- published: 11 May 2016
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A namtar (Tibetan: རྣམ་ཐར་, Wylie: rNam-thar ), sometimes spelled namthar is a spiritual biography or hagiography in Tibetan Buddhism.
Namtar is a contraction of nampar tharpa (Tibetan: རྣམ་པར་ཐར་པ་, Wylie: rnam-par thar-pa ), which literally means 'complete liberation'. This name refers to the fact that the texts tell stories of yogis or Indo-Tibetan Mahasiddha who attained complete enlightenment. Namtars do not focus on a literal chronology of events, but rather function as a kind of learning example that hits the key points of the yogi's sprititual life. Such a text would serve as an example of buddhahood for any practitioner of Vajrayana and complement the tantras in imparting instructions on specific tantric practices. According to Janice D. Willis, the focus on practice forms an essential difference between Christian and Tibetan hagiography.
In her book Women of Wisdom, Tsultrim Allione voices it thus:
Western academic tradition often portrays this type of text in an unfavourable light. It mainly criticizes the Tibetan hagiography for its inclusion of miraculous events and repetition of the protagonist's sanctity. Some scholars have therefore proposed that the Namtar has no historical value whatsoever.
Lhamo, or Ache Lhamo (literally, "sister goddess") is a Tibetan folk opera. It is a combination of dances, chants and songs, with repertoire drawn from Buddhist stories and Tibetan folklore. Lhamo is part of the People's Republic of China's UNESCO Intangible Cultural Heritage List.
In the Tibetan language, the opera is called Al-che-lha-mo, the actor lha-mo-ba and the script khrab-gzhung.
Tibetan opera was founded in the 14th century by Thang Tong Gyalpo, a Lama and a bridge builder. Gyalpo and seven recruited girls organised the first performance to raise funds for building bridges, which would facilitate transportation in Tibet. The tradition continued, and lhamo is held on various festive occasions such as the Linka and Sho Dun festivals.
The Tibetan Institute of Performing Arts at Dharamsala, runs an opera company, which produces shows to promote this art form. Brooklyn-based singer Doe Paoro trained there while living in the region, and blends the opera's vocally acrobatic stylings with elements of soul, dubstep, and R&B.
Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, was an 8th-century Indian Buddhist master. Although there was a historical Padmasambhava, nothing is known of him apart from helping the construction of the first Buddhist monastery in Tibet at Samye, at the behest of Trisong Detsen, and shortly thereafter leaving Tibet due to court intrigues.
A number of legends have grown around Padmasambhava's life and deeds, and he is widely venerated as a 'second Buddha' across Tibet, Nepal, Bhutan, and the Himalayan states of India.
In Tibetan Buddhism, he is a character of a genera of literature called terma, an emanation of Amitābha that is said to appear to tertöns in visionary encounters and a focus of guru yoga practice, particularly in the Rimé schools. The Nyingma school considers Padmasambhava to be a founder of their tradition.
Nyangrel Nyima Özer (1136-1204) was the principal architect of the Padmasambhava mythos according to Janet Gyatso. Guru Chöwang (1212–1270) was the next major contributor to the mythos. Padmasambhava's Namtar (biography) is Zanglingma (Jeweled Rosary) revealed by Nyang Ral Nyima Özer and is in the Rinchen Terdzö terma collection.
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Listen to this beautiful namthar soldeb of Guru Rinpoche.
Tsering Wangmo sing Tibetan Opera from Calafornia.... Tsering Wangmo (Satho Aki), Artistic Director of the Tibetan Opera company, Chaksampa.
Life story of Guru Rinpoche in brief in the form of a prayer https://www.facebook.com/photo.php?v=307157052762931
A 400 year old biography or "Namthar" of the first Staktsang Raspa, founder of world renowned Hemis Monastery was performed by Ladakh Theater Organization (LTO) on 19th September 2016.. The play was directed by Mipam Otsal of National School of Drama, New Delhi . Staksang Shambunath was the reincarnation of the great Indian Siddha Shawaripa and of the great Tibetan yogi Milarepa. The one hour play shows his journey of pilgrimage to various countries including, Swat Valley of Pakistan. The play skillfully represents how he came to Kashmir, built Hemis monastery and spread the teachings of Dharma. Newzstreet TV Videos - Dedicated to bringing you the latest and best in politics, sports, current affairs and entertainment world. From traditional sports like cricket to best Bollywood enter...
Aus dem Taumel - Ein weiteres Stück von Namthar. © Text und Stimme: Namthar Bild: google Song: Beyond Good & Evi (Soundtrack)
Tibetan Opera is a fascinating combination of songs, dances, chants, acrobatics, comedy and drama. Most of the plots are derived from Buddhist teachings and Tibetan history, and as such they emphasise the cause/effect relationship and victory of good over evil. Operas usually begin with a Buddhist prayer ceremony, a Ngonpa dance - the purification of the stage by hunters and a blessing by the elder. Source: TibetanOpera This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The collection comprises of 150, 000+ hours of high quality broadcast imagery, mostly shot on HDCAM / SR 1080i High Definition, Alexa, SR, XDCAM and 4K. Write to us for licensing this footage on a broadcast for...
In the valley of the shadows, I?m waiting
For mother and the other ones I love
So know I?ll always love you
Until we meet above
In the battle of the bottle I?m an innocent
And the breaking of glass I?m lost
In the shadow of a downtown overpass
My last I did exhaust
No, no, no mother
Should ever have to lose a son
No, no, no never
Especially not such a handsome one
In the middle of the meadow, I?m waiting
For mother and the other ones I love
There?s no good why this came to pass
There?s only just because
No, no, no mother
Should ever have to lose a son
No, no, no never
Especially not such a handsome one
In the valley of the shadows, I?m waiting
For mother and the other ones I love
So know, I?ll always love you
Until we meet above
No, no, no mother
Should ever have to lose a son
No, no, no never
Especially not such a handsome one
No, no, no, no mother
Should ever have to lose a son
No, no, no, no never