The Silver Age of Comic Books was a period of artistic advancement and commercial success in mainstream American comic books, predominantly those in the superhero genre. Following the Golden Age of Comic Books and an interregnum in the early to mid-1950s, the Silver Age is considered to cover the period from 1956 to circa 1970, and was succeeded by the Bronze and Modern Ages. A number of important comics writers and artists contributed to the early part of the era, including writers Stan Lee, Gardner Fox, John Broome, and Robert Kanigher, and artists Curt Swan, Jack Kirby, Gil Kane, Steve Ditko, Mike Sekowsky, Carmine Infantino, John Buscema, and John Romita, Sr. By the end of the Silver Age, a new generation of talent had entered the field, including writers Denny O'Neill, Mike Friedrich, Roy Thomas, and Archie Goodwin, and artists such as Neal Adams, Jim Steranko, and Barry Windsor-Smith.

The popularity and circulation of comic books about superheroes declined following World War II, and comic books about horror, crime and romance took larger shares of the market. However, controversy arose over alleged links between comic books and juvenile delinquency, focusing in particular on crime and horror titles. In 1954, publishers implemented the Comics Code Authority to regulate comic content. In the wake of these changes, publishers began introducing superhero stories again, a change that began with the introduction of a new version of DC Comics's The Flash in Showcase #4 (Oct. 1956). In response to strong demand, DC began publishing more superhero titles including Justice League of America, which prompted Marvel Comics to follow suit beginning with Fantastic Four #1. Silver Age comics have become collectible; as of 2008 the most sought-after comic of the era is Spider-Man's debut in Amazing Fantasy #15.

A comic book or comicbook, also called comic paper or comic magazine (often shortened to simply comic or comics) is a magazine made up of comics, narrative artwork in the form of separate panels that represent individual scenes, often accompanied by dialog (usually in word balloons, emblematic of the comic book art form) as well as including brief descriptive prose. The first comic book appeared in the United States in 1933, reprinting the earlier newspaper comic strips, which established many of the story-telling devices used in comics. The term "comic book" arose because the first comic books reprinted humor comic strips. Despite their name, comic books are not necessarily humorous in tone; modern comic books tell stories in a variety of genres.

Since the introduction of the comic book format in 1933 with the publication of Famous Funnies, the United States has produced the most titles, with only the British comic and Japanese manga as close competitors in terms of quantity of titles, though manga has many more followers and dwarfs American comics in readership.^{[citation needed]}

A silver age is a name often given to a particular period within a history, typically as a lesser and later successor to a golden age, the metal silver generally being valuable, but less so than gold.

The original silver age (Αργυρόν Γένος) was the second of the five "Ages of Man" described by the ancient poet Hesiod in his poem Works and Days, following the Golden age and preceding the Bronze age. These people lived for one hundred years as children without growing up, then suddenly aged and died. Zeus destroyed these people because of their impiety, in the Ogygian Deluge.

After Kronos was exiled, the world was ruled by Zeus. The Olympians made a second generation of men and the age was called silver because the race of man was less noble than the race of the Golden Age.

In the silver age Zeus reduced the spring, and reconstructed the year into four seasons, so that men for the first time sought the shelter of houses and had to labor to supply their food.

The first seeds of grain were placed in the ground since now man had to gather their own food. A child grew up at his mother's side a hundred years, but adulthood lasted a short time. Being less noble than the Golden Age, humanity could not keep from fighting with one another, nor would they properly honor and or serve the immortals. The actions of the second generation infuriated Zeus, so in punishment he destroyed them.

Alan Oswald Moore (born 18 November 1953) is an English writer primarily known for his work in comic books, a medium where he has produced a number of critically acclaimed and popular series, including Watchmen, V for Vendetta, and From Hell. Frequently described as the best graphic novel writer in history, he has also been described as "one of the most important British writers of the last fifty years". He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, and Translucia Baboon.

Moore started out writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as 2000 AD and Warrior. He was subsequently picked up by the American DC Comics, and as "the first comics writer living in Britain to do prominent work in America", he worked on big name characters such as Batman (Batman: The Killing Joke) and Superman (Whatever Happened to the Man of Tomorrow?), substantially developed the minor character Swamp Thing, and penned original titles such as Watchmen. During that decade, Moore helped to bring about greater social respectability for the medium in the United States and United Kingdom, and has subsequently been credited with the development of the term "graphic novel" over "comic book". In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as the epic From Hell, pornographic Lost Girls, and the prose novel Voice of the Fire. He subsequently returned to the mainstream later in the 1990s, working for Image Comics, before developing America's Best Comics, an imprint through which he published works such as The League of Extraordinary Gentlemen and the occult-based Promethea.