Lachute
—  City  —
Lachute
Coordinates (380, rue Principale[1]): 45°39′N 74°20′W / 45.65°N 74.333°W / 45.65; -74.333Coordinates: 45°39′N 74°20′W / 45.65°N 74.333°W / 45.65; -74.333[2]
Country	Canada
Province	Quebec
Region	Laurentides
RCM	Argenteuil
Settled	1753
Constituted	April 30, 1966
Government[1]
• Mayor	Daniel Mayer
• Federal riding	Argenteuil—Papineau—Mirabel
• Prov. riding	Argenteuil
Area[1][3]
• City	112.80 km2 (43.55 sq mi)
• Land	109.20 km2 (42.16 sq mi)
• Metro[4]	109.20 km2 (42.16 sq mi)
Population (2011)[3]
• City	12,551
• Density	114.9/km2 (298/sq mi)
• Metro[4]	12,551
• Metro density	114.9/km2 (298/sq mi)
• Change (2006–11)	6.1%
• Dwellings	5,991
Time zone	EST (UTC−5)
• Summer (DST)	EDT (UTC−4)
Postal code(s)	J8H
Area code(s)	450 and 579
Website	www.ville.lachute.qc.ca

Lachute, is a town in southwest Quebec, 62;km northwest of Montreal, on the Rivière du Nord, a tributary of the Ottawa River, and west of Mirabel International Airport. It is located on Autoroute 50, at the junctions of Quebec Provincial Highways Route 148, Route 158 and Secondary Highways 327 and 329.

It is the seat of Argenteuil Regional County Municipality, and is served by the Lachute Airport.

Its major industries include paper mills and lumber. The population of this town is about 12,000 people.

History[link]

Originally in the seventeenth century, "La Chute" identified a cataract or falls on the North River (Rivière du Nord) located about 24 kilometres (15 mi) upstream from its confluence with the Ottawa River.^[5] In 1753, Antoine Brunet became the first francophone to settle in Lachute temporarily. In 1796, Jedediah Lane, from Jericho, Vermont, bought several thousand acres of land on both sides of the North River, where Lachute is today. That same year, Hezekiah Clark and his family, also of Jericho, settled near the falls on the North River, followed by Loyalists fleeing the American Revolution. Two years later, the population of The Chute Settlement (as it was then known by its English name) consisted of five families.^[6]

The village grew quickly: by 1803 there were 30 families scattered on both banks of the North River and by 1810, Lachute counted 83 families, including 211 children of school age. In 1804, a mill was built at the falls and the first general store opened in 1813. One year later, Sir John Johnson bought a large part of the Argenteuil Seigneury. He built a sawmill and gave land for the construction of churches, helping to attract new settlers to Argenteuil. In 1825, Thomas Barron became the first judge, then the first mayor of Lachute.^[6] The Lachute post office was established in 1835.^[5]

From 1870 to 1880 Lachute went through another period of expansion, including economic and social development: the railway linking Montreal and Ottawa was built through the centre of the small town. Industries were established: Félix Hamelin and Thomas Henry Ayers established a wool mill and Irishman James Crocket Wilson opened a paper mill.^[6]

In 1885, the Town of Lachute was incorpored with a population of around 1300 persons. In 1901, electricity was brought to the town.^[6]

In 1966, Lachute and the Village of Ayersville merged, forming the Cité de Lachute. In 1971, during the construction of Montréal-Mirabel International Airport, a part of the Saint-Jérusalem Parish was added to Lachute. In 1981, Cité de Lachute became Ville de Lachute. In 2000, about 10 square kilometers of Mirabel's territory was annexed by Lachute. In 2002, the Service de police municipale de Lachute was transferred to the Sûreté du Québec.^[6]

Demographics[link]

Population trend:^[7]

• Population in 2011: 12551 (2006 to 2011 population change: 6.1 %)
• Population in 2006: 11832
  • 2001 to 2006 population change: 1.8 %
• Population in 2001: 11628
• Population in 1996: 11493 (or 11556 when adjusted for current boundaries)
• Population in 1991: 11730

Historic populations:^[6]

• Population in 1957: 8848
• Population in 1941: 5310
• Population in 1925: 3000
• Population in 1880: 650

Private dwellings occupied by usual residents: 5663 (total dwellings: 5991)

Mother tongue:

• English as first language: 10.5 %
• French as first language: 87.1 %
• English and French as first language: 0.9 %
• Other as first language: 1.5 %

Climate[link]

Notable Lachutois[link]

• Kevin Lowe, former NHL defenceman and current general manager of the Edmonton Oilers.
• Jim Watson, former Member of Provincial Parliament (MPP) for the riding of Ottawa West—Nepean and Minister of Municipal Affairs and Housing; current Mayor of Ottawa, Ontario. The Hon. Mayor Watson is a member of the Ontario Liberal Party.
• Pierre Pagé, former coach of several NHL hockey teams (Calgary, Minnesota, Quebec and Anaheim), and currently head coach of Eisbären Berlin (Berlin Polar Bears) of the Deutsche Eishockey Liga.
• Thain Wendell MacDowell, Victoria Cross Recipient 1917, Vimy Ridge, France.
• Bob Paulson, Assistant Commissioner of the RCMP; Commander of the National Security Criminal Investigations Unit.

Media[link]

• CJLA-FM (Planète Lov 104,9) -- an adult contemporary formatted station.

Notes[link]

Hours after the devastating earthquake in Chile on February 27, 2010, a magnitude 3.9 earthquake was felt in Western Quebec. epicentre was 13 kilometres northwest of Lachute. There were no reports of damage or injuries. On March 16th, 2011 at approximately 1:50 PM, a 4.7 earthquake was felt in the city.

A 4.3-magnitude earthquake rumbled through southwestern Quebec at 1:36 p.m. on Wednesday, rattling plates and nerves in places like Rigaud, Hudson, Hawkesbury and Lachute, even in the Laurentian ski towns of Ste. Sauveur and St. Agathe. Lachute was the epicentre.

Read more: http://www.montrealgazette.com/Minor+earthquake+rumbles+through+Lachute/4450543/story.html#ixzz1H5LGttcd^[9]

More Lachute history: Expo Lachute Fair is the oldest Fair in Quebec and the second oldest in all of Canada, running from 1825 to present. In 1917, Argenteuil Agricultural Society purchased land to hold the Expo Lachute Fair permanently in Lachute. 1917 saw the construction of the grandstand and the track, with new cow and horse barns being constructed as time and money allowed. The Fall Fair was changed to a Spring Fair in 1925 so that it could be deemed strictly a Livestock show. Lachute, Québec, now the center for this bustling Fair was not always the host to the Exhibition. In the years 1825 and 1826, meetings of the inhabitants of the county of York met in the then bustling business center of St. Andrews, to form themselves into a Society to be called “The county of York Agricultural society”, later to the Two Mountains Agricultural Society and finally to the county of Argenteuil Agricultural Society, the object of which being to improve the mode of Agriculture in the county be every means in their power. Today, Expo Lachute Fair is still going strong. An annual agriculture fair is held in July as well as smash up Fall Derby in September each year. The fairgrounds are also used for several other local events throughout the year. (http://expolachutefair.com)

References[link]

External links[link]

• Official Web site of the City
• Official Web site of MRC of Argenteuil
• Official Tourist Web site of the MRC d'Argenteuil
• Official Web site of the Count of Argenteuil (History of Seigniors of Argenteuil)

	Wentworth	Gore	Saint-Colomban
	Brownsburg-Chatham		Mirabel
		Lachute    East
		Saint-André-d'Argenteuil

v t e  Administrative divisions of Laurentides  (Region 15) Regional county municipalities and equivalent territories Deux-Montagnes Thérèse-De Blainville Mirabel La Rivière-du-Nord Argenteuil Les Pays-d'En-Haut Les Laurentides Antoine-Labelle Municipalities Saint-Eustache Deux-Montagnes Sainte-Marthe-sur-le-Lac Pointe-Calumet Boisbriand Sainte-Thérèse Blainville Rosemère Lorraine Bois-des-Filion Sainte-Anne-des-Plaines Mirabel Saint-Colomban Saint-Jérôme Sainte-Sophie Prévost Saint-Hippolyte Lachute Brownsburg-Chatham Estérel Sainte-Marguerite-du-Lac-Masson Sainte-Adèle Saint-Sauveur Sainte-Agathe-des-Monts Barkmere Mont-Tremblant Rivière-Rouge Mont-Laurier Administrative divisions of Quebec

Yann Tiersen
Background information
Birth name	Yann Pierre Tiersen
Born	(1970-06-23) 23 June 1970 (age 42)
Origin	Brest, Brittany, France
Genres	Minimalist, avant-garde
Occupations	Musician, songwriter
Instruments	Piano, violin, accordion, guitar, toy piano, voice, and various others
Years active	1995–present
Labels	Sine Terra Firma, Ici, d'ailleurs..., EMI, Virgin, Mute, ANTI-
Associated acts	Claire Pichet, Dominique A, Françoiz Breut, Natacha Régnier, Shannon Wright
Website	link

Yann Tiersen (born 23 June 1970) is a musician from France.^[1][2] His musical career is split between studio albums, collaborations and film soundtracks with a distinctive sound that is always involved. It can be recognized by its use of a large variety of instruments; primarily the guitar, synthesizer or violin together with instruments like the melodica, xylophone, toy piano, harpsichord, accordion and typewriter.

Tiersen is often mistaken as a composer of soundtracks, himself saying "I'm not a composer and I really don't have a classical background",^[3] but his real focus is on touring and studio albums which just happen to often be suitable for film. His most famous soundtrack for the film Amélie was primarily made up of tracks taken from his first two studio albums.^[4]

Biography and career[link]

The early years: 1970–1992[link]

Yann Tiersen was born in Brest in the Finistère département in Brittany in northwestern France, in 1970, into a family of Belgian and Norwegian origins.^[5] He started learning piano at the age of four, violin at the age of six, and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne.^[6] In the early 1980s when he was a teenager he was influenced by the punk subculture, and bands like The Stooges and Joy Division.^[7] In 1983, at the age of 13, he broke his violin, bought an electric guitar, and formed a rock band. Tiersen was now living in Rennes, and this turned out to be the perfect place for his musical career. In fact, Rennes is home to the three-day music festival Rencontres Trans Musicales, held annually in December, giving him the opportunity to see acts like Nirvana, Einstürzende Neubauten, Nick Cave and the Bad Seeds, The Cramps, Television, and Suicide. A few years later, when his band broke up, Tiersen bought a cheap mixing desk, an 8-track reel-to-reel audio tape recording, and started recording music solo with a synthesizer, a sampler, and a drum machine.^[8]

Debut and national acclaim: 1993–2000[link]

Before releasing film scores under his own name, Tiersen recorded background music for a number of plays and short films. In the summer of 1993, Tiersen stayed in his apartment, recording music alone with an electric guitar, a violin, and an accordion, guided by his vision of “a musical anarchy”. By the end of that summer, Tiersen had recorded over forty tracks, which would form most of his first two albums. Tiersen's debut album, La Valse des monstres, limited to 1,000 copies only, was released in June 1995 by independent record label Sine Terra Firma, and then it was reissued by Nancy-based record label Ici d'ailleurs in 1998 as the second album of its catalogue. The 17-track album was inspired by and written for the theatrical adaptations of Tod Browning's 1932 cult classic Freaks, and Yukio Mishima's 1955 version of Noh play The Damask Drum. One year later, in April 1996, he released Rue des cascades, a collection of short pieces recorded with toy piano, harpsichord, violin, accordion, and mandolin. The title track, sung by French soloist singer Claire Pichet, will be used about one year later for the Palme d'Or nominated French drama film The Dreamlife of Angels,^[9] and several tracks will find a much larger audience five years later when they were featured on the soundtrack to Jean-Pierre Jeunet's film Amélie.^[8] Tiersen played almost all the instruments both in the studio and in concert, and this gave him a theatrical appeal as a one-man show, which allowed him to perform, among others, at the 1996 edition of the Avignon Festival, the oldest extant festival in France and one of the world's greatest.^[10]

Tiersen rose to domestic fame upon the release of his third studio album, Le Phare (English: The Light House) in 1998. The album was recorded in a self-imposed seclusion on the isle of Ushant (Breton: Enez Eusa, French: Ouessant) at the south-western end of the English Channel which marks the north-westernmost point of metropolitan France, where Tiersen spent two months living in a rented house. At night, he watched the Phare du Creach (English: Kreac'h or Créac'h lighthouse), one of the most powerful lighthouse in the world, and was fascinated by the stunning scenery repeated every night. Le Phare, which featured Claire Pichet, French singer and songwriter Dominique A, and French drummer and percussionist Sacha Toorop, went on to sell over 160,000 copies, confirming Tiersen's status as one of the most pioneering and original artists of his generation and commencing a run of successful albums.^[8] Three songs from this album, "La Dispute", "La Noyee", and "Sur le fil" were used later for the soundtrack of Amélie, while "L'Homme aux bras ballants", written and composed by Dominique A, was also the soundtrack to Laurent Gorgiard's 1997 short animation film by the same name. Its single, "Monochrome", sung by Dominique A, was a radio hit and propelled the album. Le Phare was his first album to chart climbing to number 50 in the French Albums Chart.^[11]

In that period Tiersen provided a new arrangement and played strings, vibraphone, bell, mandolin, electric guitar, and bass guitar for the song "À ton étoile" by French rock band Noir Désir on their 1998 remix album One Trip/One Noise,^[12] recorded background music for the award-winning and multi-nominated film The Dreamlife of Angels (French: La Vie rêvée des anges),^[9][13] for André Téchiné's Alice et Martin, released in 1998, and Christine Carrière's Qui plume la lune?, released in 1999, and also recorded Bästard ~ Yann Tiersen, a 3-track extended play released in 1998 in collaboration with French electronic rock band Bästard, and his first live album, Black Session: Yann Tiersen. The live album was recorded on 2 December 1998 as the opening act of the Rencontres Trans Musicales in the Salle Serreau at the Théâtre National de Bretagne in Rennes, for the C'est Lenoir show broadcasted on the French public radio station France Inter. The album, which features Northern Irish singer, songwriter, and frontman of the chamber pop group The Divine Comedy Neil Hannon, singer and songwriter Bertrand Cantat of Noir Désir, singer and illustrator Françoiz Breut, anglophone French rock band The Married Monk (Christian Quermalet, Philippe Lebruman, Etienne Jaumet, Nicolas Courret), French folk rock group Têtes Raides (Christian Olivier, Grègoire Simon, Pascal Olivier, Anne-Gaëlle Bisquay, Serge Bégout, Jean-Luc Millot, and Edith Bégou), the string quartet Quatuor à cordes, guitarist and composer Olivier Mellano, and author Mathieu Boogaerts, as well as his usual collaborators and friends, Claire Pichet and Dominique A, was recorded by France International, mastered by Radio France, and released in CD format one year later on 2 November 1999.^[14]

In 1999, Tiersen with The Married Monk, Claire Pichet, and Olivier Mellano, released his first collaboration album, Tout est calme. The 26 minutes, 10 tracks mini album peaked at number 45 on the French Albums Chart.^[11][15] The album produced one single, "Les Grandes marées", and Tiersen also featured on The Divine Comedy's single "Gin Soaked Boy" released on that same year, on three tracks for Françoiz Breut's second studio album Vingt à Trente Mille Jours (English: Twenty to Thirty Thousand Days), and on Têtes Raides' Gratte-poil, both released in 2000.

[edit] Amélie and global recognition: 2001–2009

Tiersen remained relatively unknown outside France until the release of his score for the acclaimed film Amélie (Original French title: Le Fabuleux Destin d'Amélie Poulain, English: The Fabulous Destiny of Amélie Poulain) in 2001. French film director Jean-Pierre Jeunet had something else in mind for the film score, but one day one of his production assistants put on a CD of Tiersen, and the director found it absolutely superb. Jeunet bought all of Tiersen's albums, and then contacted him to see if the Breton composer was interested in writing the film score for Amélie. In two weeks, Tiersen composed nineteen pieces for the film and also allowed the production to take anything they wanted from his other records.^[16] Amélie received great critical acclaim and was a box-office success. The film went on to win the Best Film award at the European Film Awards, four César Awards, including Best Film and Best Director, two BAFTA Awards, including Best Original Screenplay, and was nominated for five Academy Awards. The soundtrack was a mixture of both new and previously released material, and Tiersen was also the recipient of the César Award for Best Music Written for a Film, and of the World Soundtrack Academy award. The soundtrack album charted in many countries, including the number one position on the French Albums Chart.^[17][2]

While he was writing the film score for Amélie Tiersen was also preparing his fifth studio album L'Absente.^[2] The album was characterized by several contributions including 35-member Ensemble Orchestral Synaxis conducted by Guillaume Bourgogne, viola player Bertrand Lambert, violinists Yann Bisquay and Sophie Naboulay, Natacha Régnier, and saxophonist Grégoire Simon, and long-time collaborators Dominique A, Christine Ott, Lisa Germano, Neil Hannon, Têtes Raides, Christian Quermalet, Marc Sens, and Sacha Toorop. The album, which was released on 5 June 2001 through EMI France, was preceded by two promotional singles for "A quai" and "Bagatelle" respectively. Tiersen provided strings and vibraphone to two tracks, "Roma Amor" and "Holidays", featured on The Married Monk's compilation album of the same name.

At this time he was married to Belgian actress Natacha Régnier, co-star of The Dreamlife of Angels. Régnier become a singer and Tiersen wrote three songs for her including his arrangement of Georges Brassens' "Le Parapluie", a song featured on the tribute album Les Oiseaux de passage, released in 2001. That same year they went on tour in France and abroad. They have a daughter, Lise, born in 2002, but they have since been divorced.^[18] In this period, Tiersen also took his music out around the world, playing shows with a full orchestra and an amplified string quartet.^[8] On 15, 16, and 17 February 2002, Tiersen with many of the collaborators who participated in the recording sessions for L'Absente plus Claire Pichet, violinists Nicholas Stevens and Renaud Lhoest, bassist Jean-François Assy, viola player Olivier Tilkin, and uilleann pipes, bagpipes, and low whistle player Ronan Le Bars, performed live at the Cité de la Musique (English: City of Music) in Paris. Part of these three concerts went on to form Tiersen's second live album C'était ici (English: It Was Here), which was released through EMI France on 30 September 2002.^[19]

Tiersen's skills as a composer of film scores were much in demand, and the soundtrack for Amélie was soon followed by the film score for Good Bye, Lenin!, a 2003 German tragicomedy film directed by Wolfgang Becker.^[8] The film was both a commercial and a critical success and won several awards including the César Award for Best Film from the European Union, Best Film at the European Film Awards, the German Film Awards for Outstanding Film, Best European Film at the Goya Awards, Best Foreign Language Film for the London Film Critics' Circle, and it was also listed in the Empire magazine 2010's list of "The 100 Best Films of World Cinema"^[20] Tiersen was the recipient of the German Film Awards for Outstanding Music. On 15 November 2003, Tiersen with Stuart A. Staples, the lead singer of indie band Tindersticks, actress and singer Jane Birkin, singer and vocalist for Cocteau Twins Elizabeth Fraser, singer and songwriter Christophe Miossec, and Dominique A released 3 titres inédits au profit de la FIDH (English: 3 New Tracks for the Benefit of FIDH), a 3-track CD that was part of the On Aime, On Aide benefit collection for raising funds for the International Federation for Human Rights (FIDH).^[21]

Tiersen's list of collaborators continues to grow album after album and in October 2004 released Yann Tiersen & Shannon Wright, a collaboration album with American singer-songwriter Shannon Wright, was released in October 2004, and in the same year he is featured on The Divine Comedy's album Absent Friends. In 2005, Tiersen released his fifth studio album Les Retrouvailles. The album features several collaborators including the Orchestre National de Paris, singers Elizabeth Fraser, Jane Birkin, Stuart A. Staples, Dominique A, and Miossec, strings players Jean-François Assy, Frederic Dessus, Guillaume Fontanarosa, Bertrand Causse, Anne Causse Biragnet, Armelle Legoff, Frédéric Haffner, flute player Elliott, drummer Ludovic Morillon, and ondes Martenot player Christine Ott. Les Retrouvailles also includes a DVD short film entitled La Traversée, directed by Aurélie du Boys, which documents the making of the album in Ushant, and incorporates an animated video for the non-album track, "Le Train", and also live versions of a handful of songs. The album produced a single, "Kala", sung by Elizabeth Fraser, and Tiersen also played piano on Staples' solo debut album, Lucky Dog Recordings 03-04. The subsequent world tour of 2006 replaced the multi-instrumental ensemble with electric guitars and an ondes Martenot, and produced his third live album, On Tour, which was released together with a DVD, directed by Aurélie du Boys, about the tour, in November 2006. In 2006, he also released two singles, "La Mancha" and "La Rade", and he was featured on The Endless Rise of the Sun, third studio album by electronic group Smooth, Raides à la ville extended play by Katel, and 13m² by David Delabrosse.

2008 saw his return after a five years absence as a composer of film scores when he provided the background music for Tabarly, a Pierre Marcel's documentary film about the French sailor, two-time champion of the Single-Handed Trans-Atlantic Race, and father of French yachting Éric Tabarly. The documentary was released on June 2008 exactly ten years after his death. Éric Tabarly was lost at Irish Sea when struck by a gaff of his Pen Duick during heavy swell and knocked overboard from his yacht near Wales while on his way to the Fife Regatta in Scotland. His body was recovered five weeks later off the coast of Ireland by a French fishing trawler. The documentary, narrated by Tabarly himself, traces his sporting career until his last meal in Ushant.^[8] Before the end of the decade, Tiersen also contributed to Christine Ott's debut solo album Solitude Nomade, and to Miossec's seventh studio album Finistériens.

[edit] Dust Lane and Skyline: 2010–present

October 2010 saw the release of Tiersen’s sixth studio album titled Dust Lane. The album was two years in the making and was largely recorded in Ushant, France. Further parts were recorded in the Philippines. The album is preoccupied with mortality; during the recording sessions Tiersen lost his mother and a close friend. The recordings started out as simple song based tracks with Tiersen playing acoustic guitar, mandolin and bouzouki. New layers were added to the recordings creating a more complex sound. Then an array of vintage synthesisers and electric guitars were added to create further textures.^[22][23] The album was released by Mute Records in Europe and ANTI- Records in the US.^[24][25] The record was promoted in a tour beginning in October 2010, starting in New York. Dust Lane was preceded by the release of the vinyl EP PALESTINE and by the single for "Ashes". In 2010, Tiersen also contributed to the tribute album to cross-genre, experimental music group Coil The Dark Age of Love by This Immortal Coil, a one-off tribute formation, and to Li(f)e, the fourth solo studio album by hip-hop artist Sage Francis.

October 2011 saw the European release of his seventh studio album, Skyline. The nine-track album, a follow on from his Dark Lane, was once again recorded at Tiersen's home on the island of Ushant in the south-western end of the English Channel, with further parts recorded in Paris, San Francisco, Berlin, and Nashville. It was subsequently mixed by producer Ken Thomas in Leeds, and mastered by Ray Staff in London.^[8] The album produced the singles for "Monuments" and "I'm Gonna Live Anyhow". On 18 February 2012, Tiersen with Lionel Laquerriere, and Thomas Poli, presented his side project, Elektronische Staubband, at La Route du Rock music festival in Saint-Malo. It was about an hour of krautrock, electronic, and experimental music involving a dozen of synthesizers and analog keyboards with the first three pieces of the set list taken from Dust Lane and the remaining five from Skyline.^[26] Tiersen was also chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival on March 2012 in Minehead, England.^[27] Skyline was released in North America via ANTI- Records on 17 April 2012, and it was followed by the Skyline Tour with dates in the United States, Canada, Iceland, Spain, Portugal, France, Slovak Republic, Austria, Finland, and the United Kingdom.

Discography[link]

Studio albums[link]

Soundtracks[link]

Live albums[link]

Singles and EPs[link]

• Rue des cascades (7" vinyl EP) (1996)
• Black Session (EP promo) (1998)
• "La Vie rêvée des anges" (CD single) (1998)
• "Les Grandes marées" (1999)
• "Comptine d'un autre été : L'après-midi" (2001)
• "À quai" (CD single promo) (2001)
• "Bagatelle" (CD maxi promo) (2001)
• 3 titres inédits au profit de la FIDH (part of the On Aime, On Aide collection, composed to raise funds for the FIDH, sold exclusively at Fnac) (2003)
• "Kala" (2005)
• "La Mancha" (2006)
• "La Rade" (2006)
• PALESTINE (vinyl EP) (2010)
• "Ashes" (2010)
• "Monuments" (2011)
• "I'm Gonna Live Anyhow" (2011)

Collaborations[link]

Contributions[link]

• One Trip/One Noise (by Noir Désir) (1998)
  • "À ton étoile" (arrangements, strings, vibraphone, bell, mandolin, electric guitar and bass)
• "Gin Soaked Boy" (by The Divine Comedy) (1999)
• Vingt à Trente Mille Jours (by Françoiz Breut) (2000)
  • "Porsmouth" (vibraphone), "Vingt à trente mille jours" (vibraphone), "L'heure bleue" (violin), "Le verre pilé" (vibraphone); arrangements
• Gratte-poil (by Têtes Raides) (2000)
  • "Cabaret des nues" (violin)
• The Married Monk (by The Married Monk) (2001)
  • "Roma Amor" (strings, vibraphone), "Holidays" (strings) and "Cyro's Request" (vibraphone)
• Les oiseaux de passage (tribute to Georges Brassens) (2001)
  • cover of "Le parapluie" with Natacha Régnier
• Absent Friends (by The Divine Comedy) (2004)
  • "Sticks & Stones" (accordion); "Anthem for Bored Youth" (accordion), a track appearing only on the French limited edition
• Lucky Dog Recordings 03-04 (by Stuart A. Staples) (2005)
  • "She Don't Have to Be Good to Me" (piano)
• The Endless Rise of the Sun (by Smooth) (2006)
  • "The Endless Rise of the Sun" (keyboards)
• Raides à la ville (by Katel) (2006)
  • "La Vielle" (violin)
• 13m² (by David Delabrosse) (2006)
  • production and arrangements
• Solitude Nomade (by Christine Ott) (2009)
  • "Pensées sauvages" (violin)
• Finistériens (by Miossec) (2009)
  • music and arrangements
• Li(f)e (by Sage Francis) (2010)
  • production and arrangements on "The Best of Times"

DVDs[link]

See also[link]

• Tiersen

Notes[link]

References[link]

External links[link]

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