DVD region codes are a digital-rights management technique designed to allow film distributors to control aspects of a release, including content, release date, and price, according to the region. DVD video discs may be encoded with a region code restricting the area of the world in which they can be played.

The American DVD Copy Control Association in California requires that DVD-player manufacturers incorporate the regional-playback control (RPC) system—according to the Australian Competition and Consumer Commission, an Australian government agency.

There are six different official regions and two informal variations.^{[citation needed]} DVDs may use one code, a combination of codes (Multi-Region), most codes (Region 0) or every code/no codes (Region All). The commercial DVD player specification requires that a player to be sold in a given place not play discs encoded for a different region; however, region-free DVD players are also commercially available. In addition, many DVD players can be modified to be region-free, allowing playback of all discs.

Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.

He was educated at the Hochschule für Musik Köln and the University of Cologne, and later studied with Olivier Messiaen in Paris, and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.