Hugo Sinzheimer (12 April 1875, in Worms, Grand Duchy of Hesse - 16 September 1945, in Bloemendaal-Overveen, the Netherlands) was a German legal scholar.

Sinzheimer was one of the first academics specialising in labour law; he published an introduction to this field (Der korporative Arbeitsnormenvertrag) in 1907. He was one of the members of the Weimar National Assembly, which promulgated the Weimar Constitution. As a major influence on the drafting of the labour law section of the constitution, he is considered to be "the father of labour law" in Germany. He was inspired by the ideals of the dignity and liberty of every human being, and was a humanist in the widest sense of the word.

As a lawyer, he frequently represented political and union-related groups. He joined the Social Democratic Party of Germany in 1914. From 1920 onward, he was professor of labour law and sociology of law at Frankfurt University.

In 1933, Sinzheimer, who was Jewish, was forced to emigrate to the Netherlands. He survived the war after he went into hiding.

The Meteors are an English psychobilly band formed in 1980. Originally from London, England, they are often credited with giving the psychobilly subgenre—which fuses punk rock with rockabilly—its distinctive sound and style. Though the origins of psychobilly are debated, The Meteors are the first band to self-identify as psychobilly, and are often credited with the distinction of being the only "pure" psychobilly band among fans of the subgenre.

Fans of the band (known as the Wrecking Crew) are known to use the slogan, "Only The Meteors are Pure Psychobilly," (often shortened to "OTMAPP")

The Meteors were started in 1980 by P. Paul Fenech (guitar and vocals), Nigel Lewis (upright bass/electric bass) and vocals), and Mark Robertson (drums). This is considered as the definitive line-up by some fans. Fenech and Lewis had played in rockabilly bands before, but left their former band, Raw Deal, in order to experiment with a new sound that mixed horror and science fiction lyrics with a punk rock / rockabilly crossover (as distinct from the slower, psychedelic rockabilly sound of the Cramps . This sound would later be called psychobilly. What made them unique was that Fenech & Lewis each sang lead vocals on their own tracks. Their vocals were so different it was like having two bands in one.