Mathematics at MIT
Morphable surfaces at MIT
Artificial muscles at MIT
Transparent Displays at MIT
(Tiny) Reconfigurable Robots at MIT
Ballroom Dancing at MIT
MIT 2012 Commencement Address
Life at MIT: Video 98- Studying for Finals
Automatic building mapping at MIT
Autonomous robotic plane flies indoors at MIT
Olafur Eliasson at MIT: Turning ideas into action
50 years of Linguistics at MIT, Lecture 4
Autonomous, self-contained soft robotic fish at MIT
Six Questions, Q1 What was it like being a woman at MIT?
Mathematics at MIT
Morphable surfaces at MIT
Artificial muscles at MIT
Transparent Displays at MIT
(Tiny) Reconfigurable Robots at MIT
Ballroom Dancing at MIT
MIT 2012 Commencement Address
Life at MIT: Video 98- Studying for Finals
Automatic building mapping at MIT
Autonomous robotic plane flies indoors at MIT
Olafur Eliasson at MIT: Turning ideas into action
50 years of Linguistics at MIT, Lecture 4
Autonomous, self-contained soft robotic fish at MIT
Six Questions, Q1 What was it like being a woman at MIT?
Soft autonomous earthworm robot at MIT
The Foundry at MIT
Lessig at MIT: "Tweedism"
Glasses-free 3-D TV at MIT
Life at MIT: Video 91- Death by Physics
Olafur Eliasson at MIT: Holding hands with the sun
Bio Flash Mob at MIT
Election Express at MIT, Pune: What do urban voters from Maha want?
"Misconceptions of Shi'a" - Ammar Nakhshwani Lecture at MIT
Atmit is a nutritional supplement used to fight famine in impoverished countries. The creamy, nutritious food is indigenous to Ethiopia and is now used to feed the severely malnourished and weakened adults and children. The word atmit originated in Ethiopia and refers to a kind of "thin, nourishing porridge." Traditionally, Atmit can contain over 20 different cereals and recipes can vary widely.
Atmit is made from rolled oats, powdered milk, powdered sugar, vitamins, and minerals. It is easily digestible, high in protein and calorie content. Since severely malnourished people cannot eat solid food, atmit is an ideal way to get them essential nutrients.
Marta Gabre-Tsadick, the first woman Senator from Ethiopia and the co-founder of Project Mercy, Inc., a Christian relief organization, adapted the recipe for production in the USA for shipment to Ethiopia and other African countries. During 1985 and 1986, Project Mercy sent 930 tons of atmit to Ethiopia, where World Vision relief workers used it to prepare millions of hot, nutritious meals which helped strengthen many people weakened from the famine.[citation needed]
Olafur Eliasson (born 1967 in Copenhagen, Denmark) is a Danish-Icelandic artist known for sculptures and large-scale installation art employing elemental materials such as light, water, and air temperature to enhance the viewer’s experience. In 1995 he established Studio Olafur Eliasson in Berlin, a laboratory for spatial research. Eliasson represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The Weather Project in the Turbine Hall of Tate Modern, London.
Eliasson has engaged in a number of projects in public space, including the intervention Green river, carried out in various cities between 1998 and 2001; the Serpentine Gallery Pavilion 2007, London, a temporary pavilion designed with the Norwegian architect Kjetil Thorsen; and The New York City Waterfalls, commissioned by Public Art Fund in 2008.
Olafur Eliasson, born in Copenhagen in 1967 to Icelandic parents, studied at the Royal Danish Academy of Fine Arts between 1989 and 1995.
In 2004 Eliasson told Berlin magazine 032c that his father was also an artist; in the same interview he also said that at one time he considered his "break-dancing" during the mid-1980s to be his first artworks. In 1990, when he was awarded a travel budget by the Royal Danish Academy of Arts, Eliasson went to New York where he started working as a studio assistant. He received his degree from the academy in 1995, after having moved in 1993 to Cologne for a year, and then to Berlin, where he has since maintained a studio. First located in a warehouse right next door to the Hamburger Bahnhof, the studio moved to a former brewery in Prenzlauer Berg in 2008.
And now this day
The things I've seen in this age
My skies have changed,
My skies have changed
Find a place of worship and be still
There are no words for this ill
But how can we fight this bloody war with not enough soldiers?
We're a man down
We're a man down
We're a man down
And I had him but we lost him coming out
I fear the future now I must confide
Please take your place at my side
But how can we fight this bloody war with not enough soldiers?
We're a man down
We're a man down
We're a man down
And I had him but we lost him coming out
Find a place of worship and be still
There are no words for this ill
But how can we fight this bloody war with not enough soldiers?
We're a man down
We're a man down
We're a man down
I will confront you at last you dreaded empty
When I met you in others I fell in love
From the bottle, to the cradle, to the needle to the bed
We all need something to deliver us from dread
But I believe in truth
Out of this noise, here comes the stillness
Out of this chaos, here comes the order
Out of this language, out of this language
Out of these words
And a hollow man leaves you empty-handed
With fingers carved from Asian ivory
From the cradle, to the treadmill, to the rocker, to the last sigh
Some are made happy when something dies
Out of this noise, here comes the stillness
Out of this chaos, here comes the order
Out of this language, out of this language
Out of these words
Shitsujo, seijaku, shinjitsu
Shitsujo, seijaku, shinjitsu, shinjitsu
Out of patience, out of deed
Out of courage, out of me
Out of reason, out of truth
Out of conscience, out of you
Konran kara shitsujo ga umare
Soon kara seijaku ga umareru
Shinjitsu wa ai o umu
he's the middle man
stole my heart
but he was the master
oh no no
now knee deep in yearning
the bastard kept me waiting
around like a dumb dumb
i see you, what
but i won't learn
i see you
he's a little thief
stole my heart
but he was faster
than i've ever known
now i'm like a zombie
go where he goes
he could bounce me like a yo-yo
around like a boomerang
he didn't think of that one
look, here he comes around
i'd better run
[chorus]
jellyman jellyman
you know you're messin' with a jezebell
i won't bounce you like a yo-yo
jellyman jellyman
you know you're messin' with a jezebell
i won't bounce you like a yo-yo around an around
he was some petty thief, caught my eye
an i'm in a fix now
oh no he won't see me, i'm no one
just another one to make goo goo eyes like a dumb dumb
not a string along, no
i'm the only one
he'll come around
i don't want no jellyman jammin up my can can
i'm with my mister, ah yes i am
now he has to follow, go where i go
i can bounce him like a yo-yo
around like a boomerang
he didn't think of that one, no
when he came around, i didn't run
[chorus]
i see you on
i see you on
i see you on
i see you jellyman jellyman
see you
see you jellyman jellyman
see you
see you jellyman jellyman