The Erdapfel (German: lit. earth apple) produced by Martin Behaim in 1492 is considered to be the oldest surviving terrestrial globe. It is constructed of a laminated linen ball in two halves, reinforced with wood and overlaid with a map painted by Georg Glockendon.

The Americas are not included, as Columbus returned to Spain no sooner than March 1493. The globe shows an enlarged Eurasian continent and an empty ocean between Europe and Asia. The mythical island of Saint Brendan is included. Japan and Asian islands are disproportionately large.

The idea to call the globe "apple" may be related to the Reichsapfel ("Imperial Apple", Globus cruciger) which was also kept in Nuremberg along with the Imperial Regalia (Reichskleinodien).

From its creation until early in the 16th century, it stood in a reception room in the Nuremberg town hall. After that time it was held by the Behaim family. In 1907, it was transferred to the Germanic Museum in Nuremberg.

Josef Erich Zawinul (July 7, 1932 – September 11, 2007) was an Austrian-American jazz keyboardist and composer.

First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with trumpeter Miles Davis, and to become one of the creators of jazz fusion, an innovative musical genre that combined jazz with elements of rock and world music. Later, Zawinul co-founded the groups Weather Report and the world fusion music-oriented Zawinul Syndicate. Additionally, he made pioneering use of electric piano and synthesizers. Zawinul was named "Best Electric Keyboardist" 28 times by the readers of Down Beat magazine.

Several artists have honored Zawinul with songs, notably Brian Eno's instrumental "Zawinul/Lava", John McLaughlin's instrumental "Jozy", Warren Cuccurullo's "Hey Zawinul", Bob Baldwin's "Joe Zawinul", Chucho Valdés's "Zawinul's Mambo", Biréli Lagrène's instrumental "Josef" and Toninho Horta's instrumental "Balada para Zawinul". Zawinul's playing style is often dominated by quirky melodic improvisations — traversing bebop, ethnic and pop styles — combined with sparse but rhythmic playing of big-band sounding chords or bass lines. In Weather Report, he often employed a vocoder as well as pre-recorded sounds played (i.e. filtered and transposed) through a synthesizer, creating a very distinctive synthesis of jazz harmonics and "noise" ("using all the sounds the world generates").