A Kobzar (Ukrainian: кобзар, pl. kobzari Ukrainian: кобзарі) was an itinerant Ukrainian bard who sang to his own accompaniment.

Kobzars were often blind and became predominantly so by the 1800s. Kobzar literally means ‘kobza player’, a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition.

The kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a musical instrument known as the kobza, bandura or lira. Their repertoire primarily consisted of para-liturgical psalms and "kanty", and also included a unique epic form known as dumas.

At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, which were differentiated by repertoire and playing style.

In Ukraine, kobzars organized themselves into regional guilds or brotherhoods, known as tsekhs. They developed a system of rigorous apprenticeships (usually three years in length) before undergoing the first set of open examinations in order to become a kobzar. These guilds were thought to have been modelled on the Orthodox Church brotherhoods as each guild was associated with a specific church. These guilds then would take care of one church icon or purchase new religious ornaments for their affiliated church (Kononenko, p. 568–9). The Orthodox Church however was often suspicious of and occasionally even hostile to kobzars.

Taras Hryhorovych Shevchenko (Ukrainian: Тара́с Григо́рович Шевче́нко, Russian: Тара́с Григо́рьевич Шевче́нко, Taras Grigoryevich Shevchenko), ( March 9 [O.S. February 25] 1814 – March 10 [O.S. February 26] 1861) was a Ukrainian poet, artist and humanist. His literary heritage is regarded to be the foundation of modern Ukrainian literature and, to a large extent, the modern Ukrainian language. Shevchenko also wrote in Russian and left many masterpieces as a painter and an illustrator.

Born into a serf family of Hryhoriy Ivanovych Shevchenko (1782? - 1825) and Kateryna Yakymivna Shevchenko (Boiko) (1782? - August 6, 1823) in the village of Moryntsi, of Kiev Governorate of the Russian Empire (now in Cherkasy Oblast, Ukraine) Shevchenko was orphaned at the age of eleven. He was taught to read by a village precentor, and loved to draw at every opportunity. Shevchenko went as a household servant with his Russian aristocrat lord Pavel Engelhardt to Vilnius (1828–31) and then to Saint Petersburg.

Mykola Vitaliyovych Lysenko (Ukrainian: Мико́ла Віта́лійович Ли́сенко, 22 March [O.S. 10 March] 1842 – 6 November [O.S. 24 October] 1912) was a Ukrainian composer, pianist, conductor and ethnomusicologist.

Lysenko was born in Hrynky, Kremenchuk Povit, Poltava Governorate, the son of Vitaliy Romanovych Lysenko (Ukrainian: Віталій Романович Лисенко). From childhood he became very interested in the folksongs of Ukrainian peasants and by the poetry of Taras Shevchenko. When Shevchenko's body was brought to Ukraine after his death in 1861, Lysenko was a pallbearer. During his time at Kiev University, Lysenko collected and arranged Ukrainian folksongs, which were published in seven volumes. One of his principal sources was the kobzar Ostap Veresai (after whom Lysenko later named his son).

Lysenko was initially a student of Biology at the Kharkiv University, studying music privately. On a scholarship which he won from the Russian Music Society he pursued further professional music studies at the Leipzig Conservatory. It is there that he understood the importance of collecting, developing and creating Ukrainian music rather than duplicating the work of Western classical composers.

Taras Bulba (Ukrainian: Тара́с Бу́льба) is a romanticized historical novel by Nikolai Gogol. It tells the story of an old Zaporozhian Cossack, Taras Bulba, and his two sons, Andriy and Ostap. Taras’ sons studied at the Kiev Academy and return home. The three men set out on an epic journey to Zaporizhian Sich located in Ukraine, where they join other Cossacks and go to war against Poland.

Taras Bulba is Gogol’s longest short story. The work is non-fictional in nature with characters that are not exaggerated or grotesque as was common in Gogol's later work, though his characterizations of Cossacks are said by some scholars to be a bit exaggerated. This story can be understood in the context of the romantic nationalism movement in literature, which developed around a historical ethnic culture which meets the romantic ideal.

Taras Bulba’s two sons, Ostap and Andriy, return home from an Orthodox seminary in Kiev. Ostap is the more adventurous, whereas Andriy has deeply romantic feelings of an introvert. While in Kiev, he fell in love with a young Polish noble girl, the daughter of the Governor of Dubno, but after a few meetings, he stopped seeing her when her family returned home. Taras Bulba gives his sons the opportunity to go to war. They reach the Cossack camp at the Zaporozhian Sich, where there is much merrymaking. Taras attempts to rouse the Cossacks to go into battle. He rallies them to replace the existing Hetman when the Hetman is reluctant to break the peace treaty.

Diane Flacks is a Canadian comedic actress, screenwriter and playwright.

She has co-written and starred in numerous television series, including The Broad Side, P.R., Behind the Scenes and Listen Missy. She has also written for The Kids in the Hall, and acted in Walter Ego and Moose TV. Her plays have included Sibs (cowritten with Richard Greenblatt), Smudge (with Alex Bulmer) and Gravity Calling.

She has also written and performed four one-woman stage shows: Myth Me, By a Thread, Random Acts and Bear With Me. Bear With Me was based on the book of the same name published by MacMillan Stewart in 2005, about pregnancy and new motherhood through a humorous lens.

In 2007, Diane became a featured columnist with the Toronto Star, and is a regular contributor for the CBC Radio show Definitely Not the Opera.