- published: 25 Jan 2015
- views: 180
Ann is a variant of Anne a female given name
Ann may also refer to:
Ann Taylor may refer to:
Jackson's first "lengthy" crawl is not for a toy, or food, or mommy, but for sissy's Blackberry!
Mining Memories was an oral history project by Limestone Journeys that captured the memories of local people from a time when mining was the dominant industry in the the Limestone Heritage Area. Limestone Journeys was a Landscape Partnership funded by the Heritage Lottery Fund. Pleasley Pit image courtesy of Aimee Casson
Several dodgy people are meeting each other in a mysterious house. A necklace was stolen, one or more of them are involved in this crime. The grotesque situation leads into a wild and action-packed chase between a bus and a train, which crashes spectacular in the harbor of London at the end. Hitchcock actually did not want to make this movie. The original story, a play of J.J. Farjean was so bad and clichee-ridden, that he didn´t expect it to make a good movie. Hitchcock made a virtue out of necessity and produced a grotesque! The charm of the film is the completely insane and mind-blowing plot and the good action.
Ann O'Connell chatting about directing 'An Ideal Husband' by Oscar Wilde at the Lantern Theatre, Netheredge, Sheffield (7.30pm 21 Sept-1 Oct 2016) on Sheffield Live Radio (93.2FM, www.sheffieldlive.org)
Mining Memories was an oral history project by Limestone Journeys that captured the memories of local people from a time when mining was the dominant industry in the the Limestone Heritage Area. Limestone Journeys was a Landscape Partnership funded by the Heritage Lottery Fund. Pleasley Pit image courtesy of Aimee Casson
STOP THE WEEK 12.04.1986 Robert Robinson in conversation with Ann Leslie, Milton Shulman, Nicholas Tucker and Hilary Rubinstein. Music from Sue Casson Stop the Week was a long-running BBC Radio 4 discussion programme chaired by Robert Robinson, which ran from 1974–1992.
Mining Memories was an oral history project by Limestone Journeys that captured the memories of local people from a time when mining was the dominant industry in the the Limestone Heritage Area. Limestone Journeys was a Landscape Partnership funded by the Heritage Lottery Fund. Pleasley Pit image courtesy of Aimee Casson
Jackson's first "lengthy" crawl is not for a toy, or food, or mommy, but for sissy's Blackberry!
Mining Memories was an oral history project by Limestone Journeys that captured the memories of local people from a time when mining was the dominant industry in the the Limestone Heritage Area. Limestone Journeys was a Landscape Partnership funded by the Heritage Lottery Fund. Pleasley Pit image courtesy of Aimee Casson
Several dodgy people are meeting each other in a mysterious house. A necklace was stolen, one or more of them are involved in this crime. The grotesque situation leads into a wild and action-packed chase between a bus and a train, which crashes spectacular in the harbor of London at the end. Hitchcock actually did not want to make this movie. The original story, a play of J.J. Farjean was so bad and clichee-ridden, that he didn´t expect it to make a good movie. Hitchcock made a virtue out of necessity and produced a grotesque! The charm of the film is the completely insane and mind-blowing plot and the good action.
Ann O'Connell chatting about directing 'An Ideal Husband' by Oscar Wilde at the Lantern Theatre, Netheredge, Sheffield (7.30pm 21 Sept-1 Oct 2016) on Sheffield Live Radio (93.2FM, www.sheffieldlive.org)
Mining Memories was an oral history project by Limestone Journeys that captured the memories of local people from a time when mining was the dominant industry in the the Limestone Heritage Area. Limestone Journeys was a Landscape Partnership funded by the Heritage Lottery Fund. Pleasley Pit image courtesy of Aimee Casson
STOP THE WEEK 12.04.1986 Robert Robinson in conversation with Ann Leslie, Milton Shulman, Nicholas Tucker and Hilary Rubinstein. Music from Sue Casson Stop the Week was a long-running BBC Radio 4 discussion programme chaired by Robert Robinson, which ran from 1974–1992.
Mining Memories was an oral history project by Limestone Journeys that captured the memories of local people from a time when mining was the dominant industry in the the Limestone Heritage Area. Limestone Journeys was a Landscape Partnership funded by the Heritage Lottery Fund. Pleasley Pit image courtesy of Aimee Casson
STOP THE WEEK 12.04.1986 Robert Robinson in conversation with Ann Leslie, Milton Shulman, Nicholas Tucker and Hilary Rubinstein. Music from Sue Casson Stop the Week was a long-running BBC Radio 4 discussion programme chaired by Robert Robinson, which ran from 1974–1992.
Robert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to improve her looks. Cast Joseph Schildkraut ... Kenneth Paulton Jetta Goudal ... Malena Paulton William Boyd ... Jack Moreland Vera Reynolds ... Beth Tyrell Trixie Friganza ... Harriet Tyrell Casson Ferguson ... Adrian Thompkyns Julia Faye ... Dolly Foules Clarence Burton ... Hugh Armstrong Charles West ... Wyatt Earnshaw Josephine Norman ... Anne Vener Wilson Benge ... Kenneth's Butler Robert Brower ... Elderly Party Guest Frank Coghlan Jr. ... Boy Scout Walter Long ... Rowdy in Burning-at-the-Stake Scene Chester Morris ... Party Guest Sally Rand ... Party Guest Dick Sutherland ... Torturer Direct...
Robert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to improve her looks. Cast Joseph Schildkraut ... Kenneth Paulton Jetta Goudal ... Malena Paulton William Boyd ... Jack Moreland Vera Reynolds ... Beth Tyrell Trixie Friganza ... Harriet Tyrell Casson Ferguson ... Adrian Thompkyns Julia Faye ... Dolly Foules Clarence Burton ... Hugh Armstrong Charles West ... Wyatt Earnshaw Josephine Norman ... Anne Vener Wilson Benge ... Kenneth's Butler Robert Brower ... Elderly Party Guest Frank Coghlan Jr. ... Boy Scout Walter Long ... Rowdy in Burning-at-the-Stake Scene Chester Morris ... Party Guest Sally Rand ... Party Guest Dick Sutherland ... Torturer Direct...
John Cena]
The untouchable cat whose style is right
I can be mistaken for the smooth and silent type
My violence bites tight like it was vampire's teeth
I'm hammerin chief, opponents with beef, you're put to sleep
My radical brain, will run your terrain, I'm comin again
It's simple and plain, you're hurtin, there's no numbin the pain
Warpin your frame to convex with ill techs
Still flex, kill specs on cassette decks
Mic checks, and tight reps, collect all live bets
We'll see how bright the lights get
The illest attack, I fight with artillery jacket
Physically smacked then verbally humbled
You stumble and fumble, so I gain posession
Music moves in cycles, natural progression
Thuganomics lesson is taught when records are bought
Analyzed for lies and fillers, nowadays
Gorillas make scrilla if the market's correct
All you need is a hook, and a hand to collect
Lack cred but respect MC's before me
Don't blast the back heat but the streets, can't ignore me
Hands nice, I rock your wigpiece, leave your hard rep soft
Just like when Miami left the Big East..
[Chorus *scratched*]
bu bu bu bu bu Bust that
Y'all know my steez, yo we raisin the bar
Assassinate the mainstream
Y'all know my steez, Trademarc and John Cena
Assassinate the mainstream
Y'all know my steez, yo we raisin the bar
Assassinate the mainstream
Y'all know my steez, Trademarc and John Cena
Assassinate the mainstream
[Trademarc]
I calculate between the hi-hat, the bassline
The slideback, the scene decides that, Trademarc
designed raps through divine contact
The synapse to climb a syntax error/era, define clever
We find Trademarc's photo ID below the letters
Your rhymes are general played, minimal blank
Your eyes was blinded by the signs of federal banks
You lost your focus of function
'Member back when MC's used to spit and say (shit) that meant somethin
The mainstream remained clean
Then the corporate industry became the same dream
And I leaned back below the scene
Mappin out the future warfare schemes
To sweep through the streets lethal, to meet you
Delete too, editorial restrictions
Cause labels need candy-ass rappers so the populars can listen
Not the caste system
The last talented cats that lost they status
Real raps end up gratis tracks on mixtapes that never sell
Cause executives and marketing schemes
Designed rims, hoes and music, and bed in jail
I know the veterans can tell, I see through the image
Mainstream acts is timid
I want hard beats, basslines, and lyrics that's vivid
A voice within it, tellin me real rap is comin back and boy it's livid
I want it, I breathe it, I live it
I cornered the scene and I bring destruction
You ain't worth your weight, never mind the cost of post-production
Introduction of Trademarc, the poet laureate
Through the diction of reason
Rhyme forever, but born out the 7 iller {?} to beat in