An evoked potential (or "evoked response") is an electrical potential recorded from the nervous system of a human or other animal following presentation of a stimulus, as distinct from spontaneous potentials as detected by electroencephalography (EEG) or electromyography (EMG).

Evoked potential amplitudes tend to be low, ranging from less than a microvolt to several microvolts, compared to tens of microvolts for EEG, millivolts for EMG, and often close to a volt for ECG. To resolve these low-amplitude potentials against the background of ongoing EEG, ECG, EMG, and other biological signals and ambient noise, signal averaging is usually required. The signal is time-locked to the stimulus and most of the noise occurs randomly, allowing the noise to be averaged out with averaging of repeated responses.

Signals can be recorded from cerebral cortex, brain stem, spinal cord and peripheral nerves. Usually the term "evoked potential" is reserved for responses involving either recording from, or stimulation of, central nervous system structures. Thus evoked compound motor action potentials (CMAP) or sensory nerve action potentials (SNAP) as used in nerve conduction studies (NCS) are generally not thought of as evoked potentials, though they do meet the above definition.

Michael Francis Moore (born April 23, 1954) is an American filmmaker, author, social critic and activist. He is the director and producer of Fahrenheit 9/11, which is the highest-grossing documentary of all time. His films Bowling for Columbine and Sicko also place in the top ten highest-grossing documentaries. In September 2008, he released his first free movie on the Internet, Slacker Uprising, which documented his personal quest to encourage more Americans to vote in presidential elections. He has also written and starred in the TV shows TV Nation and The Awful Truth.

Moore criticizes globalization, large corporations, assault weapon ownership, U.S. Presidents Bill Clinton and George W. Bush, the Iraq War, the American health care system, and capitalism in his written and cinematic works.

Moore was born in Flint, Michigan, and raised in Davison, a suburb of Flint, by parents Veronica (née Wall), a secretary, and Frank Moore, an automotive assembly-line worker. At that time, the city of Flint was home to many General Motors factories, where his parents and grandfather worked. His uncle LaVerne was one of the founders of the United Automobile Workers labor union and participated in the Flint Sit-Down Strike.

Captain James Hook is the main antagonist of J. M. Barrie's play Peter Pan; or, the Boy Who Wouldn't Grow Up and its various adaptations. The character is a villainous pirate captain of the Jolly Roger brig, and lord of the pirate village/harbour in Neverland, where he is widely feared. Most importantly, he is the archenemy of Peter Pan. It is said that Hook was Blackbeard's boatswain, and that he was the only man Long John Silver ever feared. His only two fears are the sight of his own blood (which is supposedly an unnatural colour) and one fateful crocodile.

Hook wears a big iron hook in place of his right hand, which was cut off by Peter Pan and eaten by a saltwater crocodile, who liked the taste so much that she follows Hook around constantly, hoping for more. Luckily for Hook, the crocodile also swallowed a clock, so Hook can tell from the ticking when she is near. Hook hates Peter obsessively due to his cockiness (and the removing of his hand), as well as the way he always seems to have "good form" without trying or even realizing, which is the best "form" of all, and lives for the day he can make Peter and all his Lost Boys walk the plank.

Jeff Mills (born 18 June 1963 in Detroit, Michigan) is an American techno DJ and producer.

Starting in the early 1980s, Mills, using the name "The Wizard", was a recurring guest DJ on "The Electrifying Mojo" radio show on WJLB. He performed DJ tricks like beat juggling and scratching during his sets, some of which were pre-recorded.

Mills and former Parliament bass player 'Mad' Mike Banks were founding members of Detroit techno collective Underground Resistance (UR), which embraced revolutionary rhetoric and only appeared in public dressed in ski masks and black combat suits.

Mills never officially left UR, but did relocate from Detroit, first to New York, then Berlin (as a resident at the Tresor club), and then Chicago. There in 1992, with fellow Detroit native Robert Hood, he set up the record label Axis, and later, sub-labels Purpose Maker, Tomorrow, and 6277, all aiming for a more minimal sound than most of the techno being produced in those years.

In his DJ sets, Mills usually uses three decks, a Roland TR-909 drum-machine, and up to seventy records in one hour. Mills' Exhibitionist DVD, from 2004, features him mixing live on three decks and CD player in a studio.