Fast bowling

Fast bowling, sometimes known as pace bowling, is one of the two main approaches to bowling in the sport of cricket. The other is spin bowling. Practitioners are usually known as fast bowlers, fastmen, pace bowlers, quicks, or pacemen, although sometimes the label refers to the specific fast bowling technique the bowler prefers, such as swing bowler or seam bowler.

The aim of fast bowling is to bowl the hard cricket ball at high speed and to induce it to bounce off the pitch in an erratic fashion or move sideways through the air, factors which make it difficult for the batsman to hit the ball cleanly. A typical fast delivery has a speed in the range of 137–153 km/h (85–95 mph).

Categorisation of fast bowling

It is possible for a bowler to concentrate solely on speed, especially when young, but as fast bowlers mature they pick up new skills and tend to rely more on swing bowling or seam bowling techniques. Most fast bowlers will specialise in one of these two areas and will sometimes be categorised as swing or seam bowler. However, this classification is not satisfactory because the categories are not mutually exclusive and a skilled bowler will usually bowl a mixture of fast, swinging, seaming and also cutting balls, even if he prefers one style to the others. Also, due to pitch and weather conditions, it may be almost unsustainable to bowl to their full potential pace, meaning a fast bowler could average at a high 130 km/h instead of low 140 km/h, or a fast-medium bowler may extract more pace and bowl quicker than their average pace.

Beer

Beer is the world's most widely consumed and likely the oldestalcoholic beverage; it is the third most popular drink overall, after water and tea. The production of beer is called brewing, which involves the fermentation of starches, mainly derived from cereal grains—most commonly malted barley, although wheat, maize (corn), and rice are widely used. Most beer is flavoured with hops, which add bitterness and act as a natural preservative, though other flavourings such as herbs or fruit may occasionally be included. The fermentation process causes a natural carbonation effect, although this is often removed during processing, and replaced with forced carbonation. Some of humanity's earliest known writings refer to the production and distribution of beer: the Code of Hammurabi included laws regulating beer and beer parlours, and "The Hymn to Ninkasi", a prayer to the Mesopotamian goddess of beer, served as both a prayer and as a method of remembering the recipe for beer in a culture with few literate people.

Full Length LP

Full Length LP is the debut album by the Huntington Beach, California punk rock band Guttermouth, released in 1991 by Dr. Strange Records. It introduced the band's style of fast, abrasive punk rock with tongue-in-cheek humor and sarcastic lyrics. The album was originally released as an LP but was repackaged the following year as a CD including tracks from the band's first 2 EPs Puke and Balls, as well as the previously unreleased tracks "Malted Vomit" and "Ghost." It was re-released again in 1996 by Nitro Records under the title The Album Formerly Known as Full Length LP.

The album proved to be a success for the band, expanding their fan base and giving them opportunities to play shows all over southern California alongside other popular punk rock bands. An animated music video was made for the song “1, 2, 3…Slam!” and played on local punk rock and skateboarding video programs. Many of the songs from Full Length would remain staples in the band's live set throughout their career.

Nana Patekar

Vishwanath "Nana" Patekar (Marathi: नाना पाटेकर) (born 1 January 1951) is an Indian actor, writer and filmmaker.

Early life & Personal Life

Patekar was born in Marathi family as Vishwanath Patekar on 1 January 1951 in Murud-Janjira in Raigad District, Maharashtra, to Dinkar Patekar, a small textile printing businessman, and Sanjanabai Patekar, a housewife. He is an alumnus of the Sir J.J. Institute of Applied Art, Mumbai. Nana Patekar was married to Neelakanthi Patekar and they have a son Malhar Patekar. But their marriage life did not go well and it resulted in a divorce later on.

In September 2015, Nana Patekar established an organisation, Naam Foundation with fellow Marathi actor Makarand Anaspure, which works to provide aid to farmers to overcome by drought conditions in Maharashtra, India. '

Career

Patekar has played many types of roles. He has played the occasional villain but been a hero in most of his films.

Early 1970s and 1980 s

He acted in movies such as Gaman (1978), Mohre (1987) and Salaam Bombay! (1988) and was noticed by the mainstream Bollywood industry for his portrayal of the villain in the 1989 film, Parinda, for which he won his first National Film Award for Best Supporting Actor. He was also awarded the Filmfare Best Supporting Actor Award for the role.

Dimple Kapadia

Dimple Chunnibhai Kapadia (born 8 June 1957) is an Indian film actress. Kapadia made her acting debut at the age of 16, playing the title role in Raj Kapoor's teen romance Bobby (1973). In that same year she married Indian actor Rajesh Khanna. She is the mother of Twinkle Khanna and Rinke Khanna, both former actresses. Kapadia returned to the film industry in 1984 after her separation from Khanna. One of her films of that period was the drama Saagar (1985). Both Bobby and Saagar won her the Filmfare Award for Best Actress. She went on to establish herself as one of the leading actresses of Hindi cinema in the 1980s.

Initially recognized as a national sex symbol, Kapadia was keen to avoid being stereotyped and expand her range of acting roles. She subsequently took on more serious parts in a range of film genres, from mainstream to parallel cinema, and received acclaim for her performances in such films as Kaash (1987), Drishti (1990), Lekin... (1990), and Rudaali (1993), which earned her a National Film Award for Best Actress and a Filmfare Critics Award for Best Actress. She followed with supporting roles in Gardish (1993) and Krantiveer (1994), the latter of which garnered her a fourth Filmfare Award.