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Multi-platinum record producer Ron Nevison, throughout his career, has operated much like a surgeon, brought in during a critical point in a band's career to bring them back to the top from the commercial brink. Whether kick-starting a stalled hit maker like Jefferson Airplane back into flight as Jefferson Starship, or breathing fresh air back into an outdated band's sound- such as was the case with Heart and Chicago, via seminal 1980s Billboard # 1 ballads like "These Dreams" and "Look Away", respectively, Ron has rarely had a patient- metaphorically speaking- that he could not heal with his multi-platinum production touch.

Critics first took note of Ron's exceptional ear far ahead of many of his pop-rock peers, with one prominent example of the latter being Rolling Stone Magazine's observation in their 1973 review of The Who's Quadrophenia, which he engineered, that the album had been "magnificently recorded." Nevison's profile continued to rise through the mid-1970s as he helped to sonically shape a new generation of AOR rock via his engineering work on the first 3 Bad Company's LPs, Thin Lizzy, and perhaps most notably on Led Zeppelin's 1975 Physical Graffiti LP among a host of others. In addition to the aforementioned radio re-invention of Jefferson Starship via late 70s and early 80s hits like "Jane", Ron's transition into head producer for groups like The Babys, Traffic's Dave Mason (which produced the hit single "We Just Disagree"), UFO, and Eddie Money cemented his status as one of the industry's most in-demand hit record producers.