La Belle Lucie is a Patience game where the object is to build the cards into the foundations.

All cards are visible from the start, but this does not imply that this game is solvable with strategy. The default rule is very hard to win. The majority of games cannot be solved. For example, moving a single card onto another blocks that stack until both cards can be removed to the foundations. Any setup that has a lower card of a specific suit below a higher of the same suit, or all kings not on the bottom of each cascade cannot be solved without cheating. The shuffle and redeal is of little help. For each king left in the second redeal, there is a 66% chance that the cascade cannot be solved (if the king is not lowest). Moving aces out (Trefoil rule) has cosmetic character.

It is also known as The Fan, Clover Leaves, Three Shuffles and a Draw, Alexander the Great, Trefoil and Midnight Oil to name a few and has some variations.

Rules[link]

• The tableau consists of seventeen fans of three cards each with a single card counting as an eighteenth fan.

• Only the top card of each fan could be played.

• Any aces are moved to the foundations and are built from there.

• Cards are moved to the foundations by suit in ascending order (e.g. 2♦ over A♦).

• Cards are moved to other fans by suit in descending order (e.g. 7♣ over 8♣).

• When a fan becomes empty, it cannot be filled again, even with a king.

• Once all possible moves have been exhausted, the entire tableau is reshuffled and redealt, again in fans of three with the remainder counting as a separate fan. There are only two reshuffles allowed in the game.

• The game is considered won when all cards are transferred into the foundations.

Variations[link]

Variations are listed in the order they will occur in the game play:

• Trefoil:
  • The aces are immediately transferred to the foundations and the remaining 48 cards are shuffled and dealt in sixteen fans of three to begin the game.
  • The tableau consists of sixteen fans of three cards each and the four remaining cards formed into two fans of two. ^[1]
  • Cards are moved to other fans by alternating colours in descending order (e.g. 7♦ over 8♣). [The alternating colours rule for moves between fans.]
• The Fan:
  • When a fan becomes empty, it can be filled with a king. This rule is recommended as it makes things easier and increases odds of solving the game. [The king rule.]
  • No redeals of cards. [The no redeal rule.]
• Three Shuffles and a Draw:
  • When all possible moves have been exhausted after the two reshuffles without finishing, the player can still make one last possible move called a merci (French for "thank you"), wherein one can pick out (or draw) a buried card, i.e. any card that is not the top card of any fan, and use it to continue the game and finish it. This special move and three shuffles involved (including the original shuffling of the cards before the start of any new game) give the variation its name.

The "no redeal rule" and the "king rule" are often used together since redeals are needed to get to cards under a king unless it’s allowed to move kings to empty fans.

Strategies[link]

Since all cards are visible after the deal, the basic strategy is to think before doing moves. A redeal is not always of much help, since it will give fewer fans than the initial deal.

Cards under a king are blocked until the redeal or until the king is moved to the foundations (if the "king rule" is not in effect).

For standard rules[link]

• Since cards only can be moved once (because 7♣ only can be moved to 8♣), the cards under moved cards will be blocked until the redeal or until the cards above are moved to the foundations.

• It is always safe to build on a fan that contains only one card.

• It is likewise always safe to build on a king, since the cards under it is blocked anyway (as long as the "king rule" is not in effect).

• It is also safe to build on a sequence of two or more cards in suite (like 7♣ on 8♣), since the cards under it is blocked anyway.

• It is always safe to move cards to the foundations.

• Before moving a card consider if the destination card can be moved first (e.g. before moving 7♣ over 8♣, consider if it is possible to move 8♣ over 9♣).

For the "alternating colours rule for moves between fans"[link]

The "alternating colours rule for moves between fans" will significantly change the strategy used in the game:

• Even if cards can be moved multiple times, and thus cards under moved cards are not always blocked, it will often be the case, especially when the fan becomes larger.

• Even if it is not always safe; if a fan contains only one card it is safer to build on it than on other fans.

• It is likewise safer to build on a king than on other cards, since the cards under it is blocked anyway (as long as the "king rule" is not in effect).

• Build evenly on the foundations; i.e. try to move all four Aces up to the foundations first, then move all the 2's, etc. Not following this strategy will limit the moves possible between the fans, even after a redeal.

• Before moving a card consider if the destination card can be moved first (e.g. before moving 7♣ over 8♦, consider if it is possible to move 8♦ over 9♣).

• All cards can be moved over two other cards. Therefore before moving a card, say 7♦ over 8♣, consider the need to instead move 7♥ over the destination 8♣, or the possibility to instead move the source card 7♦ over 8♠.

References[link]

1. ^ Card Games for Dummies by Barry Rigal (ISBN 0-7645-5050-0).

External links[link]

• Online version of La Belle Lucie

La Belle may be a place in the US:

• La Belle, Florida
• La Belle, Missouri
• La Belle Township, South Dakota

La Belle may also be:

• La Belle (discotheque)
• La Belle (ship)
• James D. La Belle, U.S. Marine Hero
• La Belle, a 2000 Korean movie starring Oh Ji-ho

See also[link]

• La Belle discotheque bombing 1986
• Labelle (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Alceu Valença (born July 1, 1946 in São Bento do Una, Pernambuco, Northeast Brazil) is a Brazilian composer, writer, performer, actor, and poet.

Alceu Valenca was born in countryside Pernambuco, Northeast Brazil. He is considered the most successful artist in achieving an aesthetic balance between traditional northeastern Brazilian music and a broad range of electronic sounds and effects from pop music. One can find traces of maracatu, coco and "repentes de viola" (improvising fast-paced Brazilian folk music) in most of his songs. Alceu was able to utilize the electric guitar the electric bass, and lately even a synthesizer was added to his broad scope of musical instruments.

Because of that, Alceu was able to recreate Northeastern traditional music, like baião, coco, toada, maracatu, frevo, caboclinhos, embolada and repentes: all sung with a sometimes rock sometimes alternative sounding music background. His music and his themes are intangible, universal and unlimited. However, his aesthetic basis is genuinely Brazilian Northeastern music.

Biography[link]

Alceu Valença was born in São Bento do Una, Pernambuco, Northeast Brazil. When he was young, he used to listen songs by Dalva de Oliveira, Orlando Silva, Sílvio Caldas etc. When he was 5 years old, he participated of a music contest, singing a song by Capiba. Some years later, his mother get sick and his family moved to Recife to live in his aunt's house. In this period, Valença get interested in some musical instruments, such as acoustic guitar and viola. However, he only won his own guitar when he was 15.^[1]

In 1970, Valença got his graduation degree on Laws. However, he only followed a career in which for a matter of months. In fact, in the early 1970s, the reason he had no time for a law career was that he had already launched into a musical direction.^[2]

He started his musical career in 1968, with the group Underground Tamarineira Village, later known as Ave Sangria. He also played with Zé Ramalho and Elba Ramalho during this period. In 1972, he joined Geraldo Azevedo. Together, they participated of many festivals and, in that same years, recorded their first album: Alceu Valença & Geraldo Azevedo, also known as Quadrafônico.^[1][2]

Along his career, Valença recorded more than 20 albums and travelled around many countries, such as Portugal, France and United States. Actually, he is considered one of the greatest exponents of the music of Pernambuco.^[3]

Discography[link]

References[link]

External links[link]

• Official Alceu Valença website
• The Music of Alceu Valença independent site with all the lyrics and sound clips
• Alceu Valença at NordesteWeb
• Alceu Valença at the Internet Movie Database
• MTV's Alceu Valença page
• Alceu Valença at Música de Pernambuco