The culture of Turkey combines a heavily diverse and heterogeneous set of elements that have been derived from the Greek, Roman, Byzantine, Ottoman, European, Middle Eastern and Central Asian traditions. Turkey's former status as a multiethnic empire which, de facto until the loss of Libya to the Kingdom of Italy in 1912 (and de jure until the official loss of Egypt and Sudan to the British Empire in 1914, as a consequence of the Ottoman government's decision to join the First World War on the side of the Central Powers) spanned three continents: Europe, Asia and Africa. The present-day Republic of Turkey, which succeeded the Ottoman state in 1923, is still a transcontinental country that spans Europe and Asia. The nation was modernized primarily by Mustafa Kemal Atatürk starting from 1923. As he transformed a religion-driven former Ottoman Empire into a modern nation-state with a strong separation of state and religion, a corresponding increase in the methods of artistic expression arose. During the first years of the republic, the government invested a large amount of resources into fine arts such as paintings, sculpture and architecture. This was done as both a process of modernization and of creating a cultural identity. Because of the different historical factors defining the Turkish identity, the culture of Turkey combines clear efforts to be "modern" and Western, with a desire to maintain traditional religious and historical values. Turkish culture has undergone profound changes over the last century. Today, Turkey may be the only country that contains every extreme of Eastern and Western culture (along with many compromises and fusions between the two). The Ottoman system was a multi-ethnic state that enabled people within it not to mix with each other and thereby retain separate ethnic and religious identities within the empire (albeit with a dominant Turkish and Southern European ruling class). Upon the fall of the empire after World War I the Turkish Republic adapted a unitary approach, which forced all the different cultures within its borders to mix with each other with the aim of producing "Turkish" national and cultural identity. This mixing, instead of producing cultural homogenization, instead resulted in many shades of grey as the traditional Muslim cultures of Anatolia collided with (or had imposed upon them) the cosmopolitan modernity of Istanbul and the wider West. Turkish literature is the collection of written and oral texts composed in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. Traditional examples for Turkish folk literature include the stories of Karagöz and Hacivat, Keloğlan, İncili Çavuş and Nasreddin Hoca, as well as the works of folk poets such as Yunus Emre and Aşık Veysel. The Book of Dede Korkut and the Epic of Köroğlu have been the main elements of the Turkish epic tradition in Anatolia for several centuries. The two primary streams of Ottoman literature were poetry and prose. Of the two, the Ottoman Divan poetry, a highly ritualized and symbolic art form, was the dominant stream. The vast majority of Divan poetry was lyric in nature: either gazels or kasîdes. There were, however, other common genres, most particularly the mesnevî, a kind of verse romance and thus a variety of narrative poetry. The tradition of Ottoman prose was exclusively non-fictional in nature; as the fiction tradition was limited to narrative poetry. The Tanzimat reforms of 1839--1876 brought changes to the language of Ottoman written literature, and introduced previously unknown Western genres, primarily the novel and the short story. Many of the writers in the Tanzimat period wrote in several different genres simultaneously: for instance, the poet Nâmık Kemal also wrote the important 1876 novel İntibâh (Awakening), while the journalist Şinasi is noted for writing, in 1860, the first modern Turkish play, the one-act comedy "Şair Evlenmesi" (The Poet's Marriage). Most of the roots of modern Turkish literature were formed between the years 1896 and 1923. Broadly, there were three primary literary movements during this period: the Edebiyyât-ı Cedîde (New Literature) movement; the Fecr-i Âtî (Dawn of the Future) movement; and the Millî Edebiyyât (National Literature) movement. The Edebiyyât-ı Cedîde (New Literature) movement began with the founding in 1891 of the magazine Servet-i Fünûn (Scientific Wealth), which was largely devoted to progress (both intellectual and scientific) along the Western model. Accordingly, the magazine's literary ventures, under the direction of the poet Tevfik Fikret, were geared towards creating a Western-style "high art" in Turkey. Poetry is the most dominant form of literature in modern Turkey.

• published: 02 Feb 2014
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