5:31
**DJDAVO** - ARMENIAN (UPPER MIX) LIVE AT A WEDDING!!!!!!! (2012)
Website-WWW.DJDAVOENT.COM Contact_(424)2DJDAVO MIX BY DJ DAVO....
published: 28 May 2012
author: DJDAVO iHOUSE
**DJDAVO** - ARMENIAN (UPPER MIX) LIVE AT A WEDDING!!!!!!! (2012)
**DJDAVO** - ARMENIAN (UPPER MIX) LIVE AT A WEDDING!!!!!!! (2012)
Website-WWW.DJDAVOENT.COM Contact_(424)2DJDAVO MIX BY DJ DAVO.- published: 28 May 2012
- views: 2450
- author: DJDAVO iHOUSE
4:39
Why do Georgians Call Armenia Somkheti?
the Georgians call us "Somkhet'i" The term "Somkhiti"/"Somkheti" is presumed by modern sch...
published: 26 Jul 2011
author: BeautySavesWorld
Why do Georgians Call Armenia Somkheti?
Why do Georgians Call Armenia Somkheti?
the Georgians call us "Somkhet'i" The term "Somkhiti"/"Somkheti" is presumed by modern scholars to have been derived from "Sukhmi" or "Sokhmi", the name of a...- published: 26 Jul 2011
- views: 2970
- author: BeautySavesWorld
12:59
Armenia Azerbaijan without conflict
жители Еревана про азербайджанцев и жители Баку про армян, If you cannot comment properly ...
published: 04 Nov 2010
author: Hayk Arakelyan
Armenia Azerbaijan without conflict
Armenia Azerbaijan without conflict
жители Еревана про азербайджанцев и жители Баку про армян, If you cannot comment properly please press X button in the upper right hand corner/this is for bo...- published: 04 Nov 2010
- views: 37759
- author: Hayk Arakelyan
12:03
Armenia-Short Film by info1
Students of the AUA (Upper Intermediate Level) has created a video about Armenia. Watch, L...
published: 09 Dec 2013
Armenia-Short Film by info1
Armenia-Short Film by info1
Students of the AUA (Upper Intermediate Level) has created a video about Armenia. Watch, Like, Subscribe :)- published: 09 Dec 2013
- views: 9
0:29
Noravank Monastery, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank is a 13th century Armenian monastery, located 122km from Yerevan in a narrow gorg...
published: 06 Sep 2013
Noravank Monastery, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank Monastery, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank is a 13th century Armenian monastery, located 122km from Yerevan in a narrow gorge made by the Amaghu river, near the city of Yeghegnadzor, Armenia. The gorge is known for its tall, sheer, brick-red cliffs, directly across from the monastery. The monastery is best known for its two-storey Surp Astvatsatsin (Holy Mother of God) church, which grants access to the second floor by way of a narrow stone-made staircase jutting out from the face of building. The monastery is sometimes called Noravank at Amaghu, with Amaghu being the name of a small and nowadays abandoned village above the canyon, in order to distinguish it from Bgheno-Noravank, near Goris. In the 13th--14th centuries the monastery became a residence of Syunik's bishops and, consequently. a major religious and, later, cultural center of Armenia closely connected with many of the local seats of learning, especially with Gladzor's famed university and library. Noravank was founded in 1205 by Bishop Hovhannes, a former abbot of Vahanavank near the present-day city of Kapan in Syunik. The monastic complex includes the church of S. Karapet, S. Grigor chapel with a vaulted hall, and the church of S. Astvatsatsin (Holy Mother of God). Ruins of various civil buildings and khachkars are found both inside and outside of the compound walls. Noravank was the residence of the Orbelian princes. The architect Siranes and the miniature painter and sculptor Momik worked here in the latter part of the thirteenth and early fourteenth century. The fortress walls surrounding the complex were built in the 17th--18th centuries. The grandest structure is Surb Astvatsatsin (Holy Mother of God), also called Burtelashen (Burtel's construction) in the honour of Prince Burtel Orbelian, its financier. It is situated to the south-east of the Surb Karapet church. Surb Astvatsatsin was completed in 1339, a masterpiece of the talented sculptor and miniaturist Momik, who designed it, and was also his last work. Near the church there is his tomb khachkar, small and modestly decorated, dated the same year. In recent times the fallen roof had been covered with a plain hipped roof. In 1997 the drum and its conical roof was rebuilt, with the form based on existing fragments. The ground floor contained elaborate tombs of Burtel and his family. Narrow steps projecting from the west façade lead to the entrance into the church/oratory. There is fine relief sculpture over the entrance, depicting Christ flanked by Peter and Paul. Burtelashen is a highly artistic monument reminiscent of the tower-like burial structures of the first years of Christianity in Armenia. It is a memorial church. Its ground floor, rectangular in plan, was a family burial vault; the floor above, cross-shaped in plan, was a memorial temple crowned with a multi-columned rotunda. Burtelashen is the dominant structure in Noravank. The original three-tier composition of the building is based on the increasing height of the tiers and the combination of the heavy bottom with the divided middle and the semi-open top. Accordingly, decoration is more modest at the bottom and richer at the top. Employed as decorative elements are columns, small arches, profiled braces forming crosses of various shapes, medallions, interlaced banding around windows and doors. The western portal is decorated with special splendour. An important role in its decoration is played by the cantilevered stairs that lead to the upper level, with profiled butts to the steps. The doorways are framed with broad rectangular plaitbands, with ledges in the upper part, with columns, fillets and strips of various, mostly geometrical, fine and intricate patterns. Between the outer plathand and the arched framing of the openings there are representations of doves and sirens with women's crowned heads. Such reliefs were widely used in fourteenth-century Armenian art and in earlier times in architecture, miniatures and works of applied art, on various vessels and bowls. The entrance tympanums are decorated with bas-reliefs showing, on the lower tympanium, the Holy Virgin with the Child and Archangels Gabriel and Michael at her sides, and, on the upper tympanium, a half-length representation of Christ and figures of the Apostles Peter and Paul. As distinct from the reliefs of Noravank's vestry, these ones are carved on a plain surface, which gives them greater independence. The figures are distinguished by their plasticity of form, softness of modeling, and accentuation of certain details of clothing. A group of the founders of Burtelashen is depicted on three columns of the western part of its rotunda. The picture consisted of relief figures of the Holy Virgin with the Child, sitting on a throne, and two standing men in rich attire, one of them holding a model of the temple.- published: 06 Sep 2013
- views: 2
6:03
Noravank Monastery, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank is a 13th century Armenian monastery, located 122km from Yerevan in a narrow gorg...
published: 06 Sep 2013
Noravank Monastery, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank Monastery, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank is a 13th century Armenian monastery, located 122km from Yerevan in a narrow gorge made by the Amaghu river, near the city of Yeghegnadzor, Armenia. The gorge is known for its tall, sheer, brick-red cliffs, directly across from the monastery. The monastery is best known for its two-storey Surp Astvatsatsin (Holy Mother of God) church, which grants access to the second floor by way of a narrow stone-made staircase jutting out from the face of building. The monastery is sometimes called Noravank at Amaghu, with Amaghu being the name of a small and nowadays abandoned village above the canyon, in order to distinguish it from Bgheno-Noravank, near Goris. In the 13th-14th centuries the monastery became a residence of Syunik's bishops and, consequently. a major religious and, later, cultural center of Armenia closely connected with many of the local seats of learning, especially with Gladzor's famed university and library. Noravank was founded in 1205 by Bishop Hovhannes, a former abbot of Vahanavank near the present-day city of Kapan in Syunik. The monastic complex includes the church of S. Karapet, S. Grigor chapel with a vaulted hall, and the church of S. Astvatsatsin (Holy Mother of God). Ruins of various civil buildings and khachkars are found both inside and outside of the compound walls. Noravank was the residence of the Orbelian princes. The architect Siranes and the miniature painter and sculptor Momik worked here in the latter part of the thirteenth and early fourteenth century. The fortress walls surrounding the complex were built in the 17th--18th centuries. The grandest structure is Surb Astvatsatsin (Holy Mother of God), also called Burtelashen (Burtel's construction) in the honour of Prince Burtel Orbelian, its financier. It is situated to the south-east of the Surb Karapet church. Surb Astvatsatsin was completed in 1339, a masterpiece of the talented sculptor and miniaturist Momik, who designed it, and was also his last work. Near the church there is his tomb khachkar, small and modestly decorated, dated the same year. In recent times the fallen roof had been covered with a plain hipped roof. In 1997 the drum and its conical roof was rebuilt, with the form based on existing fragments. The ground floor contained elaborate tombs of Burtel and his family. Narrow steps projecting from the west façade lead to the entrance into the church/oratory. There is fine relief sculpture over the entrance, depicting Christ flanked by Peter and Paul. Burtelashen is a highly artistic monument reminiscent of the tower-like burial structures of the first years of Christianity in Armenia. It is a memorial church. Its ground floor, rectangular in plan, was a family burial vault; the floor above, cross-shaped in plan, was a memorial temple crowned with a multi-columned rotunda. Burtelashen is the dominant structure in Noravank. The original three-tier composition of the building is based on the increasing height of the tiers and the combination of the heavy bottom with the divided middle and the semi-open top. Accordingly, decoration is more modest at the bottom and richer at the top. Employed as decorative elements are columns, small arches, profiled braces forming crosses of various shapes, medallions, interlaced banding around windows and doors. The western portal is decorated with special splendour. An important role in its decoration is played by the cantilevered stairs that lead to the upper level, with profiled butts to the steps. The doorways are framed with broad rectangular plaitbands, with ledges in the upper part, with columns, fillets and strips of various, mostly geometrical, fine and intricate patterns. Between the outer plathand and the arched framing of the openings there are representations of doves and sirens with women's crowned heads. Such reliefs were widely used in fourteenth-century Armenian art and in earlier times in architecture, miniatures and works of applied art, on various vessels and bowls. The entrance tympanums are decorated with bas-reliefs showing, on the lower tympanium, the Holy Virgin with the Child and Archangels Gabriel and Michael at her sides, and, on the upper tympanium, a half-length representation of Christ and figures of the Apostles Peter and Paul. As distinct from the reliefs of Noravank's vestry, these ones are carved on a plain surface, which gives them greater independence. The figures are distinguished by their plasticity of form, softness of modeling, and accentuation of certain details of clothing. A group of the founders of Burtelashen is depicted on three columns of the western part of its rotunda. The picture consisted of relief figures of the Holy Virgin with the Child, sitting on a throne, and two standing men in rich attire, one of them holding a model of the temple.- published: 06 Sep 2013
- views: 2
2:10
Mardin _ Armenian Mesopotamia with Anitour
Armenian Mesopotamia was a region in Northern Mesopotamia that was inhabited partly by Arm...
published: 19 Dec 2012
author: ARMENOCIDE
Mardin _ Armenian Mesopotamia with Anitour
Mardin _ Armenian Mesopotamia with Anitour
Armenian Mesopotamia was a region in Northern Mesopotamia that was inhabited partly by Armenians, Tigranes the Great seized Northern Mesopotamia, and from 40...- published: 19 Dec 2012
- views: 307
- author: ARMENOCIDE
0:19
Noravank Monastery area, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank is a 13th century Armenian monastery, located 122km from Yerevan in a narrow gorg...
published: 06 Sep 2013
Noravank Monastery area, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank Monastery area, Amaghu Valley, Vayots Dzor Province, Armenia, Eurasia
Noravank is a 13th century Armenian monastery, located 122km from Yerevan in a narrow gorge made by the Amaghu river, near the city of Yeghegnadzor, Armenia. The gorge is known for its tall, sheer, brick-red cliffs, directly across from the monastery. The monastery is best known for its two-storey Surp Astvatsatsin (Holy Mother of God) church, which grants access to the second floor by way of a narrow stone-made staircase jutting out from the face of building. The monastery is sometimes called Noravank at Amaghu, with Amaghu being the name of a small and nowadays abandoned village above the canyon, in order to distinguish it from Bgheno-Noravank, near Goris. In the 13th--14th centuries the monastery became a residence of Syunik's bishops and, consequently. a major religious and, later, cultural center of Armenia closely connected with many of the local seats of learning, especially with Gladzor's famed university and library. Noravank was founded in 1205 by Bishop Hovhannes, a former abbot of Vahanavank near the present-day city of Kapan in Syunik. The monastic complex includes the church of S. Karapet, S. Grigor chapel with a vaulted hall, and the church of S. Astvatsatsin (Holy Mother of God). Ruins of various civil buildings and khachkars are found both inside and outside of the compound walls. Noravank was the residence of the Orbelian princes. The architect Siranes and the miniature painter and sculptor Momik worked here in the latter part of the thirteenth and early fourteenth century. The fortress walls surrounding the complex were built in the 17th--18th centuries. The grandest structure is Surb Astvatsatsin (Holy Mother of God), also called Burtelashen (Burtel's construction) in the honour of Prince Burtel Orbelian, its financier. It is situated to the south-east of the Surb Karapet church. Surb Astvatsatsin was completed in 1339, a masterpiece of the talented sculptor and miniaturist Momik, who designed it, and was also his last work. Near the church there is his tomb khachkar, small and modestly decorated, dated the same year. In recent times the fallen roof had been covered with a plain hipped roof. In 1997 the drum and its conical roof was rebuilt, with the form based on existing fragments. The ground floor contained elaborate tombs of Burtel and his family. Narrow steps projecting from the west façade lead to the entrance into the church/oratory. There is fine relief sculpture over the entrance, depicting Christ flanked by Peter and Paul. Burtelashen is a highly artistic monument reminiscent of the tower-like burial structures of the first years of Christianity in Armenia. It is a memorial church. Its ground floor, rectangular in plan, was a family burial vault; the floor above, cross-shaped in plan, was a memorial temple crowned with a multi-columned rotunda. Burtelashen is the dominant structure in Noravank. The original three-tier composition of the building is based on the increasing height of the tiers and the combination of the heavy bottom with the divided middle and the semi-open top. Accordingly, decoration is more modest at the bottom and richer at the top. Employed as decorative elements are columns, small arches, profiled braces forming crosses of various shapes, medallions, interlaced banding around windows and doors. The western portal is decorated with special splendour. An important role in its decoration is played by the cantilevered stairs that lead to the upper level, with profiled butts to the steps. The doorways are framed with broad rectangular plaitbands, with ledges in the upper part, with columns, fillets and strips of various, mostly geometrical, fine and intricate patterns. Between the outer plathand and the arched framing of the openings there are representations of doves and sirens with women's crowned heads. Such reliefs were widely used in fourteenth-century Armenian art and in earlier times in architecture, miniatures and works of applied art, on various vessels and bowls. The entrance tympanums are decorated with bas-reliefs showing, on the lower tympanium, the Holy Virgin with the Child and Archangels Gabriel and Michael at her sides, and, on the upper tympanium, a half-length representation of Christ and figures of the Apostles Peter and Paul. As distinct from the reliefs of Noravank's vestry, these ones are carved on a plain surface, which gives them greater independence. The figures are distinguished by their plasticity of form, softness of modeling, and accentuation of certain details of clothing. A group of the founders of Burtelashen is depicted on three columns of the western part of its rotunda. The picture consisted of relief figures of the Holy Virgin with the Child, sitting on a throne, and two standing men in rich attire, one of them holding a model of the temple.- published: 06 Sep 2013
- views: 2
4:55
Serge Tevosyan 2012-2013 (Street Workout Armenia)
Сергей Тевосян, Армения, город Арташат
Видео отчет за 2012-2013 года
Music
Two Steps Fro...
published: 12 Nov 2013
Serge Tevosyan 2012-2013 (Street Workout Armenia)
Serge Tevosyan 2012-2013 (Street Workout Armenia)
Сергей Тевосян, Армения, город Арташат Видео отчет за 2012-2013 года Music Two Steps From Hell -- Heart of Courge Hans Zimmer -- Time (Instrumental Core Remix) Street Workout Armenia http://www.facebook.com/StreetWorkoutArmenia (on Facebook) http://vk.com/streetworkoutarmenia (Группа Вконтакте) http://odnoklassniki.ru/group/52504074780791 (группа на одноклассниках)- published: 12 Nov 2013
- views: 33095
11:47
Calisthenics beginner to advanced part 1 - upper body PRESSING
182cm; 86kg. I lot of people ask me how I starded training my body so I decided to make a ...
published: 29 Dec 2013
Calisthenics beginner to advanced part 1 - upper body PRESSING
Calisthenics beginner to advanced part 1 - upper body PRESSING
182cm; 86kg. I lot of people ask me how I starded training my body so I decided to make a video. This one is all about pressing because otherwise the video would be too long. I will also make PULLING video as soon as I can and if you'd like I can also make one for legs, core and combined upper body pull-press... so please subscribe and share! I devided pressing into 6 parts: 1. PUSHUPS ------------------------------------------ 00:11 2. DIPS--------------------------------------------------- 01:19 3. HANDSTAND PUSHUPS (HSP)------------- 02:41 4. TRICEP EXTENSIONS-------------------------- 04:19 5. PLANCHE PUSHUPS--------------------------- 05:18 6. MULTI-PLANE PRESSING-------------------- 06:45 + flexibility & out of alignment pushups------ 07:32 + some defferent interesting pushups--------- 08:11 + partner assistence pushups------------------- 10:28 in each part are exercises sorted from beginner to advanced. Once you can do about 5 to 8 reps of a certain exercise I think you are ready to move to the next one. be sure to do the exercises with PROPER FORM AND FULL RANGE OF MOTION! I learned a lot from the book "Building the gymnastic body" and I recommend it to everyone who is interested in bodyweight training! music: 1. Aesop Rock - Daylight 2. Aesop Rock - None shall pass 3. Snowgoons - Starlight (Instrumental)- published: 29 Dec 2013
- views: 5020
1:00
Elite Life Fair
EliteThe Elite Life Company, which has been publishing the Elite Life Magazine for the pas...
published: 16 Jul 2009
author: ipnona
Elite Life Fair
Elite Life Fair
EliteThe Elite Life Company, which has been publishing the Elite Life Magazine for the past 5 years and is part of the life of the upper classes in Armenia, ...- published: 16 Jul 2009
- views: 928
- author: ipnona
2:34
Company C Contemporary Ballet Rehearse Twyla Tharp's Armenia
Company C Contemporary Ballet dancers Kevin Delaney and Jenna Maule rehearse Twyla Tharp's...
published: 21 Mar 2008
author: CompanyCBallet
Company C Contemporary Ballet Rehearse Twyla Tharp's Armenia
Company C Contemporary Ballet Rehearse Twyla Tharp's Armenia
Company C Contemporary Ballet dancers Kevin Delaney and Jenna Maule rehearse Twyla Tharp's "Armenia". CoCCB Artistic Director Charles Anderson interviews rep...- published: 21 Mar 2008
- views: 12005
- author: CompanyCBallet
Youtube results:
2:37
Armenian Street Workout (Paron Ohanyan,Saq Eghiazaryan,Eduard Nikogosyan)
Офицальный сайт Paron Ohanyn - http://www.odnoklassniki.ru/profile/171561164368 https://ww...
published: 06 Jul 2013
author: Paron Ohanyan
Armenian Street Workout (Paron Ohanyan,Saq Eghiazaryan,Eduard Nikogosyan)
Armenian Street Workout (Paron Ohanyan,Saq Eghiazaryan,Eduard Nikogosyan)
Офицальный сайт Paron Ohanyn - http://www.odnoklassniki.ru/profile/171561164368 https://www.facebook.com/arm.bnasas.- published: 06 Jul 2013
- views: 301
- author: Paron Ohanyan
5:46
Armenia in the 3rd millennium BC :Armi, Arman(um), Aram
The names Aram, Armen and Arman, feminine Arminé, are common given names by Armenians. The...
published: 22 Jul 2011
author: BeautySavesWorld
Armenia in the 3rd millennium BC :Armi, Arman(um), Aram
Armenia in the 3rd millennium BC :Armi, Arman(um), Aram
The names Aram, Armen and Arman, feminine Arminé, are common given names by Armenians. The period of passing from Primitive age to civilization and the perio...- published: 22 Jul 2011
- views: 2375
- author: BeautySavesWorld
2:44
The Little Singers of Armenia - Hayr Mer
The Little Singers of Armenia singing the "Hayr Mer" (Our Father) in the upper chapel deep...
published: 16 Apr 2013
author: pkz19
The Little Singers of Armenia - Hayr Mer
The Little Singers of Armenia - Hayr Mer
The Little Singers of Armenia singing the "Hayr Mer" (Our Father) in the upper chapel deep inside the rock of Geghard Monastery in Armenia. Sorry for the cam...- published: 16 Apr 2013
- views: 27
- author: pkz19
197:55
THE HIDDEN PEARL Documentary History Of Arameans People
http://en.wikipedia.org/wiki/Aramean_people
http://en.wikipedia.org/wiki/Aramean_Genocide
...
published: 18 Aug 2013
THE HIDDEN PEARL Documentary History Of Arameans People
THE HIDDEN PEARL Documentary History Of Arameans People
http://en.wikipedia.org/wiki/Aramean_people http://en.wikipedia.org/wiki/Aramean_Genocide The Arameans, or Aramaeans, (Aramaic: ܐܪ̈ܡܝܐ, ארמיא ; ʼaramáyé) were a Northwest Semitic semi-nomadic and pastoralist people who originated in what is now modern Syria (Biblical Aram) during the Late Bronze Age and the Iron Age. Large groups migrated to Mesopotamia where they intermingled with the native Akkadian (Assyrian and Babylonian) population. A large proportion of Syriac Christians in modern Syria still espouse an Aramean identity to this day, though few now speak the Western Aramaic language. The Arameans never had a unified nation; they were divided into small independent kingdoms across parts of the Near East, particularly in what is now modern Syria. After the Bronze Age collapse, their political influence was confined to a number of Syro-Hittite states, which were entirely absorbed into the Neo-Assyrian Empire by the 8th century BC. By contrast, the Aramaic language came to be the lingua franca of the entire Fertile Crescent, by Late Antiquity developing into the literary languages such as Syriac and Mandaic. Scholars have used the term "Aramaization" for the process by which the Akkadian/Assyro-Babylonian peoples became Aramaic-speaking during the later Iron Age. Assyrian genocide From Wikipedia, the free encyclopedia (Redirected from Aramean Genocide) http://en.wikipedia.org/wiki/Aramean_Genocide The Assyrian Genocide (also known as Sayfo or Seyfo, Syriac: ܩܛܠܐ ܕܥܡܐ ܣܘܪܝܝܐ or ܣܝܦܐ) refers to the mass slaughter of the Assyrian population of the Ottoman Empire during the 1890s and the First World War, in conjunction with the Armenian genocide and Greek genocide. The Assyrian civilian population of upper Mesopotamia (the Tur Abdin region, the Hakkâri, Van, and Siirt provinces of present-day southeastern Turkey, and the Urmia region of northwestern Iran) was forcibly relocated and massacred by the Muslim Ottoman (Turkish) army, together with other armed and allied Muslim peoples, including Kurds, Chechens and Circassians, between 1914 and 1920, with further attacks on unarmed fleeing civilians conducted by local Arab militias. Estimates on the overall death toll have varied. Providing detailed statistics of the various estimates of the Churches' population after the genocide, David Gaunt accepts the figure of 275,000 deaths as reported at the Treaty of Lausanne and ventures that the death toll would be around 300,000 because of uncounted Assyrian-inhabited areas, leading to the elimination of half of the Assyrian nation. The Assyrian genocide took place in the same context as the Armenian and Pontic Greek genocides. In these events, close to three million Christians of Syriac, Armenian or Greek Orthodox denomination were murdered by the Young Turks regime. Since the "Assyrian genocide" took place within the context of the much more widespread Armenian genocide, scholarship treating it as a separate event is scarce, with the exceptions of the works of David Gaunt and Hannibal Travis. In 2007, the International Association of Genocide Scholars (IAGS) reached a consensus that "the Ottoman campaign against Christian minorities of the Empire between 1914 and 1923 constituted a genocide against Armenians, Assyrians, and Pontian and Anatolian Greeks. The IAGS referred to the work of Gaunt and Travis in passing this resolution. Gregory Stanton, the President of the IAGS in 2007--2008 and the founder of Genocide Watch, endorsed the "repudiation by the world's leading genocide scholars of the Turkish government's ninety-year denial of the Ottoman Empire's genocides against its Christian populations, including Assyrians, Greeks, and Armenians. for more *** http://en.wikipedia.org/wiki/Aramean_Genocide Massacres of Diyarbakır (1895) From Wikipedia, the free encyclopedia (Redirected from Massacres of Diyarbakir (1895)) http://en.wikipedia.org/wiki/Massacres_of_Diyarbakir_(1895)- published: 18 Aug 2013
- views: 89