58:11
Schumann - best of
Robert Schumann The best of 1 Piano Concerto in A Minor, Op.54(Allegro affettuoso) 2 Inter...
published: 19 Dec 2012
author: Guitar Font
Schumann - best of
Schumann - best of
Robert Schumann The best of 1 Piano Concerto in A Minor, Op.54(Allegro affettuoso) 2 Intermezzo- Andante Grazioso 13:48 3 Allegro vivace 18:51 4 Introduction...- published: 19 Dec 2012
- author: Guitar Font
33:05
Robert Schumann Klavierkonzert a-Moll op. 54 Riccardo Chailly - Martha Argerich
Gewandhausorchester Leipzig...
published: 27 Nov 2013
Robert Schumann Klavierkonzert a-Moll op. 54 Riccardo Chailly - Martha Argerich
Robert Schumann Klavierkonzert a-Moll op. 54 Riccardo Chailly - Martha Argerich
Gewandhausorchester Leipzig- published: 27 Nov 2013
- views: 55
36:34
Schumann Piano Concerto, in A minor, OP. 54 Martha Argerich & Riccardo Chailly
Uma bela interpretação do lindo Concerto para Piano de Robert Schumann com Martha Argerich...
published: 11 Nov 2012
author: classicmusic541
Schumann Piano Concerto, in A minor, OP. 54 Martha Argerich & Riccardo Chailly
Schumann Piano Concerto, in A minor, OP. 54 Martha Argerich & Riccardo Chailly
Uma bela interpretação do lindo Concerto para Piano de Robert Schumann com Martha Argerich ao Piano e a Gewandhausorchester, conduzida pelo maestro Riccardo ...- published: 11 Nov 2012
- views: 24101
- author: classicmusic541
15:00
Robert Schumann - Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso
Klára Würtz, Piano. National Symphony Orchestra of the Ukraine, Vladimir Sirenko....
published: 07 Jul 2011
author: Wolfgang Amadé Mozart
Robert Schumann - Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso
Robert Schumann - Piano Concerto in A minor, Op. 54 - I. Allegro affetuoso
Klára Würtz, Piano. National Symphony Orchestra of the Ukraine, Vladimir Sirenko.- published: 07 Jul 2011
- views: 10551
- author: Wolfgang Amadé Mozart
31:06
Robert Schumann, Fantasie in C op.17 (complete). Mehmet Okonsar, piano
Dear friends! First thank you for so much views and nice comments. This video has a failur...
published: 20 Dec 2011
author: Mehmet Okonsar
Robert Schumann, Fantasie in C op.17 (complete). Mehmet Okonsar, piano
Robert Schumann, Fantasie in C op.17 (complete). Mehmet Okonsar, piano
Dear friends! First thank you for so much views and nice comments. This video has a failure and it goes black towards the end for some time then it resumes b...- published: 20 Dec 2011
- views: 15586
- author: Mehmet Okonsar
34:22
Schumann Pianoconcert - Nelson Freire, piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Pete...
published: 29 Nov 2011
author: avroklassiek
Schumann Pianoconcert - Nelson Freire, piano
Schumann Pianoconcert - Nelson Freire, piano
Meer klassiek op http://klassiek.avro.nl Rotterdam Philharmonisch Orkest o.l.v. Claus Peter Flor Opgenomen zondag 27 november in de grote zaal van De Doelen ...- published: 29 Nov 2011
- views: 125102
- author: avroklassiek
3:01
Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei Date : 1838....
published: 21 Jun 2008
author: ClassicalMusicOnly
Robert Schumann - Traumerei
Robert Schumann - Traumerei
Title : Robert Schumann , Traumerei Date : 1838.- published: 21 Jun 2008
- views: 74407
- author: ClassicalMusicOnly
30:55
Robert Schumann Symphony No 1 B flat major Spring Frühlingssinfonie
Robert Schumann Symphony No. 1 in B flat major, Op. 38 Frühlingssinfonie ("Spring")
David ...
published: 31 Mar 2014
Robert Schumann Symphony No 1 B flat major Spring Frühlingssinfonie
Robert Schumann Symphony No 1 B flat major Spring Frühlingssinfonie
Robert Schumann Symphony No. 1 in B flat major, Op. 38 Frühlingssinfonie ("Spring") David Zinman conducts Tonhalle Zurich Andante un poco maestoso -- Allegro molto vivace (B flat major) Larghetto (E flat major) 11:18 Scherzo: Molto vivace -- Trio I: Molto piu vivace -- Trio II (G minor) 17:27 Allegro animato e grazioso (B flat major) 22:54- published: 31 Mar 2014
- views: 9
24:00
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli c...
published: 22 Aug 2011
author: orso1149
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Robert Schumann: Cello Concerto op.129 - Mario Brunello
Mario Brunello plays the Schumann's Cello Concerto op.129 Umberto Benedetti Michelangeli conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Na...- published: 22 Aug 2011
- views: 43837
- author: orso1149
34:11
Robert Schumann - Violin Sonata No.2 in D minor, Op.121 - C.Widmann & D.Varjon
Sonata for Violin & Piano No.2 in D minor, Op.121 by Robert Schumann. Fantastic musicians ...
published: 27 May 2012
author: noaxfreeloader
Robert Schumann - Violin Sonata No.2 in D minor, Op.121 - C.Widmann & D.Varjon
Robert Schumann - Violin Sonata No.2 in D minor, Op.121 - C.Widmann & D.Varjon
Sonata for Violin & Piano No.2 in D minor, Op.121 by Robert Schumann. Fantastic musicians - Carolin Widmann (violin) and Denes Varjon (piano). Sonata in four...- published: 27 May 2012
- views: 3349
- author: noaxfreeloader
30:50
ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54
ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54 Allegro Affettuoso Inte...
published: 09 Jan 2013
author: Carlos Garcia
ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54
ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54
ROBERT SCHUMANN.-1810-1856- Concierto para piano y Orquesta Op. 54 Allegro Affettuoso Intermezzo. Andantino gracioso Allegro vivace Piano: Rudolf Serkin Orqu...- published: 09 Jan 2013
- views: 2828
- author: Carlos Garcia
30:55
Robert Schumann : String quartet Nr. 3 a-minor Op. 41/3
Andante expressivo - Allegro molto moderato
Assai agitato
Adagio molto
Finale : Allegro mo...
published: 08 Oct 2013
Robert Schumann : String quartet Nr. 3 a-minor Op. 41/3
Robert Schumann : String quartet Nr. 3 a-minor Op. 41/3
Andante expressivo - Allegro molto moderato Assai agitato Adagio molto Finale : Allegro molto vivace Quatuor Ebène : Pierre Colombet, violin I Gabriel Le Magadure, violin II Mathieu Herzog, viola Raphaël Merlin, cello Festival wissembourg - August 27th 2013- published: 08 Oct 2013
- views: 7
2:41
Träumerei von Robert Schumann
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspann...
published: 19 Apr 2011
author: Lebenslilie
Träumerei von Robert Schumann
Träumerei von Robert Schumann
"Träumerei" aus Kinderszenen von Robert Schumann ° Yuli Lavrenov (Klavier) Frohes Entspannen und Genießen... Bilder & Film: Britta ... für die Lebenslilie ht...- published: 19 Apr 2011
- views: 107708
- author: Lebenslilie
8:09
Robert Schumann - Abegg Variations, Op 1 (1829-30)
Robert Schumann
Variations on the name "Abegg" in F major, Op. 1 (1829-1830)
Christoph E...
published: 21 Aug 2013
Robert Schumann - Abegg Variations, Op 1 (1829-30)
Robert Schumann - Abegg Variations, Op 1 (1829-30)
Robert Schumann Variations on the name "Abegg" in F major, Op. 1 (1829-1830) Christoph Eschenbach, piano The name is believed to refer to Schumann's friend, Meta Abegg, whose surname Schumann used through a musical cryptogram as the motivic basis for the piece. The name Meta is considered to be an anagram of the word "tema" (Latin). Another suggestion is Pauline von Abegg. Apparently, when he was twenty years old, Schumann met her and dedicated this work to her, as witnessed in Clara Schumann's edition of her husband's piano works. The first five notes of the theme are A-B-E-G-G (the B in German usage, corresponding to the English B-flat). This use of pitch names as letters was also used by Schumann in other compositions, such as his Carnaval. Editor: Clara Schumann (1819-1896) Publisher Info.: Robert Schumanns Werke, Serie VII: Für Pianoforte zu zwei Händen Leipzig: Breitkopf & Härtel, 1887. Plate R.S. 39. Copyright: Public Domain- published: 21 Aug 2013
- views: 55
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34:17
Robert Schumann - Symphonic Etudes Op. 13
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856)
- Performer: Sviatoslav Richter
...
published: 10 Nov 2013
Robert Schumann - Symphonic Etudes Op. 13
Robert Schumann - Symphonic Etudes Op. 13
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856) - Performer: Sviatoslav Richter - Year of recording: 1971 Symphonic Etudes ("Etudes in the form of variations") for piano [version 2], Op. 13, written between 1834-1836. 00:00 - Theme - Andante 01:36 - Etude I (Variation 1) - Un poco più vivo 02:41 - Etude II (Variation 2) - Andante 05:18 - Etude III - Vivace 06:28 - Etude IV (Variation 3) - Allegro marcato 07:29 - Etude V (Variation 4) - Scherzando 08:34 - Posthumous variation I - Andante, Tempo del tema 10:11 - Posthumous variation II - Meno Mosso 12:19 - Posthumous variation III - Allegro 13:50 - Posthumous variation IV - Allegretto 16:33 - Posthumous variation V - Moderato 19:12 - Etude VI (Variation 5) - Agitato 20:06 - Etude VII (Variation 6) - Allegro molto 21:16 - Etude VIII (Variation 7) - Sempre marcatissimo 23:44 - Etude IX - Presto possibile 24:33 - Etude X (Variation 8) - Allegro con energia 25:43 - Etude XI (Variation 9) - Andante espressivo 28:04 - Etude XII (Finale) - Allegro brillante Schumann's contributions to the literature of the piano etude, a genre just beginning to blossom in the middle nineteenth century at the hands of Chopin and Liszt, came in three isolated, extremely productive bursts, after which he abandoned the genre forever. (It is perhaps no coincidence that Schumann was also forced to abandon hopes for a performing career after permanently crippling the fourth finger of his right hand during the early 1830s.) Schumann's earliest such effort, the Studies on Caprices of Paganini Op. 3 (1832), is at best little more than a preliminary essay toward the later, altogether more successful Concert Etudes on Caprices of Paganini, Op. 10 (1833). Even this second set of Paganini-inspired works, however, cannot compare with Liszt's parallel achievement, the Grandes études de Paganini (1851). But with the 12 Symphonic Etudes, Op. 13 (1834, rev. 1852), Schumann achieved a remarkable level of expressivity and technical achievement that has made the work a perennial if digitally formidable recital favorite. The 12 etudes of Op. 13 originally numbered 18; however, Schumann found the set so exhausting for the pianist that he removed five of the etudes prior to publication, both lessening the work's demands and streamlining its architecture. Johannes Brahms selected five of the additional six etudes for publication during the 1890s, and these 'posthumous variations' have since joined the original 12 in many performances and recordings, like this recording by Richter. Schumann also referred to the Symphonic Etudes as "Etudes en forme de variations" (Etudes in the form of variations), and it is largely to this enhanced degree of musical connectivity that the work owes its success. The theme upon which most of the variations are based was composed by Baron von Fricken, an amateur musician and father of Ernestine von Fricken, Schumann's onetime fiancée. The third and ninth etudes bear a much weaker relationship to the theme than do their companions, while the finale is based upon different material altogether. The theme, in C sharp minor, is infused by an atmosphere of tragedy, effectively built up into a kind of sepulchral march in the first etude-variation. The second etude is in rolling nocturne style, while the third, marked Vivace, draws upon energetic staccato textures. The fourth is a canon at the octave that uses the first measure of the Baron's theme but soon digresses. The fifth etude is also cleverly imitative, built on impish dotted rhythms (and, for a change, finishing in E major rather than in C sharp minor), while the sixth etude is a study in syncopation. The seventh etude, which like the fifth moves to E major at the end, is quick-witted and repetitive, finishing with a crescendo and a flurry of finger work. The eighth etude employs a thinner texture but is filled with intricate ornamentation. The ninth etude, a scherzo of sorts marked Presto possibile (as fast as possible), is one of the most challenging of the set; the theme is present only in the vaguest outline. The tenth etude is articulate and humorous, the eleventh the only one cast in a key other than C sharp minor; its grim key of G sharp minor and foreboding left-hand texture take the listener into the despairing depths of Schumann's craft. Etude No. 12, the finale, is cast in the altogether brighter key of D flat major, and employs a theme from an opera by Heinrich Marschner as its basic material; its joyful dotted rhythms and Allegro brillante atmosphere make for an appropriately exciting conclusion.- published: 10 Nov 2013
- views: 42
29:41
Robert Schumann - Kreisleriana opus 16 - Vladimir Horowitz
Robert Schumann Kreisleriana opus 16 Vladimir Horowitz (1969) 1. Äußerst bewegt 00:00 2. S...
published: 11 Mar 2012
author: gfdsab
Robert Schumann - Kreisleriana opus 16 - Vladimir Horowitz
Robert Schumann - Kreisleriana opus 16 - Vladimir Horowitz
Robert Schumann Kreisleriana opus 16 Vladimir Horowitz (1969) 1. Äußerst bewegt 00:00 2. Sehr innig und nicht zu rasch 2:34 3. Sehr aufgeregt 9:36 4. Sehr la...- published: 11 Mar 2012
- views: 28001
- author: gfdsab
22:42
Waldszenen Op. 82 (Forest Scenes) by Robert Schumann, Hal Freedman, pianist
Free sound bites at: http://www.cdbaby.com/halfreedman3 http://www.halfreedmanpianist.com ...
published: 03 Aug 2012
author: Hal Freedman
Waldszenen Op. 82 (Forest Scenes) by Robert Schumann, Hal Freedman, pianist
Waldszenen Op. 82 (Forest Scenes) by Robert Schumann, Hal Freedman, pianist
Free sound bites at: http://www.cdbaby.com/halfreedman3 http://www.halfreedmanpianist.com Voices of the Woods Throughout history, the forest has been regarde...- published: 03 Aug 2012
- views: 4982
- author: Hal Freedman
29:50
Robert Schumann - Kreisleriana
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856)
- Performer: Vladimir Horowitz
-...
published: 01 Oct 2013
Robert Schumann - Kreisleriana
Robert Schumann - Kreisleriana
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856) - Performer: Vladimir Horowitz - Year of recording: 1969 Kreisleriana Op. 16, subtitled "8 Phantasien für das Pianoforte" {8 Fantasias for piano}, written in 1838. 00:00 - 1. Äußerst bewegt (Extremely animated), D minor 02:39 - 2. Sehr innig und nicht zu rasch (Very inwardly and not too quickly), B-flat major 09:41 - 3. Sehr aufgeregt (Very agitated), G minor 13:17 - 4. Sehr langsam (Very slowly), B-flat major/D minor 16:36 - 5. Sehr lebhaft (Very lively), G minor 19:57 - 6. Sehr langsam (Very slowly), B-flat major 23:52 - 7. Sehr rasch (Very fast), C minor/E-flat major 26:07 - 8. Schnell und spielend (Fast and playful), G minor Dedicated to Frédéric Chopin in the score, but like most of Schumann's piano music from the late 1830s, it is really about Schumann's love for his wife Clara Wieck. It is a very dramatic work and is considered to be one of Schumann's finest compositions. The work's programme, or at any rate the basis for a depiction of psychological music-drama, is based on the character Johannes Kreisler from works of E. T. A. Hoffmann. Like the kaleidoscopic Kreisler, each number has multiple contrasting sections, resembling the imaginary musician's manic-depression, and recalling Florestan and Eusebius, the two imaginary characters of Schumann's inner vision (representing his impulsive and dreamy sides, respectively). Johannes Kreisler appeared in three books by E. T. A. Hoffmann, most notably in Kreisleriana (a section of "Fantasiestücke in Callots Manier" published in 1814). Schumann used material from the eighth movement, "Schnell und spielend", for the fourth movement of his first symphony.- published: 01 Oct 2013
- views: 28
