Nicholas M. Schenck (14 November 1881, Rybinsk, Russia – 4 March 1969, Florida) was a motion picture mogul and impresario.

One of seven children, Schenck was born to a Jewish household^[1] in Rybinsk, a Volga River village in Tsarist Russia. He and his family, including his older brother Joseph Schenck, emigrated to the United States in 1893, whereupon they settled in a tenement on New York's Lower East Side. Subsequently they relocated to Harlem, the population of which at that time consisted primarily of Jewish and Italian immigrants. Upon their arrival in the United States, Joe and Nick, as they came to be known, worked as a team hawking newspapers and subsequently in a drugstore. Within two years' time, they had saved up enough money to buy out the drugstore's owner and begin casting about for other business ventures.

Career[link]

One summer day, the Schencks took a trolley ride to Fort George, in uptown Manhattan, and noticed that thousands of people were milling around idly waiting for the return trains. The brothers rented a beer concession and also provided some vaudeville entertainment. It was at this time that the Schencks made the acquaintance of Marcus Loew, a theater operator. Loew, having noted the brothers' success, advanced them capital, permitting them to establish a large amusement park in Bergen County, New Jersey, directly across the river from Manhattan, in 1908. Called Palisades Amusement Park, it remained in operation until 1971, although the brothers sold their own interest in 1934.

Subsequently, Nicholas Schenck and his brother worked with Loew in the theater business. Between approximately 1907 and 1919, they reinvested in real estate for nickelodeons, vaudeville, and eventually motion pictures. In 1919, Loew acquired a movie studio. At this time, Nicholas Schenck was spending more time with Loew's, Inc., so it was Joseph who relocated to Hollywood, eventually becoming president of United Artists Corporation.

Schenck eventually became Loew's right-hand man, helping him manage what rapidly grew into a vast theater chain. He also helped shepherd Loew's acquisition of Metro Pictures and Goldwyn Pictures to keep the theaters supplied with product. Loew soon realized he needed someone in Hollywood to run his studio interests. Schenck seemed like the obvious choice, but Loew concluded that he needed Schenck in New York to help run the theaters. He bought a studio headed by independent producer Louis B. Mayer in 1924, merging the Loew's Hollywood interests into Metro-Goldwyn-Mayer with Mayer as studio chief. For reasons that remain unknown, Mayer and Schenck disliked each other intensely; Mayer reportedly called Schenck "Mr. Skunk" in private.^[2] It was the start of a testy relationship that would last for almost four decades.

However, in 1927, Marcus Loew died suddenly, leaving control of Loew's to Schenck. In 1929, William Fox, head of rival studio Fox Film Corporation, arranged to buy controlling interest from Schenck. When Mayer found out about the sale, he was outraged; although he was a Loews vice president, he was not a shareholder and had no say in the deal. Mayer went to the Justice Department and, through his political connections, managed to get the deal stalled on antitrust grounds. Shortly afterward, Fox was seriously injured in the summer of 1929 in a car accident. By the time he'd recovered, the stock market crash had nearly wiped out his fortune. Schenck blamed Mayer for costing him millions, and this made an already icy relationship even worse. However, due to the stock market crash, the Loew's-Fox deal would have been dead even if the Justice Department had given the deal its blessing.

By 1932, Schenck was running an entertainment empire that consisted of a thriving theater circuit and MGM. The conglomerate, which Schenck continued to manage closely from New York City, employed 12,000 people. Schenck, by demanding a tight production schedule, created tension with Mayer and Irving Thalberg, who was production chief until his early death in 1936. Nonetheless, thanks to Schenck's stringent management, MGM was successful, becoming the only film company that continued to pay dividends during the Great Depression.

Under Schenck's leadership, the studio produced a great quantity of films, and the studio system allowed it to retain a wide array of talent under its roof: Lon Chaney, Joan Crawford, Jean Harlow, Clark Gable, Spencer Tracy, Katharine Hepburn, Judy Garland, the Jeannette MacDonald-Nelson Eddy team and countless others. Schenck's adroit business sense made him a wealthy man. In 1927, he and Joseph were reported to be worth about $20 million (approximately $500 million in today's money, possibly more), with a combined yearly income of at least a million. By some estimates, Nicholas Schenck was the eighth richest individual in the United States during the 1930s.

After World War II[link]

Although Schenck's power and prestige were at their peak after World War II, times were changing, as television loomed on the horizon. Like many in the motion picture industry, Schenck, however, adamantly refused to get involved with the new medium. In 1951, Louis B. Mayer had a falling out with Schenck over Dore Schary and Mayer was forced out of MGM.

By the middle of the decade, the price of MGM shares were sagging and stockholders were growing restive. On December 14, 1955, Arthur M. Loew, the son of Marcus Loew, succeeded Nicholas Schenck as the company's president, although Schenck remained Chairman of the Board. The following year, when Arthur Loew resigned for health reasons, Schenck defied the other directors in the efforts to secure a new president. When Joseph R. Vogel became president, Schenck was named honorary chairman, but retired altogether later that same year.

Nicholas Schenck divided his last years between his estates at Sands Point, Long Island, and Miami Beach. The former, which had purchased in 1942, consisted of a 20 acre (81,000 m²) property with a main house of 30 rooms, luxuriously appointed. It included a private movie theater and a 200-foot dock.

Personal life[link]

Schenck's first marriage ended in divorce. He was survived by his second wife, Pansy Wilcox, whose brother was director Fred M. Wilcox. The Schencks had three daughters, including Nicola Schenck (born c. 1934), who married Helmut Dantine, had two children with Dantine, and acted under the name Niki Dantine.

External links[link]

• Mrs. Nicholas (Pansy) Schenck at IMDB in a 1949 documentary
• Niki Dantine at IMDB

Notes[link]

Nick Cave
Nick Cave at an event in New York City, 2009
Background information
Born	(1957-09-22) 22 September 1957 (age 54) Warracknabeal, Victoria, Australia
Genres	Post-punk, gothic rock,[1][2] alternative rock, garage rock
Occupations	Singer-songwriter, multi-instrumentalist, writer, actor, composer
Instruments	Guitar, piano, keyboards, vocals
Years active	1973–present
Labels	Mute
Associated acts	Boys Next Door, Nick Cave and the Bad Seeds, Grinderman, The Birthday Party

Nicholas Edward "Nick" Cave (born 22 September 1957) is an Australian musician, songwriter, author, screenwriter, composer and occasional film actor.

He is best known for his work as a frontman of the critically acclaimed rock band Nick Cave and the Bad Seeds, established in 1983, a group known for its eclectic influences and musical styles. Before that, he had fronted the group The Birthday Party in the early 1980s, a band renowned for its highly gothic,^[1][2] challenging lyrics and violent sound influenced by free jazz, blues, and post-punk. In 2006, he formed the garage rock band Grinderman that released its debut the following year. Cave's music is generally characterised by emotional intensity, a wide variety of influences and lyrical obsessions with religion, death, love and violence.^[3]

Upon Cave's induction into the ARIA Hall of Fame, ARIA Awards committee chairman Ed St John said, “Nick Cave has enjoyed—and continues to enjoy—one of the most extraordinary careers in the annals of popular music. He is an Australian artist like Sidney Nolan is an Australian artist—beyond comparison, beyond genre, beyond dispute."^[4]

Youth, education and family[link]

Cave was born in the small town of Warracknabeal in the state of Victoria, Australia, to Dawn Cave (née Treadwell) and Colin Frank Cave. He has two brothers: Tim (b. 1952) and Peter (b. 1954), and a sister, Julie (b. 1959). As a child, he lived in Warracknabeal and then Wangaratta in rural Victoria. His father was an English teacher and administrator, with a love of literature, and his mother was a librarian. Cave's paternal grandfather's surname was originally Landvoigt, he later in his life became known as Frank Jason Cave.^[5][6][7][8]

Raised as an Anglican, Cave sang in the boys choir at Wangaratta Cathedral. He grew to detest the attitudes of small-town Australia, and he was often in trouble with the local school authorities,^[9] so his parents sent him to boarding school at Melbourne's Caulfield Grammar School in 1970. Cave joined the school choir under choirmaster Norman Kaye, and also benefited from having a piano in his home. The following year he became a "day boy" when his family moved to Murrumbeena, a suburb of Melbourne. Cave was 19 when his father was killed in a car accident; at the moment he was informed of this, his mother Dawn Cave was bailing him out of a St Kilda police station for a charge of burglary. Cave would later recall that his father "died at a point in my life when I was most confused", and "the loss of my father created in my life a vacuum, a space in which my words began to float and collect and find their purpose".^[10]

After his secondary schooling, Cave studied painting (Fine Art) at the Caulfield Institute of Technology (now Monash University, Caulfield campus) in 1976, but dropped out in 1977 to pursue music. He also began using heroin around this time.^{[citation needed]} On 28 March 2008, he received an honorary Doctor of Laws from this university.

Music career[link]

Early years and The Birthday Party (1973–83)[link]

In 1973, Cave met Mick Harvey (guitar), Phill Calvert (drums), John Cochivera (guitar), Brett Purcell (bass), and Chris Coyne (saxophone); fellow students at Caulfield Grammar. They founded a band with Cave as singer. Their repertoire consisted of proto-punk cover versions of songs by Lou Reed, David Bowie, Alice Cooper, Roxy Music and Alex Harvey, among others. Later, the line-up slimmed down to four members including Cave's friend Tracy Pew on bass. In 1977, after leaving school, they adopted the name The Boys Next Door and began playing predominantly original material. Guitarist and songwriter Rowland S. Howard joined the band in 1978, expanding to five members.

From 1977 until their dissolution in 1983 (by which time they were known as The Birthday Party) the band explored various styles. They were a part of Melbourne's post-punk music scene in the late 1970s, playing hundreds of live shows in Australia before changing their name to the Birthday Party in 1980 and moving to London, then West Berlin. Cave's Australian girlfriend and muse Anita Lane accompanied them to London. The band were notorious for their provocative live performances which featured Cave shrieking, bellowing and throwing himself about the stage, backed up by harsh pounding rock music laced with guitar feedback. Cave utilised old testament imagery with lyrics about sin, curses and damnation.^[1] The lyrics were full of "American gothic imagery", talking about horror stories.^[1] The single "Release the Bats" with its story about "vampire sex" was "influential" in the emerging "gothic scene".^[1][2] At that time, Cave also became a regular member of a gothic club in London called The Batcave.^[11]

After establishing a cult following in Europe and Australia, The Birthday Party disbanded in 1984. Howard and Cave found it difficult to continue working together and both were rather worn down from alcohol and drug use.

Cave and the Seeds (1984-present)[link]

Cave performing in 1986

The band with Cave as their leader and frontman has released fourteen studio albums. Their most recent album, Dig, Lazarus, Dig!!! was released on 8 April 2008. Though their sound tends to change considerably from one album to another, the one constant of the band is an unpolished blending of disparate genres, and song structures which provide a vehicle for Cave's virtuosic, frequently histrionic theatrics. NME used the sentence "gothic psycho-sexual apocalypse" to describe the "menace" present in the lyrics of the title track.^[12]

Critics Stephen Thomas Erlewine and Steve Huey write, "With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party".^[3] Pitchfork Media calls the group one of rock's "most enduring, redoubtable" bands, with an accomplished discography.^[13] A documentary film about the band The Road to God Knows Where/Life at paradiso directed by Uli M Schueppel, about their 1989 tour, was voted in the year 2008, under the 20 best musicmovies of all the time of the reader and journalists of Total Film.

Cave and the band curated an edition of the famous All Tomorrow's Parties music festival, the first in Australia, throughout the country in January 2009.

Solo work and Grinderman[link]

In addition to his performances with Nick Cave and the Bad Seeds, Cave has, since the 1990s, performed live 'solo' tours with himself on piano/vocals, Warren Ellis on violin/accordion and various others on bass and drums. The current trio are Bad Seeds' Martyn P. Casey, Jim Sclavunos and Ellis (nicknamed the Mini-Seeds). In 2006, this line-up, now including Cave on electric guitar, continued his 'solo' tours performing Bad Seeds material.

In the same year three other Bad Seeds, Mick Harvey, Thomas Wydler and James Johnston, undertook Harvey's first 'solo' tours of Europe and Australia performing material from his own albums. Melbourne double bassist Rosie Westbrook completed the quartet.

An album of new material by Cave's 'solo' quartet, now named Grinderman, was released in March 2007.

Nick Cave 'solo' and Grinderman both played at the All Tomorrow's Parties music festival in April 2007. This was Grinderman's first public performance. Bobby Gillespie from Primal Scream accompanied Grinderman on backing vocals and percussion.

In December 2011, after performing at Meredith Music Festival, Cave announced that Grinderman were over.^{[14][dead link]}

Soundtrack involvement[link]

Many of Nick Cave's songs have found their way into movie soundtracks. One of the earliest to feature Cave's distinctive style by incorporating him as part of the movie's music scene—circa 1979—was Dogs in Space, a film by Richard Lowenstein.^[15] Cave performed parts of the Boys Next Door song "Shivers" twice during the film, once on video and once live.

Another early fan of Cave's was German director Wim Wenders, who lists Cave, along with Lou Reed and Portishead, as among his favorites.^[16] Two of Cave's songs were featured in his 1987 film Wings of Desire.^[17] Nick Cave and the Bad Seeds also make a cameo appearance in this film. Two more songs were included in Wenders' 1993 sequel Faraway, So Close!, including the title track. The soundtrack for Wenders' 1991 film Until the End of the World features Cave's "(I'll Love You) Till the End of the World." His most recent production, Palermo Shooting, also contains a Nick Cave song, as does his 2003 documentary The Soul of a Man.^[18]

Cave's songs have also appeared in a number of Hollywood blockbusters and major TV shows. For instance, his "There is a Light" appears on the 1995 soundtrack for Batman Forever, and "Red Right Hand" appeared in a number of films and TV shows, including The X-Files, Dumb & Dumber; Scream, its sequels Scream 2 and 3, and Hellboy (performed by Pete Yorn). In Scream 3, the song was given a reworking with Cave writing new lyrics and adding an orchestra to the arrangement of the track. This version appears on The Bad Seeds B-Sides and Rarities album. The song "People Ain't No Good" was featured in the animated movie Shrek 2, as well as in one of the episodes of the television series The L Word. Cave also sang a cover of The Beatles' "Let It Be," for the 2001 film I Am Sam.

Original material written for movie productions includes the song "To Be By Your Side," for the soundtrack of the 2001 French documentary Le Peuple Migrateur (called Winged Migration in the US). Cave composed the soundtrack for the 2005 film The Proposition with fellow Australian and Bad Seed Warren Ellis. Cave and Ellis once again collaborated on the music for the 2007 film The Assassination of Jesse James by the Coward Robert Ford. Also in 2007, Cave and Ellis wrote the soundtrack for the feature documentary The English Surgeon. The duo also provided original music for The Road in 2009 and the soundtrack for the audiobook of Cave's novel The Death of Bunny Munro.^[19]

Most recently, his song "Up Jumped the Devil" was featured in the Remedy-developed 2010 video game Alan Wake.

Cave's song "O Children" was featured in the 2010 movie, though not in the official soundtrack, of Harry Potter and the Deathly Hallows - Part 1.

Work with other artists[link]

Nick Cave has also played with Shane MacGowan, in a cover version of Bob Dylan's "Death is Not the End", and Louis Armstrong's "What a Wonderful World". Cave has also performed "What a Wonderful World" live with The Flaming Lips. Cave recorded a cover version of the Pogues song "Rainy Night in Soho", written by MacGowan.

Nick Cave at a solo concert in Mainz, Germany on 11 November 2006.

MacGowan also sings a version of "Lucy", released on B-Sides and Rarities. On 3 May 2008, during the Dig, Lazarus, Dig!!! tour Shane MacGowan joined Nick Cave and The Bad Seeds on stage to perform "Lucy" at Dublin Castle in Ireland. Pulp's single "Bad Cover Version" includes on its B-side a cover version by Cave of that band's song "Disco 2000". On the Deluxe Edition of Pulp's Different Class another take of this cover can be found.

In 2000, one of Cave's heroes, Johnny Cash, covered Cave's "The Mercy Seat" on the album American III: Solitary Man, seemingly repaying Cave for the compliment he paid by covering Cash's "The Singer" (originally "The Folk Singer") on his Kicking Against the Pricks album. Cave was then invited to be one of many rock and country artists to contribute to the liner notes of the retrospective The Essential Johnny Cash CD, released to coincide with Cash's 70th birthday. Subsequently, Cave cut a duet with Cash on a version of Hank Williams' "I'm So Lonesome I Could Cry" for Cash's American IV: The Man Comes Around album (2002). A similar duet, the American folk song "Cindy", was released posthumously on the "Johnny Cash: Unearthed" boxset. Cave's song "Let the Bells Ring" is a posthumous tribute to Cash. Cave has also covered the song "Wanted Man" which is best known as performed by Johnny Cash but is a Bob Dylan composition.

In 2004, Cave gave a hand to Marianne Faithfull on the album, Before the Poison. He co-wrote and produced three songs ("Crazy Love", "There is a Ghost" and "Desperanto"), and the Bad Seeds are featured on all of them. He is also featured on "The Crane Wife" (originally by The Decemberists), on Faithfull's 2008 album, Easy Come, Easy Go.

Cave collaborated with the band Current 93 on their album All the Pretty Little Horses, where he sings the title track, a lullaby. For his 1996 album Murder Ballads, Cave recorded "Where The Wild Roses Grow" with Kylie Minogue, and "Henry Lee" with P.J. Harvey.

Cave also took part in the "X-Files" compilation CD with some other artists, where he reads parts from the Bible combined with own texts, like "Time Jesum...", he outed himself as a fan of the series some years ago, but since he does not watch much TV, it was one of the only things he watched. He collaborated on the 2003 single "Bring It On", with Chris Bailey, formerly of the Australian punk group, The Saints. Cave contributed vocals to the song "Sweet Rosyanne", on the 2006 album Catch That Train! from Dan Zanes & Friends, a children's music group.

In 2011, Cave recorded a cover of the Zombies' "She's Not There" with Neko Case, which was used at the end of the first episode of the fourth season of True Blood.

Literary career[link]

Cave released his first book, King Ink, in 1988. It is a collection of lyrics and plays, including collaborations with Lydia Lunch. In 1997, he followed up with King Ink II, containing lyrics, poems, and the transcript of a radio essay he did for the BBC in July 1996, "The Flesh Made Word," discussing in biographical format his relationship with Christianity.

Cave reading from The Death of Bunny Munro in New York City, 2009.

While he was based in West Berlin, Cave started working on what was to become his debut novel, And the Ass Saw the Angel (1989). Significant crossover is evident between the themes in the book and the lyrics Cave wrote in the late stages of the Birthday Party and the early stage of his solo career. "Swampland", from Mutiny, in particular, uses the same linguistic stylings ('mah' for 'my', for instance) and some of the same themes (the narrator being haunted by the memory of a girl called Lucy, being hunted like an animal, approaching death and execution). On 21 January 2008, a special edition of Cave's novel And the Ass Saw the Angel was released.^[20] Cave's second novel The Death of Bunny Munro was published on 8 September 2009 by Harper Collins books.^[21][22] It tells the story of a sex-addicted salesman, was also released as a binaural audio-book produced by British Artists Iain Forsyth and Jane Pollard and an iPhone app.^[23] The book originally started as a screenplay Cave was going to write for John Hillcoat.^[24]

As proof of his interest in scripture, so evident in his lyrics and his prose writing, Cave wrote the foreword to a Canongate publication of the Gospel according to Mark, published in the UK in 1998. The American edition of the same book (published by Grove Press) contains a foreword by the noted American writer Barry Hannah.

Cave and Ellis composed scores for a production by the Icelandic theatre company Vesturport of Woyzeck by Georg Büchner, performed at the Barbican Theatre in the Barbican Arts Centre in London in 2005,^[25] and a stage adaptation of Franz Kafka's The Metamorphosis at the Lyric Hammersmith in London in 2006.^[26]

Cave is a contributor to the 2009 rock biography on The Triffids Vagabond Holes: David McComb and the Triffids, edited by Australian academics Niall Lucy and Chris Coughran.^[27]

Acting and screenwriting[link]

Cave has made occasional appearances as an actor, most prominently in the 1989 film Ghosts ... of the Civil Dead, written and directed by John Hillcoat, and in the 1991 film Johnny Suede with Brad Pitt.

Cave appeared in the 2005 homage to Leonard Cohen, Leonard Cohen: I'm Your Man, in which he performed "I'm Your Man" solo, and "Suzanne" with Julie Christensen and Perla Batalla. He also appeared in the 2007 film adaptation of Ron Hansen's novel The Assassination of Jesse James by the Coward Robert Ford, where he sings a song about Jesse James. Cave and Warren Ellis are credited for the film's soundtrack.

Nick Cave and the Bad Seeds are also featured in Wim Wenders' 1987 film Wings of Desire.

Displaying a keen interest in other aspects of film, Cave wrote the screenplay for The Proposition, a film set in the colonial Australian Outback. Directed by John Hillcoat and filmed in Queensland in 2004, it premiered in October 2005 and has since been released worldwide to critical acclaim.^[28] The movie reviewer for British newspaper The Independent called it "peerless," "a star-studded and uncompromisingly violent outlaw film."^[29] It even features on a website promoting tourism to the area.^[30] The generally ambient soundtrack was recorded by Cave and Warren Ellis.

At the request of friend Russell Crowe, Cave wrote a script for a proposed sequel to Gladiator which was rejected by the studio.^[31]

His interest in the work of Edward Gorey led to his participation in the BBC Radio 3 programme, guest+host=ghost, featuring Peter Blegvad and the radiophonic sound of the Langham Research Centre.^[32]

Cave has also lent his voice in narrating an award winning animated film called The Cat Piano. It was directed by Eddie White and Ari Gibson (of The People's Republic Of Animation), produced by Jessica Brentnall and has music by Benjamin Speed.^[33]

Cave wrote the screenplay for The Wettest County in the World.,^[34] which has been renamed "Lawless", and has completed the script for a new film titled Death of a Ladies' Man and will rewrite the script of The Crow remake.

Currently, Cave is collaborating with Andy Serkis to develop a screen version of the Kurt Weill and Bertolt Brecht musical, The Threepenny Opera.^[35]

Personal life[link]

Cave dated Anita Lane from the late 1970s to mid 1980s. She had an undeniably strong influence upon Cave and his work, often cited as his "muse".^{[citation needed]} Despite this, Cave and Lane recorded together on only a few occasions. Their most notable collaborations include Lane's 'cameo' verse on Cave's Bob Dylan cover "Death Is Not The End" from the album Murder Ballads, and a cover of the Serge Gainsbourg/Jane Birkin song "Je t'aime, moi non plus/ I love you, nor do I". Lane co-wrote the lyrics to the title track for Cave's 1984 LP, From Her to Eternity, as well as the lyrics of the song "Stranger Than Kindness" from Your Funeral, My Trial. Cave, Lydia Lunch and Lane wrote a comic book together, entitled AS-FIX-E-8, in the style of the old "Pussy Galore"/Russ Meyer movies.

After completing his debut novel And the Ass Saw the Angel, Cave left West Berlin shortly before the fall of the Berlin Wall and moved to São Paulo, Brazil, where he met Brazilian journalist Viviane Carneiro. The two have a son, Luke (b. 10 May 1991), but never married. Cave's son Jethro (born in 1991) lives with his mother, Beau Lazenby, in Australia and has a career in modelling.^[36]

Cave briefly dated PJ Harvey during the mid 1990s. The love affair and their break-up inspired him to write the album The Boatman's Call.

He met British model Susie Bick in 1997. A cover star of the Damned's 1985 album Phantasmagoria and a Vivienne Westwood model, she gave up her job when they married in summer 1999. They have twin sons, Arthur and Earl (born in 2000).^[37][38] Cave and Bick lived for some time on a houseboat near Hove. They currently live in Brighton and Hove, England.

Cave performed "Into My Arms" at the televised funeral of Michael Hutchence, but refused to play in front of the cameras. Cave is godfather of Hutchence's only child, Heavenly Hiraani Tiger Lily.^[39]

In the past, Cave identified as a Christian. In his recorded lectures on music and songwriting, he has claimed that any true love song is a song for God and has ascribed the mellowing of his music to a shift in focus from the Old to the New Testaments. He does not belong to a particular denomination and has distanced himself from "religion as being an American thing, in which the name of God has been hijacked".^[40] He said in a recent Los Angeles Times article: "I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a god. It's kind of defending the indefensible, though; I'm critical of what religions are becoming, the more destructive they're becoming. But I think as an artist, particularly, it's a necessary part of what I do, that there is some divine element going on within my songs".^[41]

Discography[link]

Cave performing in 2008

Soundtracks/scores[link]

• And the Ass Saw the Angel, readings of the novel (1988), plus theatre score (1993) – text by Cave, music composed by Harvey and Ed Clayton-Jones
• To Have and to Hold, soundtrack (1996) – composed with Harvey & Bargeld
• Woyzeck, theatre score (2005) – composed with Warren Ellis^[42] (Not available on CD or vinyl.)
• The Proposition, soundtrack (2005) – composed with Ellis
• Metamorphosis, theatre score (2006) – composed with Ellis^[43] (Not available on CD or vinyl.)
• The Assassination of Jesse James by the Coward Robert Ford, soundtrack (2007) – composed with Ellis
• The English Surgeon, soundtrack (2007) – composed with Ellis^[44] (Not available on CD or vinyl; only available on White Lunar; see below.)
• The Girls of Phnom Penh, soundtrack (2009) – composed with Ellis^[45] (Not available on CD or vinyl; only available on White Lunar; see below.)
• The Death of Bunny Munro, soundtrack (2009) – composed with Ellis^[46]
• The Road, soundtrack (2009) – composed with Ellis^[47] (Soundtrack released in January 12, 2010)^[48]
• White Lunar, soundtrack compilation (2009) – composed with Ellis^[49] (2CDs. Disc one contains high lights from The Proposition, The Assassination of Jesse James by the Coward Robert Ford, and The Road. Disc 2 contains work from The English Surgeon and The Girls of Phnom Penh, as well as four unreleased pieces "from the archives".^[50]
• The Metamorphosis, (Forvandlingen- Norwegian national theatre) soundtrack (2012) –

Contributions/appearances[link]

• Die Haut and Nick Cave: Burnin' the Ice (1982), features Nick Cave's vocals on songs 1,3,5,6 (Stow-A-Way, Truck Love, Pleasure Is The Boss, Dumb Europe).
• Smack My Crack (1987), features Nick Cave performing "The Altra Virago Or The Vargus Barking Spider".
• Wings Of Desire (1987), Nick Cave appears in the film, where he performs "The Carny" and "From Her To Eternity".
• "Helpless" single by Neil Young. He did this in 1989 for the Neil Young tribute album The Bridge.
• Leonard Cohen: I'm your Fan (1991), Nick Cave "Tower Of Song".
• Until The End Of The World (1991), Nick Cave "(I'll Love You) Till The End Of The World".
• In Weiter Ferne, So Nah! (aka Faraway So Close!) (1993), Nick Cave "Faraway So Close" and "Cassiel's Song".
• Zero Effect (1994), Nick Cave "Into My Arms".
• Batman Forever soundtrack (1995). Cave contributes the track "There is a Light".
• Scream (1996), Nick Cave "Red Right Hand".
• X-Files Songs In The Key Of X (1996), Nick Cave "Red Right Hand".
• September Songs: The Music of Kurt Weill (1997) produced by Hal Willner. Cave contributes a cover version of "Mack the Knife".
• Nick Cave i Przyjaciele (Nick Cave and Friends) (1991). A tribute album by Polish musicians. Cave appears on tracks 1 & 10. (Into My Arms, The Weeping Song)
• The Acid House (1999), Nick Cave/Barry Adamson "Sweetest Embrace".
• A Tribute to Polnareff, a Tribute album to Michel Polnareff. Nick Cave contributes a cover version of "Goodbye Marylou".
• Ute Lemper's Punishing Kiss (2000). Cave co-wrote (with Bruno Pisek) "Little Water Song".
• He Died With A FelaFel In His Hand (2001) Nick Cave "The Mercy Seat (Live)" & "Into My Arms".
• Intimite (aka Intimacy) (2001), Nick Cave "In The Ghetto".
• "To Be By Your Side" – from the OST for French documentary film Le Peuple Migrateur (2001).
• I Am Sam (2002). Cave contributes a cover version of The Beatles' "Let It Be", which was later issued as a single with a cover version of "Here Comes the Sun" as the B-side.
• "Bad Cover Version" single by Pulp (2002). Cave contributes a cover version of Pulp's "Disco 2000".
• American IV: The Man Comes Around (2003) Duet with Johnny Cash on "I'm So Lonesome I Could Cry".
• "Kiss of Love" (duet with Sam Brown) from Jools Holland's 2003 album Small World Big Band Friends 3 – Jack O The Green.
• Nick Cave and the Bad Seeds appear on the Martin Scorsese series The Blues (2003) singing J. B. Lenoir's "I Feel So Good".
• Shrek 2 (2004), Nick Cave "People Aint' No Good".
• The Passion Of The Christ - Songs Inspired By (2004), Nick Cave "Darker With The Day".
• Harry Smith Project Vol 1 (2006), Nick Cave "John The Revelator" and Vol 2 "Shine On Me".
• Cave performs "I'm Your Man" and "Suzanne" in the documentary/concert film Leonard Cohen: I'm Your Man (2006).
• Q Covered - Best Of 86/06 (2006), Nick Cave sings Pulp's "Disco 2000".
• Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys (2006). Cave contributes the tracks "Fire Down Below" and "Pinery Boy".
• Seasick Steve's song "Just Like A King", from the album I Started Out With Nothin' (2008)includes Cave's vocals.
• Californication Season 2 (2009), Nick Cave "Moonland".
• Mojo Presents The Score 20 Ultra Cool Soundtracks (2009), Nick Cave "Let It Be".
• Nick Cave and the Bad Seeds song "Up Jumped The Devil" was featured in the video game Alan Wake. (2010)
• Harry Potter and the Deathly Hallows - Part 1 (2010). Cave contributed the song "O Children".
• Leonard Cohen By En Boca De (2011), Nick Cave "Avalanche".
• Trentemoller - Late Night Tales (2011), Nick Cave & Warren Ellis "The Proposition #1".
• Nick Cave joins Neko Case to cover the The Zombies song She's Not There for HBO show True Blood.^[51] (2011)

Spoken-word lectures[link]

• The Secret Life Of The Love Song & The Flesh Made Word: Two Lectures (2000).

Bibliography[link]

• King Ink (1988)
• And the Ass Saw the Angel (1989)
• King Ink II (1997)
• The Pocket Canons: Books of the Bible (1998)
  • Cave wrote the introduction to The Gospel According to Mark.
• Complete Lyrics (2001)
• The Complete Lyrics: 1978-2006 (2007)
• The Death of Bunny Munro (2009)

Awards and honours[link]

• 2012 Doctor of Letters, an honorary degree from the University of Brighton.^[52]
• 2011 Straight to you - Triple j's tribute tour to Nick Cave for his work in Australian music for Ausmusic Month
• 2011 MOJO Awards: Song of the Year for "Heathen Child" by Grinderman
• 2010 made an honorary Doctor of Laws, by University of Dundee.^[53]
• 2008 ARIA Awards Male Artist of the Year (Dig, Lazarus, Dig!!!).^[54]
• 2008 MOJO Awards: Best Album of 2008 (Dig, Lazarus Dig!!!).
• 2008 Awarded an Honorary degree as Doctor of Laws, by Monash University.^[55]
• 2007 ARIA Awards ARIA Hall of Fame inductee.^[54]
• 2006 Venice Film Festival: Gucci Award (for the script to The Proposition).
• 2005 Q magazine: Q Classic Songwriter Award.
• 2005 AFI Awards: Best Original Music Score with Warren Ellis (The Proposition).
• 2005 Inside Film Awards: Best Music (The Proposition).
• 2005 Film Critics Circle of Australia Awards: Best Musical Score (The Proposition).
• 2004 MOJO Awards: Best Album of 2004 (Abattoir Blues/The Lyre of Orpheus).
• 2001 ARIA Awards: Best Male Artist (No More Shall We Part).^[54]
• 2001 APRA Music Awards: "The Ship Song" voted in the Top 30 Best Australian Songs of the previous 75 years.^[56]
• 1997 APRA Music Awards: Songwriter of the year.
• 1997 ARIA Awards: Best Original Soundtrack (To Have and to Hold).^[54]
• 1996 ARIA Awards: Song of the Year & Single of the Year & Best Pop Release ("Where the Wild Roses Grow").^[54]
• 1996 MTV Europe Music Awards: Nick Cave formally requested that his nomination for "Best Male Artist" be withdrawn as he was not comfortable with the "competitive nature" of such awards.
• 1990 Time Out Magazine: Book Of The Year (And the Ass Saw the Angel).

Further reading[link]

• Bad Seed: A Biography of Nick Cave, Ian Johnston (1997) ISBN 0-316-90833-9
• The Life and Music of Nick Cave: An Illustrated Biography, Maximilian Dax & Johannes Beck (1999) ISBN 3-931126-27-7
• Liner notes to the CDs Original Seeds: Songs that inspired Nick Cave and the Bad Seeds, Kim Beissel (1998 & 2004), Rubber Records
• Kicking Against the Pricks: An Armchair Guide to Nick Cave, Amy Hanson (2005), ISBN 1-900924-96-X
• Nick Cave Stories, Janine Barrand (2007)
• Cultural Seeds: Essays on the Work of Nick Cave, eds. Karen Welberry and Tanya Dalziell (2009) ISBN 0-7546-6395-7
• Nick Cave Sinner Saint: The True Confessions, ed. Mat Snow (2011) ISBN 978-0-85965-448-7

References[link]

External links[link]

Wikimedia Commons has media related to: Nick Cave

Wikiquote has a collection of quotations related to: Nick Cave

• Nick Cave and the Bad Seeds official website

Rocky Schenck (born April 18, 1955 in Austin, Texas)^[1][2] is an American music video director and photographer. He has worked with such artists as Adele, Nick Cave, Joni Mitchell, The Cramps, Alice in Chains, Redd Kross, Godsmack, Robert Plant and Alison Krauss, Rod Stewart, and Van Halen, among others. The largest collection of his work is located at the Wittliff collections, Texas State University.^[3]

Published works[link]

His published collections include:

• Rocky Schenck: Photographs (2003, University of Texas Press, TX) ISBN 978-0-292-70217-2

Selected Videos[link]

• Ace of Base - "Lucky Love"
• Adele - "Hometown Glory"
• Afghan Whigs - "Gentlemen"
• Alice in Chains - "Grind"/"Them Bones"/"We Die Young"/"What the Hell Have I"
• Marc Anthony - "When I Dream At Night"
• David Arnold and David McAlmont - "Diamonds Are Forever"
• Barnes and Barnes - "Fish Heads"/"Soak It Up"
• Cindy Lee Berryhill - "Indirectly Yours"
• Book of Love - "Alice Everyday"
• Peabo Bryson - "Can You Stop the Rain"
• Jerry Cantrell - "My Song"
• Nick Cave and The Bad Seeds (with PJ Harvey) - "Henry Lee"
• Combustible Edison - "Vertigogo"
• The Cramps - "Bikini Girls With Machine Guns"/"Creature From The Black Leather Lagoon"
• Iris Dement - "Our Town"
• Willy Deville - "Hey Joe"
• Devo - "Post-Post Modern Man"
• Dramarama - "Haven't Got A Clue"
• Gloria Estefan - 'Everlasting Love"/"Party Time"
• Faster Pussycat - "You're So Vain"
• Delta Goodrem - "In This Life"
• Nanci Griffith - "This Heart"
• Emmylou Harris - "Thanks To You"
• Imperial Teen - "Yoo-Hoo"
• Jellyfish - "That Is Why"
• Diana Krall - "Let's Face the Music"
• Alison Krauss (featuring John Waite) - "Missing You"
• Alison Krauss and Union Station - "Maybe"/"New Favorite"
• Luna - "Slash Your Tires"
• Martika - "Coloured Kisses"
• Joey McIntyre - "Stay The Same"
• Meat Puppets - "Backwater"
• Joni Mitchell - "Come In From The Cold"/
• Joni Mitchell and Seal - "How Do You Stop?"
• Stevie Nicks (with Sheryl Crow) - "If You Ever Did Believe"
• Robert Plant and Alison Krauss - "Gone, Gone, Gone"/"Please Read The Letter"
• Raging Slab - "Anywhere But Here"/"Bent For Silver"/"Don't Dog Me"
• Redd Kross - "Annie's Gone"/"Jimmy's Fantasy"/"The Lady In The Front Row"
• Seed - "Rapture"
• Sponge - "Have You Seen Mary"
• Lisa Stansfield - "Never, Never Gonna Give You Up"
• Rod Stewart - "If We Fall In Love Tonight"
• Sugarland - "Everyday America"
• Donna Summer - "I Will Go With You"
• Supersuckers - "Born With a Tail"
• Van Halen - "Fire in the Hole"/"Human Beings"
• Billy Vera and The Beaters - "I Can Take Care of Myself"
• Visiting Kids - "Trilobites"
• Paul Westerberg - "World Class Fad"
• Chris Whitley - "Living With The Law"
• Trisha Yearwood - "Georgia Rain"

External links[link]

• Official website
• Rocky Schenck at the Internet Movie Database
• Rocky Schenck at M+B Gallery
• Wittliff Collections of Southwestern and Mexican Photography, Texas State University

References[link]

1. ^ "He was nicknamed “Rocky” when he was three days old by his sister, who was confused by the other names his parents chose for his birth certificate: Richard Davis Botho Arthur Schenck."
2. ^ Texas Births, 1926-1995 Richard Davis Botho...Schenck
3. ^ Rocky Schenck Photographs at The Wittliff Collections, Texas State University, San Marcos, TX

This article about a United States film director born in the 1960s is a stub. You can help Wikipedia by expanding it. v t e

Nick Lee is an actor.

His stage work includes: Juno and the Paycock directed by Howard Davies (Abbey Theatre/National Theatre, London); Pineapple by Philip McMahon (Calipo); Malachy in The Dead School by Pat McCabe (Tricycle Theatre, London); The Passing written and directed by Paul Mercier and Three Sisters directed by David Leveaux (Abbey Theatre Dublin); Dmitry Karamazov in Delirium by Enda Walsh; Shawn Keogh in The Playboy of the Western World directed by Tony award winning director Garry Hynes (Druid/Tokyo International Arts Festival/Perth International Arts Festival, Australia); DruidSynge- The Complete Plays of JM Synge directed by Garry Hynes (Galway, Dublin, Edinburgh, Inis Meain, Guthrie Theater Minneapolis & at the Lincoln Center Festival in New York City); The Year of the Hiker directed by Garry Hynes (Druid/Irish Tour); as Michael Hegarty in The Freedom of the City by Brian Friel (Finborough Theatre, London); as Patrick Kavanagh in The Green Fool (Upstate Theatre Project)

Film and TV includes: Jack Taylor (TV3/RTL); Raw (RTÉ); Single-Handed: The Stolen Child (RTÉ); as Michael Collins in Frongoch - University of Revolution (TG4/S4C); The Clinic (RTÉ); Battlefield Britain (BBC); and the final series of Bachelors Walk (RTÉ).

See [1] [2] [3] [4] [5]

Chrissie Hynde
Chrissie Hynde in concert in August 2007 in Santa Barbara, California.
Background information
Birth name	Christine Ellen Hynde
Born	(1951-09-07) 7 September 1951 (age 60) Parma, Ohio, United States
Genres	Rock, New Wave
Occupations	Singer-songwriter, guitarist
Instruments	Rhythm Guitar Vocals
Years active	1975–present
Labels	Sire, WEA, Rhino
Associated acts	The Pretenders, JP, Chrissie & the Fairground Boys, Johnny Moped, The Moors Murderers, Tube & Berger, UB40, Frank Sinatra
Notable instruments
Fender Telecaster

Christine Ellen "Chrissie" Hynde (born 7 September 1951^[1] Akron, Ohio) is an American musician best known as the leader of the rock/new wave band the Pretenders. She is a singer, songwriter, and guitarist, and has been the only constant member of the band throughout its history.^[2]

Early life and career[link]

Hynde is the daughter of a part-time secretary and a Yellow Pages manager. She graduated from Firestone High School in Akron, Ohio. She stated that "I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind."^[3]

Hynde was for some time interested in hippie counterculture, eastern mysticism, and vegetarianism. While attending Kent State University's Art School for three years, she joined a band called Sat. Sun. Mat., which included Mark Mothersbaugh, later of Devo (Hynde was on the campus during the infamous Kent State shootings;^[4] she knew Jeffrey Miller, one of those killed^{[citation needed]}.)

Hynde also developed an interest in the UK music magazine NME. She eventually saved enough money to move from Ohio to London in 1973. With her art background, Hynde landed a job in an architectural firm but left after eight months. It was then that she met rock journalist Nick Kent (with whom she became involved) and landed a writing position at NME. However, this proved not to last and Hynde later found herself working at Malcolm McLaren and Vivienne Westwood's then-little-known clothing store, SEX. Eventually, she tried to convince a very young Sid Vicious (who used to hang around at SEX) to marry her, just in order for her to get a work permit^{[citation needed]}. Hynde then attempted to start a band in France before her return to Cleveland in 1975.

Hynde went back to France in 1976 to try to form a band, but it did not work out. Hynde had been romantically involved with famous rock critic Nick Kent, but left him for the drummer of The Frenchies. For one show at the famous Olympia theatre when their singer had left, she took the lead singer duties. She found her way back to London in the midst of the early punk movement. In late 1976, Hynde responded to an advertisement in Melody Maker for band members and attended an audition for the band that would become 999. Jon Moss (who would later be in Culture Club) and Tony James of Generation X also auditioned.^[5] Later, Hynde tried to start a group with Mick Jones from The Clash.

After the band failed to take flight, Malcolm McLaren placed her as a guitarist in Masters of the Backside, but she was asked to leave the group just as the band became The Damned. After a brief spell in the Johnny Moped band, Mick Jones invited Hynde to join his band on their initial tour of Britain. Hynde's recollection of that period: "It was great, but my heart was breaking. I wanted to be in a band so bad. And to go to all the gigs, to see it so close up, to be living in it and not to have a band was devastating to me. When I left, I said, 'Thanks a lot for lettin' me come along,' and I went back and went weeping on the underground throughout London. All the people I knew in town, they were all in bands. And there I was, like the real loser, you know? Really the loser."^[3][6]

Hynde also spent a short time with The Moors Murderers in 1978. Named after two child-killers, the band consisted of future Visage front man Steve Strange on vocals, Vince Ely on drums, and Mark Ryan (aka The Kid) and Hynde on guitar. The band's name alone was enough to start controversy and she soon distanced herself from the group, as noted in the NME. Hynde said "I'm not in the group, I only rehearsed with them". She stated that "Steve Strange and Soo Catwoman had the idea for the group, and asked me to help them out on guitar, which I did, even though I was getting my own group together and still am."^[7]

The Pretenders[link]

Late 1970s[link]

Pete Farndon, the original bass player from The Pretenders

In 1978, Hynde made a demo tape and gave it to Dave Hill, owner of the label Real Records. Hill stepped in to manage her career, and began by paying off the back rent owed on her rehearsal room in Covent Garden, London. Hill also advised Hynde to take her time and get a band together. In the spring of 1978, Hynde met Pete Farndon (bass guitar / vocals), and they selected a band consisting of James Honeyman-Scott (guitar / vocals / keyboards), and Martin Chambers (drums / vocals / percussion), put the name The Pretenders on the group, inspired by the song "The Great Pretender" by The Platters.

They recorded a demo tape (including "Precious", "The Wait" and a Kinks cover, "Stop Your Sobbing"), handed it to Hynde's friend Nick Lowe, produced a single ("Stop Your Sobbing/The Wait") and performed their first gigs in a club in Paris. The single was released in January 1979 and hit the Top 30 in UK. The band's early success was followed by their first gigs in Britain where they earned wide critical acclaim. Later that spring (1979), The Pretenders recorded their eponymous first album and hit the charts in UK and US with the song "Brass in Pocket". The band traded on the success of this first album (for Sire Records) for some time, as it wasn't released around the world until well into 1979 (some charts consider it the best album of 1980, for example).

1980s–1990s[link]

The Pretenders playing at a club in London, UK in 1981

The band released an EP album in early 1981 while contractual issues were resolved, then Pretenders II later in the summer. These albums were not well received by critics (though hits such as "Talk of the Town" and "Message of Love" were on both). By the summer of 1982, drug use within the band was creating serious problems for Hynde. The Pretenders lineup would change repeatedly over the next decade as a result of drug related deaths and internal conflict. Honeyman-Scott died of heart failure in June 1982, just days after Farndon had been fired from the band. Martin Chambers left the band in the mid 1980s. Amidst the ever changing lineup, the controversial Hynde endured as the sole original Pretender until Chambers' return in the mid 1990s.

Throughout the mid-1980s and early 1990s, Hynde employed a string of session and professional musicians within the band, always keeping the name Pretenders. With many of the albums through this period, the only constant presence is her own, and the album art often reflects this (using her picture alone in some cases).

Other musical projects[link]

Hynde, along with Curved Air's Sonja Kristina, sang backing vocals on Mick Farren's Vampires Stole My Lunch Money 1978 album and also on Hurt by Chris Spedding. She also sang backing on a track, Nite Klub, on The Specials eponymous album.^[8] Hynde is unofficially credited with adding the lines "Cartier, Cartier" in a cameo on the 1983 song "Add It Up"" by The Kinks. Hynde sang a duet with INXS on their album Full Moon, Dirty Hearts in 1993. Hynde appears on the title track of the album. Hynde sang the vocals on the track "State of Independence Part II" on a Moodswings album named Moodfood, which was played during the closing credits on the soundtrack of Single White Female. Hynde also recorded a cover of Morrissey's "Everyday is Like Sunday",^[9] which is available on The Pretenders album "Pirate Radio" as well as providing backing vocals on Morrissey's single "My Love Life" ^[10] in 1991 and again on b-side "Shame Is The Name" in 2009.

Hynde recorded a duet with Frank Sinatra on Sinatra's 1994 album Duets II. They performed the song "Luck Be a Lady". In 1995, Hynde made an acting appearance (and performed "Angel of the Morning" on acoustic guitar) on the US television comedy Friends on the episode The One with the Baby on the Bus. Also, in 1995, Hynde sang a cover of "Love Can Build a Bridge" with Cher and Neneh Cherry. Eric Clapton appeared on the track, supplying the lead guitar solo that is featured in the song's instrumental bridge. In 1997, the EMI publishing company issued a cease and desist request to Rush Limbaugh, who for years was using an edited instrumental version of Hynde's song "My City Was Gone" for the broadcast's opening theme. When the request came to Hynde's attention during a radio interview, she said her parents loved and listened to Rush and she did not mind its use. They agreed to a usage payment which she donates to PETA.^[11][12]

Perhaps Hynde's most popular non-Pretenders collaboration with another artist, chartwise, was her 1985 collaboration with UB40 on a cover of Sonny and Cher's "I Got You Babe." The track topped the UK singles chart and went as high as #28 on the Billboard Hot 100 in the U.S.

Later that year, Hynde played guitar and sang vocals with Sheryl Crow on the song "If It Makes You Happy" during a concert in Central Park. Hynde is mentioned prominently in the lyrics of the Terence Trent D'Arby song "Penelope Please." In 1998, Hynde sang a duet with her friend Emmylou Harris, "She", accompanied by The Pretenders on the Gram Parsons tribute album, "Return of the Grievous Angel: A Tribute to Gram Parsons." Hynde had previously reviewed Gram and Emmylou's debut country rock classic, "GP." The version merges Emmylou's country rock and Chrissie's reggae tinged new wave effectively. Hynde also recorded a song called "Cry (If You Don't Mind)" with the Spanish band Jarabe de Palo for their album Un metro cuadrado - 1m². She supplied the voice for the clouded leopard in the movie Rugrats Go Wild (2003) in which she sang a duet with Bruce Willis.

In 2004, Hynde moved to São Paulo, Brazil for a couple of months in order to play with Brazilian musician Moreno Veloso in an informal tour that lasted until December 2004. She bought a flat in the Copan Building in São Paulo city. She was also the vocalist on Tube & Berger's 2004 #1 Hot Dance Airplay track "Straight Ahead". The track gave Hynde her first US #1 track on the Billboard charts. Likewise in 2005, Hynde duetted with Ringo Starr on a song entitled "Don't Hang Up" which can be heard on Starr's album Choose Love. Also in 2005, Hynde collaborated with Incubus on a song called "Neither Of Us Can See." The song is on the soundtrack album for Stealth.

Hynde performing in 2008

Chrissie Hynde and her band, The Pretenders, were inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio, in 2005 - the Museum's 20th anniversary year, as well as year of the 50th anniversary of the birth of Rock and Roll. Irish band U2 was also among the inductees that year.^[13] The ceremony was held at the Waldorf-Astoria Hotel in New York City.^[14]

On 17 October 2008, she was an opening act for fellow Akron-area musicians Devo at a special benefit concert at the Akron Civic Theater for the then-presidential candidate Barack Obama. The Black Keys, another Akron-based band, and the then up-and-coming solo artist, Rachel Roberts, performed prior to her.^[15]

Hynde features as guest vocalist on Ray Davies' 2009 Christmas single Postcard From London.

Chrissie Hynde and Welsh singer J.P. Jones have formed a band called "J.P., Chrissie and the Fairground Boys". They released their debut album, Fidelity, on 24 August 2010.^[16] Several stops on the tour were recorded and sold on USB flash drives.^[17]

On 5 February 2011, Hynde and the Pretenders performed live on CMT's "Crossroads (VH1 TV series)" with Faith Hill and her band, including songs from both catalogs.

Chrissie along with John Cale and Nick Cave, played on BBC for the Songwriter's Circle program on 9 July 1999. The concert took place at the Subterania Club in London, UK and was released on DVD. She also later joined Cave in 2010 for a rendition of Screamin' Jay Hawkins' famous song "I Put a Spell on You" as a benefit for the Haiti disasters. The song and music video featured performances by Mick Jones, Glen Matlock, Shane MacGowan, and Bobby Gillespie among others.

Personal life[link]

Hynde had a daughter in 1983 with Ray Davies of The Kinks.^[18] She then married Jim Kerr, lead singer of the band Simple Minds, and had another daughter.^[18] They later divorced, and Hynde married artist Lucho Brieva in 1997.^[18] They separated in 2002.^[19]

Hynde lives in London, England, and also has an apartment in the Northside Lofts in her hometown of Akron.^[20]

The VegiTerranean restaurant and bar and bakery at 21 Furnace St., Akron, Ohio, USA

Hynde is a vegetarian and animal rights activist. She is a supporter of PETA^[21] and the animal rights group Viva!.^[22]

Restaurant venture[link]

Hynde opened The VegiTerranean, a vegan restaurant in Akron, Ohio^[23] in November 2007. The restaurant served fusion Italian–Mediterranean food^[24] by head chef James Scot Jones. Prior to the restaurant's opening, on 15 September 2007, Hynde performed three songs at the restaurant with an acoustic guitarist, Adam Seymour, a former lead guitarist of The Pretenders. The restaurant was voted among the top five vegan restaurants in the U.S. It closed on 2 October 2011, due to the economic climate, according to Hynde.^[25]

References[link]