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Use checked songs to create your playlist

• Sonata No. 1: Andante - Allegro vivace
• Sonata No. 1: Largo cantabile
• Sonata No. 1: Allegro
• Sonata No. 2: Autumn
• Sonata No. 2: In the Barn
• Sonata No. 2: Revival
• Sonata No. 3: Allegro - Allegretto - Adagio
• Sonata No. 3: Allegro
• Sonata No. 3: Adagio (Catabile)
• Sonata No. 4, Children's Day at the Camp Meeting: Allegro
• Sonata No. 4, Children's Day at the Camp Meeting: Largo
• Sonata No. 4, Children's Day at the Camp Meeting: Allegro

• Psalm 90
• Psalm 24
• Psalm 67
• Psalm 135
• Psalm 14
• Psalm 25
• Psalm 100
• Psalm 54
• Psalm 150
• Psalm 42

• Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
• Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
• Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
• Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
• Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
• Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
• Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
• Piano Sonata No. 1: II. Allegro moderato (feat. piano: William Masselos)
• Piano Sonata No. 1: III. Largo; allegro (feat. piano: William Masselos)
• Piano Sonata No. 1: IV. Allegro (feat. piano: William Masselos)
• Piano Sonata No. 1: V. Andante maestoso (feat. piano: William Masselos)

• Appalachian Spring
• Symphony No. 3
• Central Park in the Dark
• Clarinet Concerto

• Symphony No. 2: I. Andante moderato
• Symphony No. 2: II. Allegro molto (con spirito)
• Symphony No. 2: III. Adagio cantabile
• Symphony No. 2: IV. Lento maestoso
• Symphony No. 2: V. Allegro molto vivace (feat. cello: Christopher Adkins)
• Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
• Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
• Symphony No. 3 "The Camp Meeting": III. Communion: Largo
• General Booth Enters Into Heaven

• Symphony No. 1: I. Allegro (con moto)
• Symphony No. 1: II. Adagio molto (sostenuto)
• Symphony No. 1: III. Scherzo: Vivace
• Symphony No. 1: IV. Allegro molto
• Symphony No. 4: I. Prelude: Maestoso
• Symphony No. 4: II. Comedy: Allegretto
• Symphony No. 4: III. Fugue: Andante moderato con moto
• Symphony No. 4: IV. Very slowly (Largo maestoso)
• Central Park in the Dark

• Feldeinsamkeit
• The Things Our Fathers Loved
• Memories: (A) Very Pleasant; (B) Rather Sad
• The Housatonic at Stockbridge
• Swimmers
• The Cage
• The Greatest Man
• General William Booth Enters Into Heaven
• Remembrance
• Berceuse
• West London
• Tom Sails Away
• When Stars are in the Quiet Skies
• Weil' auf mir
• Ich grolle nicht
• Du alte Mutter
• Where the Eagle
• Walking
• Yellow Leaves
• The Side Show
• Élégie
• The New River
• Like a Sick Eagle
• Ann Street
• Slugging a Vampire
• Thoreau
• Serenity
• Tolerance
• Charlie Rutlage
• '1, 2, 3'
• A Song - For Anything

• Varied Air and Variations
• Waltz-Rondo
• Invention in D
• Allegro
• Study No. 2
• Piano Cadenza From Scherzo: Over the Pavements
• Andante
• Impression of the 'St. Gardens' In Boston Common
• The Celestial Railroad
• Minuetto, Op.4
• Allegro Moderato
• Moderato Con Anima
• I. Largo
• II. Allegro
• III. Chorale
• Fourth Fugue
• March No. 1 for Piano, With 'Yeah of the Jubilee'
• March No. 2 for Piano, With Son of a Gambler'
• March No. 3 for Piano, With 'Omega Lambda Chi'
• March in G and C for Piano, With 'See the Conquering Hero Comes'
• March for Piano: 'the Circus Band'
• March No. 5 for Piano, With 'Annie Lisle'
• March No. 6 for Piano, With 'Here's to Good Old Yale'

• The Housatonic at Stockbridge
• Soliloquy, or a Study in 7ths and Other Things
• On the Antipodes
• The Gong on the Hook and Ladder (original version)
• Hallowe’en
• In Re Con Moto et al, Op. 20
• Sunrise
• Remembrance
• Aeschylus and Sophocles
• Five Take-offs: The Seen and Unseen? (Sweet and Tough)
• Five Take-offs: Rough and Ready et al and / or The Jumping Frog
• Five Take-offs: Song Without (Good) Words
• Five Take-offs: Scene Episode
• Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
• Three Quarter-Tone Pieces: Largo
• Three Quarter-Tone Pieces: Allegro
• Three Quarter-Tone Pieces: Chorale

• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
• Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
• Varied Air and Variations
• The Celestial Railroad
• Four Transcriptions from 'Emerson', No.1

• Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
• Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
• Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
• Second String Quartet, Op. 19: I. Discussions
• Second String Quartet, Op. 19: II. Arguements
• Second String Quartet, Op. 19: III. The Call of the Mountains
• Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
• Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
• Hallowe'en, Op. 11
• Intermezzo
• In re con moto et al., Op. 20

• The Things Our Fathers Loved, S. 372 (mezzo-soprano: Susan Graham)
• The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Susan Graham)
• Swimmers, S. 366 (mezzo-soprano: Susan Graham)
• Memories, S. 297 (mezzo-soprano: Susan Graham)
• Ann Street, S. 211 (mezzo-soprano: Susan Graham)
• Serenity, S. 347 (mezzo-soprano: Susan Graham)
• 1, 2, 3, S. 321 (mezzo-soprano: Susan Graham)
• Songs My Mother Taught Me, S. 361 (mezzo-soprano: Susan Graham)
• The Circus Band, S. 229 (mezzo-soprano: Susan Graham)
• The Cage, S. 221 (mezzo-soprano: Susan Graham)
• The Indians, S. 283 (mezzo-soprano: Susan Graham)
• Like a Sick Eagle, S. 288 (mezzo-soprano: Susan Graham)
• Remembrance, S. 332 (mezzo-soprano: Susan Graham)
• September, S. 346 (mezzo-soprano: Susan Graham)
• Soliloquy, S. 352 (mezzo-soprano: Susan Graham)
• A Farewell to Land, S. 248 (mezzo-soprano: Susan Graham)
• Thoreau, S. 373 (mezzo-soprano: Susan Graham)
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson" (feat. viola: Tabea Zimmermann)
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau" (feat. flute: Emmanuel Pahud)

• Emerson Concerto: I.
• Emerson Concerto: II.
• Emerson Concerto: III.
• Emerson Concerto: IV.
• Symphony No. 1: I. Allegro con moto
• Symphony No. 1: II. Adagio molto
• Symphony No. 1: III. Scherzo
• Symphony No. 1: IV. Allegro molto

• Symphony No. 1 in D minor: I. Allegro
• Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
• Symphony No. 1 in D minor: III. Scherzo. Vivace
• Symphony No. 1 in D minor: IV. Allegro molto
• Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
• Three Places in New England: II. Putnam's Camp, Redding, Connecticut
• Three Places in New England: III. 'The Housatonic at Stockbridge
• Robert Browning Overture

• Violin Sonata 1: I. Andante
• Violin Sonata 1: II. Largo Cantabile
• Violin Sonata 1: III. Allegro
• Violin Sonata 2: I. Autumn
• Violin Sonata 2: II. In the Barn
• Violin Sonata 2: III. The Revival
• Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
• Violin Sonata 3: II. Allegro
• Violin Sonata 3: III. Adagio Cantabile
• Violin Sonata 4: I. Allegro
• Violin Sonata 4: II. Largo
• Violin Sonata 4: III. Allegro

• "Country Band" March
• Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
• Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
• Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
• Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
• Postlude in F
• Calcium Light Night
• Yale-Princeton Football Game
• Set for Theatre Orchestra: In the Cage
• Set for Theatre Orchestra: In the Inn
• Set for Theatre Orchestra: In the Night
• Largo Cantabile: Hymn
• Three Places in New England: The "Saint-Gaudens" in Boston Common
• Three Places in New England: Putnam's Camp, Redding, Connecticut
• Three Places In New England: The Housatonic at Stockbridge

• Robert Browning Overture, S. 27
• Symphony No. 2, S. 2: I. Andante moderato
• Symphony No. 2, S. 2: II. Allegro
• Symphony No. 2, S. 2: III. Adagio cantabile
• Symphony No. 2, S. 2: IV. Lento maestoso
• Symphony No. 2, S. 2: V. Allegro molto vivace

• Symphony No. 1: I. Allegro
• Symphony No. 1: II. Adagio molto (sostenuto)
• Symphony No. 1: III. Scherzo: Vivace
• Symphony No. 1: IV. Allegro molto
• Symphony No. 4: I. Prelude: Maestoso
• Symphony No. 4: II. Allegretto
• Symphony No. 4: II. Fugue: Andante moderato
• Symphony No. 4: IV. Largo maestoso
• Orchestral Set No. 2: I. An Elegy to Our Forefathers
• Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
• Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose

• Symphony No. 4: I. Prelude: Maestoso
• Symphony No. 4: II. Allegretto
• Symphony No. 4: III. Fugue: Andante moderato
• Symphony No. 4: IV. Largo maestoso
• Symphony No. 2: I. Andante moderato
• Symphony No. 2: II. Allegro
• Symphony No. 2: III. Adagio cantabile
• Symphony No. 2: IV. Lento maestoso
• Symphony No. 2: V. Allegro molto vivace

• June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (beg.)
• June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (end)
• June 12, 1933 - Four Transcriptions from 'Emerson,' No.3
• June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg.)
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end)
• mid 1930s - Study No.11 (abandoned)
• mid 1930s - Study No.11
• mid 1930s - Study No.11, v2
• mid 1930s - Patch for Study No.23
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg., v2)
• mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end, v2)
• mid 1930s - Four Transcriptions from 'Emerson,' No.3
• mid 1930s - Four Transcriptions from 'Emerson,' No.3, v2
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
• May 11, 1937 - Study No.11
• May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
• May 11, 1937 - Study No.2 with false starts
• May 11, 1937 - Study No.2 (beg.)
• May 11, 1937 - Study No.2 (end)
• May 11, 1937 - Study No.23 (partial)
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
• May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
• May 11, 1937 - Study No.23 (partial, v2)
• May 11, 1937 - Three Improvisations, No.1
• May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt)
• May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
• May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
• May 11, 1937 - Study No.20 (partial)
• May 11, 1937 - Three Improvisations, No.3
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial)
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v2)
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v3)
• April 24, 1943 - Study No.2 + Study No.23 (mixed)
• April 24, 1943 - Four Transcriptions from 'Emerson,' No.3 (abandoned)
• April 24, 1943 - Study No.9
• April 24, 1943 - They are There!, first take (abandoned)
• April 24, 1943 - They are There!, second take
• April 24, 1943 - They are There!, third take
• April 24, 1943 - March No.6 for Piano, with 'Here's to Good Old Yale'
• April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts'

• Three Places in New England - 1. The Saint-Gaudens in Boston Common
• Three Places in New England - 2. Putnams' Camp, Redding, Connecticut
• Three Places in New England - 3. The Housatonic at Stockbridge
• The Unanswered Question
• A Set of Pieces - 1. In the Cage
• A Set of Pieces - 2. In the Inn
• A Set of Pieces - 3. In the Night
• Symphony No.3 - I. Old Folks Gatherin'
• Symphony No.3 - II. Children's Day
• Symphony No.3 - III. Communion
• Set No.1 - 1. The Seer
• Set No.1 - 2. A Lecture (Tolerance)
• Set No.1 - 3. The Ruined River (The New River)
• Set No.1 - 4. Like a Sick Eagle
• Set No.1 - 5. Calcium Light Night
• Set No.1 - 6. Allegretto Sombreoso

• The Unanswered Question
• Holidays (Symphony): I. Washington's Birthday
• Holidays (Symphony): II. Decoration Day
• Holidays (Symphony): III. The Fourth of July
• Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
• Central Park in the Dark
• Concerto for Orchestra

• String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
• String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
• String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
• String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
• Scherzo, S. 84 No. 2 "Holding Your Own"
• String Quartet in B major, Op. 11: I. Molto allegro e appassionato
• String Quartet in B major, Op. 11: II. Molto adagio - attacca:
• String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
• String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
• String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
• String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso

• Symphony No. 2, S. 2: I. Andante moderato
• Symphony No. 2, S. 2: II. Allegro
• Symphony No. 2, S. 2: III. Adagio cantabile
• Symphony No. 2, S. 2: IV. Lento maestoso
• Symphony No. 2, S. 2: V. Allegro molto vivace
• Symphony No. 3 "The Camp Meeting", S. 3: I. "Old Folks Gatherin'", Andante maestoso
• Symphony No. 3 "The Camp Meeting", S. 3: II. "Children's Day", Allegro
• Symphony No. 3 "The Camp Meeting", S. 3: III. "Communion", Largo
• "Central Park in the Dark", Molto Adagio

• Three Places in New England: I. The "St. Gaudens" in Boston Common
• Three Places in New England: II. Putnam's Camp, Redding, Connecticut
• Three Places in New England: III. The Housatonic at Stockbridge
• March III with the air "Old Kentucky Home"
• The Unanswered Question
• Central Park in the Dark
• Fugue in Four Keys on "The Shining Shore"
• Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
• Symphony No. 3 "The Camp Meeting": II. Children's Day
• Symphony No. 3 "The Camp Meeting": III. Communion

• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson" (feat. viola: John Graham)
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
• Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau" (feat. flute: Samuel Baron)

• The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
• The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
• West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• August, S. 216 (baritone: William Sharp, piano: Steven Blier)
• September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
• From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
• The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
• From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
• The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
• Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
• Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
• 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
• Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
• The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)

• He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
• Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
• Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
• Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
• Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
• Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
• Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
• Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
• Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
• To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
• Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
• They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)

• I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
• Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
• Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
• Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
• Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
• Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
• Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
• Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)

• Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
• There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
• Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
• When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
• Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
• World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
• Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
• My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
• From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
• Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
• Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
• Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
• Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
• Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)

• A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
• A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
• A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
• A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
• The Unanswered Question, S. 50 (revised version)
• Central Park in the Dark, S. 34
• The Unanswered Question, S. 50 (original version)

• Symphony No. 2, S. 2: I. Andante moderato
• Symphony No. 2, S. 2: II. Allegro
• Symphony No. 2, S. 2: III. Adagio cantabile
• Symphony No. 2, S. 2: IV. Lento maestoso
• Symphony No. 2, S. 2: V. Allegro molto vivace
• Symphony No. 3 "The Camp Meeting", S. 3: I. Old Folks Gatherin'
• Symphony No. 3 "The Camp Meeting", S. 3: II. Children's Day
• Symphony No. 3 "The Camp Meeting", S. 3: III. Communion
• The Unanswered Question, S. 50

• Symphony No. 4, S. 4: I. Prelude: Maestoso
• Symphony No. 4, S. 4: II. Comedy: Allegretto
• Symphony No. 4, S. 4: III. Fugue: Andante moderato
• Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso

• I. Adagio con moto - Andante con moto - Allegro risoluto
• IIa. Allegro moderato - Andante
• IIb. Allegro »In the Inn«
• III. Largo - Allegro - Largo
• IVa. (ohne Tempoangabe) - IVb. Allegro - Presto
• V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante

• Three-Page Sonata
• Song Without (Good) Words
• Study No. 9 "Anti-Abolitionists Riots"
• Study No. 22 "22"
• Study No. 20
• Study No. 18
• Study No. 15
• Study No. 2
• Study No. 8
• Study No. 7
• Study No. 6
• Study No. 5
• Rough and Ready
• Scene Episode

• Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
• Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
• Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
• Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
• Three Quarter-Tone Pieces for Two Pianos: I. Largo
• Three Quarter-Tone Pieces for Two Pianos: II. Allegro
• Three Quarter-Tone Pieces for Two Pianos: III. Choral

• Symphony No. 2: I - Andante Moderato, II - Allegro
• Symphony No. 2: III - Adagio Cantabile
• Symphony No. 2: IV - Lento Maestoso, V - Allegro Molto Vivace
• Symphony No. 3: I - Old Folks Gatherin': Andante Maestoso
• Symphony No. 3: II - Children's Day: Allegro
• Symphony No. 3: III - Communion: Largo

• From the Steeples and the Mountains, S. 65
• The Things Our Fathers Loved, S. 372
• The Pond (Remembrance), S. 40
• Memories, S. 297
• Charlie Rutlage, S. 14iii
• The Circus Band, S. 33 No. 3
• Three Places in New England, S. 7: The "St. Gaudens" in Boston Common
• Three Places in New England, S. 7: Putnam's Camp, Redding, Connecticut
• Three Places in New England, S. 7: The Housatonic at Stockbridge
• In Flanders Fields, S. 277 (arr. David Del Tredici)
• They Are There! (A War Song March), S. 188
• Tom Sails Away, S. 378
• Symphony No. 4, S. 4: III. Fugue
• Psalm 100, S. 153
• Serenity, S. 177 (arr. John Adams)
• General William Booth Enters Into Heaven, S. 181
• The Unanswered Question (I & II), S. 50 (feat. trumpet: Glenn Fischthal)

• Symphony No. 2: I. Andante moderato
• Symphony No. 2: II. Allegro
• Symphony No. 2: III. Adagio cantablile
• Symphony No. 2: IV. Lento maestoso
• Symphony No. 2: V. Allegro molto vivace
• The Gong on the Hook and Ladder or Fireman's Parade on Main Street
• Tone Roads No. 1
• Hymn: Largo Cantabile
• Hallowe'en
• Central Park in the Dark
• The Unanswered Question

• Tom Sails Away
• Ann Street
• Thoreau
• Maple Leaves
• The Cage
• «1, 2, 3.»
• Evening
• Serenity - A unison chant
• The New River
• The White Gulls
• Slugging a Vampire
• West London - A sonnet
• Fron the «Incantation»
• Charlie Rutlage
• Slow March
• The Indians
• Walt Withman - from 20th Stanza
• Afterglow
• His Exaltation
• At the River
• In the Mornin'
• The Camp Meeting
• The Circus Band
• From Paracelsus
• Premonitions
• On the Counter
• A sea Dirge
• Like a Sick Eagle
• Soliloquy - or a Study in 7th and Other Things (feat. pianist: Marie-Noëlle André-Combes)
• Memories
• The One Way
• Remembrance
• A farewell to Land

• Symphony No.2-1 Andante moderato
• Symphony No.2-2 Allegro
• Symphony No.2-3 Adagio cantabile
• Symphony No.2-4 Lento maestoso
• Symphony No.2-5 Allegro molto vivace
• Symphony No.3-1 Old folks gatherin'
• Symphony No.3-2 Childrens day
• Symphony No.3-3 Communion
• Three places in New England-1 The "St Gaudens" in Boston Common
• Three places in New England-2 Putnam's Camp, Redding, Connecticut
• Three places in New England-3 The Housatonic at Stockbridge

Born: 1874-10-20

Died: 1954-05-19