Free video about music of Peru. This free video was created for you by http://epsos.de and can be used for free under the creative commons license with the attribution of epSos.de as the original author of this music of Peru video. Thank you for supporting the creative commons movement !! Before the Viceroyalty of Peru, much of Peru was the Inca Tawantinsuyu which united several ancient cultures such as Chavin, Paracas, Moche, Chimu, Nazca and other 20 children, the ancient people of the Nazca culture were the musicians Columbian continent's biggest, employing some chromaticism in their ceramic antaras, unlike the Inca melodies. Viceroyalty After hundreds of years of cultural mixing have created a broad musical landscape along the Peru. Typical instruments used are, for example, the flute and the antara or panpipes, the drawer afroperuano and traditional guitar, that Peru also has a smaller variant, known as " charango "and the mandolin. There are thousands of dances and mestizo Hispanic origin. The central highlands, north and south of the Andes is famous for preserving traditional rhythms huayño and parade. These represent the different cultures gotten in the mountains of this country and those currently in force. For the Incas, music, dance and song were defined by the term taki, Inca was pentatonic music combining the notes D, F, G, A and C to create composition that could be religious, warrior or profane. The dance, music and singing were present in all community activities or rituals. Also, the Incas used a wide variety of musical instruments. With the conquest and subsequent colonial period, the Peruvian territory is influenced by European music and later afroperuana. It is documented that Gonzalo Pizarro ordered compose songs that will enhance your image, then the Viceroy Conde de Lemos brought from Spain to the composer Tomás de Torrejón y Velasco who being in the Kings released the music of The Purple Rose, this work orchestrated then traverse the Cuzco, Ponds and Guatemala. The musical diversity was documented in the last years of the colony in Compaños Martinez codices in watercolors in the dances seen as "The Decapitation of Inga" or "The Devils", as well as being embodied lot of instruments like panpipes, trumpets, guitars, marimbas and jaws. The rhythms that were fashionable in the late eighteenth and early nineteenth centuries were the yaravíes, cascabelillos, Cachúas and Negritos. Both the colony and during the beginning of the republican era, people made ​​no distinction between sacred and secular music. This differentiation is initiated very loosely around 1813, finding documents that difference between classical music and vulgar music. In the early Republican Peru there must have been many local music but scores that have survived, most are Spanish music. The churches concentrated much of the music, both religious and secular. The most important cathedrals counted with their own orchestras, hired musicians other churches for festivals and processions in Lima documents the "fenced Indian orchestra" with great call on the people of Lima. Along the Peruvian Andes, in every village, there are a variety of songs and dances, as recorded numerous chroniclers, are judged "infinite" for its diversity. In Inca times, they used the word taki to refer simultaneously to both the song and the dance, as both activities were not separated from one another. With the arrival of the Spanish produced several musical fusion processes, disappearing some takis and transforming others. Andean music now is all mixed, as there is people that has not been touched by this process. Even the most used instruments in the Andean area is mestizo. In Arequipa and Southern Andes has spread greatly yaraví, melancholic style of singing, which is one of the most widespread types of singing. The original song is best known Peruvian Andes El Condor Pasa, a traditional song composed by the Peruvian composer Daniel Alomía Robles, who included an operetta of the same name, and was popularized in the United States by the duo Simon & Garfunkel. The original composition is a hymn to the sun, slow, followed by a Kashwa and Huayño leak. Then there is the huaylas, a joyous rhythm of the central Andes. This is another widespread type of song and dance. In Ancash rhythms grown huayño, the pleasantry, the parade and cashua thanks to the contribution of prolific musicians like Victor Cordero Gonzales who despite having died in 1949 still inspires musicians Ancash the XXI century. The huayño is the Peruvian Andean music genre popular, although its origin can not be traced back to Inca times, so it seems to be a distinctly mixed creation. It is grown in different variations across the Peruvian highlands. A similar genre is the tondero of Peru's north coast. Thank you for supporting the creative commons movement !!

• published: 13 Nov 2013
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