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Goodness recorded a version of "Electricity, Electricity" with Mike McCready using the pseudonym "Petster" on electric guitar for the Schoolhouse Rock! Rocks tribute disc on Lava/Atlantic. They released their self-titled debut album in 1995 on Y Records, followed in 1998 by "Anthem" on Immortal/Epic and later "These Days" on Good-Ink. Two live albums were released via Kufala Recordings in 2004. Goodness toured extensively all over the world, supporting such acts as Pearl Jam, Cheap Trick, and Oasis. They co-headlined a tour with Candlebox.
Goodness has reunited. They have played their third reunion show at the Tractor Tavern in Ballard on November 22, 2008. They will be playing a benefit show at the Tractor Tavern on May 23 2009.
Category:Musical groups from Washington (U.S. state)
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Name | Yann Tiersen |
---|---|
Background | solo_singer |
Birth name | Yann Pierre Tiersen |
Born | June 23, 1970 |
Origin | Brest, Brittany, France |
Instrument | Piano, Violin, Accordion, Guitar, Toy piano, Voice and various others. |
Genre | Minimalist, Avant-Garde |
Occupation | Musician, Songwriter |
Years active | 1995–present |
Label | VirginANTI-Mute Records |
Url | Official website |
Before releasing scores under his own name, Tiersen recorded background music for a number of plays and short films, such as La Vie Rêvée des Anges (1998, Erick Zonca), Alice et Martin (1998, André Téchiné), Qui Plume la Lune? (Christine Carrière, 1999).
He rose to domestic fame upon the release of his third album, Le Phare, but remained relatively unknown outside France until the release of his score for Le fabuleux destin d'Amélie Poulain in 2001, which was a mixture of both new and previously released material.
Tiersen favors the piano, accordion, and violin, but is also known for his experimentation and use of obscure and found instruments like the ondes martenot and the typewriter.
Yann Tiersen's list of collaborators continues to grow album after album (see discography below for details). While composing his fifth album, L'absente, Tiersen lent his musical talent to Françoiz Breut and Les Têtes Raides for their own albums. His 2005 album, Les Retrouvailles, featured vocals from Stuart Staples of Tindersticks, Jane Birkin, and Elizabeth Fraser, formerly of Cocteau Twins. Tiersen also played piano on Staples' solo album, Lucky Dog Recordings 03-04. In 2004 he also released a collaborative CD with American singer-songwriter Shannon Wright.
His live performances vary greatly. Sometimes he is accompanied by an orchestra and many guest collaborators, like Dominique A. Other times, he offers the more frequent minimalistic sessions, usually accompanied only by a drummer/bassist and a guitarist, with Tiersen switching seamlessly between piano, accordion, and violin for his lighter songs, and electric guitar for his louder pieces (where his Avant-Garde Music meet some rock sonorities).Lately, however, he has almost banished piano, accordion and violin and focused more on his electric guitar instead, as visible in his 2009-2010 Live Tours.
Yann Tiersen was married to Belgian actress Natacha Régnier, but they have since been divorced. They have a daughter, Lise born in 2002.
Category:French film score composers Category:People from Brest Category:1970 births Category:Living people Category:French musicians
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Name | Jerry Garcia |
---|---|
Landscape | yes |
Background | solo_singer |
Birth name | Jerome John Garcia |
Born | August 1, 1942San Francisco, California, U.S. |
Died | August 09, 1995Forest Knolls, California, U.S. |
Occupation | Musician songwriter |
Instrument | Guitar, pedal steel guitar, banjo, vocals |
Genre | Folk rock, jam, bluegrass, country rock, jazz, rock and roll, psychedelic rock, rhythm and blues, blues-rock |
Years active | 1960–1995 |
Label | Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead |
Associated acts | Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage |
Url | JerryGarcia.com |
Notable instruments | Gibson SGsGuild Starfire1957 Gibson Les PaulGold-top Les Paul with P-90Fender Stratocaster "Alligator"Doug Irwin-modified Alembic "Wolf" Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud"Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars |
One of its founders, Garcia performed with the Grateful Dead for their entire three-decade career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band with longtime friend Merl Saunders, Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, and Legion of Mary. Later in life, Garcia was sometimes ill because of his unstable weight, and in 1986 went into a diabetic coma that nearly cost him his life. Although his overall health improved somewhat after that, he also struggled with heroin addiction, He was born in San Francisco, California, on August 1, 1942, to Jose Ramon "Joe" Garcia and Ruth Marie "Bobbie" (née Clifford) Garcia. His parents named him after composer Jerome Kern. Garcia was their second child, preceded by Clifford Ramon "Tiff" Garcia, who was born in 1937. Shortly before Clifford's birth, their father and a partner leased a building in downtown San Francisco and turned it into a bar, a move in response to Jose being blackballed from a musician's union for moonlighting.
Garcia was influenced by music at an early age, His father was a retired professional musician and his mother enjoyed playing the piano. while vacationing in the Santa Cruz Mountains, Garcia underwent amputation of two-thirds of his right middle finger. Garcia was given the chore of steadying wood while his elder brother chopped, when he inadvertently put his finger in the way of the falling axe. Garcia later confided that he often used it to his advantage in his youth, showing it off to other children in his neighborhood.
Garcia experienced several tragic events during his youth. Less than a year after losing the segment of his finger, his father died. While on vacation with his family near Arcata in Northern California in 1947, his father went fly-fishing in the Trinity River, part of the Six Rivers National Forest. Not long after entering he slipped on a rock underfoot, plunging into the deep rapids of the river. The incident was witnessed by a group of boys who immediately sought help, beckoning a pair of nearby fishermen. By the time he was pulled from the water, he had already drowned. Garcia later claimed to have seen his father fall into the river, but Dennis McNally, author of the book A Long Strange Trip: The Inside Story of the Grateful Dead, asserts that he did not, instead forming the memory from hearing the story repeated many times. According to Garcia, it was around this time that he was opened up to country and to bluegrass by his grandmother, who he recalled enjoyed listening to the Grand Ole Opry. His elder brother, Clifford, however, staunchly believed the contrary, insisting that Garcia was "fantasizing all [that] ... she'd been to Opry, but she didn't listen to it on the radio." It was at this point that Garcia started playing the banjo, his first stringed instrument.
In 1953, Garcia's mother was remarried to a man named Wally Matusiewicz. Subsequently, Garcia and his brother moved back home with their mother and new stepfather. However, due to the roughneck reputation of their neighborhood at the time, the Excelsior District, Garcia's mother moved their family to Menlo Park. Clifford often memorized the vocals for his favorite songs, and would then make Garcia learn the harmony parts, a move to which Garcia later attributed much of his early ear training. Garcia would later reminisce about the first time he smoked marijuana: "Me and a friend of mine went up into the hills with two joints, the San Francisco foothills, and smoked these joints and just got so high and laughed and roared and went skipping down the streets doing funny things and just having a helluva time". During this time, Garcia also took up an art program at the San Francisco Art Institute to further his burgeoning interest in the visual arts.
In June of the same year, Garcia graduated from the local Menlo Oaks school. He then moved with his family back to San Francisco, where they lived in an apartment above the newly built bar, having previously been torn down to make way for a freeway entrance. Two months later, on Garcia's fifteenth birthday, his mother purchased him an accordion, greatly to his disappointment. Garcia's stepfather, who was somewhat proficient with instruments, helped tune his guitar to an unusual open tuning.
After a short stint at Denman Junior High School, Garcia attended tenth grade at Balboa High School in 1958, where he often got into trouble for skipping classes and fighting. Consequently, in 1959, Garcia's mother again moved the family to get Garcia to stay out of trouble, this time to Cazadero, a small town in Sonoma County, 90 miles north of San Francisco. Garcia did, however, join a band at his school known as the Chords. After performing and winning a contest, the band's reward was recording a song—they chose "Raunchy" by Bill Doggett.
In January 1961, Garcia drove down to East Palo Alto to see Laird Grant, an old friend from middle school. Garcia, using his final paycheck from the army, purchased some gasoline and an old Chevrolet car, which barely made it to Grant's residence before it broke down.
On February 20, 1961, Garcia entered a car with Paul Speegle, a 16-year-old artist and acquaintance of Garcia; Lee Adams, the house manager of the Chateau and driver of the car; and Alan Trist, a companion of theirs. Garcia was discharged through the windshield of the car into a nearby field with such force he was literally thrown out of his shoes and would later be unable to recall the ejection. It was at this time that Garcia began to realize that he needed to begin playing the guitar in earnest—a move which meant giving up his love of drawing and painting.
Garcia met Robert Hunter in April 1960. Hunter would go on to become a long-time lyrical collaborator with the Grateful Dead. Lesh would later write in his autobiography that Garcia resembled the "composer Claude Debussy: dark, curly hair, goatee, Impressionist eyes". Matthews went to high school and was friends with Bob Weir, and on New Year's Eve 1963, he introduced Weir and Garcia to each other. Soon thereafter, Garcia joined a local bluegrass and folk band called Mother McCree's Uptown Jug Champions, whose membership also included Ron "Pigpen" McKernan, a rhythm and blues fan.
Around this time, the psychedelic LSD was beginning to gain prominence. Garcia first began experimenting with LSD in 1964; later, when asked how it changed his life, he remarked: "Well, it changed everything [...] the effect was that it freed me because I suddenly realized that my little attempt at having a straight life and doing that was really a fiction and just wasn't going to work out. Luckily I wasn't far enough into it for it to be shattering or anything; it was like a realization that just made me feel immensely relieved". The band's immediate reaction was disapproval. "Franklin's Tower",
When asked to describe his approach to soloing, Garcia commented: "It keeps on changing. I still basically revolve around the melody and the way it’s broken up into phrases as I perceive them. With most solos, I tend to play something that phrases the way the melody does; my phrases may be more dense or have different value, but they’ll occur in the same places in the song. [...]"
Garcia and the band toured almost constantly from their formation in 1965 until Garcia's death in 1995, a stint which gave credit to the name "endless tour". Periodically, there were breaks due to exhaustion or health problems, often due to unstable health and/or Garcia's drug use. During their three decade span, the Grateful Dead played 2,314 shows.
Other groups of which Garcia was a member at one time or another include the Black Mountain Boys, Legion of Mary, Reconstruction, and the Jerry Garcia Acoustic Band. Jerry Garcia was also an appreciative fan of jazz artists and improvisation: he played with jazz keyboardists Merl Saunders and Howard Wales for many years in various groups and jam sessions, and he appeared on saxophonist Ornette Coleman's 1988 album, Virgin Beauty. His collaboration with Merl Saunders and Muruga Booker on the Grammy-nominated world music album Blues From the Rainforest launched the Rainforest Band.
(1972), Garcia's début solo album. Several of the songs featured on the album eventually became concert staples of the Grateful Dead]]
Garcia also spent a lot of time in the recording studio helping out fellow musician friends in session work, often adding guitar, vocals, pedal steel, sometimes banjo and piano and even producing. He played on over 50 studio albums the styles of which were eclectic and varied, including bluegrass, rock, folk, blues, country, jazz, electronic music, gospel, funk, and reggae. Artists who sought Garcia's help included the likes of Jefferson Airplane (most notably Surrealistic Pillow, Garcia being listed as their "Spiritual Advisor"), Tom Fogerty, Crosby, Stills, Nash and Young on their smash hit Teach Your Children , David Bromberg, Robert Hunter (Liberty, on Relix Records), Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan and many more. He was also one of the first musicians to really cover in depth Motown music in the early-1970s and probably the most prolific coverer of Bob Dylan songs. In 1995 Garcia played on three tracks for the CD Blue Incantation by guitarist Sanjay Mishra, making it his last studio collaboration.
Throughout the early-1970s, Garcia, Grateful Dead bassist Phil Lesh, drummer Mickey Hart, and David Crosby collaborated intermittently with MIT-educated composer and biologist Ned Lagin on several projects in the realm of early electronica; these include the album Seastones (released by the Dead on their Round Records subsidiary) and L, an unfinished dance work.
Garcia also lent pedal-steel guitar playing to fellow-San Francisco musicians New Riders of the Purple Sage from their initial dates in 1969 to October 1971, when increased commitments with the Dead forced him to opt out of the group. He appears as a band member on their début album New Riders of the Purple Sage, and produced Home, Home On The Road, a 1974 live album by the band. He also contributed pedal steel guitar to the enduring hit "Teach Your Children" by Crosby, Stills, Nash, & Young. Garcia also played steel guitar licks on Brewer & Shipley's 1970 album Tarkio. Despite considering himself a novice on the pedal steel, Garcia routinely ranked high in player polls. After a long lapse from playing the pedal-steel, he played it once more during several of the Dead's concerts with Bob Dylan during the summer of 1987.
Having studied art at the San Francisco Art Institute, Garcia embarked on a second career in the visual arts. He offered for sale and auction to the public a number of illustrations, lithographs, and water colors. Some of those pieces became the basis of a line of men's neckties characterized by bright colors and abstract patterns. Even in 2005, ten years after Garcia's death, new styles and designs continued to be produced and sold.
Garcia was subjected to a handful of drug busts during his lifetime. On October 2, 1967, 710 Ashbury Street in San Francisco, where the Grateful Dead had taken up residence the year before, was raided after police were tipped off by an informant.
In 1965, when Garcia was playing with the Warlocks, he used a Guild Starfire,
In 1972, Garcia used a Fender Stratocaster nicknamed Alligator for its alligator sticker on the pickguard.
In the late eighties Garcia, Weir and CSN (along with many others) endorsed Alvarez Yairi acoustic guitars. There are many photographs circulating (mostly promotional) of Jerry playing a DY99 Virtuoso Custom with a Modulus Graphite neck. He opted to play with the less decorated model but the promotional photo from the Alvarez Yairi catalog has him holding the "tree of life" model. This hand-built guitar was notable for the collaboration between Japanese luthier Kazuo Yairi and Modulus Graphite of San Rafael. As with most things Garcia, with his passing, the DY99 model is rendered legend and valuable among collectors.
Wolf was made with an ebony fingerboard and featured numerous embellishments like alternating grain designs in the headstock, ivory inlays, and fret marker dots made of sterling silver. The body was composed of western maple wood which had a core of purpleheart. Garcia later had former Alembic employee Doug Irwin replace the electronics inside the guitar, at which point he added his own logo to the headstock alongside the Alembic logo. The system included two interchangeable plates for configuring pickups: one was made for strictly single coils, while the other accommodated humbuckers. Shortly after receiving the modified instrument, Garcia requested another custom guitar from Irwin with the advice "don't hold back." The body of Tiger was of rich quality: the top layer was cocobolo, with the preceding layers being maple stripe, vermilion, and flame maple, in that order. It was similar to his previous guitar Tiger in many respects, but featured different inlays and electronics, tone and volume controls, and weight. Rosebud, unlike Tiger, was configured with three humbuckers; the neck and bridge pickups shared a tone control, while the middle had its own. Inside the guitar, a Roland GK-2 synthesizer was used in junction with GR-50 rack mount, producing the MIDI effects heard during live performances of this period. The guitar used Brazilian rosewood for the fingerboard and East Indian rosewood for the body, which, with admitted irony from Cripe, was taken from a 19th century bed used by opium smokers. The remaining Grateful Dead members disagreed—they considered his guitars to be property of the band, leading to a lawsuit between the two parties.
Garcia was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead in 1994.
Famous guitar player and known Jerry fan Warren Haynes wrote the song "Patchwork Quilt" in memory of Jerry.
In the episode titled Halloween: The Final Chapter on the show Roseanne, aired shortly after his death on October 31, 1995, a tribute to Jerry Garcia was made, and the character name of the baby was Jerry Garcia Conner.
In 2003, Rolling Stone Magazine ranked Jerry Garcia 13th in their list of the 100 Greatest Guitarists of All Time.
On July 30, 2004, Melvin Seals was the first Jerry Garcia Band member to headline an outdoor music and camping festival called the Grateful Garcia Gathering. The festival is a tribute to the Grateful Dead's guitarist Jerry Garcia. "Jerry Garcia Band" drummer David Kemper, joined Melvin Seals & JGB in 2007. To date, other musicians and friends of Jerry's have also included Donna Jean Godchaux, Mookie Siegel, Pete Sears, G.E. Smith, Barry Sless, and Jackie Greene to name a few musicians.
On July 21, 2005, the San Francisco Recreation and Park Commission passed a resolution to name the amphitheater in McLaren Park "The Jerry Garcia Amphitheater." The amphitheater is located in the Excelsior District, where Garcia grew up. The first show to happen at the Jerry Garcia Amphitheater was Jerry Day 2005 on August 7, 2005. Tiff Garcia was the first person to welcome everybody to the "Jerry Garcia Amphitheater." Jerry Day is an annual celebration of Jerry in his childhood neighborhood. The dedication ceremony (Jerry Day 2) on October 29, 2005 was officiated by mayor Gavin Newsom.
On September 24, 2005, the Comes a Time: A Celebration of the Music & Spirit of Jerry Garcia tribute concert was held at the Hearst Greek Theatre in Berkeley, California. The concert featured Bob Weir, Bill Kreutzmann, Mickey Hart, Bruce Hornsby, Trey Anastasio, Warren Haynes, Jimmy Herring, Michael Kang, Jay Lane, Jeff Chimenti, Mark Karan, Robin Sylvester, Kenny Brooks, Melvin Seals, Marty Holland, Stu Allen, Gloria Jones, and Jackie LaBranch.
Also in 2008, Georgia-based composer Lee Johnson released an orchestral tribute to the music of The Grateful Dead, recorded with the Russian National Orchestra, entitled "Dead Symphony: Lee Johnson Symphony No. 6." Johnson was interviewed on NPR on the July 26, 2008 broadcast of "Weekend Edition", and gave much credit to the genius and craft of Garcia's songwriter. A live performance with the Baltimore Symphony Orchestra, conducted by Johnson himself, was held Friday, August 1.
Seattle rock band Soundgarden wrote and recorded the instrumental song "Jerry Garcia's Finger", dedicated to the singer, which was released as a b-side with their single "Pretty Noose".
Numerous music festivals across the United States and Uxbridge, Middlesex, UK hold annual events in memory of Jerry Garcia.
Punk band NOFX has a song "August 8th" that makes light of Garcia's death, calling it "such a beautiful day" and "like waking up from a real bad dream." After the release of the album containing "August 8th", "Heavy Petting Zoo", it was brought to the attention of singer/bassist Fat Mike that Garcia actually died August 9.
Jerry also appeared in the 1977 movie "Close Encounters of the Third Kind" as an extra during the scenes in India in a crowd shot
Category:Culture of San Francisco, California Category:American banjoists Category:American rock guitarists Category:American bluegrass musicians Category:American musicians of Swedish descent Category:American musicians of Irish descent Category:American musicians of Spanish descent Category:San Francisco Bay Area musicians Category:American amputees Category:Deaths from myocardial infarction Category:Deaths from diabetes Category:Grateful Dead members Category:History of San Francisco, California Category:Lead guitarists Category:Pedal steel guitarists Category:People from San Francisco, California Category:San Francisco Art Institute alumni Category:People from Sonoma County, California Category:United States Army soldiers Category:American Episcopalians Category:1942 births Category:1995 deaths Category:Sebastopol, California
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