Post-production

Post-production, or postproduction, is part of the process of filmmaking, video production and photography. It occurs in the making of motion pictures, television programs, radio programs, advertising, audio recordings, photography, and digital art. It is a term for all stages of production occurring after shooting or recording individual program segments.

Traditional (analogue) post-production has been eroded away by video editing software that operates on a non-linear editing system (NLE).

Processes

Post-production is many different processes grouped under one name. These typically include:

SIT

SIT may refer to:

Places

Computing and Networking

Organizations

Educational organizations

To Be (song)

"To Be" is the English title of a Japanese-language song by Ayumi Hamasaki. It was released as the singer's eighth single on May 12, 1999. The song begins "Dare mo ga toorisugite...", and does not contain the phrase "to be" or any other English lyrics.

Information

"To Be" was released less than a month after her first number one single, "Love (Destiny)." Hamasaki's first song to be composed by Do as Infinity composer DAI, "To Be" was unable to reach the top position on the Oricon, unlike its predecessor. Hamasaki re-recorded "To Be" in celebrating her 10th anniversary in the music business in 2008 and it appeared as a B-Side on her Days/Green single.

PV

The music video for "TO BE" was directed by longtime collaborator Takeishi Wataru. It shows Hamasaki singing as seen by a little boy through a kaleidoscope. It makes use of various backgrounds, outfits, makeup, and wigs to bring as much color as possible into the world the little boy sees. At the end, the kaleidoscope lens breaks, and Hamasaki is seen in black and white.

Chhavi Mittal

Chhavi Mittal is an Indian bollywood film and television actress.

Filmography

Television

Films

References

External links

Assistant director

The role of an Assistant Director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew. The role of an Assistant to the Director is often confused with Assistant Director but the responsibilities are entirely different. The Assistant to the Director manages all of the Director's in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process. Historically, Assistant to Director was a stepping stone to directing work; Alfred Hitchcock was an AD, as was James McTeigue. This transition into film directing is no longer common in feature films. It is more common now for an Assistant to the Director to transition to a production management or producer role than to directing. In America, an Assistant to the Director is not a unionized role, but Assistant Directors of every level require membership to the Director's Guild of America. The DGA strictly monitors and regulates employment frequency and duration, salary, and promotions of Directors and are usually completely different from the requirements of filmmaking and should not be confused.