Cronos (film)

Cronos is a 1993 Mexican vampire horror film written and directed by Guillermo del Toro, starring veteran Argentinean actor Federico Luppi and American actor Ron Perlman. Cronos is del Toro's first feature film, and the first of several films on which he collaborated with Luppi and Perlman. The film was selected as the Mexican entry for the Best Foreign Language Film at the 66th Academy Awards, but was not accepted as a nominee.

Plot

In the year 1536, an alchemist in Veracruz developed a mechanism that could give eternal life. In 1937, an old building collapsed and the alchemist, who has marble-white skin, is killed when his heart is pierced by the debris. Investigators never revealed what else was discovered in the building: basins filled with blood from a corpse.

In the present, an old antique dealer, Jesús Gris, notices that the base of an archangel statue is hollow. He opens it and finds a 450-year-old mechanical object. After winding the ornate, golden, scarab-shaped device, it suddenly unfurls spider-like legs that grip him tightly, and inserts a needle into his skin which injects him with an unidentified solution.

Cronos

Cronos, more commonly spelled "Cronus" or "Kronos", was the leader and the youngest of the first generation of Titans in Greek mythology. His symbol was a scythe. Cronus is often confused with Chronos, the personification of time.

Cronos may refer to:

Characters

See also

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: