Hemanta Kumar Mukhopadhyay (; Hemonto Kumar Mukhopaddhae) also known as Hemanta Mukherjee (16 June 1920 – 26 September 1989) was an Indian singer, composer and producer. He sang in Hindi films under the name Hemant Kumar.
Early life
Hemanta was born in the city of
Varanasi,
India although his family hailed from a village named Baharu in West Bengal. They migrated to
Calcutta in the early 20th century. Hemanta grew up there and attended Mitra Institution school of
Bhawanipore area. There he met his longtime friend,
Subhas Mukhopadhyay who later became a Bengali poet. After passing the intermediate examinations (12th grade), Hemanta joined
Jadavpur University to study
Engineering. However, he quit academics to pursue a career in music, despite parental objection. He briefly tried his hand at literature and also published a short story in a prestigious Bengali magazine called
Desh, but by the late-1930s he was committed entirely to music.
Early music career
Under the influence of his friend Subhas Mukhopadhyay, Hemanta recorded his first song for
All India Radio in 1933. The first line of the song was
Amar Ganete Ele Nabarupi Chirantanii. Hemanta's music career was primarily mentored by the Bengali musician,
Sailesh Duttagupta. In an interview on television in the early 1980s, Hemanta had mentioned that he had also received classical music training from Ustad
Faiyaz Khan, but his tutelage was cut short by Ustad's untimely death.
In 1937, Hemanta cut his first gramophone disc under the Columbia label. The songs (non-film) on this disc were Janite Jadi Go Tumi and Balo Go Balo More whose lyrics were by Naresh Bhattacharya and music was composed by Sailesh Duttagupta. Thereafter, every year Hemanta continued to record non-film discs for the Gramophone Company of India (GCI) till 1984. His first Hindi songs were Kitana Dukh Bhulaya Tumne and O Preet Nibhanewali, released in 1940 under GCI's Columbia label. Music for these songs were composed by Kamal Dasgupta, lyrics were by Faiyaz Hashmi.
Hemanta's first film song was in the Bengali film Nimai Sanyas released in 1941. Music for this film was scored by Hariprasanna Das. Hemanta's first compositions for himself were the Bengali non-film songs Katha Kayonako Shudhu Shono and Amar Biraha Akashe Priya in 1944. Lyrics of these two songs were by Amiya Bagchi.
His first Hindi film songs were in Irada in 1944 under Pt. Amarnath's music direction. Lyrics were by Aziz Kashmiri.
Hemanta is considered a foremost exponent of Rabindrasangeet. His first recorded Rabindrasangeet was in the Bengali film Priya Bandhabi (1944). The song was Pather Sesh Kothaye. He recorded his first non-film Rabindrasangeet disc in 1944 under the Columbia label. The songs were Aamar Aar Habe Na Deri and Keno Pantha E Chanchalata.
His first movie as a music director was the Bengali film Abhiyatri in 1947. Although many of the songs Hemanta recorded during this time received critical acclaim, major commercial success eluded him until 1947. Some contemporary male singers of Hemanta in Bengali around that period were Jaganmay Mitra, Robin Majumdar, Satya Chowdhury, Dhananjay Bhattacharya, Sudhirlal Chakraborty, Bechu Dutta and Talat Mahmood.
Family
Hemanta had three brothers and a sister, Nilima. His elder brother, Tarajyoti, was a short-story writer in Bengali. The youngest brother,
Amal Mukhopadhyay, composed music for some Bengali movies, most notably
Hospital and
Abak Prithibi. He also recorded a few Bengali songs in the 1960s.
In 1945, Hemanta married Bela Mukherjee (died 25 June 2009), a singer from Bengal. Although Bela (maiden name also Bela Mukhopadhyay) had sung some popular songs in a Bengali movie, Kashinath (1943), with music by Pankaj Mullick – she did not actively pursue her musical career after marriage.
They had two children: a son, Jayant, and a daughter, Ranu. Ranu as Ranu Mukhopadhyay pursued a music career in the late 1960s and early 1970s, with somewhat limited success. Jayant is married to Moushmi Chatterjee, an Indian film actress who was popular in the 1970s.
Success and migration to Mumbai
In the mid 1940s, Hemanta became an active member of the
Indian People's Theatre Association (IPTA) and started an association with another active IPTA member – songwriter and composer –
Salil Chowdhury. One of the main driving forces behind the establishment of IPTA was the
Bengal famine of 1943 and the inaction of the British administration and wealthy Indians to prevent it from happening. In 1948, Hemanta recorded a non-film song called
gaNyer badhu (literally translates to 'The rural bride') that had music and lyrics by Salil Chowdhury. The six minute song recorded on two sides of a 78 rpm disc was sung at a varying pace and lacked the conventional structure and romantic theme of a Bengali song. It depicted an idyllic, prosperous and caring rural woman's life and family, and how it gets ravaged by the demons of famine and ensuing poverty. This song generated an unforeseen popularity for Hemanta and Salil in eastern India, and, in a way, established Hemanta ahead of his male contemporaries. Hemanta and Salil paired again in several songs over the next four years and almost all these songs proved to be very popular.
Around the same period, Hemanta started receiving more assignments for music composition for Bengali films. Some of these films were for a director named Hemen Gupta. When Hemen moved to Mumbai a few years later, he called upon Hemanta to compose music for his first directorial venture in Hindi titled Anandmath under the Filmistan banner. Responding to this call, Hemanta migrated to Mumbai in 1951 and joined the Filmistan Studios. The music of Anand Math (1952) was a moderate success. Perhaps, the most notable songs from this movie is vande mataram sung by Lata Mangeshkar, which Hemanta set to a marching tune. Following Anandmath, Hemanta scored music for a few Filmistan movies like Shart in subsequent years, the songs of which received moderate popularity. Simultaneously, Hemanta also gained popularity in Mumbai as a playback singer. His songs playbacked for actor Dev Anand under music director Sachin Dev Burman in movies like Jaal, House No. 44, and Solva Saal became quite popular.
Career rise
By the mid-1950s, Hemanta had consolidated his position as a prominent singer and composer. In Bengal, he was one of the foremost exponents of Rabindrasangeet and perhaps the most sought after male singer. In Mumbai, along with playback singing, He also carved a niche as a composer. He composed music for a Hindi film called
Nagin (1954) which became a major success owing largely to its music. Songs of Nagin remained chart-toppers continuously for two years and culminated in Hemant receiving the prestigious
Filmfare Best Music Director Award in 1955. The very same year, he scored music for a Bengali movie called
Shapmochan in which he also played back four songs for the Bengali actor
Uttam Kumar. This started a long partnership between Hemant and Uttam as a playback singer-actor pair. They were the most popular singer-actor duo in
Bengali Cinema over the next decade.
In the latter part of the 1950s, Hemanta composed music and sang for several Bengali and Hindi films, recorded several Rabindrasangeets and Bengali non-film songs. Almost all of these, especially his Bengali songs became very popular. This period can be termed as the zenith of his career and lasted for almost a decade. He sang songs composed by the major music directors in Bengal such as Nachiketa Ghosh, Robin Chatterjee and Salil Chowdhury. Some of the notable films Hemanta himself composed music for during this period include Harano Sur, Marutirtha Hinglaj, Neel Akasher Neechey, Lukochuri, Swaralipi, Deep Jwele Jaai, Shesh Parjanta, Kuhak, Dui Bhai, and Saptapadi in Bengali, and, Jagriti and Ek Hi Raasta in Hindi.
Movie production
In the late 1950s, Hemanta ventured into
movie production under his own banner Hemanta-Bela productions. The first movie under this banner was a Bengali film directed by
Mrinal Sen, titled
Neel Akasher Neechey(1959). The story of this film was based on the travails of a
Chinese street hawker in Calcutta in the backdrop of
India's freedom struggle. The movie went onto win the
President's Gold Medal – the highest honour for a movie from
Government of India. In the next decade, Hemanta's production company was renamed Geetanjali productions and it produced several Hindi movies such as
Bees Saal Baad,
Kohraa,
Biwi Aur Makaan,
Faraar,
Rahgir and
Khamoshi – all of which had music by Hemanta. Almost all of these, except
Bees Saal Baad and
Khamoshi, weren't major commercial successes. Back in Bengal, Hemanta scored music for a movie titled
Palatak in 1963 where he experimented with merging
Bengal Folk Music and light music. This proved to be a major success and Hemanta's composition style changed noticeably for many of his future films in Bengal such as
Baghini, and
Balika Badhu. In Bengali films
Manihar and
Adwitiya, both of which were major musical as well as commercial successes, his compositions had a light classical tinge. In 1961, for commemorating
Rabindranath Tagore's birth centenary, Gramophone company of India featured Rabindrasangeet by Hemanta in a large portion of its commemorative output. This too proved to be a major commercial success. Hemanta also went on several overseas concert tours in this period including his trip to the
West Indies. Overall, in the 1960s decade he retained his position as the major male singer in Bengal, and, as a composer and singer to be reckoned with in Hindi films.
Latter part of career
In the 1970s, Hemanta's contribution in Hindi films was nominal. He scored music for a handful of his home productions, but none of these movies were successful nor the music of them. In Bengal, however, he remained the foremost exponent of Rabindrasangeet. His non-film output was popular in the early part of the decade. In 1971, Hemanta debuted as a
film director in for his self-produced Bengali movie titled
Anindita. The movie didn't fare exceedingly well at the box office. In the early to mid 1970s, two major music composers in Bengal,
Nachiketa Ghosh and
Robin Chatterjee, who had worked closely with Hemanta since the early 1950s, died. Simultaneously, music composed by Hemanta for Bengali films like
Fuleswari,
Raag Anurag and
Dadar Kirti established Hemanta as the major film music composer in the Bengal movie scene. In 1979, Hemanta re-recorded some of his earlier works with composer
Salil Chowdhury from the 1940s and 1950s. This album, titled 'Legend of Glory, vol. 2' was a major commercial success, despite Hemanta's aged and slightly tired voice.
In 1980, Hemanta suffered a major heart attack (myocardial infarction) that severely affected his vocal capabilities, especially his breath control. He continued to record songs in the early eighties, but his voice was a shade of its rich baritone past. In 1984, Hemanta was felicitated by different organizations, most notably by the Gramophone Company of India, for completing 50 years in music. Ironically, that very year Hemanta released his last album with Gramophone Company of India – a 45 rpm extended play disc with four non-film songs. Over the next few years, Hemanta released non-film songs under various small-time labels that had cropped up in the nascent cassette-based music industry. Only a few of these were commercially successful. He composed music for a handful of Bengali movies and one Bengali and one Hindi tele-series. However, by this time he had become an institution, a beloved personality, and a courteous and friendly gentleman. He continued to feature regularly on All India Radio, Doordarshan (TV) and live programmes/concerts during this period.
In September 1989, he travelled to Dhaka, Bangladesh to receive the Michael Madhusudan Award. He performed a concert in Dhaka as well. Immediately after returning from this trip, he suffered a major heart attack (myocardial infarction) on September 26 and breathed his last at 11:15 pm in a nursing home in South Calcutta. Interestingly, even 15 years after his death, Gramophone Company of India releases at least one album by him every year, repackaging his older songs, because of the commercial viability of his songs. His legacy still lives on through the numerous songs he has recorded, music he has composed and through many male singers in Bengal and the rest of India who continue to imitate his singing style.
English filmography as a composer
1972: Siddhartha
Bengali filmography as a composer
Total number of films:
138
1947: Abhiyatri, Purbaraag
1948: Bhuli Naai, Padma Pramatta Nadi, Priyatama
1949: Diner Par Din, '42, Sandipan Pathshala, Swami
1951: Jighansa, Paritran
1952: Swapno O Samadhi-(Jointly with Khagen Dasgupta)
1955: Shapmochan
1956: Suryamukhi
1957: Shesh Parichay, Taser Ghar, Harano Sur
1958: Lukochuri, Shikar, Surjatoran, Joutuk, Neel Akasher Neechey
1959: Deep Jwele Jaai, Khelaghar, Marutirtha Hinglaj, Sonar Harin, Kshaniker Atithi
1960: Baishey Shravan, Gariber Meye, Kuhak, Khoka Babur Prayabartan, Shesh Paryanta
1961: Dui Bhai, Agni Sanskar, Madhya Rater Tara, Punashcha, Saptapadi, Sathi Hara, Swaralipi
1962: Atal Jaler Ahwan, Agun, Dada Thakur, Hansuli Banker Upakatha, Nabadiganta
1963: Badshah, Barnachora, Ek Tukro Agun, High Heel, Palatak, Saat Pake Bandha, Shesh Prahar, Tridhara
1964: Arohi, Bibhas, Natun Tirtha, Pratinidhi, Prabhater Rang, Swarga Hotey Biday, Sindure Megh
1965: Alor Pipasa, Ek Tuku Basa, Ek Tuku Chhonya Lage, Suryatapa
1966: Kanch Kata Hirey, Manihar
1967: Balika Badhu, Dushtu Prajapati, Nayika Sangbad, Ajana Shapath
1968: Adwitya, Baghini, Hansamithun, Jiban Sangeet, Panchasar, Parisodh
1969: Chena Achena, Man Niye, Parineeta, Shuk Sari
1970: Deshbandhu Chittaranjan, Duti Mon
1971: Kuheli, Malayadan, Nabarag, Nimantran, Sansar, Mahabiplabi Arabindo
1972: Anindita, Shriman Prithviraj
1974: Bikele Bhorer Phool, Thagini, Phuleshwari
1975: Agniswar, Mohan Baganer Meye, Nishi Mrigaya, Raag Anuraag, Sansar Simantey
1976: Banhi Sikha, Datta, Sankhabish, Pratisruti
1977: Din Amader, Hatey Roilo Tin, Mantramugdha, Pratima, Proxy, Rajani, Sanai, Shesh Raksha, Swati
1978: Ganadevta, Nadi Theke Sagare, Pranay Pasha
1979: Shahar Theke Dooray, Nauka Dubi
1980: Bandhan, Dadar Kirti, Paka Dekha, Pankhiraj, Shesh Bichar
1981: Kapal Kundala, Khelar Putul, Meghmukti, Subarna Golak
1982: Chhoto Maa, Chhut, Uttar Meleni, Pratiksha
1983: Amar Geeti, Rajeshwari
1984: Agni Shuddhi, Ajantay, Bishabriksha, Didi, Madhuban, Suryatrishna
1985: Bhalobasa Bhalobasa, Tagari
1986: Pathbhola, Ashirwad
1987: Pratibha, Tunibou, Agaman, Boba sanai, Parasmani, Surer Sathi
Hindi filmography as a composer
A: Anand Math, Anjaan, Anupama, Arab Ka Saudagar
B: Bahu, Bandhan, Bandi, Bandish, Bees Saal Baad, Bees Saal Pehle, Bhagwat Mahima, Bin Badal Barsaat, Biwi Aur Makaan
C: Chand, Champakali
D: Daku Ki Ladki, Do Dil, Do Dooni Char, Do Ladke Dono Kadke, Do Mastane, Durgesh Nandini, Duniya Jhukti Hai,Devi Choudhurani
E: Ek hi Raasta, Ek Jhalak
F: Ferry, Faraar, Fashion
G: Girl Friend
H: Hamara Watan, Hill Station, Hum Bhi Insaan Hai
I: Inspector
J: Jagriti
K: Khamoshi, Kohraa, Kitna Badal Gaya Insaan
L: Lagan, Laalten, Love in Canada
M: Maa Beta, Majhli Didi, Miss Mary
N: Nagin
P: Payal, Police
R: Rahgeer
S: Sahara, Sahib Bibi Aur Ghulam, Samrat, Sannata, Shart
T: Taj
U: Us Raat Ke Baad
Y: Yahudi Ki Ladki
Bhojpuri filmography as a composer
Ayel Basant Bahar (1961)
Balma Bada Nadaan (1964)
Hemant Kumar also sang several Marathi songs, notably "Mee Dolkara, Dolkara, Dolakra dariyacha raaja...." (मी डोलकर, डोलकर दर्याचा राजा) with Lata Mangeshkar. This song became immensely popular. Another popular Marathi song by Hemant Kumar, "Gomu sangatina mazya tu yeshil kay" (गोमू संगतीनं माझ्या तू येशील काय), is filmed on the famous actor Kashinath Ghanekar in the film Ha Khel Saavalyancha, हा खेळ सावल्यांचा.
References
Sources
# Hemanta Kumar Mukhopadhyay, "Ananda dhara", Deb Sahitya Kutir Press, Calcutta, 1970.
# A. Rajadhakshya and P. Wilhelm, "An Encyclopedia of Indian Cinema," 2nd ed., British Film Institute, 1999.
# S. Bhattacharya, "Amar gaaner swaralipi," A. Mukherjee Press, Calcutta, 1988.
External links
Songs of Hemanta Mukherjee
Hemant Kumar home page
Mostly complete discography
Articles on Hemanta Mukherjee
Hemanta's Hindi Filmography
Hemanta's Bengali Songs
Hemanta's Bangla Gaan
Hemanta Mukherjee's Bengali Songs
Category:1920 births
Category:1989 deaths
Category:Bengali music
Category:Bengali musicians
Category:Indian film singers
Category:Indian male singers
Category:People from Kolkata
Kumar, Hemant
Kumar, Hemant
Category:Artists from Varanasi
![Hemant Kumar - Beqarar Karke Hamen - Bees Saal Baad [1962]](http://web.archive.org./web/20110525194939im_/http://i.ytimg.com/vi/fOW2J57y1Fk/0.jpg "Hemant Kumar - Beqarar Karke Hamen - Bees Saal Baad [1962]")
![Hemant Kumar - Beqarar Karke Hamen - Bees Saal Baad [1962]](http://web.archive.org./web/20110525194939im_/http://i.ytimg.com/vi/Z08Io3YrimM/0.jpg "Hemant Kumar - Beqarar Karke Hamen - Bees Saal Baad [1962]")
![Lata - Kahin Deep Jale Dil - Bees Saal Baad [1962]](http://web.archive.org./web/20110525194939im_/http://i.ytimg.com/vi/lYrosI9NpG4/0.jpg "Lata - Kahin Deep Jale Dil - Bees Saal Baad [1962]")
