In Hinduism, Mahavishnu (Devanāgarī: महाविष्णु) is an aspect of Vishnu, the Absolute which is beyond human comprehension and is beyond all attributes. In Vaishnavite theology, the term is similar to Brahman and Almighty Absolute Supreme Personality of Godhead. This means that the Absolute truth is realized first as Brahman (impersonal aspect) then as Paramatma (personal aspect) and finally as Bhagavan (incarnate perfection). So bhakti (loving devotion) goes to Bhagavan, Krishna (the Avatar of Vishnu, Narayana). In this way, bhakti surpasses even yoga, which is aimed at the Supersoul, Paramatma. Mahavishnu is the Supersoul of all living beings (jivaatmas) in all material universes. It is also often used interchangeably with Vishnu to indicate reverence, as the prefix "Mahā" exalts the noun to which it is attached.

Mahavishnu is said to lie in the causal ocean or the Karanodak. He puts the seed of this material universe in Mahāmāyā by glancing at her. Mahāmāyā remains the ever obedient material energy of the Supreme Lord. All the natural elements including sky, fire, water, air and ether are created along with mind, intelligence and false ego.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion.

Miles Dewey Davis was born on May 26, 1926, to an affluent African American family in Alton, Illinois. His father, Dr. Miles Henry Davis, was a dentist. In 1927 the family moved to East St. Louis, Illinois. They also owned a substantial ranch in northern Arkansas, where Davis learned to ride horses as a boy.

Davis' mother, Cleota Mae (Henry) Davis, wanted her son to learn the piano; she was a capable blues pianist but kept this fact hidden from her son. His musical studies began at 13, when his father gave him a trumpet and arranged lessons with local musician Elwood Buchanan. Davis later suggested that his father's instrument choice was made largely to irk his wife, who disliked the trumpet's sound. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato; he was reported to have slapped Davis' knuckles every time he started using heavy vibrato. Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, "I prefer a round sound with no attitude in it, like a round voice with not too much tremolo and not too much bass. Just right in the middle. If I can’t get that sound I can’t play anything."Clark Terry was another important early influence.^{[citation needed]}