In alternating current (AC, also ac), the movement of electric charge periodically reverses direction. In direct current (DC, also dc), the flow of electric charge is only in one direction.

The abbreviations AC and DC are often used to mean simply alternating and direct, as when they modify current or voltage.

AC is the form in which electric power is delivered to businesses and residences. The usual waveform of an AC power circuit is a sine wave. In certain applications, different waveforms are used, such as triangular or square waves. Audio and radio signals carried on electrical wires are also examples of alternating current. In these applications, an important goal is often the recovery of information encoded (or modulated) onto the AC signal.

The first alternator to produce alternating current was a dynamo electric generator based on Michael Faraday's principles constructed by the French instrument maker Hippolyte Pixii in 1832. Pixii later added a commutator to his device to produce more commonly used direct current. The earliest recorded practical application of alternating current is by Guillaume Duchenne, inventor and developer of electrotherapy. In 1855, he announced that AC was superior to direct current for electrotherapeutic triggering of muscle contractions.

Nikola Tesla (Serbian Cyrillic: Никола Тесла; 10 July 1856 – 7 January 1943) was a Serbian-American inventor, physicist, mechanical engineer, electrical engineer, and futurist. He was an important contributor to the use of commercial electricity, and is best known for developing the modern alternating current (AC) electrical supply system. His many revolutionary developments in the field of electromagnetism in the late 19th and early 20th centuries were based on the theories of electromagnetic technology discovered by Michael Faraday. Tesla's patents and theoretical work also formed the basis of wireless communication and the radio.

Born in the village of Smiljan (now part of Gospić, present day Croatia), Tesla was a subject of the Austrian Empire by birth and later became an American citizen. Because of his 1894 demonstration of short range wireless communication through radio and as the eventual victor in the "War of Currents", he was widely respected as one of the greatest electrical engineers who worked in America. He pioneered modern electrical engineering and many of his discoveries were of groundbreaking importance. In the United States during this time, Tesla's fame rivaled that of any other inventor or scientist in history or popular culture. Tesla demonstrated wireless energy transfer to power electronic devices in 1891, and aspired to intercontinental wireless transmission of industrial power in his unfinished Wardenclyffe Tower project.

Henry (Hank) Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone that was neither as aggressive as John Coltrane nor as mellow as Stan Getz. In addition, as his style was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and Coltrane. The critic Stacia Proefrock claimed he is "one of the more underrated musicians of the bop era."

Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. When he was 16, an illness kept him in the house for several months. His uncle thought of buying a saxophone to help him occupy his time. It was then that Mobley began to play sax. He tried to enter a music school in Newark, but couldn't, since he was not a resident, so he kept studying through books at home. At 19, he started to play with local bands and, months later, worked for the first time with musicians like Dizzy Gillespie and Max Roach. He took part in one of the earliest hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver and the Jazz Messengers. They contrasted with the classical pretensions of cool jazz, with Mobley's rich lyricism being bluesier, alongside the funky approach of Horace Silver. When The Jazz Messengers split in 1956, Mobley continued on with pianist Horace Silver for a short time, although he did work again with Blakey some years later, when the drummer appeared on Mobley's albums in the early 1960s.