tonykwk39@gmail.com Mary Corse (born 1945) is an American artist who lives and works in Los Angeles, California. She is a member of the male-dominated Light and Space art movement of the 1960s, although her role has only been fully recognized in recent years. She is best known for her experimentation with radiant surfaces in minimalist painting, incorporating materials that reflect light such as glass microspheres. Corse received her B.F.A. from the University of California, Santa Barbara in 1963 and her M.F.A. from the Chouinard Art Institute (now CalArts) in 1968. In the mid-1960s, Mary Corse developed an interest in white monochrome paintings. These paintings use the controlled, geometric style of minimalism. She soon began to use shaped canvases. Corse became interested in three-dimensional works. She assembled columns out of plywood and joint compound, which she painted with white acrylic paint. During the same period, Corse started a series of works that encased fluorescent bulbs in Plexiglas boxes. In 1968, she began to embed glass microspheres, tiny reflective beads commonly used to brighten highway signs, in her paintings by mixing them with white acrylic paint. These "White Light Paintings" are "highly responsive to their environments and reveal internal complexities when lighting conditions fluctuate or viewers change their positions." Because of their capacity for transformation, The White Light paintings reflect Corse's interest in the personal and subjective nature of perception. In 2011, Corse created a collection of 5 new paintings, called "New Work" for her inaugural exhibition at Lehmann Maupin Gallery in New York City. The collection displayed her signature style of "radiant and reflective surfaces and...innovative technique of painting with glass microspheres" and represented three overall themes: perception, time, and inner dimensions. Corse's work has been featured in several historically significant exhibitions including Venice in Venice, a collateral exhibition created by Nyehaus in association with the J. Paul Getty Museum at the 54th Venice Biennale (2011); Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970 (J. Paul Getty Museum, Los Angeles and Martin-Gropius-Bau, Berlin, Germany, 2011); Phenomenal: California Light and Space (Museum of Contemporary Art San Diego, 2011). Corse was formerly represented by ACE Gallery in Los Angeles. In November 2016, her primary representation became Kayne Griffin Corcoran, while Lehmann Maupin continues to represent her in New York. Art works by Corse are held in the permanent collections of institutions such as the Los Angeles County Museum of Art; Museum of Contemporary Art Los Angeles; The Seattle Art Museum; Foundation Beyeler, Basel; Frederick R. Weisman Art Foundation, Los Angeles; Museum of Contemporary Art San Diego; Orange County Museum of Art, Newport Beach, California; Solomon R. Guggenheim Museum, New York; Blanton Museum of Art at the University of Texas at Austin; among others. Corse was awarded the Cartier Foundation award (1993), the Theodoran Award by the Solomon R. Guggenheim Museum (1971), and the New Talent Award by the Los Angeles County Museum of Art (1967). In 1975, she received a National Endowment for the Arts Fellowship. 瑪麗·科斯（1945年出生）是美國藝術家誰住在美國加利福尼亞州洛杉磯的作品。她是上世紀60年代的男性為主導的光與空間藝術運動中的一員，雖然她的角色只被充分近年來的認可。她最適合她在簡約繪畫輻射表面的實驗已知，結合反射光的諸如玻璃微球材料。科西嘉收到了她的B.F.A.從加州大學聖巴巴拉分校在1963年和她的M.F.A.從1968年喬伊納德藝術學院（現為加州藝術學院）。 在60年代中期，瑪麗·科斯開發了白色的單色畫的興趣。這些畫用極簡主義的控制，幾何風格。她很快就開始使用形畫布。三維作品產生了興趣科西嘉。她組裝了膠合板和填縫料列，這是她刷上了白色丙烯酸塗料。在同一時期，科西嘉開始了一系列的有機玻璃盒子包裹熒光燈泡的作品。 1968年，她開始用白色丙烯酸塗料混合它們嵌入玻璃微球，常用來照亮公路標誌的小反光珠，在她的畫。這些“白光畫集”是“高度敏感的環境和照明條件波動或觀眾改變自己的位置露出​​內部的複雜性。”由於他們的轉型能力，白光畫反映科西嘉在知覺的個人和主觀性的興趣。 2011年，科斯創造了5個新的繪畫作品的集合，被稱為“新工作”，她就職陳列在萊曼莫平畫廊在紐約市。收集展示了她的“喜洋洋與反射面和......用玻璃微球繪畫的創新技術”的標誌性風格和表示的三個總主題：感知，時間和內部尺寸。 科西嘉島的工作已經在幾個歷史顯著展覽，其中包括威尼斯在威尼斯，由Nyehaus關聯於蓋蒂博物館在第54屆威尼斯雙年展（2011年）創建的抵押展覽被刊登;太平洋標準時間：在洛杉磯逆流繪畫和雕塑，1950-1970（蓋蒂博物館，洛杉磯和馬丁 - 格羅皮烏斯 - 巴烏，柏林，德國，2011）;驚人：加州光與空間（圣迭戈當代藝術博物館，2011年）。科西嘉以前由ACE畫廊在洛杉磯表示。在2016年11月，她的主要表現成為凱恩格里芬科克倫，而萊曼莫平繼續代表她在紐約。 藝術作品科西嘉在機構，如藝術洛杉磯縣藝術博物館的永久收藏品舉行;當代藝術洛杉磯的博物館;西雅圖藝術博物館;基金會貝耶勒，巴塞爾;弗雷德里克·韋斯曼河藝術基金會，洛杉磯;圣迭戈當代藝術博物館;藝術，紐波特海灘，加利福尼亞州奧蘭治縣博物館;所羅門·R·古根海姆博物館，紐約;布蘭頓藝術博物館在德克薩斯大學奧斯汀分校的;等等。 科西嘉被授予了卡地亞基金會獎（1993年），該Theodoran獎由所羅門·R·古根海姆博物館（1971年），並通過藝術的洛杉磯縣藝術博物館（1967年）的新人獎。 1975年，她獲得了美國國家藝術基金會獎學金。

• published: 29 Apr 2017
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