Benzedrine is the trade name of the racemic mixture of amphetamine (dl-amphetamine). The drug was often referred to as "bennies" by users and in literature. It was marketed under this brandname in the USA by Smith, Kline & French in the form of inhalers, starting in 1928.^{[citation needed]} Benzedrine was used to enlarge nasal and bronchial passages and it is closely related to other stimulants produced later, such as dextroamphetamine (d-amphetamine) and methamphetamine. Benzedrine should not be confused with the different substance benzphetamine.

While the drug was initially used for medical purposes, as a bronchodilator, early users of the Benzedrine inhaler discovered that it had a euphoric stimulant effect, resulting in its being one of the earliest synthetic stimulants to be widely used for recreational (i.e., non-medical) purposes. Even though this drug was intended for inhalation, some people used Benzedrine recreationally by cracking the container open and swallowing the paper strip inside, which was covered in Benzedrine. The strips were often rolled into small balls and swallowed, or taken with coffee or alcohol. Because of the stimulant side effect, physicians discovered that amphetamine could also be used to treat narcolepsy. This led to the production of Benzedrine in tablet form. Benzedrine was also used by doctors to perk up lethargic patients before breakfast.

Jerry Reed Hubbard (March 20, 1937 – September 1, 2008), known professionally as Jerry Reed, was an American country music singer, innovative guitarist, songwriter, and actor who appeared in more than a dozen films. His signature songs included "Guitar Man," "A Thing Called Love," "Alabama Wild Man," "Amos Moses", "When You're Hot, You're Hot" (which garnered a Grammy Award for Best Male Country Vocal Performance), "Ko-Ko Joe", "Lord, Mr. Ford", "East Bound and Down" (the theme song for the 1977 blockbuster Smokey and the Bandit, in which Reed co-starred), "The Bird," and "She Got the Goldmine (I Got the Shaft)".

Reed was born in Atlanta, Georgia, the second child of Robert and Cynthia Hubbard. Reed's grandparents lived in Rockmart and he would visit them from time to time. He was quoted as saying as a small child, while running around strumming his guitar, "I am gonna be a star. I'm gonna go to Nashville and be a star." Reed's parents separated four months after his birth, and he and his sister spent seven years in foster homes or orphanages. Reed was reunited with his mother and stepfather in 1944. Music and impromptu performances helped ease the stressful times the new family was under.^{[citation needed]}

Bulee "Slim" Gaillard (January 4, 1916 – February 26, 1991) was an American jazz singer, songwriter, pianist, and guitarist, noted for his vocalese singing and word play in a language he called "Vout". (In addition to speaking 8 other languages, Gaillard wrote a dictionary for his own constructed language.)

Along with Gaillard's date of birth, his family lineage and place of birth are disputed. One account is that he was born in Santa Clara, Cuba of a Greek father and an Afro-Cuban mother; another is that he was born in Pensacola, Florida to a German father and an African-American mother. Adding to the confusion, the 1920 U.S. Census lists a 19-month-old boy named "Beuler Gillard" in Pensacola, but born in Alabama. He grew up in Detroit and moved to New York City in the 1930s.

According to the obituaries in leading newspapers, Gaillard's childhood in Cuba was spent cutting sugar-cane and picking bananas, as well as occasionally going to sea with his father. However, at the age of 12, he accompanied his father on a world voyage and was accidentally left behind on the island of Crete. After working on the island for a while, he made his home in Detroit. In America, Gaillard worked in an abattoir, trained as a mortician and also had been employed at Ford's Motor Works.^{[citation needed]}

Harry "The Hipster" Gibson (June 27, 1915 – May 3, 1991) was a jazz pianist, singer and songwriter.

Gibson played New York style Stride piano and boogie woogie while singing in a wild, unrestrained style. His music career began in the late 1920s, when as the young Harry Raab, his birth name, he played stride piano in Dixieland jazz bands in Harlem. He continued to perform there throughout the 1930s, adding the barrelhouse boogie of the time to his repertoire, and was discovered by Fats Waller in 1939 and brought down to mid-town Manhattan, where he made a splash and changed his surname to Gibson. Between 1939 and 1945, he played at various Manhattan jazz clubs on 52nd Street ("Swing Street"), most notably the Three Deuces, run by Irving Alexander, and Leon and Eddies, run by Leon Enkin and Eddie Davis.

In the 1940s, Gibson was known for writing unusual songs, which are considered ahead of their time. He was also known for his unique, wild singing style, his energetic and unorthodox piano styles, and for his intricate mixture of a hardcore, gutbucket boogie rhythms with ragtime, stride and jazz piano styles. Gibson took the boogie woogie beat of his predecessors, but he made it frantic; similar to the rock and roll music of the 1950s Examples of his wild style are found in the songs "Riot in Boogie" and "Barrelhouse Boogie". An example of his strange singing style is in the song "The Baby and the Pup." Other songs that Gibson recorded were "Handsome Harry, the Hipster", "I Stay Brown All Year 'Round", "Get Your Juices at the Deuces", and "Stop That Dancin' Up There." Gibson recorded a great deal, but there are very few visual examples of his act. However, in New York in 1944, he filmed three songs for the Soundies film jukeboxes, and he went to Hollywood in 1946 to guest star in the feature-length film musical Junior Prom. Gibson preceded the first white rock and rollers by a decade, but the Soundies he recorded show significant similarities to rock and roll.