SciFi Weekend: Orphan Black; Hannibal; Arrow; Agents of SHIELD; The Americans; Fargo; Continnum; Game of Thrones; The Newsroom; Hugo Nominees

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Orphan Black returned for a second season following several days of receiving a considerable amount of publicity for being such a high quality show, even if few knew about it when it aired last season. Nature Under Constraint and Vexed picked up right where the show left off last season, but BBC America did run a show last week which might help new viewers catch up, and has been rerunning the entire first season. It is definitely worth watching the full season before starting the second season.

The initial moments, while not as dramatic as the first moments of the first season, when Sarah saw someone who looks just like herself jump in front of a train, did have a similar feel. Sarah was on the run, and initially could not contact anyone else. Subsequently Sarah did reunite with Felix and then with some of her clones. Tatiana Massany has been widely praised for her work as multiple female lead characters in roles far more challenging than those faced by Patty Duke.This includes the following characters mentioned here: Sarah, Beth, Allison, Cosima, Helena, and Rachel.

Last season Sarah did frequently pretend to be Beth, taking her place after her suicide, and briefly impersonated Allison last season. Beyond this they did not take advantage of the fact that Sarah and her clones are even more alike than identical cousins. I liked that Sarah did use this to her advantage twice this week, both with using Alison as a decoy and impersonating the lesbian scientist Cosima, even fooling Delphine when she kissed her. They were also less concerned about hiding their existence, but it hardly matters that Ramone saw someone identical to Allison.

Orphan Black Sarah as Cosima

The episode made excellent use out of the supporting characters. Felix’s performance, and clothing, were most notable, but other characters were also important. I’m glad that Art is now in on what is going on and expect to see him help Sarah more in the future. Paul is at least partially under the control of Dyad, but does seem to want to help Sarah. Delphine seemed to have sided with Cosima, then betrayed her by doing the one thing Cosima told her not to do-give a sample of her blood to Dr. Aldous Leekie. Even Leekie’s motivations are not entirely clear, and in the end I can see him acting to protect the clones.

Besides the clones on one side and Leekie and the Dyad Institute on the other, it looks like other people, another branch of  the anti-clone religious extremists of Proleatheans, will have a major role in the second season. It appears that they have Kira and possibly Mrs. S, and the biggest surprise of the episode was that the presumed-dead Helena is still alive. A lesser surprise, but still unexpected, was how little interest Rachel seemed to have in Kira, except as bait to capture Sarah.

The location of the show remains purposely ambiguous. The show films in Toronto but unlike Continuum doesn’t actually state its Canadian location. They have not tried especially hard to hide this, with Canadian money and license plates visible in some scenes. The federal agency brought in to investigate was intentionally not named, while mention of a Supreme Court decision on genetic material suggests an American background. The show is written to seem like any city, including one surrounded by suburbia with big box stores (where an employee had guns and other items to sell out of his trunk) and a community theater, which fortunately is not putting on a new production of Cats.

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On the surface Su-zakana was like a first season episode of Hannibal, with Jack, Will, and Hannibal working together to solve the  murder of the week. The three even started out the episode having dinner together, except with the Chesapeake Ripper supposedly out of commission, Hannibal served fish instead of red meat. I could even imagine yet another fish in the episode–Richard Fish of Ally McBeal saying “bygones.” When speaking around others, Hannibal explained overlooking Will’s attempts at killing him as being because of Will believing that Hannibal was a killer. This included telling Alana that Will was acting to protect her.

Under the surface, both Will and Hannibal knew that Hannibal really is the killer, and they were more honest when alone. Hannibal might have revealed his own code in saying, “Doing bad things to bad people makes you feel good.” If this is his motivation for killing, he is far less consistent in sticking to his code than Dexter Morgan was to sticking with his.

The murder of the week story was also a bizzaro recreation of the Will/Hannibal dynamic. Peter Bernardorne was a crazier version of Will who was  manipulated by Chris Diamantopoulos, playing a weaker version of Hannibal. We also saw that Will remains damaged, even if not as much as Peter, by Hannibal’s manipulations. Will even considered killing Chris as a substitute for Hannibal, until Hannibal warned him that it wouldn’t feel the same.

The episode also introduced Margot and Mason Verger, who should become more significant in future episodes.

The Man Under the Hood

On Arrow, Laurel has learned more about The Man Under The Hood but took the news far better than expected, deciding against letting Oliver know she knows his secret. That should be the subject for a future episode. The writers have often had difficulty in deciding what to do with her character, and in this episode she appeared far stronger than before. The producers had also been undecided as to whether to ultimately make Isabelle an ally or villain, deciding in last week’s episode that she would be a villain working with Slade. She appeared to be dead, but we learned that Mirakuru is as effective as alien blood on Agents of SHIELD at bringing people back from the dead. While we are not certain as to all the effects of the alien blood, we do know on Arrow that Mirakuru both gives superpowers and makes people go crazy. I wonder if Slade will regret creating an army of crazy super-villains who might be more difficult to control than herding cats.

We did learn that there is a cure to Mirakuru, which might turn out to be the way that the new army is ultimately defeated, and perhaps be used to keep Roy from going insane. The back story makes more sense in giving Slade additional motivation beyond the death of Shado to want to destroy Oliver. Back on the island, Oliver had chosen to kill rather than cure Slade. The episode also introduced characters from the upcoming Flash spin-off.

Collider spoke with producer/writer Andrew Kreisberg about Oliver’s relationship with Laurel and the ramifications of the Queens’ financial problems now that Isabelle has taken control of Queen Industries:

Where are Oliver and Laurel at now, romantically?

KREISBERG:  It’s Oliver and Laurel.  It’s Lois and Clark.  They can break up, get together, sleep together, break up, get married, get divorced, and she can forget him.  The best part about the success of the show is that it’s always our desire to speed through story.  The fans appreciate that.  We just blow through things.  We’re not like, “Well, we’ll do that in Season 4.”  No, we’ll just do that now.  On the other hand, success has enabled us to slow play some things.  We’ve really adopted this mantra of, “We’ll give people what they need, even if that’s not what they want.”  Having Oliver and Laurel get together in Season 1 is what people needed then.  But then, they needed them to go on a break, so Oliver could have his storyline with Sara for this season.  That’s what felt right to us.  Oliver has women in his life.  He has Laurel.  He has Felicity.  Helena is doing a 10 to 20 stretch.  But Laurel will always be one of the closest people to him, whether that’s romantic or not.  That’s why it’s so powerful to us that, in his darkest hour, Laurel is the one who pulls him out of it.  There has been a subset of fans who have questioned our sanity and our talent, for making some of the decisions we’ve made, over the course of last year and this year, but somebody is always going to be upset.  A lot of the things we have done have been leading up to what we’re doing in the finale, and then moving that forward to Season 3.

How long-running are the ramifications of the Queens’ financial problems?

KREISBERG:  We’re gonna make it a thing.  That plays out in the last five episodes.  We’re gonna start Season 3 with Oliver in very different circumstances than he’s been before.  Obviously, him being in different circumstances changes the circumstances of his paid bodyguard and paid assistant, since he can no longer pay them.  For Season 3, you’ll see that some of our familiar standing sets from Season 1 and 2, that you’ve come to know and love as being Arrow, are gonna be retired for reasons that will become apparent, as you see these last episodes.  We have already seen designs for some of the new sets for Season 3, which are amazing.  We want the show to feel like it’s constantly evolving, changing and growing.  If this year is the sequel, then next year is Arrow 3.  As different as 2 is from 1, in 3, they got Ewoks.

BRETT DALTON, BILL PAXTON

Providence continues the story of Agents of SHIELD after the infiltration by Hydra destroyed the organization, at least as we knew it. The have a secret base, Coulson learned that Director Fury is alive, and they are determined to remain Agents of SHIELD rather than Agents of Nothing. Last week there was a lot of speculation as to whether Ward had been brainwashed like the Winter Soldier or was faking allegiance to Garrett.  Anything is possible in this series, but the exchanges between Ward and Garrett suggest that Ward was recruited as a teenager and really has been working with Garrett from the start, with many of his actions designed to obtain trust from Coulson and his team. It appears that the only way that this could not be real would be if false memories were implanted into Ward, or if Ward spying on Garrett was intentionally withheld from Coulson. Such explanations would seem extremely contrived, and I hope that they just keep Ward the villain. Besides he is more interesting that way, although his feelings for Skye might complicate matters, especially as Ward’s allegiance so far seems more personal with Garrett as opposed to Hydra as an organization.

Besides the direct continuity in the recent episodes to Captain America: The Winter Soldier, there is further continuity with the Marvel universe with the Hulk’s old enemy, Colonel Talbot. Next episode Amy Acker visits as Coulson’s cellist girlfriend.

The Americans - Episode 2.08 - New Car - Promotional Photos (3)_FULL

The Americans maintained its usual quality with New Car. Once again Elizabeth and Philip had to deal with questions as to who to kill, or allow to be killed, and hand child rearing problems. Unfortunately for Lucia, it turns out that Larrick was far more important to the Russian plans than she was.  Plus Elizabeth really hates Ronald Reagan. The big surprise of the episode was to see Vasili alive along with Anton in the Soviet Union.

Fargo was off to an excellent start. It does remind me a little of Breaking Bad with over the top events portrayed as plausible in an area where I would not want to live. You would have to combine both Martin Freeman’s Lester Nygaard and Billy Bob Thornton’s Lorne Malvo to have a Walter White. While the premiere episode had a few murders, it looks like the series will be more about the consequences of the actions than a traditional detective series to uncover the identity of the murders.

I continue to avoid writing too much about Continnum as I’m a few weeks ahead of the American schedule by downloading from Showcase and I want to avoid any spoilers. The third episode, Minute To Win It, aired in the United States this week. The sequence taking place in the future revealed Kiera as being less blood thirsty than her superiors, but perfectly willing to ignore what they do. This week it was the future police shooting someone unnecessarily. Next week look forward to seeing Kiera’s take on a shooting which really has occurred in our history.

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Major Spoiler if you have not seen last week’s Game of Thrones: I make a point of not posting predictions about Game of Thrones as many people know far more than I do about the series if they have read the books. I would have never predicted that Joffrey would be killed off until late in the series. This should create a lot of interesting situations, ranging from speculation as to the murderer, effects on various characters, and a new fight for power. Natalie Dormer discussed the impact on Margaery in this interview. George R.R. Martin discussed the death here.

There is a little more news on the script being worked on for a Farscape movie which will follow the son of John and Aeryn.

Laura Pepon is only returning for four episodes of the second season of Orange Is The New Black but will return full time assuming there is a third season.

Aaron Sorkin only plans to write six episodes for the probable third and probable final season of The Newsroom. As he writes every episode of the series, I imagine it is better that he limit this to what he can handle if this leads to better scripts. HBO has not let the cast out of their contracts in case Sorkin decides to do more according to an interview with Olivia Munn.

The Hugo Award Nominees for 2014 are out. Doctor Who dominates the nominations for Dramatic Presentation (short form) with two episodes of the show, Adventures in Space and Time, a documentary about the origin of the television show, and The Five(ish) Doctors about the former Doctors who did not make it into the 50th Anniversary episode. An episode of Game of Thrones and Orphan Black complete the nominations in that category.

BEST DRAMATIC PRESENTATION (LONG FORM)

  • Frozen Screenplay by Jennifer Lee; Directed by Chris Buck & Jennifer Lee (Walt Disney Studios)
  • Gravity Written by Alfonso Cuarón & Jonás Cuarón; Directed by Alfonso Cuarón (Esperanto Filmoj; Heyday Films; Warner Bros.)
  • The Hunger Games: Catching Fire Screenplay by Simon Beaufoy & Michael Arndt; Directed by Francis Lawrence (Color Force; Lionsgate)
  • Iron Man 3 Screenplay by Drew Pearce & Shane Black; Directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  • Pacific Rim Screenplay by Travis Beacham & Guillermo del Toro; Directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)

BEST DRAMATIC PRESENTATION (SHORT FORM)

  • An Adventure in Space and Time Written by Mark Gatiss; Directed by Terry McDonough (BBC Television)
  • Doctor Who: “The Day of the Doctor” Written by Steven Moffat, Directed by Nick Hurran (BBC)
  • Doctor Who: “The Name of the Doctor” Written by Steven Moffat, Directed by Saul Metzstein (BBC)
  • The Five(ish) Doctors Reboot Written & Directed by Peter Davison (BBC Television)
  • Game of Thrones: “The Rains of Castamere” Written by David Benioff & D.B. Weiss; Directed by David Nutter (HBO Entertainment)
  • Orphan Black: “Variations under Domestication” Written by Will Pascoe; Directed by John Fawcett (Temple Street Productions; Space/BBC America)
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SciFi Weekend: Hannibal; Captain America and Agents of SHIELD; The Americans; Orphan Black; Continuum; Captain Janeway and Geocentrism; The Expanse

Hannibal Chilton

 Yakimono provided an excellent start for the second half of this season of Hannibal. The episode answered the question of how they continue for several more episodes between the release of Will Graham from prison and the ultimate revelation that Hannibal Lecter is the Chesapeake Ripper. Chilton had an agenda, but his plans did not work out: “Yes, I have an agenda. Living.” We knew after Hannibal winked at Chilton last week that he was doomed, but had no idea how complex his (apparent) death would be, along with the role of Miriam Lass. We found out why Hannibal kept Miriam alive, brainwashing her so that she would identify Chilton as the one who kidnapped her instead of Hannibal, and then shooting Chilton. This should serve to take suspicion away from Hannibal for several episodes.

It did take some foolish decisions by Jack Crawford for this all to play out as it did. Is it really plausible that Chilton had the strength to pull off all these murders, or that after covering his tracks so well would suddenly leave evidence out in plain site? Jack should have believed Will. Things were obviously not as they seemed. It didn’t make sense for Jack to go after Chilton alone if he believed he had really killed the FBI agents left in his home, but at least this didn’t affect the outcome. It was especially foolish for Jack to ignore all the warnings about Hannibal and take Miriam to Hannibal for hypnosis to “recover” her memory. Perhaps Jack will put this all together by the end of the season, or maybe Will will provide additional evidence against Hannibal.

Will remains the only one alive who has any idea what is going on, and decided that he preferred to get all the answers as opposed to killing Hannibal when he had the chance this week. Ultimately he returned to therapy under Hannibal, knowing that Hannibal would be unable to resist this request, and it might provide more information.

Abel Gideon is now dead and it appears that Chilton is also dead, but this is not certain. His death, along with the death of Beverly Katz, represent differences from Red Dragon. After Beverly was last seen cornered by Hannibal, Bryan Fuller did verify that she was dead in interviews, but he is being more vague about Chilton:

AVC: Chilton, correct me if I’m wrong, is the first character from the literature that you’ve killed who’s still alive in later books. Do you feel that shakes things up, or do you worry about not having that character to play later?

BF: [Frank] Serpico survived a bullet to the face.

Fuller explained Will’s motivations:

AVC: This episode ends with Will resuming therapy, and getting out of the hospital. Why did you need to pull him out of the hospital, and what is his thinking behind going back to the devil’s lair?

BF: The idea—and it’ll become much clearer in episode eight where you understand exactly what Will is up to—but it felt like we had completed the arc of the institution. We had Will very actively investigating Hannibal in his own way by not only going interior to his mind, but also using those around him who can be his own avatars out in the world to dig up clues. It felt like because we had completed the arc of the Chesapeake Ripper in some sense, that it was good to exonerate Will, and since he was never convicted of anything, it’s easier to get them out, once proof has been discovered that they’re guilty or innocent. So we wanted Will back out in the world, because we needed to continue to shift the dynamic of what’s happening between Will and Hannibal, and as we end this episode, seven, with “Let’s resume therapy,” we were launching a whole new psychological arc where it is Will and Hannibal. Will now, of clear mind, is beginning his own seduction of Hannibal Lecter. Hannibal has been working very hard to seduce Will, and now, it’s up to Will to seduce Hannibal and perhaps lull him into a false sense of security, so he can ultimately be exposed.

AVC: Why do you think Will doesn’t kill Hannibal when he has the chance?

BF: Because I think he honestly wants to know why. I think there has to be—and I talked with Hugh Dancy about this quite a bit—there has to be an element of honest reality to Will’s fascination with Hannibal Lecter. This man built him up and destroyed him in the first season, and then continued to manipulate him through the first half of the second season. When someone is so invasive to your psyche and has had such an impact, if you ended them, it’s like, Hannibal successfully bonded with Will and had Will bond to him, and it was probably more painful to kill Hannibal, because Will knows that he is started on this journey into a very dark place, and Hannibal Lecter may be the only one who can help him understand it.

He also explained how Hannibal accomplished some of his murders, along with the limitations imposed by a television budget:

AVC: How much do you sit around and figure out how he does all this stuff?

BF: Well, we had a lot of stuff that we cut out that we simply couldn’t afford to produce. The show has a very tight budget, and it’s very streamlined in its storytelling. We had scenes where Hannibal goes down into his basement kill room, where we saw Beverly Katz go, and he goes through a door, and he goes into a steam tunnel, and you see him following that steam tunnel, and he goes down for like miles and miles and miles. So we essentially established a way for Hannibal to get in and out of his house without anybody seeing him and use underground steam tunnels throughout Baltimore to get around the city. We simply couldn’t produce it and couldn’t find the time. In our minds, he goes down in the basement and goes out a secret door into the steam tunnels, and that’s how he got to Chilton’s house, and that’s how he got back into his house without anybody noticing, but we couldn’t produce it, so we lifted that element and have the rationale in our brains, if anybody asks the question—but we just weren’t able to show you.

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Agents of SHIELD is finally becoming the show we wanted it to be. It is never going to be a spy show of the quality of The Americans, and remains behind Arrow in ability to turn a comic book world into successful television, but it has now become important to watch for those interested in the Marvel cinematic universe. Turn, Turn, Turn does a far better job of tying into Captain America: The Winter Soldier than previous episodes did with the attempts to tie into Thor: The Dark World. If you have not seen the episode, this contains major spoilers for both SHIELD and Captain America. If you have not seen either yet, I advise watching Captain America: The Winter Soldier before watching any further episodes of Agents of SHIELD, but if for some reason this is not possible it will still be possible to enjoy the episodes of SHIELD.

It is now apparent that Agents of SHIELD had been limited by the need to wait until the latest Captain America movie came out. The story line about the Clairvoyant was a distraction, with information really coming out due to the infiltration of SHIELD by HYDRA and not due to clairvoyance. It came as no surprise that Agent May was not the spy despite the suggestion of this last week and that instead she was reporting directly to Director Fury. The development of Coulson’s entire team makes more sense after learning it was based upon having the ability to repair, or if necessary kill, Coulson should there be problems after bringing him back to life with the alien blood.

The biggest surprise was to find that Agent Ward was working with Agent Garrett (Bill Paxton) and HYDRA. Considering what a boring character he has been so far, this can be a welcome change in the show. Of course it is possible that the shooting of Hand and others was all staged with a gun shooting blanks and fake blood so that Garrett would trust Ward, allowing Ward to infiltrate HYDRA. Otherwise it seemed strange for Hand to tell Ward to kill Garrett when he was already in custody, and we already have two major characters who have come back from death or apparent certain death. This preview from next week’s episode portrays Ward as the villain, but again we don’t know if this is real or if he is faking to infiltrate HYDRA.

As we have a long time to wait for further movies, Agents of SHIELD can now provide a look into the Marvel universe. Will SHIELD rebuild as a major organization or will they just be fighting to survive and later get revenge against HYDRA? Presumably the show will set up the plans for what is desired for SHIELD in The Avengers: Age of Ultron and the next Captain America movie.

Captain America ended with Maria Hill applying for a job at Stark Industries and Cobie Smulders will be reprising this role on an upcoming episode. Samuel L. Jackson will also be appearing in the season finale. With Maria Hill working for Tony Stark and Nick Fury in hiding after faking his death, these episodes may or may not pertain directly to SHIELD, but should give some clue as to where they are going.

Besides the obvious tie-in to Agents of SHIELD, James Gunn, writer and director of Guardians of the Galaxy, has confirmed to Entertainment Weekly that Guardians of the Galaxy will tie into The Avengers 3.

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The Americans tied into the early development of the Internet on Arpanet. Elizabeth and Phillip concentrated on placing a rather large bug on Arpnet for the Russians. The subplot with children concentrated on Henry instead of Paige. I hope that Elizabeth and Phillip are proud of how he is developing an interest in spying on neighbors.

The storyline with Nina, Stan and Oleg overshadowed the usual main storyline with Elizabeth and Philip this week. The entire storyline with Oleg has turned out different from how it first appeared. Instead of working on his own, it turned out that his actions were planned with the KGB, and the initial fears that he presented to threat to Nina were probably a false alarm.

Nina had no difficulty fooling the polygraph thanks to coaching from Oleg. The Americans effectively leaves open questions in episodes and then often answers them with revelations of further information in subsequent episodes. The final scene with Oleg and Nina in bed together raises questions as to whether this was a new development, perhaps due to Nina’s gratitude for Oleg’s help, or if this had been occurring off screen for a longer period. In retrospect, Oleg’s coaching of Nina, including about squeezing her anus and imagining him in the room, might suggest a closer relationship between the two at the time.

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I have concentrated on coverage of Hannibal and The Americans since each started its second season this winter as these are two of the best shows on television. A third show of this caliber, Orphan Black, returns for its second season on April 19. Entertainment Weekly spoke with Orphan Black co-creator John Fawcett about some of the new characters for the second season, and the fate of one of the characters from the first season:

EW: Obviously one of the big cliffhangers from season 1 was Cosima’s illness. What can you say about that?
FAWCETT: Cosima’s illness is a major, major storyline in season 2. It’s something that is life or death for Cosima and then for everyone else. When someone is sick, it really kind of brings people together. I think that’s what we see from this. Now, Delphine and Cosima are in love, but Delphine’s kind of trapped in the middle. She does some bad things. But she does good things. She’s in love, but she’s still doing bad things. And trying to discover if there is a cure for Cosima is a big plot issue with season 2. And it’s something that carries through from episode to episode — this journey to try to find some sort of way to cure her.

There are also other excellent shows which I don’t discuss as often here. I am reluctant to speculate on Game of Thrones as those who have read the novels have such a tremendous advantage. It is also so much work trying to keep up with the names of all the characters. This chart might help. Person of Interest does not have as large a cast, but it is another genre show which is adding an increasing number of characters while gradually revealing more details about their back stories.  This character relationship chart might help keep track of all of them.

Continuum is another excellent science fiction show, but it is harder to review here since I’m watching it a few weeks ahead of most in the United States by downloading from Showcase. Minute Man, the second episode which aired in the United States this week, showed how Kiera became a CPS agent. While I will avoid being specific to avoid spoilers, future episodes to air provide more information about Kiera’s background and beliefs, some of which might be seen as positive and some negative considering her support for the future system.

Janeway

Kate Mulgrew, Captain Janeway on Star Trek: Voyager (as well as Red on Orange is the New Black), did voice over work for a “documentary” which claims that the earth is the center of the universe. Lawrence Krauss had already been tricked into participating. Kate Mulgrew explained on her Facebook page:

I understand there has been some controversy about my participation in a documentary called THE PRINCIPLE. Let me assure everyone that I completely agree with the eminent physicist Lawrence Krauss, who was himself misrepresented in the film, and who has written a succinct rebuttal in SLATE. I am not a geocentrist, nor am I in any way a proponent of geocentrism. More importantly, I do not subscribe to anything Robert Sungenis has written regarding science and history and, had I known of his involvement, would most certainly have avoided this documentary. I was a voice for hire, and a misinformed one, at that. I apologize for any confusion that my voice on this trailer may have caused. Kate Mulgrew

Mulgrew’s work on a project claiming that the earth is the center of the universe led to inevitable jokes as to this explaining why Voyager was lost for seven seasons, but the real joke is the perversion of science coming from the right wing, adding geocentrism to creationism.

Filming for The Fall season 2 finally began this month. Colin Morgan, who previously starred in Merlin, joins the cast. This is a high quality mini-series well worth watching.

Syfy has had a hard time coming up with a major science fiction show since Battlestar Galactica ended. Defiance looked more interesting in its first season finale, but still is limited in scope. They are now looking into doing a series based upon The Expanse novels which does sound really promising.

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Quote of the Day: Bill Maher on The Ryan Budget And Obamacare

“Game of Thrones returns this weekend on HBO. I’m sure you know it as a magical fantasy where you’re never quite sure who’s going to live or die. Or maybe I’m thinking of Paul Ryan’s budget.” –Bill Maher

Bonus Quote:

“Obamacare hit its numbers. Despite all the initial problems, Healthcare.gov surpassed the enrollment goal, over 7 million. Now the Republicans are saying that they’re going to repeal the Internet.” –Bill Maher

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SciFi Weekend: Valentine’s Day and Girls SciFi Geeks Love (About Time; Karen Gillan; Scarlett Johansson; Arrow; Almost Human)

SciFi Weekend is a weekly feature at Liberal Values, and is now being cross posted at The Moderate Voice. To introduce the feature to new readers, every week  this post generally deals with Science Fiction along with other topics. Sometimes, like last week, it is about a single topic (Sherlock Season 3). More often a variety of topics are discussed, typically starting with science fiction and genre television, but often including other topics in pop culture. Some weeks there is a theme. The theme this week is Valentine’s Day and Girls SciFi Geeks Love. Beware that there are frequently spoilers, especially for television shows which have aired in the United States. I do frequently leave out some details or only refer to them obliquely to limit this, and try to warn about spoilers when discussing movies or shows which have not aired yet in the U.S.

About TIme

This year we had not one but two major movies combining science fiction and romantic comedy. As I had already watched and blogged about Her, this left About Time to watch with my wife after we returned from dinner last night. About Time uses time travel much more like Groundhog Day than Doctor Who, except unlike Bill Murray in Groundhog Day, the protagonist of About Time can control which portions of his life he relives. The review does include spoilers.

On his twenty-first birthday Tim (Domhnall Gleeson)was told by his father (Bill Nighy) that the men in his family all have the ability to travel in time. There are limitations. You can only go back and revisit portions of your own life. As his father put it, you can’t kill Hitler or shag Helen of Troy. Tim asked about the butterfly effect and his father told him he hadn’t run into it. To add some drama later in the movie, it turns out he wasn’t entirely correct here.

There are other limitations, including one standing in the way of Tim’s number one interest, getting a girlfriend. You can’t make someone love you. He failed in his first attempt with a girl spending the summer with his sister. He did later manage to meet Mary (Rachel McAdams) but the meeting was erased from time when he went back in time to help out a crabby playwright who he was briefly living with. There was no butterfly effect which destroyed civilization as we know it, but it is possible to change one’s past. It should surprise nobody that he did manage to meet Mary again, but had to go back in time to dispense with the boyfriend she met because of not meeting Tim.

From there time travel continued to come in handy. No more awkward first times in bed when for Tim it became the second and then third time after going back in time. It wasn’t even necessary to keep his first awkward attempts at removing Mary’s bra or meeting her parents. Minor mistakes later in their life, such as choosing the wrong best man, were also easily fixed.

Some problems were not so easily fixed. Tim found a serious problem in going too far back in time to help reverse a poor decision made by his sister, Kit Kat. Fortunately for Tim, his mistake was easily reversed, but he had to find another way to help his sister. Tim learned that time travel cannot fix all problems. Sometimes something terrible in life must occur to get people to change. If he was truly trying to help Kit Kat, he might have also bought her a comb.

The relationship between Tim and his father became as important to the movie as the relationship between Tim and Mary, even leading the two to once again break the rules, but this time with no dire consequences. Over time, Tim preferred a simpler form of time travel, moving forward in time day to day and fully appreciating every day. “The truth is, now I don’t travel back at all, not even for the day. I just try to live everyday as if I’ve deliberately come back to this one day. To enjoy it. As if it was the full final day. Of my extraordinary, ordinary life.” About Time is far from a hard science fiction look at time travel, but it was an enjoyable movie.

Karen Gillan’s romantic comedy, Not Another Happy Ending, is being released in the U.K. on DVD this week but there are no current plans for a U.S. release. Trailer above.  Iain De Caestecker of Agents of SHIELD (Fitz) is also in the movie. The actress who formerly played Amy Pond does not do any time traveling during the movie, but she does write and bake in the nude (more of that scene here). Update: Not Another Happy Ending will be shown at the Cleveland International Film Festival on March 19.

Scarlett Johansson is becoming the go to girl for sexy female leads when she is not in The Avengers movies. When they needed an actress to make it seem realistic for a voice alone to seduce the male lead, it was Scarlett Johansson’s voice used in Her. She is also the female lead in Under The Skin, playing an alien female who seduces men for sexual experimentation. Trailer above. It reminds me a bit of an early episode of Torchwood, back before the show got to be too big and they messed it up.

Doctor Who Both Hearts

If you missed buying a card for Valentine’s Day you might have to use Tim’s trick from About Time to go back and fix that. Or you can go back in your TARDIS, perhaps to use one of these cards.  For the last four years I have posted Doctor Who Valentine’s Day cards, with the latest set posted here.  Cards from 2013 can be seen here. Older ones also available from  2012 and 2011.

Heir to the Demon

I had not initially watched Arrow during its first season believing it would just be more CW fluff with attractive people in glitzy backdrops. At times it is, but as I later found out, it is far more. With a rich playboy crime fighter, and now the League of Assassins, in many ways it is one of the best live action adaptations of Batman ever made. Plus there are flashbacks to an island which might remind viewers of Lost. Still, it is on CW, so there is plenty of romance and love triangles in this superhero soap opera.

Before going on a brief hiatus for the Olympics, Arrow looked back at the triangle Oliver had with Sara and Laurel Lance, but things became even more complicated. In Heir to the Demon, Ra’s al Ghul’s daughter managed to incapacitate airport security agents without any of the publicity and follow through which such an event would generate in our world. Her mission was to return Sara to the League of Assassins or to kill her, but it became clear that her mission would be more complicated when the two kissed upon first seeing each other. A discussion with the show’s producer over this turn of events can be read here:

With the introduction of Nyssa al Ghul (Katrina Law) — Ra’s al Ghul’s daughter — hunting down Sara Lance (Caity Lotz) to bring her back to the League of Assassins, the stakes would have been high enough. But the show added another, more emotional level to Nyssa’s journey: She was Sara’s ex and wanted to win her heart again.

Of course, Nyssa ended up releasing Sara from her duty to the League when it became clear Sara would rather die than leave her family again. But watching Nyssa deal with the pain of that revelation was what made her one of the series’ best villains so far — a fact with which executive producer Andrew Kreisberg wholeheartedly agrees.

“It’s been pointed out that sometimes our villains get short shrift and we don’t always do right by the villains,” Kreisberg tells Zap2it and a handful of other reporters. “We just don’t have enough time for them because our show is just so dense. We’ve gotten away with casting really cool people in the parts and asking our audience to just fill in the rest.”

Kreisberg and fellow showrunner Marc Guggenheim are glad that they were able to give Nyssa enough of a backstory to make her a sympathetic villain. “I actually feel bad for her. She really does seem like this broken-hearted person who got the shaft,” Kreisberg says. “She has the advantage of having an emotional and personal tie to one of our characters. She goes on a complete journey from start to end as opposed to someone who just wants to rob a bank.”

Guggenheim is quick to point out, however, that “Arrow” can’t have every villain be like that. “If every episode had a Nyssa, and didn’t have let’s say a Clock King, when the Nyssas of the world showed up it wouldn’t have any import,” Guggenheim says. “It would lack the weight that this kind of episode has. Because some episodes, yes, it’s just a guy bombing the city, but there’s other stuff in that episode that makes it worthwhile and worth watching. If everything becomes special, then nothing becomes special.”

Law was excited to portray Nyssa, but she wasn’t expecting her to have such a rich history with Sara. “I was surprised that I was going to be a lesbian,” Law says with a laugh. “When we did the chemistry read, I wasn’t quite understanding why I was [with Lotz].”

According to Kreisberg and Guggenheim, the decision to make Nyssa a lesbian came from the idea of what it could do for Sara. “We thought of this at the beginning of the season,” Kreisberg says. “If you watch [episode] 205 there’s a reference to ‘the beloved,’ and ‘You think that’s going to keep you safe.’ We talked about, ‘Well, does Ra’s al Ghul have a son?’ And then we were like, ‘Well, can it be Talia?’”

Since Talia al Ghul was portrayed recently in “The Dark Knight Rises,” the writers decided to go with the lesser-known story of Nyssa al Ghul.

“It just felt like something new and different,” Kreisberg says. “At the same time, we didn’t do it to be salacious, because it’s a pretty chaste relationship from what you see onscreen. It just touched on a couple interesting things, like the idea that Sara found one person who treated her with love and kindness. And then for Lance to be this hardened, tough cop and probably not the most progressive guy, even he was just like, ‘I’m glad you had someone who loved you and took care of you during those nightmare years.’”

Nyssa wasn’t the only one getting action with Sara in the episode though, as it ended with her and Oliver (Stephen Amell) hooking up in the Arrow lair.

“We were anxious to have in the same episode where we reveal that Sara had had this lesbian relationship, she was also sleeping with Oliver again,” Guggenheim says. “We wanted to be sensitive and realistic. We specifically avoid using the term ‘bisexual’ because we didn’t want to label her at all. Let her be her own person, and if the audience wants to label, fine. We didn’t want to do something just to shock

Before this was all resolved, Nyssa kidnapped Sara and Laurel’s mother, played by Alex Kingston. I had half expected the Doctor to save River Song. It now appears that Amy Pond is the Black Canary’s grandmother. There is yet another triangle, as Sara joined Team Arrow and Felicity can wonder once again about what was going on over on that island between Oliver and all those women.

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During most of the first season, Almost Human‘s best moments were its humor and the buddy cop relationship between the two male leads (one being an android). Unfortunately the last two episodes before its Olympic hiatus lacked the humor of previous episodes, but both episodes (Unbound and Perception) did more to flesh out the world the show takes place in. Perception returned to the events of the pilot and the relationship between Kennex and his probably-evil ex-girlfriend. Now that we now she is still tracking Kennex, there is the increased likelihood this will be used to find her and shed more light on what happened.

The episode also expanded upon the back story of Stahl, who turns out to be a genetically enhanced Chrome. Minka Kelley seemed almost too perfect on Friday Night Lights. She seems more plausible on Almost Human as being more than human, a character whose intelligence and beauty are the product of genetic enhancement.

Amelia Clarke of Game of Thrones was voted the Most Desirable Woman by Ask Men magazine. Alison Brie of Community and Mad Men came in second, with many other women in genre roles also on the  list.

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Two recent Canadian science fiction shows feature strong female leads. Syfy has announced that  Continuum, staring Rachel Nichols will return in the United States on April 4. Unfortunately this is after it returns on Showcase in Canada on March 16, making it harder to cover on line as I will definitely get a hold of each episode as soon as possible rather than waiting for it to air on Syfy.

Tatiana Maslany does an amazing job playing multiple roles on Orphan Black. Maria Doyle Kennedy told Entertainment Weekly that season two is like season one on crack:

That was just one of the tidbits Kennedy dropped when she stopped by Entertainment Weekly Radio (SiriusXM, channel 105) to chat about the show as well as her music career. Another tidbit? Looks like we can expect more Mrs. S in season 2. “You’re going to see more of her,” says Kennedy. “I had a great time in season 1 and there were some great scenes, but there was also a lot of hovering. They just really liked me so wrote me more this time, so that’s great.”

But on which side will Mrs. S. land in the war between Sarah and Rachel (both played by Tatiana Maslany)? Kennedy says her character’s ultimate objective is protecting Sarah’s daughter, Kira, whose whereabouts are currently unknown. “In the war between Rachel and Sarah and the whole idea about the clones trying to find out about themselves, she keeps going through that and beyond it and goes, ‘Where does Kira land in all this? What’s happening with her? How safe is she? Are they close to her? Can they get her?’”

Okay, but we still don’t quite know where Mrs. S stands and her connection to the clone conspiracy. Is she good, bad, or somewhere in between? “She is an incredibly pragmatic woman with a strong moral compass,” says Kennedy. “That’s how I feel about her. She has definitely done bad things in the past. She came through an era of protest and squatting, so she’s not afraid to be anarchic or against the law, but she always has a strong proper reason for doing what she does.”

Sports Illustrated Swimsuit Cover 2014

Nina Agdal, Lily Aldridge, and Chrissy Teigen appear on the cover of this year’s Sports Illustrated Swimsuit Issue. Three girls would normally mean six bikini pieces, but apparently that would have put them above budget, forcing the models to pose topless. The theme is The Past, The Present and The Future. Is this another time travel magazine?

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SciFi Weekend: Doctor Who; Sherlock; Arrow; The Flash; SHIELD; Sarah Connor; Homeland; Interstellar; James Bond; Binge Drinking; Binge Viewing; Santa Claus and Science

BBC America will air a farewell to Matt Smith at 8 pm on December 25 prior to airing The Time of the Doctor. Trailer above.  That means that for many US fans, this will air a few hours after downloading and viewing the Christmas episode.

Steven Moffat told Doctor Who Magazine (via Doctor Who TV) what he thinks the John Hurt Doctor was up to:

I assume what’s been happening during the John Hurt years that we never saw, is that he battled hard and fiercely in a way that the other Doctors would not have done, and that he was a dangerous and difficult man. But in his view he was not living up to the standards. I mean, by involving himself in an ongoing war – I always thought that sounded odd.

He adds: “I remember when David Tennant said, ‘I fought in the Time War’. I thought, ‘The Doctor in a war?’ I mean, the Doctor may be saving people at the fringes of a war, or stopping a war, but I could never imagine him being in one. But John Hurt’s Doctor is the one who was.”

He spoke with SFX about wrapping up mysteries:

Moffat told SFX magazine: “It will be tying up various elements of the Eleventh Doctor’s story, some of which people have asked about before, some of which people haven’t bothered to ask about!”

He adds: “From [Matt Smith's] first to his last episode, there will be elements. And it should be obvious they were fairly carefully planned.

“It’s not obstructive – if you didn’t remember any of that stuff or care about that stuff it would still be fine. If you’ve been sitting there saying, “Who blew up the TARDIS?” then you’ll get it.”

He has also discussed the female character from the Doctor’s past which will appear in Time of the Doctor.

More at Screen Rant and the BBC.

Wholock–Sherlock Meets the Doctor. Video above.

The BBC has released the synopsis for the third episode of season three of Sherlock, to air on January 12:

In the final episode of this new series, written by Steven Moffat, a case of stolen letters leads Sherlock Holmes into a long conflict with Charles Augustus Magnussen, the Napoleon of blackmail, and the one man he truly hates.

But how do you tackle a foe who knows the personal weakness of every person of importance in the Western world?

There are no plans for Lara Pulver to return to Sherlock but Natalie Dormer will be returning to fake Sherlock (CBS’s Elementary) to reprise her role as wrong-sex Moriarty when the show returns in January.

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Barry Allen was exposed to chemicals from beakers and lightening on the mid-season  finale of Arrow. We all know what beakers full of chemicals mixed with lightening will do–basic superhero science. I also liked how there is yet another major tie in to events back on the island. Executive producers Greg Berlanti and Andrew Kreisberg, DC Chief Creative Officer Geoff Johns and Grant Gustin (who plays Barry/the Flash) discussed plans at BuddyTV. A portion:

Barry’s Profound Effect on Oliver and Felicity’s Relationship 
Andrew Kreisberg: I think for Oliver, he knows he feels something for her but can’t quite define it and I think he’s sort of surprised to find in [Episode 9] when Dig points out to him, “What you’re feeling right now might actually be termed jealousy.” And for Felicity, I think she doesn’t want to like Oliver in a way because she finds him unattainable and in a way he is unattainable. Especially after you saw at the end of Episode 6, when he said “It’s probably better if I’m not with somebody I care about.”
So while she really does like Barry, I think she probably throws [herself] even more into it because now he’s somebody who’s available. And Barry, being as smart as he is, because [as we allude to] is familiar with liking somebody who doesn’t like you back – which is something that will probably be explored further down the road – he sees that about her.
So I think at the end of this episode, and certainly as something we pick up in Episode 10 – because the fallout from Episode 9 carries over into the next episodes, as far as the Oliver and Felicity relationship is concerned – Barry has had a profound effect on them and that will carry through.
Flash’s Presence Will Be Felt on Arrow
Greg Berlanti: In the back half of the year, you definitely hear about what happened to [Barry] in the way that you’re hearing now about Star Labs and things like that – in the periphery and certainly in terms of Felicity since she has a connection with him.

The mid-season finale of Agents of SHIELD brought back old allies and enemies, but was yet another disappointing story. There are hints as to the significance of Coulson’s recovery which we should learn more about in the second half of the season, if anyone is still watching.

Emilia Clarke

Game of Thrones already has one Sarah Connor in the cast–Lena Headey who stared in  Terminator: The Sarah Connor Chronicles plays Cersei Lannister. Emelia Clarke, (above without the albino look) who plays Daenerys Targaryen, will has been cast to play Sarah Connor in the planned reboot.

Morena Baccarin and Morgan Saylor, who play Brody’s wife and daughter on Homeland, will not be returning as regulars in season four, probably because there was not much use for either character in season 3.

Teaser above for Christopher Nolan’s Interstellar above–to be released in November 2014.

A study in the British Medical Journal found that James Bond drinks too much alcohol:

James Bond’s level of alcohol intake puts him at high risk of multiple alcohol related diseases and an early death. The level of functioning as displayed in the books is inconsistent with the physical, mental, and indeed sexual functioning expected from someone drinking this much alcohol. We advise an immediate referral for further assessment and treatment, a reduction in alcohol consumption to safe levels, and suspect that the famous catchphrase “shaken, not stirred” could be because of alcohol induced tremor affecting his hands.

Bing watching is common among Netflix subscribers.

It appears that the previously-discussed Friday Night Lights movie is not going to happen.

For today’s hard science section, we look at Scientifically Accurate Santa Claus:

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SciFi Weekend: Continuum Season Finale (Major Spoilers); Broadchurch–Looking at Season 2 Without Spoiling Season 1; Hugo Awards; Benedict Cumberbatch; Star Trek Science

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For the last few days I felt a little like a time traveler with information about the future which should not be spread. I binged on both seasons of Continuum over one week, watching the season finale on a download from the original Showcase broadcast last Tuesday. Of course all the Canadian viewers must have felt like this for a few weeks.  This is a Canadian show on a network required to include some Canadian shows, so I immediately put aside any skepticism as to Vancouver being the key North American city in 2077. Now that SyFy has also broadcast the finale in the United States, I feel I can to on to discuss the show with some major spoilers.

Until I began watching, I had fears that Continuum might be a police procedural with the gimmick of a future cop and terrorists from the future. It was clear early that the show is much more complex, moving into new territory in the second season, and setting up the show to move in yet more new directions in the upcoming third season. Rachel Nichols plays future City Protective Services (CPS) Protector Kiera Cameron who was sent back in time from 2077 to our present along with a group of terrorists (Liber8) who escaped their death sentence with time travel The world of 2077 is, on the surface, the dream of several libertarian fantasies as governments have collapsed and corporations have taken over. It doesn’t turn out the way in which libertarians fantasize as the corporations have no respect for our concepts of individual liberty or restrictions on the power of the state.

Seeing the future which Liber8 is trying to prevent makes it very hard to decide who to root for in the series, and a factor which keeps the show so interesting. In the season two finale, Liber8 leader Travis claims that he, and not Kiera, is the good guy in this story. Many viewers would probably agree if not for the excessive violence utilized by Travis and others in Liber8. There have also been differences of opinion, and even a civil war, within Liber8, with some taking a less violent approach. Kiera is the protagonist of the story and does what she believes is right based upon her knowledge, but at least so far lacks the knowledge provided to the viewers about the system she defends.

Another major player is Alec Sadler, who as a young man assists Kiera and as an old man in 2077 (played by William B. Davies, the cigarette-smoking man of X-Files), runs the most powerful tech company in the world). Young Sadler connects with Kiera early because her CMR (an implant which, among other things, provides communication for Protectors) works on a frequency which Alec was experimenting on in the lab in his garage. Alec’s step-brother Julian is originally portrayed as being a messed up kid fated to become a mass murderer but by later in the second season it appears he becomes one of the most heroic characters of the series, with far more to the stories of mass murder by his future self than Kiera understands.

While doing repairs, Alec found messages from his future self placed in Kiera’s super-powered body suit which revealed that Liber8 and Kiera were intentionally sent back in time by his future self. This means that old Alec has developed reservations about the system which he was involved in creating as he sent Liber8 back in time to change the future, with Kiera possibly sent along to keep their violence in check. Even after two seasons, all the details of Alec’s plans are not yet clear. The members of Liber8 appear to be successful in creating the roots of a rebellion against Corporate control but cause and effect create a number of questions in this series. The anti-terror task force in the police department becomes CPS with corporate sponsorship in response to the threat from Liber8, being just one situation seen where we question whether the time travelers are actually creating the future of 2077. In an analogous situation, it is Kiera who wound up radicalizing Julian with her threat to kill him.

The ability to change the future on this show is quite unclear and I will return to this question later. In one episode Kiera captures a mass murderer who in her time was known for never having been caught. We do not know which events, if any, would actually change things in her future. A character believed to be another character’s grandmother is even killed, with the character not showing any change.

Not everyone sets out to change the future. Matthew Kelog was a reluctant member of the group all along, dragged into illegal activity by his sister.  After arriving in his past he left the terrorists and made a fortune with his knowledge of the future. One nit pick is that he made this fortune far too quickly. Knowledge of which businesses succeeded and other events will certainly help build a successful portfolio but this would take time. It is unrealistic that he would know enough winners of major sporting events from that far back in the past to amass a huge fortune from gambling so quickly either. It would be more plausible if he knew his destination and had time to do research before being sent back.

If time travel is possible, it only makes sense that there might be other time travelers around. Two characters, including one named Jason who happens to share DNA with Alec, were sent back in time from the original breakout but wound up in an earlier time. Jason is kind of nuts. Is this the result of being in the past so long? I suspect it was more  the result of being thrown into a mental institution when he went back in time and claimed to be from the future. It is hard to judge this based upon other characters as one other showed signs of mental imbalance but others did not.

Complicating matters further are the Freelancers who are from a different time.

The second season finale answered some question but also set up potential major changes in the show. We learned that one recurring character whose goals were unclear, Escher, is a former Freelancer and Alec’s father while Jason shares his DNA as he is Alec’s son. There already had been the question as to what degree future technology developed by Alec was based upon knowledge he learned of the future as opposed to being his own inventions. Now that we learn that time travel is the family business, we don’t even know if Alec would even be in this time line without time travel.

If the revelation from Escher that he was Alec’s father reminded viewers of Darth Vader telling the same to Luke, the scene with both Kiera and Travis suited up was reminiscent of a fight scene from The Matrix.

With the police being turned into a corporate-controlled unit which violates civil liberties (also presenting a change in the portrayal of Inspector Dillon of the Vancouver Police), Kiera’s partner Carlos left the police and wound up with Julian, who had been an enemy in prior episodes. It is possible that Carlos is going undercover, but I suspect that he really was fleeing from the newly founded City Protective Services, who are now planning to arrest Kiera as a terrorist.

At different times in the finale Alec appeared to be using and double crossing both Escher and Kiera, going for his own trip through time in the finale. Most likely he is going back to save his girlfriend Emily, who was killed during the second season. Emily’s motives were also unclear earlier in the season as it was clear to everyone but Alec that her goal was to get into his lab, and she also turned out to be working for Escher. Will Alec succeed in saving Emily, and if so will this create a cosmic reset making the other events of the last couple of episodes not occur, or will it create a new time line with a living Emily parallel to the one where she was killed? Is Emily Jason’s mother?  It is also possible that Alec might wind up at a different time, such as when the characters were first sent back in time, or maybe just a few minutes before the Freelancers attacked.

The show often shifts back between the present and 2077, and key information is often not revealed until subsequent episodes (if at all so far). The second season began with a scene of Kiera being captured and put in a glass cage along with members of Liber8, including one who was  brought back from the dead or from a different point in time. Kiera then awoke from a dream (when some of her memories were wiped)in 2077 and it wasn’t clear if this was part of her dream in 2077 or an event from some other point in time. In the second season finale, Kiera is captured by the Freelancers, who claim a goal of defending the time line from time travelers and are as violent as Liber8.While t is hard to trust the motives of the Freelancers, are we actually seeing something like the Temporal Cold War from Star Trek: Enterprise? The season ends with a repeat of the scene with her being placed in the glass cage.

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Presumably this imprisonment occurs immediately after what appeared to be her capture, but this is far from certain. If she had been dreaming this in 2077 before she was sent back in time, it could be a suppressed memory from earlier, especially if she has wound up in a temporal loop due to changes in the time line which are not yet clear. It is also possible that she actually escaped at the end of the episode and the imprisonment scene occurs at some other point in time. Alec’s trip through time might wipe out everything we are seeing, or create a new time line in which this does not occur. If the third season does start with her in the glass cage, then what? The cages look more like short term holding cells than a permanent prison. Do the Freelancers plan to move them elsewhere or perhaps take them back to their own time? Does Alec and/or Escher save them, or do still more time travelers get involved?

One of the Freelancers did make a reference to different time lines in the finale, and this might be where the show is headed. It remains unanswered as to whether those sent back in time can change the future for old Alec or, as some incidents suggest, at most can create a different time line where things turn out different. Physics Today did look at the science of time travel in Continuum, but as 1) time travel is not real and 2) this is fiction and the show is going to follow whatever rules are made by its creators. We got some hints as from Simon Berry in this interview with some questions posted below:

The core of the show’s storytelling has always seemed to be the struggle between corporate dominance and the anarchy of Liber8. How do the Freelancers fit into that theme?

You will find out in the first episode of Season 3.

When did you guys decide that the show needed another group of time travelers in the mix?

The notion of Freelancers was introduced early in the writing room of season 1. We were going to bring it in then, but decided to hold back until Season 2.

In one episode, someone shoots Kellog’s grandmother and he’s unharmed. In another episode, Kiera solves a serial killer case that was never solved in her original timeline — and she still remembers seeing it as an unsolved case, back in 2077. Also, in one episode Old Alec tells Young Alec that he’s not Young Alec’s future self, but just a version of Alec that shares some experiences. So is it basically confirmed that you can change the past, but you’ll just create a brand new alternate timeline? Is that definite now?

The final episode of season 2 certainly points to that, but ‘definite’ is a dangerous word. Don’t get too hung up on the defining “multiverse versus closed loop” debate just yet.

We like to think of time in the context of our story: two points, 65 years apart. The belief that one can make small changes to the timeline now and that will upset 100% of the events in 65 years, is too simplistic. We’ve used the Tsunami metaphor in the show and I think it’s an appropriate one in this case. Small changes to that wave are certainly going to have an impact on the damage it does, but that doesn’t mean the wave doesn’t do what it’s supposed to do.

I think because the stories are Kiera-centric, we are tempted to believe that the changes to the timeline will affect her life more than others, but there’s no reason to think this way. Unless Kiera or Liber8 makes changes that are directly related to her family and Greg’s family, then there is still a good chance that she will be born and Greg will be born and they will meet.

The idea of multiple timelines in itself opens the door to connected timelines that could split like tree branches but then wrap around each other like vines, eventually merging again. That’s one of the amazing things about time travel; because it’s not a pure science, there is room for interpretation and the introduction of larger forces at work, be they natural or un-natural.

Even if Kiera is on an alternate timeline, she could theoretically return to a version of 2077 where her life played out 99% as it did. Now it’s true she would run into a version of herself that never went back in time and that would be complicated… But it would be deliciously complicated.

If so, then what does Old Alec have to gain by sending Kiera and the Liber8 gang back in time? Won’t he just create a different timeline that he can’t ever visit? From his viewpoint, how can Old Alec even know what changes happen as a result of that time travel?

Perhaps Old Alec understands more about what’s at stake than we’ve revealed to date. The final episode of season 2 will introduce the first threads of this larger storyline.

One of the big shifts in season two was the Vancouver Police Department coming under the control of Piron, or at least a big part of it. Do the police basically just become another gang in the city’s gang war at some point, and lose their legitimacy as cops? Have the police already crossed too many lines to be able to claim they’re upholding the law?

Well the Piron deal is really only with Dillon’s Liber8 task force so it was never meant to be a complete take-over (yet!) – What we are setting up is the very small moves that might lead towards an eventual corporate controlled police department a-la Robo-cop OCP scenario.

It seems as though the driving force behind the corporate takeover of the police was the arrival of Liber8. Are the Liber8 terrorists basically causing the corporate-controlled future they were trying to prevent, only ahead of schedule?

There’s a timely irony in that, and it’s not an accident.

And finally, it’s seemed as though Kiera isn’t sure what her goal is any more. At times she wants to preserve the timeline she comes from, but at other times, she’s willing to make some pretty big changes. (For example, being willing to shoot Julian, which would cause a pretty big change.) Are we going to see her regaining more of a clear sense of purpose in season three? Is her evolution as a character taking her someplace? And will we be learning more about Alec’s “purpose” for her?

It’s interesting that many comments pop up from time to time about Kiera not doing the ‘right’ thing or the ‘smart’ thing regarding time travel. This suggests she has the knowledge the audience has.

One of the unique aspects of Kiera Cameron in the Time Travel tradition is that she is one of the few characters in the genre who are not travelling by choice. Most Time Travel is driven by a character who understands the stakes and science of Time Travel, therefore their actions are determined based on their self aware role within the time continuum. They are willing adventurers who know the rules and usually have a goal and understanding of how to achieve it in context of their situation.

That is not the story of Continuum.

Kiera is an average person in 2077. She’s not a scientist or engineer. She’s not a theoretical physicist or even a fan of Science Fiction (unlike many of our fans who I believe would know what to do, and what not to do, if they found themselves in her shoes). Kiera is an unwilling victim of another person’s designs… She is us.

Kiera is fumbling her way through this experience using her humanity and experience as a guide, not a set of time travel rules or knowledge of paradoxes and wormholes. On occasion Alec will remind her of the possibilities and pitfalls, but without proof of anything, who’s to say what’s right or wrong. As Kiera evolves, so will her decisions.

For Kiera, this entire adventure is also a learning experience, and the lessons will form a critical path towards her becoming the person she needs to become in this mythology, and illuminate the “purpose” Alec had in mind for her.

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This weekend I binged on the entire season of Broadchurch. The story is about the murder of an eleven year old boy and the effects on the town. It stars David Tennant and its excellent cast includes a second actor who has starred on Doctor Who, Arthur Darvill. The third character in this scene, Olivia Coleman, also appeared in an episode of Doctor Who, The Eleventh Hour. As only four of eight episodes have shown so far in the United States on BBC America, I will avoid any meaningful spoilers. Those who want to know absolutely nothing (such as whether Danny’s killer is found) might want to skip the following.

Then I heard that the show had been renewed for a second season before completing the first, I was concerned that maybe they would leave things hanging, as occurs to some degree on another recent British crime drama, The Fall (staring Gillian Anderson). Broadchurch does have a very satisfying ending, showing not only the identity of the killer but answering many questions about other characters raised during the series. The killer might be guessed after a lot of information is provided in the seventh episode, but a big clue is held until the start of the eighth. With the killer apprehended, Broadchurch doesn’t appear to leave much room for a second season like the first, considering it would not be as realistic to have a second murder in the same place. Some of those involved in the show have said that the second season might be completely different:

Speaking at the Edinburgh Television Festival the network’s director of TV Peter Fincham said that viewers would not be subject to ‘a formulaic repeat of series one’ when the show returns in 2014.

He also did not confirm which members of the cast from the first series might – or might not – appear.

The comments mirror those of series creator Chris Chibnall, who confirmed earlier this year he was working on Broadchurch round two – but also stayed silent on whether Tennant and Colman would be back.

‘I would take nothing for granted, I would just wait and see!’ he commented.

Will Mellor, who played psychic phone engineer Steve Connolly, has also hinted that the next series could be a prequel – and may not even feature a whodunnit.

‘I can’t see it being about another murder because it will be a bit too coincidental. All I know is it’s going to be a surprise because the writer always catches you out,’ he said.

‘Maybe it’ll be a prequel, it might go back to the old case that David Tennant’s character [DI Alec Hardy] didn’t finish. Whatever it’ll be, it’ll be fantastic.’

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Redshirts by John Scalzi won the 2013 Hugo Award for Best Novel. The novel is an  homage to Star Trek, along with a look at what doesn’t completely work in television science fiction, and, continuing with the lead story today, even has some time travel.

The Avengers won for Best Dramatic Presentation, Long Form.

Blackwater, an episode of Game of Thrones won for Best Dramatic Presentation, Short Form. Three episodes of Doctor Who were also nominated in the category: The Angels Take Manhattan, Asylum of the Daleks, and The Snowmen. I wondered whether dividing the vote with three episodes might have prevented Doctor Who from winning again this year but looking at the total numbers Blackwater had more votes than all three episodes of Doctor Who combined.  The final nominee in this category was an episode of Fringe, Letters of Transit.

In the entertainment industry in 2077, Benedict Cumberbatch will be famous for being a part of every major movie franchise. Now there are reports that he will have a role in Star Wars VII. It looks like he should have some free time. Filming has completed on the third season of Sherlock.

James Spader has been cast to play Ultron in Avengers: Age of Ultron.

Yet another story on Star Trek science maybe becoming fact. This time, a report on experiments at NASA which might make warp drive a reality. Maybe. Fareed Zacharia also had a segment on Sunday’s show on technologies which are similar to the replicator.

 Update: News came in later tonight that Frederik Pohl died over this past weekend.

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SciFi Weekend: True Blood Spoilers; Doctor Who; Batman; Star Trek; Continuum; Under The Dome; Agents of SHIELD; The Newsroom

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The sixth season of True Blood, while not without faults, was the best season in several years.  The biggest negative of the season was that Warlow, after starting as evil, then portrayed as good, all of a sudden is shown to be evil again.  Of course it is essential not to take True Blood too seriously if you are to enjoy it, and in that vein the highlight was seeing the vampires partying in the nude outside in the sun following their rescue. There has been some criticism for jumping ahead six months in the middle of the finale as opposed to the usual continuous nature of the show. I didn’t mind this at all. The show is in serious need of some change and I’d rather see them jump six months, basing it on things we have already seen, than having to go through episodes written purely to achieve the changes desired by the writers. It was also unusual to do this right in the middle of an episode but better this than stretching out the narrative for the sixth season even longer.

There were potential cliff hangers but there is considerable agreement on line regarding the outcomes. Although Eric (who created further attention with his full-frontal  nude scene) was seen to burn in the sun, he did not melt, leaving everyone pretty certain that he will survive. After all, he has all that snow around to put out the fire, and Pam is on her way to rescue him once darkness falls. I also think viewers will be surprised if it doesn’t turn out that Tara’s mother infected her with Hepatitis V when she had Tara feed on her.

If there was any doubt about Eric surviving, Brian Buckner, who replaced Alan Ball as show runner, revealed this and more about next season:

Was blowing up everything at the end of the season a chance for you to really start fresh next year?
Brian Buckner:
It is. I think we’ve had more success at the outsets of our seasons when we’ve done an adequate job setting the table for the following season. It’s a bit of a reset and it’s also establishing a story that is for every vampire, a human, for every human, a vampire. It’s to try to return to the show’s promise in Season 1, which is if vampires exist, let’s examine the relationships between humans and vampires. Now we get to do it with many different pairings rather than just Bill and Sookie. The hope is — and this is what I was hinting at Comic-Con — that by putting all of our characters essentially into one story, now it’s Bon Temps vs. the world, the characters people love will get more screen time because these stories don’t have separate demands. We just get to tell a simpler story and then experience them through our characters.

If vampires and humans are now working together, where does the tension come from?
Buckner:
I don’t mean to say there are not complications with those relationships. The driving force of the show is going to be the relationships. What does Alcide (Joe Manganiello) or Sookie having to take on a vampire feeding partner do to their relationship? Every relationship is complicated because it’s a three-way or four-way. That’s what we’re looking at. I don’t think it’s all going to be hunky-dory. It’s going to create tensions between makers and makees because, “You love that human, don’t you?!” It’s a bit of a shift back from plot-driven big bad to some of the soapy elements of the show. It’s the relationships that are interesting, not the plot that the bad guy is necessarily providing.

Can you talk about the threat of the mutated Hep-V?
Buckner:
That’s the work of next season. Specifically, viruses do mutate and that’s part of why we gave ourselves a six-month time passage. This is a disease that, as Dr. Overlark (John Fleck) explained when he was injecting Nora (Lucy Griffiths), can be spread in any number of ways. It has spread around the world very rapidly. Bon Temps is a microcosm of what’s happening out there in the world. The vampires who are infected, their appetite for human blood is increasing. They need to feed more often in order to survive this disease.

Have vampires essentially overrun the world at this point?
Buckner:
It’s a major outbreak. You see how people got upset about Bird Flu and no one really had it. The idea here was to isolate Bon Temps to make it the town we know vs. the world so we don’t have to leave Bon Temps in order to get story. They can only depend on one another; that’s what Sam is talking to Andy (Chris Bauer) about. Andy obviously has his own feelings about vampires right now and whether or not they can be trusted. Sam’s point is we don’t have a choice but to trust them. Without their help, we can’t protect ourselves. It’s a very uneasy alliance. I don’t want to suggest that it is conflict-free. Of course, we promised a pretty big payoff at the Bellefluer’s bar.

Presumably that means Season 7 picks up right where we left off?
Buckner:
That’s a fair presumption.

Turning to the biggest question after the finale: Is Eric really dead? What kind of role will Alexander Skarsgard have next season?
Buckner:
In the olden days, this was a fun tease for an audience [Laughs]. The actor Alex Skarsgard and the character of Eric Northman will be back on the show next year. He’ll be a series regular. We’ve obviously promised a “Where is Eric?” story and it would feel incredibly cheap to deliver the goods right away. We sent Pam (Kristin Bauer van Straten) off in search of him and if she were to find him right away, we would be doing a disservice to ourselves and to the audience. How we use him is going to be up to us, but we want people to rest assured that he will be back in their living rooms next year or wherever they watch. Boy do they love him! Wow!

Pretty sure he broke the internet after going full-frontal.
Buckner:
It was crazy. I got a question about the discussion on that and said, “He’s Swedish. There was no discussion whatsoever.” I even called him to say, “Are you sure this is OK?” and he said, “No problemo.”

People thought it might be a body double.
Buckner:
Nope! One day the tell-all will come out that that guy is as cool as Eric Northman. He doesn’t sweat the small stuff.

Because you jumped ahead six months, we missed Sookie and Alcide’s courtship. Will we see some flashbacks to that?
Buckner:
Whether or not there will be flashbacks, we don’t know at this point. The writers will be back in the room starting September 3 and we’ll start to figure this all out. I think there is fun in, “How did this happen?” but you will see what sparks flew. It’s not like we’re going to skip over all the Sookie-Alcide fun. In terms of going back and filling in those six months, that I don’t think we’ll be doing, but the audience will see what they want to see.

The final scene did have a definite zombie feel but Buchner does say that these are not really vampire zombies:

TVLINE | How do you explain the fact that some of those infected  — Nora, for example — died quickly, yet others are wandering around.
We did say that the virus had mutated, and we get to decide what those mutations are. Perhaps the demand for human blood goes up and that’s the only thing that keeps vampires with Hep V alive. In seasons past – I’m not going to point to any one of them – we took some massive swings, not knowing where we were going. That’s the nature of what we do. In this case, I don’t believe we bit off more than we can chew. I’m not going to give answers to all these things, but the virus has mutated. That’s another reason for the time passage. Just like bacteria mutates and that’s why there are antibiotic-resistant strains. So what applied to Nora doesn’t necessarily apply to this gang. And they’re not zombies.

TVLINE | What are they? Is there a name for them?
In my somewhat limited zombie-genre experience, zombies are not organized. They’re just hunting-killing machines. So what was meant to come across there was that they’re organized, they’re in a formation, they’re hunting, they’re sentient, they can talk. They still have intellect.

I’ll accept this premise as the show is in need of change, but I do have a problem with the idea that survival depends upon humans agree to allowing a vampire to feed on them for protection. All the new anti-vampire weapons which the governor stock piled in Louisiana might no longer be available, but there should have been some other source of these weapons made available over the past six months.

In other True Blood news, Amelia Rose Blair, who played the governor’s daughter who was turned into a vampire, will be a series regular.

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This low-resolution picture of three Doctors, (Tennant, Smith, and Hurt) has leaked out from the 50th anniversary episode of Doctor Who. TV Drama interviewed Steven Moffat. Here are some excerpts about writing Doctor Who, Sherlock, and Coupling

WS: When you succeeded Russell T Davies as head writer of Doctor Who, what did you want to do with the show?
MOFFAT: I just wanted it to be good. People always want me to have some form of agenda. Sometimes in desperation I say I want it to be a fairy tale or I want it to be this or that. I just wanted it to be a good Doctor Who. The thing about Doctor Who is it’s a different show every week. It speaks with a different voice on a weekly basis. It must be fast moving. It must be funny and exciting. Those were all present in Russell’s era and I hope they are all present in mine. I serve at the pleasure of the TARDIS [the time machine in Doctor Who].

WS: Was it ever intimidating, being responsible for such an iconic television franchise?
MOFFAT: You don’t really feel much pressure at the beginning of a TV series because you’re just making a home movie in a big shed! You don’t really think anyone is ever going to watch it. Towards April 3, 2010, [the British premiere date for Moffat’s first season as head writer] I started to feel the pressure a little bit. We were doing Sherlock at the time as well and Matt Smith’s Doctor for the first time, so Benedict [Cumberbatch] and Matt were waiting in the wings of fame. I remember thinking, if these two things screw up, I’m finished! I just thought, what if they’re rubbish? [Laughs] This could be a really terrible year. I could crash Doctor Who and screw up Sherlock Holmes and if I’d just shot Daniel Craig in the face I’d have ended all of British culture. But it didn’t work out that way [Laughs]. It was a very, very good year and they’ve been very good years ever since.

WS: You’ve had such a broad career in British television. Does writing sci-fi or fantasy flex different creative muscles than mystery or comedy or any other genre?
MOFFAT: I never feel as though it does. I never feel as though the job is any different. Comedy is good training for writing anything. It’s a very clear-cut proposition—you must be funny several times a page. Comedy writers, by instinct, are very severe on themselves. If there aren’t sufficient gags, in a wider sense of the word “gag,” in the scene then I’m not keeping it. It has to do something to the audience. But writing Coupling doesn’t feel different from writing Doctor Who.

WS: Why did you want to put Sherlock Holmes in a modern-day setting?
MOFFAT: [British actor and screenwriter] Mark Gatiss and myself are huge Sherlock Holmes fans. We adore and worship those stories above all literature. Going back and forth from [filming] Doctor Who—we were both writers on it when Russell was running it—we were talking on the train about Sherlock Holmes. We got to talking about the many wonderful movies and the many terrible movies, which are almost more entertaining. We admitted shyly to each other that our favorites were the updated Basil Rathbone and Nigel Bruce movies [produced in the U.S. in the 1940s]. Basil Rathbone and Nigel Bruce did two Victorian-set adventures and then they did 12 updated ones. At the time people criticized them terribly—How dare you update Sherlock Holmes? The fact is, those cheaply made updated adventures are just a bit more fun. They somehow seemed to capture more of the pulpy fun of the original stories. So what we said to each other was, “Some day someone is going to think of doing that again. And when they do they’ll have a huge hit. And when they have that huge hit we’ll be very, very cross because we should have done it.” And then we’d leave the conversation! My wife, Sue, who is also a television producer, said, Why don’t you just do it? So she made us sit down and explain Sherlock Holmes to her. She knows nothing of the Sherlock books but she was instantly interested. She literally got us in a room in London, where Mark and I sat and said, What would it be? Basic conversations like, What do they call each other? In the original they call each other Holmes and Watson. That would make them like a couple of public-school boys these days! So they call each other Sherlock and John. It became exciting for us when we realized how easily and properly it updates. In the original stories Dr. Watson comes home from a war in Afghanistan and is looking for cheap digs, so he moves in with Sherlock Holmes. He can come back from the same place now. In the original stories he wrote a journal, which fell out of fashion for a very long while until it was reinvented as a blog. Sherlock Holmes always sent telegrams in the original stories because he preferred the brevity of that communication. We’re back at telegrams—we call them texts.

Most of the adaptations have become about the Victoriana, but the original stories, there’s nothing in them that’s particularly Victorian. They are stories that are mysteries. The setting is just the world that Arthur Conan Doyle could see outside his window. I think by updating it you move the character closer to the audience. You move all the sepia-toned dusty Victoriana out of the way and you see him clearly again.

Coupling, which Moffat mentioned in passing, was one of the greatest sit-coms of all time. It sort of was a combination of Friends, Seinfeld, Sex and the City, and occasionally Big Bang Theory.

Some quicker questions for Moffat:

Rumour that JK Rowling is writing a short story for the 50th Anniversary.
“I can’t confirm that…, right now.”
A return for the Doctor’s daughter, Jenny?
“The door is open, it’s entirely possible.”Similarly, a return for Romana?
“I have actually given no thought at all to Romana. The Time Lords are dead in my mind. They died.”
Will Peter Capaldi’s Doctor have a Scottish accent?
“I’d be very surprised if he didn’t”
Moffat has also acknowledged that it has been established that the Doctor can only regenerate twelve times. Obviously they will not end the show when this limit comes. There was a throw away line when David Tennant was in an episode of Sarah Jane Adventures claiming 507 but the line wasn’t meant to be taken seriously. They already have had two events in the new episodes which could alter the original limit. As the Time Lords have been overthrown, nobody knows if the old rules apply. There is also the possibility that the Doctor obtained additional regenerations when River Song gave up her future regenerations to save the Doctor’s life in Let’s Kill Hitler. There is plenty of precedent for transfer of regenerative powers in Doctor Who, giving Moffat a number of possible routes around this. If there are only twelve regenerations, then Peter Capaldi’s Doctor would be the last with the ability to regenerate, and if the John Hurt Doctor is an actual regeneration, it would mean Capaldi is the last until the rules are changed.

There has also been speculation that the regeneration will occur in the 50th Anniversary episode as opposed to the Christmas episode. Much of this is based upon rather circumstantial evidence, but I could see Moffat going for such a surprise during an episode which is being broadcast at the same time internationally. Matt Smith’s hair was cut before the Christmas episode was filmed, but he might also grow it back or grow a wig. There are some on line references to Peter Capaldi starting on Doctor Who in November but such references for future shows are often inaccurate. One of the faults I cited in my review of The Name of The Doctor was that if Clara was seeing remnants of his entire time stream after the Doctor died she should have seen versions of the Doctor beyond the eleventh. If the anniversary episode begins in the Doctor’s tomb, there could be reason for showing the 12th Doctor’s face other than a regeneration.

Christopher Eccleston has declined to participate in the 50th anniversary of Doctor Who after he did not leave the show on good terms. He has offered to appear in the 100th when speaking at the British Film Institute:

“I love the BFI. I love the Doctor and hope you enjoy this presentation. Joe Ahearne directed five of the 13 episodes of the first series. He understood the tone the show needed completely – strong, bold, pacy visuals coupled with wit, warmth and a twinkle in the performances, missus.“If Joe agrees to direct the 100th anniversary special, I will bring my sonic and a stair-lift and – providing the Daleks don’t bring theirs – I, the ninth Doctor, vow to save the universe and all you apes in it.”

I will be looking forward to watching this in another 50 years.

Doctor Who makes it was to recast the lead due to regeneration but other franchises such as Batman periodically reboot with a new star. There has been considerable amount of objection to the choice of Ben Affleck, to some degree in response to how he flopped as Daredevil.  Twitter responses to the choice here and here.

Last week we looked at a few of the Star Trek technological advancements which are now a reality. There is a $10,000 prize for developing a Tricorder.

The above “honest trailer” is a hilarious and brutal look at Star Trek Into Darkness. It does include a lot of legitimate criticism of the movie. The segment in the second half on the problems with having brought Spock back from the future is a serious problem whenever there are variations on old episodes.

The implications of knowledge of the future has also been on my mind this week as I got to watching Continuum, knocking off the first season and starting the second season this week. Besides questions of time travel, contemporary political issues are raised (as Star Trek often did in the past). There is a future in which corporations have “bailed out” failing governments and taken over. Many questions arise while watching which would have been worthy of discussion in this blog while the show was airing, and I’m sure I will have more to say about the show when I complete it. For those looking for shows to watch during the summer when there are fewer new shows being aired, I would definitely add Continuum to the list of great shows from 2013.

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Who will be the monarch on Under the Dome? From SpoilerTV:

So, who is the Monarch? The obvious choice would be Angie, who became the latest person to suffer from seizures. Joe seemed to quash that theory, pointing out to Norrie that Angie’s butterfly tattoo is not a Monarch. But Angie could actually still be a candidate. “Of course,” executive producer Neal Baer tells. “She has seizures, she’s marked in a way that separates her from everyone else. She’s intrepid, smart and strong.”Unfortunately, that means Junior could be the king to her queen, or rather, the fourth hand. “There’s much more to come in the Angie-Junior relationship, especially when, in an upcoming episode, they’re brought together in a stunning way,” Baer teases.Though Junior seemed crazy at first — he claimed he locked Angie up in the fallout shelter because she was “sick” — now it appears he predicted this would happen. “Junior is sensitive to dome-ish things,” Baer says. “His mother painted pink stars falling in lines around him when he was a little boy, a precursor to all that’s happening now. Angie’s seizure confirmed what Junior felt — that she was different, like himself — though he didn’t know exactly why until she had her seizure, which confirmed what he felt all along: That Angie was ‘sick’ too; that she was somehow ‘touched’ by the dome.”

The show also introduced Natalie Zea playing a character from out of town who has been hiding out since the dome appeared. I can accept this once, but only once. The town is cut off. I hope they don’t go the Gilligan’s Island route and have people from outside repeatedly appear.

Natalie Dormer of Game of Thrones and Tudors has been cast in The Hunger Games: Mockingjay Part 1 and 2.

New trailer for Agents of SHIELD above.

Tatiana Maslany of Orphan Black has be cast for a guest appearance on Parks and Recreation. I wonder how many roles she will play.

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All season we have seen staffers at ACN on The Newsroom being prepared for a trial which came after the Genoa story fell apart. We are finally seeing what the actual case is about. Last week a situation was set up in which Jerry Dantana was all alone in an interview with a general. He committed a major breach of journalistic ethics when he edited a tape to remove the key use of the word if, failing to appreciate the hypothetical nature of the general’s answers. Dantana, played by Hamish Linklater, will be fired and file a wrongful termination suit. Linklater doesn’t see Dantana as being totally wrong:

“He believes the story is true,” Linklater says. “He just needs to get rid of one word from this interview in order for him to have enough evidence to get the story on the air. … He knows he’s done something that’s wrong. He knows that he’s breached ethics, but he believes that, for this story, it was worth it.”Linklater insists that his character’s decisions are not motivated by ambition, but rather his ideals. “He’s trying to tell news stories that the audience doesn’t seem to have much of an appetite for and the network doesn’t have much of an appetite for broadcasting,” he says. “His beef is with this sort of lazy liberalism that he feels is in the staff and that kind of knee-jerk Obama fandom that he finds around him. He feels [they're] apologizing for too many mistakes.”But indeed it’s Jerry’s mistakes that will bring the “News Night” team under fire. On Sunday’s episode, the “Genoa” story will air, and the wheels start to come off the train almost immediately after the broadcast ends. But it isn’t just Jerry’s fudged interview footage that is problematic. The episode will also slowly reveal the many other ways the story turned out to be false, which gives Jerry ammunition for his wrongful termination lawsuit.

“Once he’s found out… he knows the ax is going to fall,” Linklater says. “But he just sticks to his guns. He thinks that everybody was doing a sloppy job and that he’s been made the fall guy for it. It’s not fair.”

Related television and political comments yesterday on realistic versus unrealistic aspects of House of Cards, The West Wing, and Orange is the New Black.

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SciFi Weekend: The 12th Doctor; The Next Batman; SHIELD And The Avengers; Captain America; Star Wars; Star Trek; Homeland; Dexter; The White Queen; Piracy

Last week white smoke emerged from the BBC and soon afterwards Peter Capaldi was introduced as the 12th Doctor on a show simulcast in the U.K., the United States, Canada, and Australia (video above). BBC America has a run down on the news coverage. The Guardian introduces Capaldi to non-Brits.

Every time there is a regeneration, there is speculation that the next Doctor might not someone other than a white male. Neil Gaiman claims that a black actor has turned down the role. Steven Moffat, Matt Smith, and Jenna Coleman discussed the transition in this interview. An excerpt:

Is writing that final story for Matt Smith’s Doctor the biggest pressure you’ve faced, in doing this show?

MOFFAT:  The biggest pressure will always be introducing a new Doctor.  And I can’t imagine it will ever be tougher than with “The Eleventh Hour” because everything changed.  It’s not an ideal way to run television.  It really isn’t.  That was mad.  All the execs left, the producer left, and all the stars left.  You think, “Christ, how do you get away with that?!”  We’re not in that situation this time, and it’s good that we’re not.  People say, “It must have been great and exciting and marvelous that you had all that new stuff,” but not really.  But, we got away with it.  I just remember thinking, “Are people going to buy that this is the same show, when it clearly is not?”

Do you wish that you could just introduce the new Doctor via the show, when he finally shows up?

MOFFAT:  I’d love to, but that’s physically impossible.  It was Russell’s plan not to tell anyone that Chris [Eccleston] was going to change in the last episode, but it leaked after one week.  I wish it were possible.   The fact is that those actors’ agents have to say that they’re available.  They have to take jobs.  It’s going to leak, so you have to take command of that story.  It’s annoying.  I’d far rather not tell anybody anything, seriously.  If you’re telling a joke, you don’t want anybody telling the punchline before you get to the end.  Sadly, I don’t think it’s possible now.  Everybody wanders around with cameras now.  A few years ago, no one had a camera on them.  Now, every little human being goes around with a camera on their phone.  How am I going to keep secrets with that?!  It’s tough.  It can be irritating, but what can you do?

Moffat started with a new cast with both Matt Smith and Karen Gillan. With Jenna Coleman still being relatively new to the series, the show with Peter Capaldi and Jenna Coleman will have a different feel than during most of Moffat’s tenure with Matt Smith and the Ponds.

Now that we know who will play the next Doctor, the next major succession is who will play Batman when he appears in the next Superman movie. Rumor has it that Orlando Bloom is the leading contender.

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Joss Whedon discussed synergy between Agents of S.H.I.E.L.D. and the universe of The Avengers:

Speaking at the recent TCAs, Whedon said fans will spot some synergy in the run-up to Captain America: The Winter Soldier and Thor: The Dark World. “There will be as much as we can allow,” he said. “We’re still working that out. It’s a fun opportunity, but it’s not the reason for the show. It’s not an Easter egg farm, we want people to come back.”

The pilot kicks off with Angel alumnus J August Richards as an “unregistered gifted” that the SHIELD agents must track down. Don’t expect a superhero-of-the-week show, though, “There could be a device, a mystery,” Whedon continued.

“There’s so many aspects as to what’s happened since everybody in the world found out there’s a superhero team and aliens invaded New York. We want to be able to change it up every week: spy stuff, hero stuff, heartfelt stuff. We want to make sure the humor is there, but every week, you get something that feels a little bit different.”

Disney has also released a full synopsis for Captain America: The Winter Soldier

After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, aka Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk.

Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.

These Avengers-themed sex toys will definitely never be sold at the many stores around the Disney theme parks, even should the Avengers characters be moved from Universal to WDW in the future.

ABC is in talks to bring another genre show to television–a live action Star Wars show. I really hope this happens, not because I care whether there is a weekly Star Wars show but because maybe this would lead CBS (who appears to own the rights, but it is somewhat murky) to counter by returning Star Trek to television. Star Trek worked far better as a weekly series than intermittent movies which are forced by market demands to be big action movies.

After Disney purchased the rights to Star Wars, there was talk of expanding the Star Wars presence at the Disney’s Hollywood Studios theme park. I expressed skepticism over speculation that they would  get rid of Muppet Vision 3D and the Honey I Shrunk the Kids Playground for this expansion. Earlier in the week I was looking at the refurbishment schedule at Walt Disney World and noticed that Muppet Vision 3D is closed August 6 through September 2 for refurbishment. In addition, the Honey, I Shrunk the Kids Playground will be closed September 3 through November 19 for refurbishment. They might not be around forever, but it doesn’t appear likely that they plan to remove them in the near future. As is usually the case at WDW, other areas will also be closed during these times. The most significant is that Spaceship Earth will be closed August 18-24.

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On Orange is the New Black, Kate Mulgrew ran the prison kitchen instead of the Starship Voyager. She was interviewed by Vulture, and told about one Star Trek reference thrown into the show:

At one point Natasha Lyonne has a line, “I thought I was your Spock.”
Yes, they threw that in. I’m sure they’ll do some more of that. I think that was intentional and very clever!

Speaking of Star Trek, Blastr describes how the show was saved by Lucille Ball.

In 1965, Roddenberry got a pilot order from NBC and produced the original Star Trek pilot “The Cage.” It was rejected by the network, reportedly because it was “too cerebral,” and for most shows that’s where the story would have ended. Luckily for Roddenberry, he had Ball on his side. The story goes that she still thought the Star Trek idea had legs, and used her considerable influence in television to push for NBC to give Roddenberry a second chance. The network made the exceedingly rare move of ordering a second pilot from Roddenberry, who overhauled almost the entire cast of characters from “The Cage” and eventually produced “Where No Man Has Gone Before.” That pilot was accepted, the show was given a series order, and the rest is history.

Damian Louis interviewed about his role on Homeland in the video above.

Anna Torv returns to television following Fringe in a show expected to air on HBO next year. Torv will play a lesbian yoga instructor.

Yvonne Strahovski as Hannah McKay (Season 7, episode 6) - Photo: Randy Tepper/Showtime - Photo ID: dexter_706_0087

We don’t know yet how Dexter will end but executive producer Sara Colleton realizes that she can’t make everyone happy.

“This has been the ending that we have talked about for years,” she said. “So to us, it feels right for our show and how we feel about it. I hope fans will think it’s right [too].”

The exec conceded that there is no way to make “everybody happy” with the conclusion of the Michael C Hall series.

“At the end of the day, we know that you’re damned if you do and you’re damned if you don’t,” she said. “There will be people who hate it, but we can’t try to anticipate that or put it through the lens of any other show’s finale – because that was another show.

“This is our show. This is Dexter.”

It is hard to believe that things will end well for Dexter Morgan. Multiple routes to doom have arisen this season. So far this has included Dr. Vogel and Deb when she is in a crazy mood. Last week episode showed two additional threats. He has decided he wants to be a mentor to Zach Hamilton, but Zach appears unhinged enough to turn on Dexter. Then there was the return of Hannah McKay.

Having a hard time waiting until Game of Thrones returns? The White Queen on Starz might help.

Piracy drops when there are legal ways to view shows. It comes as no surprise that piracy has spiked in response to the Time Warner cable blackout of CBS.
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SciFi Weekend: SDCC Part 1–SHIELD, Matt Smith, Sherlock, Big Bang Theory, Hannibal, Dexter, Orphan Black, Veronica Mars, Game of Thrones, and More

There’s a lot of news coming out of San Diego Comic Con. Here’s some reports on panels held so far, with more to come.

The Agents of S.H.I.E.L.D. panel is above. They also showed the pilot at ComicCon.  A description of the pilot can be read here.  Cobie Smulder will be reprising her role as Maria Hill in the pilot, and will have further appearances throughout the season.

Blastr has more:

The unofficial gag order surrounding the details of ABC/Marvel’s new drama, Agents of S.H.I.E.L.D., finally lifted at San Diego Comic-Con. With the unveiling of the pilot episode and the first press tour at the Con, we have a better sense of what the show will revolve around, aside from the mysterious return of assumed dead Agent Phil Coulson (Clark Gregg).

According to executive producers Jeff Bell and Jeph Loeb, the series will focus on the humanity and smaller scale heroics dished out daily in the S.H.I.E.L.D trenches.

“To me, the movies have always been about people,” Bell explains. “There are all these giant monsters and heroes, but there have always been really interesting humans. Nick Fury is just a guy.”

Loeb adds, “Out tagline is “not all heroes are super” and that’s really important to us. It’s not just a tagline but it talks about the human condition in a way that is really important.”

Bell continues, “Jeph has a thing that I really like, although we can’t say [mutant] on our show because that’s not part of our world, but he says every person has a mutant gift and your job in your life is to figure out what your mutant gift is and how best to use it. I think that’s really cool.”

The embodiment of that everyday heroism is Coulson, a character that has become beloved to audiences.

Why? “Easy,” says Bell. “Clark Gregg. He showed up in the first Iron Man with a couple of lines and people watching said he was interesting. Along the way, he got in a little bit more. In The Avengers they made him a fan. He liked the cards and S.H.I.E.L.D. history. He was the audience surrogate in the movies. You could be this guy who shows up and does his job around these superheroes and is taken for granted. The way Clark presents the lines, people love it, so he is our way into the world.

Matt Smith makes his final appearance as the Doctor at the Brave New Warriors Panel.

Geek Tyrant on the Sherlock Panel:

They dove right into last season’s cliffhanger: How did he survive? They aren’t telling, but they did know how it worked before they filmed it, so they aren’t just flying by the seat of their pants. It is a rational answer, not black magic. Depsite reports that Andrew Scott was back on set to film scenes for the third season, they swear Moriarty is actually dead. “What, did they fake suicide at each other? Were you faking? I was faking, too!” That’s not going to happen. As for speculation that he can’t be dead because they didn’t show the back off his head come off–sorry to say they just aren’t allowed to show that level of violence on BBC1.

Moffatt knows people are excited to learn how Sherlock managed it, but he doesn’t think it’s that interesting. That’s just an answer. But when John Watson realizes that Sherlock is alive, when they come face to face again? “That moment is electrifying.” And it’s funny. Moffatt calls it “the showstopper of the season.”

Moffatt always gives hints about what Sherlock Holmes stories the next season will hit, and for Season 3, he’s said, “Rat, Wedding, and Bow.” The first episode is called “The Empty Hearse” and is very slightly based on “The Adventures of the Empty House.” It is mostly an exploration of the affect of Sherlock’s “death” and reappearance on the people who loved him. The writers realized that there would be a lot of fallout from the events of last season, but they couldn’t spend all of this season talking about last season, so it sounds like they’re going to deal with it in this episode.

Episode 2 is called “The Sign of Three,” and seems to focus on Watson’s wedding, and you guys? They showed us a clip, and it was amazing! They asked us not to even tell anyone about it, but eff that noise! We’re at Watson’s wedding reception, and Sherlock is beginning his toast. Yeah, amazing. He begins awkwardly (of course), “John… John Watson…” and explains that when Watson asked him to be his best man, he was confused. Then it flashes back, to Watson walking in on Sherlock appleying a blowtorch to a disembodied eyeball, which he promptly dips in his cup of tea. Watson says that they need to talk about the best man, and Sherlock starts going on and on about who he thinks the best man is. Watson interrupts and says he means the best man at his wedding. Sherlock starts talking about one of Watson’s friends, Watson says not him, then another, Watson says that he isn’t his best friend, and says that at his wedding he wants the two people who are closest to him and mean the most to him by his side, and tells Sherlock that it’s him. Sherlock’s jaw drops. Cut back to the wedding, and Sherlock is explaining his reaction, how he told him how he was touched and honored… cut back to Sherlock still standing there, speechless. He knew it would be an important and difficult task… cut to Sherlock, still standing there, speechless. Sherlock says he then realized he hadn’t said anything out loud. Sherlock accepts, and promptly drinks the eyeball tea.

There wasn’t much information on the third episode but it was subsequently revealed that the title will be The Last Vow.

Mark Gatiss will be appearing in Season 4 of Game of Thrones. If this sort of combines Sherlock and Game of Thrones, how about combining two other genre franchises? What if Ned Stark and Tony Stark were brothers?

There were reports that the cast of  The Big Bang Theory wouldn’t be present at SDCC due to other commitments but Johnny Galecki made a surprise appearance, posing as a fan in costume waiting to ask a question and Melissa Rauch hosted the panel. Steven Hawking had the recorded message above.

The Hannibal DVD and Blu-ray will be released September 24 (same day as the pilot of Agents of S.H.I.E.L.D. airs), including  a gag real (video above)  and an unaired episode. No specific news on the unaired episode, but I want to see it. Screen Rant has this news from the panel:

HitFix kept a comprehensive live blog of last night’s Hannibal panel at SDCC, which featured show creator Bryan Fuller, director David Slade, producer Martha De Laurentiis and stars Hugh Dancy and Aaron Abrams. The team were pretty brave going up against an audience of fans after the rage-inducing season finale that left poor Will Graham behind bars, Hannibal Lecter smiling at him from the other side, and a whole lot of people throwing objects at their televisions. If you think that Bryan Fuller was enjoying Will’s pain, you’re absolutely right:

“Will knows something no one else knows, and it’s a great place to put a character. One of the things I was most excited about in Season 2 was seeing Will Graham hit rock bottom.”

Given the fact that Will spent most of season one hallucinating, perspiring, or doing both simultaneously, it will be interesting to see what happens when he really hits rock bottom. Apparently he will be “scrappy” and “feisty,” though, so that’s definitely something to look forward to. Season two will begin with a two-parter that will serve as “a new pilot for what the season can be” now that the old dynamics are gone and Will is in jail, and the third episode, according to Fuller, “will be a trial.” That sounds ominous.

Video of the full Hannibal panel follows:

The Dexter cast made their final appearance before the show ends and, not surprisingly, there were no hints as to how the show ends.

Walking Dead stars on a bigger season.

The Federal Express truck pulled up with my copy of the Blu-ray of the first season on Orphan Black. I haven’t seen any of it, but the reviews I’ve read this week have sounded fantastic. I’m avoiding the details to limit spoilers, but here’s a report on news of the second season of the show. More here and here. Video of the panel above. (I’ll come back and watch after I finish the first season).

Report on the DC Comics Panel here.

DC has its greatest success in movie adaptations with Superman and Batman. It will be necessary to reboot Batman once again for him to appear in the Justice League of America and in further solo films. It now appears that Batman might return in a joint movie with Superman. As for the last reboot of Batman, a panel even considered the question of whether Bruce Wayne was crazy for dating Catwoman. The Flash is the next DC character to get a solo film.

The Marvel universe is divided in the movies, with Sony holding the screen rights to Spider-Man. Information on plans for this series here and here.

Sneak peak at the Veronica Mars movie above. Those of us who donated through Kickstarter to make this movie possible are acknowledged in the clip. More on the movie here.

In Memoriam–Those who died on Game of Thrones.

Update: More Comic Con news posted here.

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SciFi Weekend: Hannibal; American Gods; Dexter; Under The Dome; Terminator; Nudity in Game of Thrones; Catwoman; Put A TARDIS In Space

Hannibal - Season 1

Bryan Fuller has offered David Bowie a role in Hannibal, and revealed more about his plans for the second season:

“We have reached out to David Bowie to see if he’s interested and available,” Fuller reveals. “We would love for him to play Hannibal’s uncle, who is a character from the literature and in the books.”

Fuller explains “we don’t have an answer yet,” but is hopeful Bowie can join the NBC series, which resumes production in August in Toronto.

Hannibal’s uncle, Count Robert Lecter, was killed by Nazis in the books, but “since our timeline is a little more present,  there’s a little bit of J.J. Abrams-style alternate universe storytelling where he could still be alive,” Fuller explains.

Another pivotal role in season two will be that of Barney, an orderly at the Baltimore State Hospital for the Criminally Insane, where Will Grant (Hugh Dancy) will be kept captive. “That will be some fun stunt casting,” says Fuller. “I would love to bring in Chi McBride, if he’s available. There are so many great actors I would love to work with.”

Not much of season two will be taken from the literature, according to Fuller. “We’re going to see Will Graham [Dancy] institutionalized and what we know from Red Dragon, the backstory that is given, which is very, very thin, explains that Will Graham was so psychologically compromised from investigating the Minnesota case that he had to be institutionalized. And that’s sort of one sentence that we can do quite a bit with. As you can see from the first season, we held true to that backstory in a very faithful way, but obviously we took huge liberties in how we interpreted that one sentence. So right now, for season two, we are in fresh territory with a chapter that hasn’t even been written by Thomas Harris. It’s exciting.”

SIT Blog

I’m pretty much limiting to links for now as I’m on vacation and will be at our summer offices at Grand Hotel on Mackinac Island this weekend through next. Considering where SciFi Weekend is currently coming from, I must note the recent death of Richard Matheson. Among his many works is Bid Time Returns which was turned into Somewhere in Time which was filmed here at Grand Hotel.

HBO plans to devout six seasons to an adaptation of Neil Gaiman’s American Gods. This makes me wish that Bryan Fuller had taken Hannibal to HBO. It is hard to see it surviving on NBC to complete Fuller’s seven year plan.

Michael C. Hall interviewed on the end of Dexter.

Under the Dome will (not surprisingly) differ from Stephen King’s novel.

The Terminator series is being rebooted as a new trilogy. This isn’t encouraging:

Another interesting factoid added by Deadline is that the rights to Terminator will eventually revert back to James Cameron in 2019, who has yet to be satisfied with any of the follow-ups and spin-offs that came after his two films. So they’re hauling ass to make three movies before that happens. Always a recipe for a quality product.

The Mary Sue recommends thirteen independent science fiction and fantasy movies.

Lena Headey on nudity in Game of Thrones:

I’ve said from day one that I’ve got no problem with nudity. I’ve done it throughout my career. But for this character, it’s been better for her regality and her feistiness to not bare her flesh until she has to. When it’s out of her control. And if that ever happens, it won’t be Cersei being seductive or sexy. She’ll be stripped. That kind of a scene will have more power if it’s not an everyday occurrence.

Here’s a rundown as to how the third season of Game of Thrones differed from the novel.

Starz has ordered a full season of Ronald Moore’s series Outlander.

I’m certainly not surprised that Catwoman isn’t really dead.

Here’s a device to convert your currency from different genre sources.

There’s a Kickstarter campaign to put a TARDIS in orbit.

Modern Family is considering a gay wedding following the recent Supreme Court ruling

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