This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2011)

women wearing mantilla at the Semana Santa in Sevilla, Spain.

A mantilla is a lace or silk veil or shawl worn over the head and shoulders, often over a high comb, popular with women in Spain.^[1] It is particularly associated with traditional devotional practices among women in Catholicism.^[2]

History[link]

The lightweight ornamental mantilla came into use in the warmer regions of Spain towards the end of the sixteenth century, and ones made of lace became popular with women in the 17th and 18th centuries being depicted most notably in the portraits of Diego Velázquez and Goya. In the nineteenth century, Queen Isabel II (1833–1868) actively encouraged its use. The practice diminished after her death, and by 1900 the use of the mantilla became largely limited to special ceremonies, such as bullfights, Holy Week and weddings.

Peineta[link]

A peineta similar in appearance to a large comb is used to hold up a mantilla. This ornamental comb, usually in tortoiseshell color, originated in the 19th century. It consists of a convex body and a set of prongs and is often used in conjunction with the mantilla. It adds the illusion of extra height to the wearer and also holds the hair in place when worn during weddings, processions and dance. It is a consistent element of some regional costumes of Valencia and Andalusia and it is also often found in costumes used in the Moorish and Gypsy influenced music and dance called Flamenco.

Usage in Catholicism[link]

George W. Bush and his wife Laura Bush in mantilla visit Pope John Paul II at Castel Gandolfo near Rome

In the Catholic Church, the older practice had been for women to wear hats, chapel veils, or mantillas to church. The requirement of head covering for women is based in 1 Corinthians 11. Because of a misunderstanding in Can. 6 §1 of the 1983 Code of Canon Law, many have assumed that the earlier injunction was abrogated. Because the practice of veiling is not mentioned in the newer canon law, however, the earlier injunction remains technically in effect in accordance with Can. 21: "In a case of doubt, the revocation of a pre-existing law is not presumed, but later laws must be related to the earlier ones and, insofar as possible, must be harmonized with them." The practice has declined since the Second Vatican Ecumenical Council, though some Catholic women continue to use them, especially^[2] since Pope Benedict XVI's motu proprio Summorum Pontificum.

Perhaps^{[weasel words]} due to the promotion of the mantilla by Queen Isabella II, it became traditional for ladies to wear a mantilla when received in audience by the Pope, though other head coverings for women prevailed before it and after it. In the second half of the twentieth century its use declined markedly, though it is not completely out of use.

Irish presidents Mary Robinson and Mary McAleese, Soviet Union First Lady Raisa Gorbachev, and German Chancellor Angela Merkel all met popes without wearing mantillas.

Queen Sofía of Spain, as a Catholic Queen, exercised a royal privilege known as Privilège du blanc, an entitlement and royal privilege to wear white attire instead of black in the presence of the Pope. Only Roman Catholic queens and kings are allowed to have an audience with the Pope wearing white clothing, while the rest are advised and expected to wear black.^{[citation needed]} At the inauguration of Pope Benedict XVI and the requiem mass for John Paul II, Queen Sofía wore a white mantilla while Queen Paola of Belgium wore a black one.

Mantillas were worn by Laura Bush while visiting the Holy See in 2006; members of Grand Ducal Family of Luxembourg during inauguration festivities; and Michelle Obama while visiting the Holy See in July 2009.

In popular culture[link]

The mantilla is sometimes seen on television programmes. In the British television soap Hollyoaks, Catholic character Carmel Valentine wore a mantilla while in mourning for her deceased sister, Tina Reilly. Mimi Maguire from Channel 4 drama-comedy, Shameless, also wore one. Lady Gaga wore a mantilla in the video for her song, Alejandro.

See also[link]

Wikimedia Commons has media related to: mantilla

• Christian headcovering
• Shawl

References[link]

External links[link]

• Historia de la mantilla y forma de uso
• Origin in Muslim Purdah - Al-Andalusia/Spain

Enrico Nicola "Henry" Mancini (April 16, 1924 – June 14, 1994)^[1] was an American composer, conductor and arranger, best remembered for his film and television scores. He won a record number of Grammy Awards (20), plus a Grammy Lifetime Achievement Award posthumously in 1995. His best-known works include the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme from the television series, and back-to-back Academy Awards for the songs "Moon River" from the Blake Edwards film Breakfast at Tiffany's and "Days of Wine and Roses" from Edwards' film Days of Wine and Roses. He also composed the score of famous films such as Charade, The Great Race, Wait Until Dark or Silver Streak.

Early life[link]

Mancini was born in the Little Italy neighborhood of Cleveland, and grew up near Pittsburgh, in the steel town of West Aliquippa, Pennsylvania. His parents emigrated from the Abruzzo region of Italy. Mancini's father, Quinto, (born March 13, 1893, Scanno, Italy) was a steelworker, who made his only child begin piccolo lessons at the age of eight.^[2] When Mancini was 12 years old, he began piano lessons. Quinto and Henry played flute together in the Aliquippa Italian immigrant band, "Sons of Italy". After graduating from Aliquippa High School in 1942, Mancini attended the renowned Juilliard School of Music in New York. In 1943, after roughly one year at Juilliard, his studies were interrupted when he was drafted into the United States Army. In 1945, he participated in the liberation of a concentration camp in southern Germany.

Career[link]

Newly discharged, Mancini entered the music industry. Entering 1946, he became a pianist and arranger for the newly re-formed Glenn Miller Orchestra, led by 'Everyman' Tex Beneke. After World War II, Mancini broadened his skills in composition, counterpoint, harmony and orchestration during studies opening with the composers Ernst Krenek and Mario Castelnuovo-Tedesco.^[3]

In 1952, Mancini joined the Universal Pictures music department. During the next six years, he contributed music to over 100 movies, most notably The Creature from the Black Lagoon, It Came from Outer Space, Tarantula, This Island Earth, The Glenn Miller Story (for which he received his first Academy Award nomination), The Benny Goodman Story and Orson Welles' Touch of Evil. During this time, he also wrote some popular songs. His first hit was a single by Guy Lombardo and His Royal Canadians titled I Won't Let You Out of My Heart.

Mancini left Universal-International to work as an independent composer/arranger in 1958. Soon after, he scored the television series Peter Gunn^[2] for writer/producer Blake Edwards. This was the genesis of a relationship in which Edwards and Mancini collaborated on 30 films over 35 years. Along with Alex North, Elmer Bernstein, Leith Stevens and Johnny Mandel, Henry Mancini was a pioneer of the inclusion of jazz elements in the late romantic orchestral film and TV scoring prevalent at the time.

Mancini's scores for Blake Edwards included Breakfast at Tiffany's (with the standard "Moon River")^[2] and Days of Wine and Roses (with the title song, "Days of Wine and Roses"), as well as Experiment in Terror, The Pink Panther (and all of its sequels), The Great Race, The Party, and Victor Victoria. Another director with whom Mancini had a longstanding partnership was Stanley Donen (Charade, Arabesque, Two for the Road). Mancini also composed for Howard Hawks (Man's Favorite Sport?, Hatari! – which included the well-known "Baby Elephant Walk"), Martin Ritt (The Molly Maguires), Vittorio de Sica (Sunflower), Norman Jewison (Gaily, Gaily), Paul Newman (Sometimes a Great Notion, The Glass Menagerie), Stanley Kramer (Oklahoma Crude), George Roy Hill (The Great Waldo Pepper), Arthur Hiller (Silver Streak),^[4] Ted Kotcheff (Who Is Killing the Great Chefs of Europe?), and others. Mancini's score for the Alfred Hitchcock film Frenzy (1972) in in Bachian organ andante, for organ and an orchestra of strings was rejected and replaced by Ron Goodwin's work.

Mancini scored many TV movies, including The Thorn Birds and The Shadow Box. He wrote many television themes, including Mr. Lucky (starring John Vivyan and Ross Martin), NBC Mystery Movie,^[5] What's Happening!!,^[6] Tic Tac Dough (1990 version)^{[citation needed]} and Once Is Not Enough. In the 1984–85 television season, four series featured original Mancini themes: Newhart, Hotel, Remington Steele, and Ripley's Believe It or Not. Mancini also composed the "Viewer Mail" theme for Late Night with David Letterman.^[5] Mancini composed the theme for NBC Nightly News used beginning in 1975, and a different theme by him, titled Salute to the President was used by NBC News for its election coverage (including primaries and conventions) from 1976 to 1992. Salute to the President was only published in a school-band arrangement, although Mancini performed it frequently with symphony orchestras on his concert tours.

Songs with music by Mancini were staples of the easy-listening genre from the 60s to the 80s. Some of the artists who have recorded Mancini songs include Andy Williams, Paul Anka, Pat Boone, Anita Bryant, Jack Jones, Frank Sinatra, Perry Como, Connie Francis, Eydie Gorme, Steve Lawrence, Trini Lopez, George Maharis, Johnny Mathis, Jerry Vale, Ray Conniff, The Lennon Sisters, The Lettermen, Herb Alpert, Eddie Cano, Frank Chacksfield, Warren Covington, Percy Faith, Ferrante & Teicher, Horst Jankowski, Andre Kostelanetz, Peter Nero, Liberace, Mantovani, Tony Bennett, Julie London, Wayne Newton, Arthur Fiedler and the Boston Pops Orchestra, Peggy Lee, Al Martino, Jim Nabors, and Matt Monro. Lawrence Welk held Mancini in very high regard, and frequently featured Mancini's music on The Lawrence Welk Show (Mancini made at least one guest appearance on the show).

Mancini recorded over 90 albums, in styles ranging from big band to light classical to pop. Eight of these albums were certified gold by The Recording Industry Association of America. He had a 20 year contract with RCA Records, resulting in 60 commercial record albums that made him a household name artists of easy-listening music. Mancini's earliest recordings in the 1950s and early 1960s were of the jazz idiom; with the success of Peter Gunn, Mr. Lucky, and Breakfast at Tiffany's, Mancini shifted to primarily recording his own music in record albums and film soundtracks. (Relatively little of his music was written for recordings compared to the amount that was written for film and television.) Beginning with his 1969 hit A Time for Us (Love Theme from Romeo and Juliet) and its accompanying album A Warm Shade of Ivory, Mancini began to function more as a piano soloist and easy-listening artist primarily recording music written by other people. In this period, for two of his best-selling albums he was joined by trumpet virtuoso and Tonight Show bandleader Doc Severinsen.

Among Mancini's orchestral scores are (Lifeforce, The Great Mouse Detective, Sunflower, Tom and Jerry: The Movie, Molly Maguires, The Hawaiians), and darker themes (Experiment in Terror, The White Dawn, Wait Until Dark, The Night Visitor).

Mancini was also a concert performer, conducting over fifty engagements per year, resulting in over 600 symphony performances during his lifetime. He conducted nearly all of the leading symphonies of the world, including the London Symphony Orchestra, the Israel Philharmonic, the Boston Pops, the Los Angeles Philharmonic and the Royal Philharmonic Orchestra. One of his favorites was the Minnesota Orchestra, where he debuted the Thorn Birds Suite in June 1983. He appeared in 1966, 1980 and 1984 in command performances for the British Royal Family. He also toured several times with Johnny Mathis and also with Andy Williams, who had each sung many of Mancini's songs; Mathis and Mancini collaborated on the 1986 album The Hollywood Musicals.

Cameos[link]

Mancini occasionally acted in cameo and voice roles.

Shortly before his death in 1994, he made a one-off cameo appearance in the first season of the sitcom series Frasier, as a call-in patient to Dr. Frasier Crane's radio show. Mancini voiced the character Al, who speaks with a melancholy drawl and hates the sound of his own voice, in the episode "Guess Who's Coming to Breakfast?"^[7] Moments after Mancini's cameo ends, Frasier's radio broadcast plays "Moon River" to underscore a particularly heartfelt apology.

Mancini also had an uncredited performance as a pianist in the 1967 movie Gunn, the movie version of the series Peter Gunn, the score of which was originally composed by Mancini himself.

In the 1966 Pink Panther cartoon Pink, Plunk, Plink, the panther commandeered an orchestra and proceeded to conduct Mancini's theme for the series. At the end, the shot switched to rare live action, and Mancini was seen alone applauding in the audience.

Death and legacy[link]

Mancini died of pancreatic cancer in Los Angeles on June 14, 1994. He was working at the time on the Broadway stage version of Victor/Victoria, which he never saw on stage. Mancini was survived by his wife of 43 years, singer Virginia "Ginny" O'Connor, with whom he had three children. They had met while both were members of the Tex Beneke orchestra, just after World War II. In 1948, Ginny was one of the founders of the Society of Singers, a non-profit organization which benefits the health and welfare of professional singers worldwide. Additionally the Society awards scholarships to students pursuing an education in the vocal arts. One of Mancini's twin daughters, Monica Mancini, is a professional singer; her sister Felice runs The Mr. Holland's Opus Foundation (MHOF). His son Christopher is a music publisher and promoter in Los Angeles.

In 1996, the Henry Mancini Institute, an academy for young music professionals, was founded by Jack Elliott in Mancini's honor, and was later under the direction of composer-conductor Patrick Williams. By the mid 2000s, however, the institute could not sustain itself and closed its doors on December 30, 2006.^{[citation needed]} However, the American Society of Composers, Authors and Publishers (ASCAP) Foundation "Henry Mancini Music Scholarship" has been awarded annually since 2001. While still alive, Henry created a scholarship at UCLA and the bulk of his library and works are archived in the music library at UCLA.

In 2005, the Henry Mancini Arts Academy was opened as a division of the Lincoln Park Performing Arts Center. The Center is located in Midland, Pennsylvania, minutes away from Mancini's hometown of Aliquippa. The Henry Mancini Arts Academy is an evening-and-weekend performing arts program for children from pre-K to grade 12, with some classes also available for adults. The program includes dance, voice, musical theater, and instrumental lessons.

The American Film Institute ranked Mancini's songs Moon River in the No. 4 and Days of wine and roses in No. 39 on their list of the greatest songs and his score forThe Pink Panther No. 20 on their list of the greatest film scores. His scores for the following films were also nominated for the list:

• Breakfast at Tiffany's (1961)
• Charade (1963)
• Hatari! (1962)
• Touch of Evil (1958)
• Wait Until Dark (1967)

Awards[link]

Mancini was nominated for an unprecedented 72 Grammys, winning 20.^[8] Additionally he was nominated for 18 Academy Awards, winning four.^[9] He also won a Golden Globe Award and was nominated for two Emmys.

Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962, he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Original Song award for "Days of Wine and Roses",^[2] another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor Victoria, which won the Academy Award for "Best Original Song Score and Its Adaptation or Best Adaptation Score". All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.

On April 13, 2004, the United States Postal Service honored Mancini with a 37 cent commemorative stamp. The stamp shows Mancini conducting with a list of some of his most famous movies and TV show themes in the background and was painted by artist Victor Stabin.^[10] The stamp is Scott catalog number 3839.

Discography[link]

Hit singles[link]

Albums[link]

• The Versatile Henry Mancini, Liberty LRP 3121
• The Mancini Touch, RCA Victor LSP 2101
• The Blues & the Beat, RCA Victor LSP-2147
• Mr. Lucky Goes Latin, RCA Victor LSP-2360
• Our Man in Hollywood, RCA Victor LSP-2604
• Uniquely Mancini, RCA Victor LSP-2692
• The Best of Mancini, RCA Victor LSP-2693
• Mancini Plays Mancini, RCA Camden CAS-2158
• Everybody's Favorite, RCA Camden CXS-9034
• Concert Sound of Henry Mancini, RCA Victor LSP-2897
• Dear Heart and Other Songs, RCA Victor LSP-2990
• Theme Scene, RCA Victor LSP-3052
• Debut Conducting the Philadelphia Orchestra, RCA Victor LSP-3106
• The Best of Vol. 3, RCA Victor LSP-3347
• The Latin Sound of Henry Mancini, RCA Victor LSP-3356
• A Merry Mancini Christmas, RCA Victor LSP-3612
• Pure Gold, RCA Victor LSP-3667
• Mancini Country, RCA Victor LSP-3668
• Mancini '67, RCA Victor LSP-3694
• Music of Hawaii, RCA Victor LSP-3713
• Brass on Ivory, RCA Victor LSP-3756
• A Warm Shade of Ivory, RCA Victor LSP-3757
• Big Latin Band, RCA Victor LSP-4049
• Six Hours Past Sunset, RCA Victor LSP-4239
• Theme music from Z & Other Film Music, RCA Victor LSP-4350
• Big Screen-Little Screen, RCA Victor LSP-4630
• This Is Henry Mancini, RCA Victor VPS6029
• Music from the TV Series "The Mancini Generation", RCA Victor LSP-4689
• The Academy Award Songs, RCA Victor LSP-6013
• Brass, Ivory & Strings (with Doc Severinsen), RCA APL1-0098
• The Theme Scene, RCA AQLI-3052
• Country Gentleman, RCA APD1-0270 (Quadraphonic)
• Hangin' Out, RCA CPL1-0672
• Symphonic Soul, RCA APD1-1025 (Quadraphonic)
• Mancini's Angels, RCA CPL1-2290
• (with Johnny Mathis), The Hollywood Musicals, Columbia FC 40372
• The Pink Panther Meets Speedy Gonzales, Koch Schwann CD
• The Legendary Henry Mancini, BMG Australia 3 CD set

Soundtracks[link]

Many of Mancini's "soundtracks" are actually "Music from ...", which allowed him to arrange the music to be more accessible and to release records without the expense of paying studio orchestra fees._{<citation needed>}

• The Music from Peter Gunn, RCA Victor LSP-1956
• More Music from Peter Gunn, RCA Victor LSP-2040
• Music from Mr. Lucky, RCA Victor LSP-2198
• Bachelor in Paradise, Film Score Monthly FSMCD vol. 7 Nr. 18
• High Time, RCA Victor LSP-2314
• Breakfast at Tiffany's: Music from the Motion Picture, RCA Victor LSP-2362
• A Change of Seasons
• Mr. Hobbs Takes a Vacation, Intrada special collection vol. 11
• Experiment in Terror, RCA Victor LSP-2442
• Hatari!, RCA Victor LSP-2559
• Charade, RCA Victor LSP-2755
• The Pink Panther, RCA Victor LSP 2795
• The Great Race, RCA Victor LSP-3402
• Arabesque, RCA Victor LSP-3623
• What Did You Do in the War, Daddy?, RCA Victor LSP-3648
• Two for the Road, RCA Victor LSP-3802
• Gunn, RCA Victor LSP-3840
• The Party, RCA Victor LSP-3997
• Me, Natalie, Columbia OS 3350
• Darling Lili, RCA LSPX-1000
• Visions of Eight, RCA Victor ABL1-0231
• The Great Waldo Pepper, MCA 2085
• Gaily, Gaily, UAS 5202
• The Glass Menagerie, MCA MCAD 6222
• The Great Mouse Detective, Varèse Sarabande VSD 5359
• The Hawaiians, UAS 5210
• Lifeforce, BSXCD 8844
• The Molly Maguires, Bay Cities BCD 3029
• Nightwing
• Oklahoma Crude, RCA APL1 0271
• The Pink Panther Strikes Again, UA-LA 694
• Revenge of the Pink Panther, EMI 791113-2
• Santa Claus: The Movie, EMI SJ 17177
• Silver Streak, Intrada special collection vol. 5
• Sometimes a Great Notion, Decca DL 79185
• Son of the Pink Panther, Milan 21-16461-2
• Sunflower, SLC SLCS 7035
• The Thief Who Came to Dinner, WB BS 2700
• The Thorn Birds, Varèse Sarabande 30206 65642 8
• Tom and Jerry – The Movie, MCA MCD 10721
• Touch of Evil, Movie Sound MSCD 401
• Victor Victoria, GNP Crescendo GNPD 8038
• W.C. Fields and Me, MCA 2092
• Who Is Killing the Great Chefs of Europe?, Epic SE 35692
• Without a Clue

Filmography[link]

(not completed)

• The Glenn Miller Story - 1953
• Abbott and Costello Go to Mars - 1953
• Law and Order (1953 film) - 1953
• City Beneath the Sea (1953 film) - 1953
• Destry (film) - 1954
• The Private War of Major Benson - 1955
• Tarantula (film) - 1955
• This Island Earth - 1955
• Mister Cory - 1957
• Touch of Evil - 1958
• High Time (film) - 1960
• Bachelor in Paradise - 1961
• The Great Impostor - 1961
• Breakfast at Tiffany's - 1961
• Days of Wine and Roses - 1962
• Hatari! - 1962
• Mr. Hobbs Takes A Vacation - 1962
• Experiment in Terror - 1962
• The Pink Panther - 1963
• Charade Universal Studios - 1963
• A Shot in the Dark - 1964
• A Shot in the Dark - 1964
• Man's Favorite Sport? - 1964
• The Great Race - 1965
• Moment to Moment - 1965
• Arabesque - 1966
• What Did you Do in the War, Daddy? - 1966
• Two for the Road (1967 film) 1967
• Wait Until Dark (film) - 1967
• The Party - 1968
• Gaily, Gaily - 1969
• Sometimes a Great Notion - 1970
• The Hawaiians - 1970
• The Molly Maguires - 1970
• Frenzy (Rejected Score) - 1972
• the thief who came to dinner - 1973
• The White Dawn- 1974
• The Return of the Pink Panther - 1975
• The Great Waldo Pepper - 1975
• Silver Streak (film) - 1976
• W.C. Fields and Me - 1976
• The Pink Panther Strikes Again - 1976
• Revenge of the Pink Panther - 1978
• 10 (film) - 1979
• Mommie Dearest- 1981
• Victor Victoria - 1982
• Trail of the Pink Panther - 1982
• Curse of the Pink Panther - 1983
• The Great Mouse Detective – Walt Disney Pictures 1986
• That's Life! - 1986
• Blind Date (1987 film) - 1987
• Without a Clue - 1988
• Physical Evidence - 1989
• Ghost Dad – Universal Studios 1990
• Fear - 1990
• Switch - 1991
• Tom and Jerry: The Movie – Turner Pictures - 1992
• Son of the Pink Panther - 1993

Bibliography[link]

• Mancini, Henry: Sounds And Scores: a practical guide to professional orchestration (Book on orchestration of popular music, 1962)
• Mancini, Henry: Did they mention the music? (Autobiography, with Gene Lees, 1989)
• Thomas, Tony: Music For The Movies (1973)
• Thomas, Tony: Film Score (1979)
• Larson, Randall: 'Henry Mancini: On Scoring Lifeforce and Santa Claus' (interview)(in: CinemaScore, No. 15, 1987)
• Büdinger, Matthias: 'An interview with Henry Mancini' (in: Soundtrack, vol. 7, No. 26, 1988)
• Büdinger, Matthias: 'Henry Mancini' (in: Soundtrack, vol. 13, No. 50, 1994)
• Büdinger, Matthias: 'Henry Mancini remembered' (in: Soundtrack, vol. 13, No. 51)
• Büdinger, Matthias: 'Whistling Away The Dark' In: Film Score Monthly, # 45, p. 7
• Büdinger, Matthias: 'Henry Mancini 1924–1994' In: Film Score Monthly, # 46/47, p. 5
• Büdinger, Matthias: 'Feeling Fancy Free' (in: Film Score Monthly, vol. 10, No. 2)
• Brown, Royal S.: Overtones and undertones – reading film music (1994)

References[link]

External links[link]

• Official website
• Henry Mancini at the Internet Movie Database
• Henry Mancini at the Internet Broadway Database
• Henry Mancini at Allmusic
• Henry Mancini, Space Age Pop
• A Henry Mancini discography
• Joe Reisman scores, 1945–1986 Music Division, New York Public Library for the Performing Arts.
• Henry Mancini, Soundtrackinfo
• A Mancini anthology
• Memories of Henry Mancini
• The story behind the making of the music from Peter Gunn, including interviews with the musicians and sound engineers
• Henry Mancini interview recorded 5.9.1968 on the Pop Chronicles