Saint James or St. James may refer to:

Betty Blowtorch was an all-female American hard rock band from Southern California.

The band was formed in 1998 by three members of Butt Trumpet. After releasing the 2001 album, Are You Man Enough?, the group toured with Nashville Pussy. During the tour, drummer Judy Molish and guitarist Sharon Needles left the group; Jennifer Finch from L7 joined in their stead. In December 2001, lead singer and bassist Bianca Halstead (Butthole) was killed in a car crash in New Orleans, which marked the end of the group. A collection of rarities and live performances was released as Last Call in 2003.

They are the focus of Antonia Scarpa's documentary film, Betty Blowtorch And Her Amazing True Life Adventures.

Halstead is buried at the Hollywood Forever Cemetery.

Blare N. Bitch and Sharon Needles are currently both members of the Los Angeles based band, Psychostar.

Dave Van Ronk (June 30, 1936 – February 10, 2002) was an American folk singer, born in Brooklyn, New York, who settled in Greenwich Village, New York, and was eventually nicknamed the "Mayor of MacDougal Street" .

He was an important figure in the acoustic folk revival of the 1960s. His work ranged from old English ballads to Bertolt Brecht, blues, gospel, rock, New Orleans jazz, and swing. He was also known for performing instrumental ragtime guitar music, especially his transcription of St. Louis Tickle and Scott Joplin's Maple Leaf Rag.

Dave Van Ronk was regarded as the friendly uncle of Greenwich Village, presiding over the coffeehouse folk culture and acting as a friend to many up and coming artists, inspiring, aiding and promoting them. Folk performers whom he befriended included Bob Dylan, Tom Paxton, Patrick Sky, Phil Ochs, Ramblin' Jack Elliott, Guthrie Thomas, and Joni Mitchell.

Van Ronk received the Lifetime Achievement Award of the American Society of Composers, Authors and Publishers (ASCAP), in December 1997.

James Hugh Calum Laurie, OBE (born 11 June 1959), known as Hugh Laurie (/ˈhjuː ˈlɒri/), is an English actor, voice artist, comedian, writer, musician, recording artist, and director. He first became known as one half of the Fry and Laurie double act, along with his friend and comedy partner Stephen Fry, whom he joined in the cast of Blackadder and Jeeves and Wooster from 1987 to 1999.

From 2004 to 2012, he played Dr Gregory House, the protagonist of House, for which he received two Golden Globe awards, two Screen Actors Guild awards, and six Emmy nominations. As of August 2010, Laurie is the highest paid actor in a drama series on US television. He has been listed in the 2011 Guinness Book of World Records as the highest paid actor ever in a TV Drama—earning US$ 700,000 per episode in House—and for being the most watched leading man on television.

Laurie was born in Oxford, Oxfordshire, England. The youngest of four children, Laurie has an older brother named Charles and two older sisters named Susan and Janet. He had a somewhat strained relationship with his mother, Patricia (née Laidlaw). His father, Ran Laurie, was a medical doctor who also won an Olympic gold medal in the coxless pairs (rowing) at the 1948 London Games.

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.

Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).

Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his music in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a strong supporter of the Civil Rights movement in America.^{[citation needed]}