Sandra Roma (born 31 March 1990) is a tennis player from Sweden. She reached a career high ranking in juniors of 11 in September 2008. She along with Nikola Hofmanova reached the semi-final of 2007 Wimbledon Championships - Girls' Doubles.

Roma teamed along with Noppawan Lertcheewakarn and reached the final of the 2008 U.S. Open girls' competition in doubles, as the third seeds, and won against Mallory Burdette and Sloane Stephens, 6-0, 6-2.

In May 2009, Sandra reached her first senior women's final. Roma lost in the final to Amanda Carreras 6-7(7), 7-6(2), 4-6. She won her first Pro title in Tampere beating talented junior Anna Orlik in the final.

Sandra had surgery on her back in the Autumn of 2009, and returned to match play in November 2010 playing team tennis for her homeclub of SALK. In her first match back she beat Camilla Lundberg 63 61.

Roma made her ITF comeback in Taalin, where she qualified and lost in the first round of the main draw. Another loss followed to Mona Barthel at Sandra's home tournament in Stockholm. Sandra then won 4 matches in qualifying for the main draw in Antayla, where she was knocked out in the second round - main draw. The following week she again qualified winning 4 matches and is currently due to play her semi final match in the main draw.

Osvaldo Fresedo (May 5, 1897 - November 18, 1984), nicknamed El pibe de La Paternal ("the kid from La Paternal") was an Argentine songwriter and director of a tango orchestra. He had the longest recording career in tango, from 1925 to 1980.

Fresedo was born into a middle-class family in La Paternal, Buenos Aires, Argentina. His mother gave him the first music lessons. While he as still small, his family moved to a working-class neighborhood, and it was there he began his interest in tango. He learned to play the bandoneón and as a teenager joined several of the most famous orchestras of the era of the Guardia Vieja ("Old Guard").

In 1920 traveled to United States. In Camden, New Jersey he recorded a few albums with a quartet that also included violinist Tito Rocatagliatta and pianist Enrique Pedro Delfino.

Back in Buenos Aires, he formed his first orchestra which, from the outset, displayed his trademark style. Although his style evolved somewhat in the following decades, its essence remained the same: his performing group always displayed true elegance. Fresedo was one of the innovators of tango in the early 1920s, along with such other young musicians of the time as Julio de Caro and Juan Carlos Cobián. All of them brought a high level of musicianly technique and were thus able to bring about the more refined musical style that characterized the what later became known as the tango of the Guardia Nueva ("New Guard").