- published: 10 Apr 2010
- views: 6741
3:12
9 aprili - 1989(The April 9 tragedy, 1989, Tbilisi, Georgia)
საქართველოში იბადებოდნენ
და შემდეგ მუდამ წუხდნენ ამაზე:
ეჰ, წუთით მაინც დაბრუნდებოდეს,
...
published: 10 Apr 2010
9 aprili - 1989(The April 9 tragedy, 1989, Tbilisi, Georgia)
საქართველოში იბადებოდნენ
და შემდეგ მუდამ წუხდნენ ამაზე:
ეჰ, წუთით მაინც დაბრუნდებოდეს,
ჩვენი ბავშვობა და სილამაზე.
თავს არ მოიკლავს ქართველი არა,
ის შეიძლება ბრძოლაში მოკვდეს,
ერთი იმედით, სიცოცხლე მარად,
გაგრძელდეს ქვეყნად და განმეორდეს!
ასე მოგვდგამს ქართველებს: მუდამ ჩვენს სიმცირეს მივსტიროდით, რადგან მტერი აურაცხელი გვყავდა მუდამ, მაგრამ დიდი კაცი თუ გამოგვერია. მას ისე დავკორტნით, როგორც დაკოდილ ძერას ყვავები".
* * *
ოსო გუდუნით ნაზარდო,
შე იმერელო ღომითა,
საწყალო არაგვის კაცო
გაუმაძღარო ომითა
* * *
„მაღაროსკარში შევვარდი,
როგორც მშიერი მგელია,
სამოცი დამხვდა ყაზახი,
სამოცივ კავალერია:
სამოცივ თოფი ავყარე,
დავშალე მთელი ჯარია,
ავი და შეუსმინარი
მოვკალი კომისარია.
იარაღს ხელი არ ვახელ,
რად მინდა სხვის ნახმარია,
ხელაშვილს მუდამ თავისი
აქვს კარგი თოფ-ისარია.
შევჯექ და გამოვაქციე
მისრიაშვილის ცხენია,
თან მივაძახე, ხელა ვარ,
კომუნისტების მტერია!
* * *
გფარავდეს ლომისის მადლი
ტანზედ აგესხას რკინაო
ხელთ გეპყრას მჭრელი მახვილი
რომ მტერს არ მაალხინაო
- published: 10 Apr 2010
- views: 6741
55:29
Documentary Film - The April 9, 1989 Tragedy
Documentary Film - The April 9, 1989 Tragedy
1st Channel presents . Director - M. Chia...
published: 09 Apr 2011
Documentary Film - The April 9, 1989 Tragedy
Documentary Film - The April 9, 1989 Tragedy
1st Channel presents . Director - M. Chiaureli
- published: 09 Apr 2011
- views: 1925
7:45
Georgia commemorates 22nd anniversary of April 9 tragedy
Georgia commemorates 22nd anniversary of April 9 tragedy
09.04.11
Georgia commemora...
published: 09 Apr 2011
Georgia commemorates 22nd anniversary of April 9 tragedy
Georgia commemorates 22nd anniversary of April 9 tragedy
09.04.11
Georgia commemorates 22nd anniversary of the April 9 tragedy, when Russian army commanded by General Rodionov massacred Georgian youth, which were holding demonstrations with the demand of Georgia`s independence in 1989.
Since Saturday morning, citizens have been flocking on Rustaveli Avenue, the main thoroughfare of Tbilisi, where the April 9 events took place.
Representatives of different political parties, political and public figures, MPs have been assembling around the April 9 memorial. People in Rustaveli Avenue said today that 22 years later people should not forget sacrifice of the heroes fallen for Georgia`s independence.
Members of opposition parties also arrived with candles and flowers at the Rustaveli Avenue. Representatives of Public Assembly, Labour Party, Georgian Chamber and Free Democrats said April 9 is the day of historic significance for the country.
People were flocking to Rusraveli Avenue all night long. National Democrats were first, who arrived at the memorial. The party members commemorated people killed on April 9, 1989.
Members of Christian Democratic Party said the tragedy that took place 22 years ago, should be memorized.
Son of Georgia`s first president Zviad Gamsakhurdia, also took part in marking the anniversary.
- published: 09 Apr 2011
- views: 160
11:47
Today marks 22nd anniversary of April 9, 1989 tragedy in Tbilisi
Today marks 22nd anniversary of April 9, 1989 tragedy in Tbilisi
2011-04-09
Toda...
published: 09 Apr 2011
Today marks 22nd anniversary of April 9, 1989 tragedy in Tbilisi
Today marks 22nd anniversary of April 9, 1989 tragedy in Tbilisi
2011-04-09
Today is the 22nd anniversary from April 9, 1989 tragedy, which refers to the events in Tbilisi, Georgian Soviet Socialist Republic, when an anti-Soviet demonstration was dispersed by the Soviet Army, resulting in 21 deaths and hundreds of injuries. Thousands of demonstrators were poisoned with unknown gas.
The protests reached their peak on April 4, 1989, when tens of thousands of Georgians gathered before the House of Government at Rustaveli Avenue in Tbilisi. The protesters, led by the Independence Committee (Merab Kostava, Zviad Gamsakhurdia, Giorgi Chanturia, Irakli Bathiashvili, Irakli Tsereteli and others) organized a peaceful demonstration and hunger strikes, demanding restoration of Georgia's independence.
Local soviet authorities lost control over the situation in the capital and were unable to contain the protests. First Secretary of the Georgian Communist Party Jumber Patiashvili asked USSR leadership to send troops to restore order and impose curfew.
In the evening of April 8, 1989, Colonel General Igor Rodionov, Commander of the Transcaucasus Military District, ordered his troops to mobilize. Moments before the attack by the Soviet forces, the Patriarch of Georgia Ilia II addressed the demonstrators asking them to leave Rustaveli Avenue and the vicinity of the government building due to the danger which accumulated during the day after appearance of Soviet tanks near the avenue.
The demonstrators refused to disband even after the Patriarch's plea. The local Georgian militsiya (police) units were disarmed just before the operation. On April 9, at 3:45 a.m., Soviet APCs and troops under General Igor Rodionov surrounded the demonstration area.
The stampede following the attack resulted in the death of 19 people, among them 17 women. Autopsy conducted on the victims concluded the direct cause of death of all those who died, with the exception of one case of serious skull and brain injury, was suffocation (asphyxia) caused by both the compression of the body and the inhalation of chemical substances.
On April 9, 199, the Supreme Council declared the date April 9 as Georgia's Independence Day. April 9 is now remembered as the Day of National, an annual public holiday.
Locals gathered last nights at April 9 Memorial paying tribute to those, who died that night as a result of the tragedy. Governmental officials, participants of the demonstration and ordinary people commemorated their death. They lit candles and remembered the development of events back in 1989.
- published: 09 Apr 2011
- views: 468
1:55
Tragedy in Ekazhevo, Ingushetia. April 9, 2010
Marina Evloeva, the wife of a terrorist tried to break through to her husband and has been...
published: 14 Apr 2010
Tragedy in Ekazhevo, Ingushetia. April 9, 2010
Marina Evloeva, the wife of a terrorist tried to break through to her husband and has been shot. A policeman Akhmed Tsurov killed by random bullet.
Thanks Fender1106
- published: 14 Apr 2010
- views: 1178
3:46
Rustaveli Avenue in Tbilisi, Georgia
Rustaveli Avenue - (formerly known as Golovin Street) is an avenue in central Tbilisi name...
published: 21 Jun 2012
Rustaveli Avenue in Tbilisi, Georgia
Rustaveli Avenue - (formerly known as Golovin Street) is an avenue in central Tbilisi named after the medieval Georgian poet, Shota Rustaveli. The Avenue starts at Freedom Square and extends for about 1.5 km in length, before it turns into an extension of Kostavas Kucha (Kostava Street). Rustaveli is often considered as the main thoroughfare of Tbilisi due to a large number of governmental, public, cultural, and business buildings that are located along or near the Avenue. The Parliament of Georgia, Kashveti Church, the Simon Janashia Museum of Georgia (part of the Georgian National Museum), the Tbilisi Opera and Ballet Theatre, the Rustaveli State Academic Theater, the Rustaveli Museum, and the Georgian Academy of Sciences, among others, are all located on Rustaveli. The thoroughfare is served by the Tbilisi Metro and buses.
In 1989, tens of thousands of Georgians gathered before the House of Government on Rustaveli Avenue. An attack by the Soviet spetsnaz forces killed many protesters in the April 9 tragedy.
In 2007, the avenue was site of anti-government protests.
Our hotel, Liberty Hostel, is situated close to this street, in Niavghari 6, Mtatsminda, mobile: (+995) 599 92 03 53, e-mail: libertyhostel@hotmail.com
See our website: www.liberty-hostel.com
- published: 21 Jun 2012
- views: 3885
13:00
Arthur S07 EP10 PT01 - April 9th
It is April 9th, but the school day goes awry when a fire destroys the school. Buster is u...
published: 02 Oct 2011
Arthur S07 EP10 PT01 - April 9th
It is April 9th, but the school day goes awry when a fire destroys the school. Buster is upset that he was not there to experience it. Sue Ellen's journal is left behind in the school and is ruined. The kids are sent to Mighty Mountain. Binky pulls the fire alarm because of his fear of the flames at the burned school. When Arthur fakes an illness, his dad finds out that Arthur is worried about him because he was trapped in Lakewood during the fire. Arthur's dad helps him see that it is his job to worry about Arthur. Sue Ellen gets a new diary from Muffy. Soon the students return to Lakewood Elementary.
Note: This episode was made in response to the September 11 attacks.
- published: 02 Oct 2011
- views: 334150
0:34
Deadliest Catch | Premieres Tuesday, April 16 at 9/8c
The baddest boys in television are back. New leaders. New battles. Pick your crew and hold...
published: 15 Mar 2013
Deadliest Catch | Premieres Tuesday, April 16 at 9/8c
The baddest boys in television are back. New leaders. New battles. Pick your crew and hold on for the deadliest season yet. DEADLIEST CATCH premieres Tuesday, April 16 at 9/8c on Discovery!
For more, visit http://dsc.discovery.com/tv/deadliest-catch/#mkcpgn=ytdsc1
- published: 15 Mar 2013
- views: 1072
Vimeo results:
3:48
Nina Simone - Four Women (Philips 90404)
fliped with ''What More Can I Say'' issued on Philips Records in 1966
Biography By Roger ...
published: 05 Apr 2009
author: boogaludo
Nina Simone - Four Women (Philips 90404)
fliped with ''What More Can I Say'' issued on Philips Records in 1966
Biography By Roger Nupie, President "International Dr. Nina Simone Fan Club"
Eunice Waymon was born in Tryon, North Carolina as the sixth of seven children in a poor family. The child prodigy played piano at the age of four. With the help of her music teacher, who set up the "Eunice Waymon Fund", she could continue her general and musical education. She studied at the Julliard School of Music in New York.
To support her family financially, she started working as an accompanist. In the summer of 1954 she took a job in an Irish bar in Atlantic City, New Jersey. The bar owner told her she had to sing as well. Without having time to realize what was happening, Eunice Waymon, who was trained to become a classical pianist, stepped into show business. She changed her name into Nina ("little one") Simone ("from the French actress Simone Signoret").
In the late 50's Nina Simone recorded her first tracks for the Bethlehem label. These are still remarkable displays of her talents as a pianist, singer, arranger and composer. Songs as Plain Gold Ring, Don't Smoke In Bed and Little Girl Blue soon became standards in her repertoire.
One song, I Loves You, Porgy, from the opera "Porgy and Bess", became a hit and the nightclub singer became a star, performing at Town Hall, Carnegie Hall and the Newport Jazz Festival. Even from the beginning of her career on, her repertoire included jazz standards, gospel and spirituals, classical music, folk songs of diverse origin, blues, pop, songs from musicals and opera, African chants as well as her own compositions.
Combining Bachian counterpoint, the improvisational approach of jazz and the modulations of the blues, her talent could no longer be ignored. Other characteristics of the Simone art are: her original timing, the way she uses silence as a musical element and her often understated live act, sitting at the piano and advancing the mood and climate of her songs by a few chords.
Sometimes her voice changes from dark and raw to soft and sweet. She pauses, shouts, repeats, whispers and moans. Sometimes piano, voice and gestures seem to be separate elements, then, at once, they meet. Add to this all the way she puts her spell on an audience, and you have some of the elements that make Nina Simone into a unique artist.
When four black children were killed in the bombing of a church in Birmingham in 1963, Nina wrote Mississippi Goddam, a bitter and furious accusation of the situation of her people in the USA. The strong emotional approach of this song and the others on her first Philips record ("Nina Simone In Concert"), would become another characteristic in her art. She uses her voice with its remarkable timbre and her careful piano playing as means to achieve her artistic aim: to express love, hate, sorrow, joy, loneliness - the whole range of human emotions - through music, in a direct way.
One moment, she is the actress who turns a Kurt Weill-Bertold Brecht song as Pirate Jenny into great theater, then, after a set of protest songs, she will sing Jacques Brel's fragile love song Ne Me Quitte Pas in French.
Although Nina was called "High Priestess of Soul" and was respected by fans and critics as a mysterious, almost religious figure, she was often misunderstood as well. When she wrote Four Women in 1966, a bitter lament of four black women whose circumstances and outlook are related to subtle gradations in skin color, the song was banned on Philadelphia and new York radio stations because "it was insulting to black people…"
The High Priestess would walk different paths to find the adequate music to spread her message. Her first RCA album, "Nina Simone Sings The Blues", includes her own I Want A Little Sugar In My Bowl, Do I Move You, a haunting version of My Man's Gone Now (again from "Porgy & Bess") and the protest song Backlash Blues, based on a poem written for her by Langston Hughes.
Her repertoire includes more Civil Rights songs: Why? The King of Love is Dead, capturing the tragedy of the assassination of Dr. Martin Luther King, Brown Baby, Images (based on a Waring Cuney poem), Go Limp, Old Jim Crow, … One song, To be Young, Gifted and Black, inspired by Lorraine Hansberry's play with the same title, became the black national anthem in the USA.
She surprised even her most devoted fans with an album on which she sings and plays alone. "Nina Simone And Piano!", an introspective collection of songs about reincarnation, death, loneliness and love, is still a highlight in her recording career.
Her gift to give new and deeper dimensions to songs resulted in remarkable versions of Ain't Got No / I Got Life (from the musical "Hair"), Leonard Colhen's Suzanne, Bee Gees songs as To Love Somebody, the classic My Way done in a tempo doubled on bongos, Just Like Tom Thumb's Blues and four other Bob Dylan songs. This gift culminated on her record "Emergency Ward": she set up an atmosphere that left no illusion
13:25
FRANKLYN WEPNER TEACHER gestalt therapy with bel 9
part 9 of a two hour gestalt session on awareness by actress bel baca
BY FRANKLYN WEPNER...
published: 10 Oct 2010
author: franklyn wepner
FRANKLYN WEPNER TEACHER gestalt therapy with bel 9
part 9 of a two hour gestalt session on awareness by actress bel baca
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
fwep@earthlink.net
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying
2:32
Timelapse Construction Video of 2010 Shanghai World Expo Broad Pavilion
Video shot in April of 2010, documenting the construction of Broad Pavilion at 2010 Shangh...
published: 29 Jul 2010
author: Differentenergy
Timelapse Construction Video of 2010 Shanghai World Expo Broad Pavilion
Video shot in April of 2010, documenting the construction of Broad Pavilion at 2010 Shanghai World Expo
Here is more info on the Pavilion from China Daily
Expo pavilion built in 14 hours
By WEI TIAN (China Daily)
Broad pavilion, one of 17 corporate pavilions at the Shanghai Expo, was completed within 24 hours. provided to china daily
Group builds 6-story energy efficient Expo pavilion in less than a day, presenting a model for the future of residential communities, offices and hotels
Rome wasn't built in a day, but a Shanghai Expo pavilion can be as contractors proved this month by having the Broad pavilion up and running in just 14 hours.
The Broad pavilion was the 17th and final corporate pavilion at the Expo site.
"We've been preparing for two months, but producing the prefabricated parts took us less than a week," said Fu Lixin, the man in charge of the six-story, 3,200-sq-m pavilion.
"This is the way to build houses in the future. The building itself will be the largest exhibit at Expo," Fu said, adding that most of the floors were completed within 30 minutes and the job finished by 10 pm the same day.
Broad, the world's largest producer of non-electric (lithium bromide) air conditioners, wanted a structure to exemplify its trademarks of innovative technology and sustainable development.
Pavilion plans were delayed after Broad was named the official global partner of the Shanghai 2010 Expo in January 2009, but were finally realized in a race-against-the-clock construction project on March 6.
The finished product is an L-shaped, brick-and-steel structure that rises 20 meters. The bricks were delivered from the group's home base in Hunan province.
Designed to save energy and be environmentally friendly, the pavilion will only consume 20 percent of the materials used by other pavilions of a comparable size, while consuming just one-sixth of the energy of similar-sized pavilions.
It is also designed to minimize site waste. With construction waste accounting for 20 to 30 percent of urban refuse in modern cities, the pavilion uses prefabricated materials brought directly from Broad's factories to trim its waste to 1 percent. As the entire structure is assembled from prefabricated parts, it can also be dissembled and reused after the exhibition.
Expo pavilion built in 14 hours
This is the fourth building of its kind the group has built over the past eight months, including an apartment block, hotel and office. Broad president Zhang Yue said the company is planning to construct 30 more buildings overseas and another 15 in China, including a 50-story hotel in Beijing, using the same construction methods.
Zhang is also deputy president of the sustainable building committee of the United Nations Environmental Programme (UNEP) and is part of a UNEP team working to decrease energy and materials consumed by construction projects worldwide by 80 percent.
"We're still looking at lowering the energy consumption in our buildings," Fu said. "Our next goal is to totally rely on non-fossil fuels, by which I mean clean energy such as solar and wind power."
The earthquake that devastated parts of Sichuan province in May 2008 put China's construction industry in the spotlight, especially its use of shoddy materials and thin walls lacking steel support beams. Similar tragedies in Haiti and Chile in recent months have again drawn attention to the importance of building safety.
Sustainable buildings, although built more quickly and with fewer materials, are safer than regular concrete buildings, said Fu. On Nov 11 last year, Broad produced a 1:4 scale model building that could withstand a 9-magnitude earthquake, according to tests conducted by the China Academy of Building Research.
"There were two reasons for the building's success. First, the components were connected by screw bolts, which gave it more flexibility than traditional steel structures, which are welded together," Fu said.
"Another key point is the weight. Normal concrete weighs about two tons per square meter, whereas sustainable buildings only weigh 500 kilograms per square meter."
Chinese buildings are usually designed to last from 50 to 100 years. However, steel structures such as the Eiffel Tower in Paris, built for the 1889 Paris Expo, have proven they can stand the test of time. Given the proper maintenance, sustainable buildings can last for up to 1,000 years, Fu said.
Not bad considering such structures only cost an average 20 percent more to build.
Visit
www.differentenergy.net for more photos
www.broad.com for company information
2:48
The Columbine Cause (4 of 16 - The Attackers)
http://www.TheColumbineCause.tk/
"The Columbine Cause" by Evan Long raises questions abou...
published: 04 May 2008
author: Evan Long
The Columbine Cause (4 of 16 - The Attackers)
http://www.TheColumbineCause.tk/
"The Columbine Cause" by Evan Long raises questions about the April 20, 1999 attack on Columbine High School which have gone unaddressed or unanswered by corporate and state media, including:
Why do counts of the ballistics evidence charts yield totals far greater than the three hundred-odd shots officially stated by law enforcement officials to have been fired?
Why did students and teachers inside the school during the attack describe up to a dozen distinct shooters, some of whom some of them were able to identify by name as neither Eric Harris nor Dylan Klebold?
Why were the people of the world told that the attack was a "wake-up call", when some Columbine students knew it to have been "the big rumor" for up to two years in advance?
There is much more to the story of the attack on Columbine than has been widely made known.
http://www.xmail.net/evanlong/tcc/
Youtube results:
21:53
"Thank God for Tragedy!" by Jonathan Cooper on April 22, 2012
"Is there purpose in this pain? Is there hope in this hurt? Journey with us as we explore ...
published: 30 Apr 2012
"Thank God for Tragedy!" by Jonathan Cooper on April 22, 2012
"Is there purpose in this pain? Is there hope in this hurt? Journey with us as we explore the lives of key characters in the story of redemption, and discover God's love expressed in the tragedies of life. As I lead us in this journey, I share from my heart about God's goodness in the tragedy of my father's illness. This is my last Sunday at Community Fellowship Church before I returned to Kentucky to help Mom care for my Dad." - Jonathan Cooper -
- published: 30 Apr 2012
- views: 214
2:58
Steps The Ultimate Tour @ O2 Arena 20th April 2012 - Tragedy
Steps
The Ultimate Tour
Friday 20th April 2012
Tragedy
O2 Arena...
published: 25 Apr 2012
Steps The Ultimate Tour @ O2 Arena 20th April 2012 - Tragedy
Steps
The Ultimate Tour
Friday 20th April 2012
Tragedy
O2 Arena
- published: 25 Apr 2012
- views: 485
1:43
9/11 first responders triumph over tragedy
Getting past the heartbreak from ground zero, 9/11 first responders sometimes struggled wi...
published: 10 Sep 2011
9/11 first responders triumph over tragedy
Getting past the heartbreak from ground zero, 9/11 first responders sometimes struggled with an emptiness that they didn't know how to fill. Manuel Gallegus has the story of one group who found a way back - by becoming first responders all over again.
- published: 10 Sep 2011
- views: 819