Sasquatch! Music Festival is a music festival held annually at the Gorge Amphitheatre in George, Washington. It is presented by the House of Blues. There is an emphasis on indie rock bands and singer-songwriters, although there are also alternative rock, hip hop and comedy acts. The festival features four separate stages (Sasquatch! Main Stage, Bigfoot Stage, Rumpus Room, & Yeti Stage).

The Sasquatch! Music Festival was founded in 2002 by Pacific Northwest-based concert promoter Adam Zacks. Prior to the inception of the festival, Zacks booked and managed shows at the Roseland Theater in Portland, Oregon. After moving to Seattle, Washington to be closer to friends and family, Zacks began considering the creation of a music festival in the Pacific Northwest. In an interview with Seattle Weekly in September 2007, Zacks described the birth of Sasquatch!:

Sasquatch was an idea born on a hunch that there was untapped demand for a certain kind of festival that catered to the eclectic tastes of music enthusiasts. It started in 2002, which was shortly after a number of the touring festivals (Lollapalooza, Lilith, Horde) had petered out and the beginning of the wave of regional festivals that started with Coachella and now is a dominant force on the music landscape, with Bonnaroo, Austin City Limits, etc.

A music festival is a festival oriented towards music that is sometimes presented with a theme such as musical genre, nationality or locality of musicians, or holiday. They are commonly held outdoors, and are often inclusive of other attractions such as food and merchandise vending machines, performance art, and social activities. The Pythian Games at Delphi included musical performances, and may be one of the earliest festivals known. During the Middle Ages festivals were often held as competitions.

Many festivals are annual, or repeat at some other interval. Some, including many rock festivals, are held only once. Some festivals are organized as for-profit concerts and others are benefits for a specific cause.

Another type of music festival is the educative type, organised annually in local communities, regionally or nationally, for the benefit of amateur musicians of all ages and grades of achievement. While entrants perform prepared pieces in the presence of an audience which includes competitors, the essential feature of this type of festival is that each participant receives verbal and written feedback, there and then, from a highly qualified, professional adjudicator — someone whom they might never meet in any other way. They also usually receive a certificate, classified according to merit, and some may win trophies. The competitive element is often played down, however, as the important aspect is that participants can learn from one another. Such festivals aim to provide a friendly and supportive platform for musicians to share in the excitement of making music. For many they provide a bridge between lessons & examinations and performing confidently in public.

The Dancing Man is the name given to the man who was filmed dancing on the street in Sydney, Australia, after the end of World War II. On 15 August 1945, a reporter took note of a man's joyful expression and dance and asked him to do it again. The man consented and was caught on motion picture film in an Australian edition of the newsreel Movietone News. The film and stills from it have taken on iconic status in Australian history and culture, and symbolise victory in the war.

There has been much debate as to the identity of the dancing man. The identity commonly accepted, though, is that he is Frank McAlary, a retired barrister who claims that he was the man photographed pirouetting in Elizabeth Street, Sydney, on 15 August 1945. A Queen's Counsel, Chester Porter, and a former Compensation Court judge, Barry Egan, both claim to have seen Mr. McAlary being filmed dancing.

The television programme Where Are They Now, produced by Australia's Seven Network, attempted to solve the mystery of the dancing man's identity. The network hired a forensic scientist who examined the film reel and picture and came to the conclusion that it was indeed McAlary.