Basil Blackwell Publisher Limited, 1985. pp. 423-425.

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The Five Syllables or Less Review: Quiet Riot Live at the US Festival

Subject:
Quiet Riot. Live at the US Festival 1983. Shout! Factory LLC, 2012. CD/DVD.

qr-us

The Five Syllables or Less Review:

joy-fulfillment
Excerpt Source
:
Marcuse, Herbert. Eros and Civilization: A Philosophical Inquiry into Freud. New York: Vintage Books, 1961.


Other T5SOLRs:
The Melvins Solo Albums

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Weird Comics: Atlas Theatre Comics

atlas-theater-comicsWhenever I visit a comic shop, I am always sure to check out the big glass display case (pretty much any comic store worth its salt has one), keeping an eye out for affordable and unusual items. Back in late 2006, I was at a now-defunct comic shop in East Dayton and I spotted a particularly eye-catching comic book in the store’s special case. It was a rather old-looking book called Atlas Theatre Comics. I quickly found it to be one of those things that I didn’t know I wanted until I realized it existed.

I asked the proprietor what the story was on the book and he got it out of the case so I could have a closer look. He explained that he had picked it up at a recent comic show as part of a larger collection of old stuff. He didn’t have a lot of information on it, adding that it was not listed in the Overstreet price guide. He also told me he’d decided on a $50.00 asking price for the issue after talking to some “old timers” at a comic show.

The cover of the comic was an all-black illustration on an off-white background depicting a handful of “knock-offs” of Golden Age characters, including Plastic Man’s sidekick Woozy Winks, The Red Tornado, and a character that looks like either the Sandman or maybe Air Wave. Once the comic was out of its bag, I perused it, noting that there were ads for local businesses on the insides of the front and back covers and on the back as well. Curiously, the cover itself was more like card stock than paper and it extended just past the pages all around the book. My first glance didn’t yield any big-name characters and at the top of each page, the words “Triple Threat Comics” appeared. I thought it was kind of interesting but figured I’d pass on it. After mulling it over for a few hours though, I decided it was too unusual to pass up and I called and asked them to hold it for me. I then picked it up a short time later.

top-spot-1After a thorough read, I found the comic book to be a great collection of obscure Golden Age material. I was especially surprised to see a tale featuring a character called The Duke of Darkness, who I recognized from another Golden Age book in my collection, Top Spot Comics #1. I got a copy of Top Spot #1 in the late ‘80s or early ‘90s at a different defunct Dayton-area comic shop called The Bookie Parlor (when they were at the old Wayne Avenue location).  I eventually confirmed that the Atlas Theatre issue in my possession was indeed a copy of Triple Threat Comics #1 after I purchased a copy of that same comic book (with the original cover intact) at a local comic con. Both Top Spot and Triple Threat were published in 1945. Oddly enough, Triple Threat was published by a company called Special Action Comics while Top Spot was published by Top Spot Publishing Company. I think that both publisher names are divisions or variants of a larger entity called Gerona that also published a one-shot comic book called KO Comics, which features the third–and apparently final–appearance of The Duke of Darkness.

Since I originally found this comic book some years ago, some new information has popped up on the ‘net regarding its origin. Heritage Auctions features a listing for another copy of Atlas Theatre Comics with the same cover but a different interior. They describe the book as a “rarity from comic history” that  “contains a remaindered comic (various publishers were used) inserted into a locally produced cover…sold at movie theaters. The listing on their site features a copy of Atlas Theatre Comics with Captain Marvel Adventures #55 as the interior comic. The auction for their copy ended in November 2012, fetching just over $260. (Bear in mind the Overstreet 2012 value for the aforementioned Captain Marvel Adventures issue, graded GD 2.0, was around $33.)

triple-threatRegarding the “Atlas Theatre” name itself, my close inspection of the Atlas Theatre book gave me a few clues as to its origin. As I noted above, the cover is pretty unusual–not shoddy, but a low-budget production, for sure. On the inside near the spine, there appeared to be a kind of clear adhesive in some places and a chip of glossy paper that looked like it belonged to the cover of another comic book. All of the ads on the inside of the cover were for local businesses on Plymouth Road, including businesses like Blue Bird Department Store and Rose’s Sweet Shop. But the biggest clue was a business named Edmondson-Sweeney, Inc. Ford Dealer. A Google search yielded an ad from the 1950′s featuring a business with the same name on Plymouth Road in the Detroit area. There was also a movie theater in Detroit called Atlas Theatre that operated from 1939 to 1950. As noted in the Heritage description, Atlas Theatre Comics was likely part of a special promotion by Atlas Theatre and local businesses from Detroit back in the mid to late 1940′s. It was probably cheaper for them to buy a bunch of comics that were already printed and attach a custom cover than to have a totally new and special comic book printed solely for their own advertising purposes.

I am pretty enamored with Golden Age material, both for its charm and its simplicity. And when stuff like this is affordable, that’s an extra bonus. Best of all, in this case, Atlas Theatre Comics really has a story to tell in more ways than one. All in all, this is still a treasure, combining a Golden Age gem with some regional history.

*Note: I originally wrote the foundation for this article in November 2006 and posted it on my old site. It was significantly revised and expanded to post here.


Related reading:
Weird Comics: Chuck Colson – Born Again

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Our Mandela, not theirs

It’s really incredible to see American right-wingers hail Nelson Mandela as a visionary and a champion of freedom while they’ve been doing their damnedest to smear and destroy everything and everyone who they consider to be remotely left-leaning, especially over the course of the past several years. During his incarceration, Mandela was condemned as a communist and a terrorist by the U.S.-backed Apartheid government and after his release, he enjoyed a well-documented, longstanding camaraderie with Fidel Castro. In fact, the speeches from their joint appearance on July 26, 1991 were published together in a book called How Far We Slaves Have Come! South Africa and Cuba in Today’s World. Below is an excerpt from Mandela’s speech:

The Cuban people hold a special place in the hearts of the people of Africa. The Cuban internationalists have made a contribution to African independence, freedom, and justice, unparalleled for its principled and selfless character.

From its earliest days the Cuban revolution has itself been a source of inspiration to all freedom-loving people. We admire the sacrifices of the Cuban people in maintaining their independence and sovereignty in the face of a vicious imperialist-orchestrated campaign to destroy the impressive gains made in the Cuban revolution.

We too want to control our own destiny. We are determined that the people of South Africa will make their future and that they will continue to exercise their full democratic rights after liberation from apartheid. We do not want popular participation to cease at the moment when apartheid goes. We want to have the moment of liberation open the way to ever-deepening democracy.

We admire the achievements of the Cuban revolution in the sphere of social welfare. We note the transformation from a country of imposed backwardness to universal literacy. We acknowledge your advances in the fields of health, education, and science.

[full text available via Cuba Solidarity Campaign]

That’s not exactly something you’d expect to hear from the likes of former Republican V.P. candidate Paul Ryan who posted a self-serving eulogy for Mandela via Twitter, “Nelson Mandela changed the world for the better. I was honored to meet him in 2000, and like many, I was moved by his dedication to freedom.” Then there’s Rick Santorum , who—with a straight face, apparently—likened the Republican effort to roll back the Affordable Healthcare Act to Mandela’s lifelong fight against Apartheid. Then again, he has also compared the marriage equality movement to the September 11 attacks. Hard to tell which example is the bigger stretch, really.

Hey, at least Dick Cheney has been consistent in his contempt and disdain for Mandela’s struggle. Along with Ronald Reagan—who has yet to receive his coveted spot as the fifth head on Mount Rushmore—Cheney opposed U.S. legislation that called for the repeal of South Africa’s Apartheid laws as well as the release of political prisoners like Mandela. He’s never offered even the slightest hint of regret for his position, either. Of course Mandela had no great love for the administration of George HW Bush, which Cheney served as Secretary of Defense. Following his release from prison in 1990, Mandela publicly criticized the Bush administration for prematurely lifting sanctions against South Africa’s racist government. It shouldn’t come as a surprise that even with the benefit of hindsight, guys like Cheney would’ve just as soon preferred to see Mandela imprisoned for the rest of his life.

It’s a credit to Mandela and his legacy that he had the courage to remain true to his guiding principles and face down the power elite of the “First World” after serving decades in prison at their behest and sustained approval. And still, many Republicans, Tea Partiers and so-called “Libertarians” will try to tie their philosophies of exploration and oppression to Mandela’s legacy. They don’t get it. They never will.

Hasta siempre. Aluta continua.

Together in Matanzas, Cuba; 1991.

Together in Matanzas, Cuba; 1991.

 

Further reading:
Nelson Mandela, Fidel Castro: A Relationship Built On Mutual Admiration
Huffington Post
Nelson Mandela” by The Special AKA (YouTube video)

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“Quotations From Chairman Mao,” the word cloud edition

Below is a “word cloud” I created using the full text of the Second Edition of Quotations From Chairman Mao Tse-tung, excluding chapter titles and citations. Click on the image to view a much larger version of this picture.

mao-cloud-small

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Ah, childhood

Back in late 1979, I went with my mom to visit the Jean Thomas Museum. Known far and wide as “The Traipsin’ Woman,” Thomas was most famous for her efforts at sharing and promoting Appalachian culture. Located in Ashland, Kentucky, the museum was actually a reconstructed version of her former home, which she had lovingly referred to as her “Wee House in the Woods.”

We were living in Russell at the time (in an area which is now Flatwoods) and an acquaintance of my mom invited her there for a reason that I can’t recall. The night before we went there, I talked to my dad about the fact that I was having some kind of anxiety about going our impending day trip. I’m not sure exactly what my issue was with the excursion but I was only six years old, so it could’ve been anything. Trying to assuage my concerns, my dad quipped — and I remember this distinctly — “Don’t worry; it’s just some old tourist trap.” Little did my dad know that just a few months prior, commercials for a horror movie called Tourist Trap had been in heavy rotation on television and what I’d seen of them scared the holy bejeezus out of me. Sooo…That didn’t exactly help. Nice try, Dad.

Despite my trepidation, I managed to survive the trip and although I don’t remember much about that day, I still have a cool picture post card that I got as a souvenir:

traipsin
On the back, my mother wrote “Michael – December 10, 1979.” Here’s the original caption from the post card:

A CHILD SHALL LEAD THEM

Jean Thomas, “The Traipsin’ Woman,” Founder of American Folk Song Festival, with Robin and Mother Annadeene Fraley

In the background is McGuffey Log School, scene of the American Folk Song Festival, held annually on the second Sunday in June.

Located at 3201 Cogan Street, Midland Heights, Ashland, Kentucky.

I’ve kept this post card in my scrapbook ever since my mom got it for me over three decades ago. Much later in life, at a time when I was able and willing to appreciate more about music and culture, I learned that Jean Thomas was one of the most influential women in the history of American folk music and Appalachian heritage. She passed away in 1982, just a year before we left the region to live in Central Kentucky.


Further Reading
Kentucky Digital Library: Jean Thomas: The Life and the Legend, 1943-1984

 

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