The American Revolution was the political upheaval during the last half of the 18th century in which thirteen colonies in North America joined together to break free from the British Empire, combining to become the United States of America. They first rejected the authority of the Parliament of Great Britain to govern them from overseas without representation, and then expelled all royal officials. By 1774, each colony had established a Provincial Congress, or an equivalent governmental institution, to govern itself, but still within the empire. The British responded by sending combat troops to re-impose direct rule. Through representatives sent in 1775 to the Second Continental Congress, the states joined together at first to defend their respective self-governance and manage the armed conflict against the British known as the American Revolutionary War (also: American War of Independence, 1775–83). Ultimately, the states collectively determined that the British monarchy, by acts of tyranny, could no longer legitimately claim their allegiance. They then severed ties with the British Empire in July 1776, when the Congress issued the United States Declaration of Independence, rejecting the monarchy on behalf of the new sovereign nation separate and external to the British Empire. The war ended with effective American victory in October 1781, followed by formal British abandonment of any claims to the United States with the Treaty of Paris in 1783.

Gar Alperovitz (born May 5, 1936) is Lionel R. Bauman Professor of Political Economy at the University of Maryland, College Park Department of Government and Politics. He is a former Fellow of King's College, Cambridge; a founding Fellow of Harvard’s Institute of Politics; a Fellow at the Institute for Policy Studies; and a Guest Scholar at the Brookings Institution. Alperovitz also served as a Legislative Director in the U.S. House of Representatives and the U.S. Senate, and as a Special Assistant in the Department of State. Alperovitz is a founding principal of The Democracy Collaborative at the University of Maryland, and a member of the board of directors for the New Economics Institute.

Alperovitz is a political economist and revisionist historian whose numerous articles have appeared in The New York Times, The Washington Post, the Los Angeles Times, The New Republic, The Nation, and The Atlantic among other publications. Alperovitz has been profiled by The New York Times, the Associated Press, People, UPI, and Mother Jones and has been a guest on numerous network TV and cable news programs, including Meet the Press, Larry King Live, The Charlie Rose Show, Crossfire, and The O'Reilly Factor.

Charles Kuralt (September 10, 1934 – July 4, 1997) was an American journalist. He was most widely known for his long career with CBS, first for his "On the Road" segments on The CBS Evening News with Walter Cronkite, and later as the first anchor of CBS News Sunday Morning, a position he held for fifteen years.

Kuralt's "On the Road" segments were recognized twice with personal Peabody Awards. The first, awarded in 1968, cited those segments as heartwarming and "nostalgic vignettes"; in 1975, the award was for his work as a U.S. "bicentennial historian"; his work "capture[d] the individuality of the people, the dynamic growth inherent in the area, and ...the rich heritage of this great nation." He shared in a third Peabody awarded to CBS News Sunday Morning.

The Residents are an American art collective best known for avant-garde music and multimedia works. The first official release under the name of The Residents was in 1972, and the group has since released over sixty albums, numerous music videos and short films, three CD-ROM projects and ten DVDs. They have undertaken seven major world tours and scored multiple films. Pioneers in exploring the potential of CD-ROM and similar technologies, The Residents have won several awards for their multimedia projects. Ralph Records, a record label focusing on avant-garde music, was started by The Residents.

Throughout the group's existence, the individual members have ostensibly attempted to operate under anonymity, preferring instead to have attention focused on their art output. Much outside speculation and rumor has focused on this aspect of the group. In public, the group appears silent and costumed, often wearing eyeball helmets, top hats and tuxedos - a long-lasting costume now recognized as their signature iconography. Their albums generally fall into two categories: deconstructions of Western popular music, or complex conceptual pieces, composed around a theme, theory or plot. They are noted for surrealistic lyrics and sound, disregard for conventional music composition, and the over the top, theatrical spectacle of their live performances.