Ray is the soundtrack of the 2004 film Ray starring Jamie Foxx (who won the Academy Award for Best Actor for his role as "Ray Charles" in this film), Kerry Washington, Terrence Howard, Clifton Powell and Regina King. The score was composed by Craig Armstrong.

The album won a Grammy Award and was nominated for the BAFTA Award for Best Film Music.

Track listing[link]

1. "Mess Around" 2:41
2. "I've Got a Woman" 2:52
3. "Hallelujah I Love Her So" 3:05
4. "Drown in My Own Tears" 3:21
5. "(Night Time Is) The Right Time" 3:24
6. "Mary Ann" 2:47
7. "Hard Times (No One Knows Better Than I)" 2:55
8. "What'd I Say" 4:38
9. "Georgia on My Mind" 3:39
10. "Hit the Road Jack" 2:00
11. "Unchain My Heart" 2:50
12. "I Can't Stop Loving You" (Live)
13. "Born to Lose" 3:15
14. "Bye Bye Love" 2:11
15. "You Don't Know Me" 3:16
16. "Let the Good Times Roll" 2:48
17. "Georgia on My Mind" (Live) 5:30

• Total Time: 54:28

A second CD, More music from Ray, featuring more music from the film, and "music that inspired the film", was released on Atlantic Records.^[1]

Citations[link]

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Ray Charles
Ray Charles in 1990
Background information
Birth name	Ray Charles
Born	(1930-09-23)September 23, 1930 Albany, Georgia, United States
Origin	Greenville, Florida, United States
Died	June 10, 2004(2004-06-10) (aged 73) Beverly Hills, California, United States
Genres	Rhythm and blues, soul, blues, soul blues, rock and roll, jazz, vocal jazz, country, pop, gospel
Occupations	Composer, musician, arranger, bandleader
Instruments	Vocals, piano, keyboards, alto saxophone, trombone
Years active	1947–2004
Labels	Atlantic, ABC, Warner Bros., Swing Time, Concord, Columbia, Flashback
Associated acts	The Raelettes, Quincy Jones, Betty Carter, Marvin Gaye, Billy Joel, James Brown, Little Richard
Website	Official website

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records.^[1][2][3] He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums.^[4][5][6] While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company.^[2] Frank Sinatra called Charles “the only true genius in show business.”

The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.

Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004,^[7] and number two on their November 2008 list of "100 Greatest Singers of All Time".^[8] In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"^[9]

Early life: 1930–1945[link]

Ray Charles Robinson was the son of Aretha Robinson, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman.^[10] Aretha Robinson was a devout Christian and the family attended the New Shiloh Baptist Church.^[11] When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit's Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray's brother, so as to take the burden off Williams. However, George drowned in the Williams' bath tub when he was four years old.^{[citation needed]} After witnessing the death of his brother, Ray would feel an overwhelming sense of guilt later on in life.

Charles started to lose his sight at the age of five. He went completely blind by the age of seven, apparently due to glaucoma.^[12][13] He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945,^[14] where he developed his musical talent.^[12] During this time he performed on WFOY radio in St. Augustine. His father died when he was 10 and his mother died five years after.

In school, Charles was taught only classical music, but he wanted to play the jazz and blues he heard on the family radio.^[14] While at school, he became the school's premier musician. On Fridays, the South Campus Literary Society held assemblies where Charles would play piano and sing popular songs. On Halloween and Washington's birthday, the Colored Department of the school had socials where Charles would play. It was here he established "RC Robinson and the Shop Boys" and sang his own arrangement of "Jingle Bell Boogie."^[15] He spent his first Christmas at the school, but later the staff pitched in so that Charles could return to Greenville, as he did each summer.

Henry and Alice Johnson, who owned a store not unlike Mr. Pit's store in Greenville, moved to the French town section of Tallahassee, just west of Greenville; and they, as well as Freddy and Margaret Bryant, took Charles in. He worked the register in the Bryants' store under the direction of Lucille Bryant, their daughter. It's said he loved Tallahassee and often used the drug store delivery boy's motorbike to run up and down hills using the exhaust sound of a friend's bike to guide him. Charles found Tallahassee musically exciting too and sat in with the Florida A&M University student band. He played with the Adderley brothers, Nat and Cannonball, and began playing gigs with Lawyer Smith and his Band in 1943 at the Red Bird Club and Deluxe Clubs in Frenchtown and roadhouse theaters around Tallahassee, as well as the Governor's Ball.^[16]

Career[link]

Early career: 1946–1952[link]

After his mother died in 1946, Charles was 15 years old and didn't return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Then he moved to Orlando, and later Tampa, where he played with a southern band called The Florida Playboys. This is where he began his habit of always wearing sunglasses, made by designer Billy Stickles.^[17]

Charles had always played for other people, but he wanted his own band. He decided to leave Florida for a large city, but Chicago and New York City were too big. After asking a friend to look in a map and note the city in the United States that was farthest from Florida, he moved to Seattle in 1947^[12] (where he first met and befriended, under the tutelage of Robert Blackwell, a 14-year-old Quincy Jones)^[18][19] and soon started recording, first for the Down Beat label as the Maxin Trio with guitarist G.D. McKee and bassist Milton Garrett, achieving his first hit with "Confession Blues" in 1949. The song soared to No. 2 on the R&B charts. He joined Swing Time Records and under his own name ("Ray Charles" to avoid being confused with boxer Sugar Ray Robinson)^[10] recorded two more R&B hits, "Baby, Let Me Hold Your Hand" (No. 5) in 1951 and "Kissa Me Baby" (No. 8) in 1952. The following year, Swing Time folded and Ahmet Ertegün signed him to Atlantic Records.^[12]

Atlantic Records: 1953–1958[link]

Charles laid low from recording until early 1953 as Atlantic executives cleared out Charles' contract with Swingtime. Charles began recording jump blues and boogie-woogie style recordings as well as slower blues ballads where he continued to show the vocal influences of Nat "King" Cole and Charles Brown. "Mess Around" became Charles' first Atlantic hit in 1953 and he later had hits the following year with "It Should Have Been Me" and "Don't You Know". He also recorded the songs, "Midnight Hour" and "Sinner's Prayer". Some elements of his own vocal style showed up in "Sinner's Prayer", "Mess Around" and "Don't You Know".

Late in 1954, Charles recorded his own composition, "I Got a Woman" and the song became Charles' first number-one R&B hit in 1955 and brought him to national prominence.^[20] The elements of "I Got a Woman" included a mixture of gospel, jazz and blues elements that would later prove to be seminal in the development of rock 'n' roll and soul music. He repeated this pattern throughout 1955 continuing through 1958 with records such as "This Little Girl of Mine", "Drown in My Own Tears", "Lonely Avenue", "A Fool For You" and "The Night Time (Is the Right Time)".

However, Charles didn't stop his ambitions of jazz recording a couple of instrumental jazz albums with vibraphonist Milt Jackson while also promoting his R&B career. By 1958, Charles was not only headlining black venues such as The Apollo Theater and The Uptown Theater but also bigger venues such as The Newport Jazz Festival. It was at the Newport festival where he cut his first live album. In 1956, Charles recruited a young all-female singing group named the Cookies, and reshaped them as The Raelettes. Before then, Charles had used his wife and other musicians to back him up on recordings such as "This Little Girl of Mine" and "Drown In My Own Tears". The Raelettes' first recording session with Charles was on the bluesy-gospel inflected "Leave My Woman Alone".

Crossover success: 1959–1967[link]

Charles in 1971. Photo: Heinrich Klaffs.

Charles reached the pinnacle of his success at Atlantic with the release of "What'd I Say", a complex song that combined gospel, jazz, blues and Latin music and a song that Charles would later say he composed spontaneously as he was performing in clubs and dances with his small band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became a crossover top ten pop record, Charles' first record to do so.^[21] Later in 1959, Charles recorded and released his first country song, a cover of Hank Snow's "Movin' On", and had recorded three more albums for the label including a jazz record (later released in 1961 as The Genius After Hours), a blues record (released in 1961 as The Genius Sings the Blues) and a traditional pop/big band record (The Genius of Ray Charles). The Genius of Ray Charles provided his first top 40 album entry where it peaked at #17 and was later held as a landmark record in Charles' career but Charles saw a bigger opportunity following his Atlantic contract expiring in the fall of 1959 when several big labels offered him record deals.

Choosing not to renegotiate his contract with Atlantic, Ray Charles signed with ABC-Paramount Records in November 1959, obtaining a much more liberal contract than other artists had at the time.^[22] Following the success of "What'd I Say" and The Genius of Ray Charles, ABC offered Charles a $ 50,000 annual advance, higher royalties than previously offered and eventual ownership of his masters — a very valuable and lucrative deal at the time.^[23] During his Atlantic years, Charles was heralded for his own inventive compositions, however, by the time of the release of the instrumental jazz LP Genius + Soul = Jazz (1960) for ABC's subsidiary label Impulse!, Charles had virtually given up on writing original material and had begun to follow his eclectic impulses as an interpreter.^[21]

With his first hit single for ABC-Paramount, Charles received national acclaim and a Grammy Award for the Sid Feller-produced "Georgia on My Mind", originally written by composers Stuart Gorrell and Hoagy Carmichael, released as a single by Charles in 1960.^[21][24] The song served as Charles's first work with Feller, who arranged and conducted the recording. Charles also earned another Grammy for the follow-up "Hit the Road Jack", written by R&B singer Percy Mayfield.^[25] By late 1961, Charles had expanded his small road ensemble to a full-scale big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to crossover into mainstream pop with such a level of creative control.^[21][26] This success, however, came to a momentary halt in November 1961, as a police search of Charles's hotel room in Indianapolis, Indiana during a concert tour led to the discovery of heroin in his medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned his focus on music and recording.^[26]

The 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. His version of the Don Gibson song, I Can't Stop Loving You topped the Pop chart for five weeks and stayed at No. 1 R&B for ten weeks in 1962. It also gave him his only number one record in the UK. In 1962, he founded his own record label, Tangerine Records, which ABC-Paramount promoted and distributed.^[27][28] He also had major pop hits in 1963 with "Busted" (US No. 4) and Take These Chains From My Heart (US No. 8). With the rise of younger soul performers such as James Brown, Otis Redding and Motown singers such as Smokey Robinson, Marvin Gaye and its own blind artist, Stevie Wonder, Charles' successes on the pop and R&B charts peaked after 1964 though he remained a huge concert draw.

Later years: 1967-2004[link]

1972 meeting of President Nixon and Ray Charles taken by Oliver F. Atkins

By 1967, Charles' commercial success had begun peaking on both pop and R&B charts though he would remain a concert draw both in the states and overseas. In 1965, Charles' career after being arrested for a third time for heroin halted after he agreed to go to rehab to avoid jail time. Charles kicked his habit at a clinic in Los Angeles. After spending a year on parole, Charles reemerged on the charts in 1966 with a series of hits composed with the fledgling team of Ashford & Simpson including the dance number, "I Don't Need No Doctor" (later covered in a hard rock style by British supergroup Humble Pie), "Let's Go Get Stoned", which became his first #1 R&B hit in several years, and "Crying Time", which reached #6 on the pop chart and later helped Charles win a Grammy Award the following March.

In 1967, he had a top twenty hit with another ballad, "Here We Go Again".^[29] Charles' renewed chart success, however, proved to be short lived and by the late 1960s his music was rarely played on radio stations partly due to the rise of psychedelic rock and harder forms of rock and R&B music and also due to Charles choosing to record pop standards and covers of then-modern day rock and soul hits as he had no desire to write due to him earning masters. Most of his recordings between 1966 and 1973 were either received well or poorly.^[12] Nonetheless, Charles continued to have an active recording career. Charles' 1972 album, Message from the People, included his unique gospel-influenced version of "America the Beautiful". In 1974, he left ABC Records and recorded several albums on his own Crossover Records label. His 1975 recording of Stevie Wonder's hit, "Living for the City" later helped Charles win another Grammy.

In 1977, he reunited with Ahmet Ertegun and Jerry Wexler and re-signed to Atlantic Records where he recorded the album, True to Life. However, the label had now begun focusing on rock acts and some of the label's prominent soul artists such as Aretha Franklin were starting to be neglected. Charles stayed with his old label until 1980. In November 1977 he appeared as the host of NBC's Saturday Night Live.^[30] In April of 1979, Charles' version of "Georgia On My Mind" was proclaimed the state song of Georgia. An emotional Charles performed the song on the floor of the state legislature.^[12] Though he notably supported the civil rights movement and Martin Luther King, Jr. in 1960s, Charles would be criticized for performing at South Africa's Sun City resort in 1981 during an international boycott of its apartheid policy.^[12] In 1983, Charles signed a contract with Columbia Records and recorded a string of country albums. Charles also began having a string of country hits often with duet singers such as George Jones, Chet Atkins, B.J. Thomas, Mickey Gilley, Hank Williams, Jr. and lifelong friend Willie Nelson, for which he recorded the #1 country duet, "Seven Spanish Angels". After 1987, his Columbia contract ended and Charles returned to recording pop music after signing with Warner Bros. Records. Prior to the release of his first Warner release, Would You Believe, Charles made a return on the R&B charts with a cover of The Brothers Johnson's "I'll Be Good to You", a duet with his lifelong buddy Quincy Jones and singer Chaka Khan. The song hit number-one on the R&B charts in 1990 and won Charles and Khan a Grammy for their dual work. Prior to this, Charles returned on the pop charts in another duet, with singer Billy Joel on the song, "Baby Grand" and in 1989, recorded a cover of the Southern All Stars' "Itoshi no Ellie", releasing it as "Ellie My Love" for a Japanese TV ad for Suntory releasing it in Japan where it reached #3 on its Oricon chart.^[31] Charles' 1993 album, My World became his first album in some time to reach the Billboard 200 and his cover of Leon Russell's "A Song for You" gave him a charted hit on the adult contemporary chart as well as his twelfth and final Grammy he would receive in his lifetime.

By the beginning of the 1980s, Charles would reach younger audiences by appearances in various films and TV shows. In 1980, he made a cameo on the film, The Blues Brothers. While he never appeared on the show, Charles' version of "Night Time is the Right Time" was played during the popular "Cosby Show" episode, "Happy Anniversary". In 1985, he appeared among a slew of other popular musicians in the USA for Africa charity recording, "We Are the World". Charles' popularity increased among younger audiences in 1991 after he appeared where he popularized the catchphrase "You Got the Right One, Baby" The catchphrase came from a song that was composed by Kenny Ascher, Joseph C. Caro and Helary Jay Lipsitz.^[32]

Charles with President Ronald Reagan and First Lady Nancy Reagan in 1984.

Charles also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 for Bill Clinton's first.^[33] In the late 1980s/early 1990s, Charles made appearances on the Super Dave Osbourne TV show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. During the sixth season of Designing Women, Charles sang "Georgia on My Mind", instead of the song being rendered instrumentally by other musicians as in the previous five seasons. He also appeared in 4 episodes of the popular TV comedy The Nanny in Seasons 4 & 5 (1997 & 1998) as 'Sammy', in one episode singing "My Yiddish Mamma" to December romance and later fiancee of character Gramma Yetta, played by veteran actress Ann Guilbert. From 2001-2002, Charles appeared in commercials for the New Jersey Lottery to promote its "For every dream, there's a jackpot" campaign.

In 2003, Ray Charles headlined the White House Correspondents Dinner in Washington, D.C. where the President, First Lady, Colin Powell and Condoleezza Rice attended. He also presented one of his greatest admirers, Van Morrison, with his award upon being inducted in the Songwriters Hall of Fame and the two sang Morrison's song "Crazy Love". This performance appears on Morrison's 2007 album, The Best of Van Morrison Volume 3. In 2003 Charles performed "Georgia On My Mind" and "America the Beautiful" at a televised annual electronic media journalist banquet held in Washington, D.C. His final public appearance came on April 30, 2004, at the dedication of his music studio as a historic landmark in the city of Los Angeles.^[12]

Personal life[link]

Family[link]

Charles was married twice and had 12 children with nine different women.^[34][35] His first marriage to Eileen Williams was brief: July 31, 1951 to 1952. He had three children from his second marriage, to Della Beatrice Howard Robinson from April 5, 1955 to April 26, 1977. His long term girlfriend and partner at the time of his death was Norma Pinella. His first child, Evelyn, was born in 1950 to girlfriend Louise Mitchell. His three children with Della, Ray Charles, Jr., David and Robert, were born in 1955, 1958 and 1960 respectively. Another son, Charles Wayne, was born in 1959 during his six-year long affair with original Raelettes vocalist Margie Hendricks. In 1961, a daughter, Raenee, was born during an affair with Mae Mosely Lyles. Two years later, in 1963, Charles and Sandra Jean Betts welcomed daughter Sheila Raye Charles Robinson.^[36] In 1966, a daughter named Alicia was born by a woman who remains unidentified to this day, followed by another daughter, Alexandra, born to a woman named Chantal Bertrand. Charles' next child, Vincent, came from a relationship with Arlette Kotchounian following his divorce from Della Howard in 1977. A year later, daughter Robyn was born to a woman named Gloria Moffett. Charles' youngest child, son Ryan Corey, was born in 1987 to Mary Anne den Bok.

Charles gave 10 of his 12 children checks for one million USD in December 2002 at a family luncheon, while the other two could not make it.^[37]

Substance abuse and legal issues[link]

On November 14, 1961, Charles was arrested on a narcotics charge in an Indiana hotel room, where he waited to perform. The detectives seized heroin, marijuana, and other items. Charles, then 31, stated that he had been a drug addict since the age of 16. While the case was dismissed because of the manner in which the evidence was obtained,^[38] Charles's situation did not improve until a few years later. Individuals such as Quincy Jones and Reverend Henry Griffin felt that those around Charles were responsible for his drug use.

By 1964 Charles' drug addiction caught up with him and he was arrested for possession of marijuana and heroin. Following a self-imposed stay^[38] at St. Francis Hospital in Lynwood, California, Charles received five years' probation. Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor", "Let's Go Get Stoned", and the release of his first album since having kicked his heroin addiction in 1966, Crying Time.^[39][40]

Other interests[link]

Charles played chess using a special board with holes for the pieces and raised squares.^[41] Charles referred to Willie Nelson as "my chess partner" in a 1991 concert.^[42] In 2002, he played and lost to American Grandmaster and former U.S. Champion Larry Evans.^[43]

Death[link]

Charles died on June 10, 2004 at 11:35 a.m. of liver disease at his home in Beverly Hills, California, surrounded by family and friends.^[44][45] He was 73 years old. His body was interred in the Inglewood Park Cemetery.

Star on Hollywood Walk of Fame at 6777 Hollywood Blvd.

His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis. The album won eight Grammy Awards, including five for Ray Charles for Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals for "Here We Go Again" with Norah Jones, and Best Gospel Performance for "Heaven Help Us All" with Gladys Knight; he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen's "Over the Rainbow", sung as a duet by Charles and Johnny Mathis; this record was played at his memorial service.^[46]

Two more posthumous albums, Genius & Friends (2005) and Ray Sings, Basie Swings (2006), were released. Genius & Friends consisted of duets recorded from 1997 to 2005 with his choice of artists. Ray Sings, Basie Swings consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles's vocals recorded from the concert mixing board were added to new accompaniments to create a "fantasy concert" recording.

Legacy[link]

Charles possessed one of the most recognizable voices in American music. In the words of musicologist Henry Pleasants:

Sinatra, and Bing Crosby before him, had been masters of words. Ray Charles is a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm... It is either the singing of a man whose vocabulary is inadequate to express what is in his heart and mind or of one whose feelings are too intense for satisfactory verbal or conventionally melodic articulation. He can’t tell it to you. He can’t even sing it to you. He has to cry out to you, or shout to you, in tones eloquent of despair — or exaltation. The voice alone, with little assistance from the text or the notated music, conveys the message.

Ray Charles is usually described as a baritone, and his speaking voice would suggest as much, as would the difficulty he experiences in reaching and sustaining the baritone's high E and F in a popular ballad. But the voice undergoes some sort of transfiguration under stress, and in music of gospel or blues character he can and does sing for measures on end in the high tenor range of A, B flat, B, C and ev in full voice, sometimes in an ecstatic head voice, sometimes in falsetto. In falsetto he continues up to E and F above high C. On one extraordinary record, "I’m Going Down to the River’ . . . he hits an incredible B flat . . . giving him an overall range, including the falsetto extension, of at least three octaves.^[47]

In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state.^[48] Ray's version of "Georgia On My Mind" was made the official state song for Georgia.^[49] In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986.^[50] He received the Kennedy Center Honors in 1986.^[51]

In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1993, he was awarded the National Medal of Arts.^[52] In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame.^[53] The Grammy Awards of 2005 were dedicated to Charles.

On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano. Later that month, on December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame. He was also presented with the George and Ira Gershwin Award for Lifetime Musical Achievement, during the 1991 UCLA Spring Sing.^[54]

In 2003, Charles was awarded an honorary degree by Dillard University. Upon his death, he endowed a professorship of African-American culinary history at the school, which is the first such chair in the nation.^[55] A $20 million performing arts center at Morehouse College was named after Charles and was dedicated in September 2010.^[56]

The biopic Ray, released in October 2004, portrays his life and career between 1930 and 1979 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role.

Discography[link]

Filmography[link]

• Swingin' Along (1961)
• Ballad in Blue (1964)
• The Big T.N.T. Show (1966) (documentary)
• The Blues Brothers (1980)
• Who's The Boss (himself) 1987
• Limit Up (1989)
• Listen Up: The Lives of Quincy Jones (1990) (documentary)
• Love Affair (1994)
• Spy Hard (1996)
• The Nanny (1999) as Sammy
• The Extreme Adventures of Super Dave (2000)
• Blue's Big Musical Movie (2000)
• Ray (2004)

References[link]

Bibliography[link]

External links[link]

	Book: Ray Charles
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikiquote has a collection of quotations related to: Ray Charles

Wikimedia Commons has media related to: Ray Charles

• Official website
• Article from the St. Augustine Record noting Charles' being on WFOY.
• Ray Charles - Daily Telegraph obituary
• Ray Charles discography at MusicBrainz
• Ray Charles at RollingStone
• Ray Charles at Songwriters Hall of Fame
• Ray Charles at The Rock and Roll Hall of Fame
• Ray Charles at the Internet Movie Database
• Ray Charles at Allmusic
• Ray Charles discography at Discogs
• Ray Charles autobiography: The Early Years 1930–1960
• I Can't Stop Loving You: Ray Charles and Country Music - Past Exhibit at the Country Music Hall of Fame and Museum
• Ray Charles's oral history video excerpts at the National Visionary Leadership Project
• Ray Charles interviewed on the Pop Chronicles (1969).

Ray Quinn
Background information
Birth name	Raymond Arthur Quinn Jr
Born	(1988-08-25) 25 August 1988 (age 23)
Origin	Childwall, Liverpool, England
Genres	Vocal jazz, Pop, Swing.
Years active	2000–present
Labels	Sony BMG (2006–2007)
Website	rayquinnworld.co.uk

Raymond Arthur "Ray" Quinn (born 25 August 1988 in Liverpool, Merseyside) is an English actor, singer, and dancer. He finished second in talent show The X Factor in 2006, and won the 2009 series of Dancing on Ice. He also appeared as victimised teenager Anthony Murray in the Channel 4 soap opera Brookside. In his theatre performance, as of December 2010, he announced on stage his engagement to Emma Stephens which was made on Christmas Day 2010. They wed in a beach ceremony in Barbados on March 31st 2012, the same day they announced they were expecting their first child that due in July.

Ray is currently appearing in the UK National Tour of 'Legally Blonde the Musical' as Warner Huntington III and will also be starring in pantomime as Aladdin at Lighthouse, Poole's Centre for the Arts in Dorset from December.

Early life[link]

Quinn attended Rudston Junior School in Childwall and Gateacre Comprehensive School, Liverpool.^{[citation needed]} From a very young age a major influence in his life was his dance coach Suzanne Taylor.^[1] Quinn often claims that his interests in dancing led to him being isolated from his peers during his childhood.

Quinn went on to study Performing Arts at Merseyside Dance and Drama Centre for a three-year course where he completed two years before joining the X Factor finals.^{[citation needed]} Quinn has married his West End co-star Emma Stephens.

Singing career[link]

[edit] The X Factor (2006)

In 2006, Quinn took part in the third series of UK talent show The X Factor.

Quinn was in the 16–24s category which was mentored by Simon Cowell. As the category's mentor, Cowell chose which contestants made it to the live rounds of the show. Initially, Quinn did not make Cowell's selection of seven contestants for the later stages of the competition, but Cowell subsequently “felt he had made a mistake”. It was then decided that the seven should be expanded to eight, and Quinn was called back. Quinn went on to be chosen as one of Cowell's final four contestants who would appear in the live rounds of the competition.

Many of Quinn's X Factor performances had an old-fashioned feel, and in the earlier stages of the competition he was criticised by judge Louis Walsh for repeatedly performing swing-style numbers. Judge Sharon Osbourne once referred to him as "panto boy" and the judges generally queried his ability as a pure singer as opposed to a "song-and-dance man".

For the first four weeks of the series Quinn survived in the contest without being in the bottom two sing-off. In week five, however, Quinn, along with Nikitta Angus, polled the fewest votes from the public. Walsh voted for Quinn to leave the competition, but Cowell and Osbourne voted in Quinn's favour, keeping him in the contest. Quinn then survived the next four weeks, in the penultimate week gaining the highest number of votes from the public, before eventually narrowly finishing as runner-up to Leona Lewis in the final a week later.

Following the conclusion of the show, Quinn participated in The X Factor UK and Ireland Tour with the other finalists from the third series. This took place in February and March 2007.

Quinn was associated with fellow third-series finalists Eton Road prior to the auditions.^[2][3]

[edit] Post X Factor

After The X Factor, Quinn was signed by Sony BMG and on 16 January 2007 recorded a swing album^[4] at the Capitol Records Tower in Los Angeles.^[5] His self-titled debut album Doing It My Way was released on 12 March 2007, the same day as that of fellow The X Factor finalist Ben Mills. The album went straight to number one in the UK charts. It also went Gold in the first week.^[6]

Quinn embarked on his own solo tour from September to November 2007.^[7]

Quinn was subsequently dropped by his record label, on 6 November 2007.^[8]

In November 2007, Quinn recorded a cover of the song "You to Me Are Everything" for the album Liverpool: Number Ones Album and in January 2008, he performed at the Number One Project concert at the Echo Arena, Liverpool.

Television appearances[link]

Quinn won the fourth series of British TV contest Dancing On Ice, which began on 11 January 2009. He was partnered by professional ice skater Maria Filippov. His decision to take part generated a small amount of (local) controversy, as he suddenly dropped out of the pantomime in which he was supposed to be performing, mid-run, in order to prepare for the TV show.^[9][10] This left many school-children upset, especially when the panto closed early, a few days after he left.^[11] In every week (excluding week two, which featured the girls only) on Dancing On Ice, he topped the leaderboard. In his sixth week he scored the maximum 30. Quinn was announced winner of Dancing on Ice 2009 after receiving a perfect score of 60/60. He joined the other contestants and toured the country on the Dancing On Ice Tour.

On Sunday 21 June 2009 Quinn took part in an edition of All Star Family Fortunes which was broadcast on ITV1 in the Autumn of 2009. He appeared on the first programme of the 2010 edition of Dancing on Ice as current Champion and also performed a skating routine with his former skating partner from the show.

Quinn took part in Sing If You Can, appearing in episode 3 with his team called Skywalker with captain Darren Gough and Camilla Kerslake. They won the show, which raised money for Teenage Cancer Trust. His team also appeared in the final again winning and becoming the first champions of Sing If You Can.

Appearances[link]

Film and television[link]

• Brookside, "Anthony Murray" (2000–2003)
• Merseybeat (2003)
• Doctors, "Owen Miller" (2006)
• The Afternoon Play, "John Reilly" (2005)
• Bulletproof, "Ben" (2006) short film, Cannes Film Festival (France)
• Cactus Jack, "John" (2005) short film, BBC

Theatre[link]

1998

• Me and My Girl, dancer – Empire Theatre, Liverpool
• Peter Pan, dancer, actor and singer (Lost Boy) – Neptune Theatre, Liverpool

2004

• Buster, actor – Harlow Playhouse

2008

• Grease, dancer, actor and singer (Doody) – Piccadilly Theatre, London^[12]

• Aladdin, Aladdin – Broadway Theatre, Peterborough^[13]

2009

• Grease, dancer, actor and singer (Danny Zuko)
• Sleeping Beauty (Pantomime) (Prince Daniel)

2010 Dirty Dancing, Billy Kosteki

• Top Hat at the Palladium,18 July 2010 – Personal appearance for Top Hat Stage School to raise awareness for Breakthrough Breast Cancer.
• Jack and the Beanstalk, dancer, actor and singer (Jack Trott) – Royal & Derngate, Northampton

2011

• Dirty Dancing, Billy Kosteki

2012

• Legally Blonde, Warner Huntington III

Radio[link]

• The Lost Boys – Narrator of book for Big Toe Radio, September 2004
• Millions – Narrator of the film for Big Toe Radio, November 2004
• The Believers – Actor playing part of James, April 2010

Discography[link]

Tours[link]

• X Factor 2006 (as of 2007) Tour
• Dancing on Ice Tour 2009
• Dancing on Ice Tour 2010

Awards[link]

• 2002 – Best Dramatic Performance, The British Soap Awards
• 2002 – Best Storyline, The British Soap Awards
• 2002 – Best Young Actor, Inside Soap Awards
• 2002 – Best Performance in a Network Soap, Royal TV Society
• 2005 – Manchester Talent Competition – £5000 prize
• 2007 – Scouseology Award, Best Personality
• 2007 – Liverpool Local Hero Awards, Contribution to Music

References[link]

External links[link]

Wikimedia Commons has media related to: Ray Quinn

• Official website
• Ray Quinn on Myspace
• Ray Quinn at the Internet Movie Database

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Ray Stevens (born Harold Ray Ragsdale, January 24, 1939^[2]) is an American country music, pop singer-songwriter who has become equally well known for his serious material as he has for his novelty songs.

Early life[link]

Stevens was born Harry Ray Ragsdale on January 24, 1939, in Clarkdale, Georgia. While attending high school, Stevens formed his first band, a rhythm and blues group he named the Barons. Following his graduation from high school, Stevens enrolled in Georgia State University as a music major.^[3]

Career[link]

Early career[link]

Capitol Records signed Stevens to their Prep Records division in 1957,^[3] and produced the singles "Silver Bracelet," that Billboard predicted to be a teen favorite, and "Rang Tang Ding Dong," about a Japanese sandman, for which Billboard credited the 16-year-old Stevens' vocals as "strong, attractive."^[4] The latter song was a cover of a song recorded by Manhattan doo-wop group The Cellos in 1957, and written by Cellos bass singer Alvin Williams.^[5]

In 1958, Bill Lowery created the National Recording Corporation (NRC), and brought Stevens on board playing numerous instruments, arranging music, and performing background vocals for its band. Around that time, he had adopted the professional name of "Ray Stevens," which was inspired by his middle name and his mother's maiden name. Lowery was unable to collect debts from his own accounts and was forced into bankruptcy.^[6]

Stevens then signed with Mercury Records^[7] with whom Stevens recorded a series of hit records in the 1960s that included songs such as "Ahab the Arab," "Harry the Hairy Ape," "Funny Man," the original recording of "Santa Claus Is Watching You," and "Jeremiah Peabody's Polyunsaturated Quick-Dissolving, Fast-Acting Pleasant-Tasting Green and Purple Pills." The song that introduced Stevens to most of his fan base is "Ahab the Arab," which reached number five on the Hot 100 in the summer of 1962.

In 1966, Stevens signed with Monument Records and started to release serious material such as "Mr. Businessman" in 1968, a Top 30 pop hit; "Have a Little Talk With Myself" and the original version of "Sunday Morning Coming Down" in 1969, which became Stevens' first two singles to reach the country music charts. O.C. Smith covered the Stevens-penned Isn't It Lonely Together while Sammy Davis, Jr. covered Have a Little Talk With Myself. Stevens continued releasing novelty songs, and in 1969 he had a Top 10 pop hit with "Gitarzan." Stevens also became a regular on The Andy Williams Show during the 1969–1970 season, and he hosted his own summer show, The Ray Stevens Show, in 1970. In Australia, Ross D. Wylie reached the top 20 with his cover of the Stevens-penned, Funny Man. Stevens' collection of Hot 100 hits is evenly divided between serious and novelty.

As an A&R man, music producer, songwriter, and music arranger he assisted countless artists in the recording studio during his years at Mercury Records and Monument Records, 1961 through early 1970. Some of the acts he was associated with during that time period were Brenda Lee, Brook Benton, Patti Page, Joe Dowell, Dusty Springfield, and Dolly Parton. Stevens was a writer or co-writer of several songs those particular acts recorded. My True Confession , a Top-10 on the R&B chart in 1963 for Brook Benton, was written by Stevens and Margie Singleton. Stevens was the arranger for an obscure Doyle Holly recording titled "My Heart Cries For You" which had been recorded previously by Stevens during the late 1950s.

1970s[link]

Starting in the 1970s, Stevens became a producer and well-known studio musician on the Nashville scene. He recorded songs for Barnaby Records and Warner Brothers during 1970–1979. Stevens' biggest hit in the United States was his gospel-inflected single "Everything Is Beautiful" (1970). The single won a Grammy Award, was the theme song for his summer 1970 TV show, hit number one on both the pop and Adult-Contemporary charts, and marked his first time in the Top 40 on the country charts, peaking at number 39. It sold over one million copies, and was awarded a gold disc.^[8] His other 1970 singles were "America, Communicate With Me" and "Sunset Strip," both of which reached the Top 20 on the Adult-Contemporary lists. His novelty song "Bridget the Midget (The Queen of The Blues)" made number two on the United Kingdom chart in 1971 and in the US it reached number 50. Stevens had a gospel/country hit single in early 1972 with Albert E. Brumley's "Turn Your Radio On," reaching the country Top 20. Two more of Stevens' songs in 1971 were also minor pop hits, "A Mama and a Papa" and "All My Trials," but both crossed over to the Top 10 Adult-Contemporary lists. Stevens frequently toured Canada and went overseas to the UK. A rock-infected gospel arrangement accompanied his version of "Love Lifted Me" and it became a hit single in Bangkok in the fall of 1972, finding its way into the Top Five for the week ending September 30.

In 1973, Stevens had a top 40 country hit with the title track of his album, "Nashville," and increased his exposure on television by performing on a variety of prime-time programs of the era. In 1974, Stevens recorded perhaps his most famous hit, "The Streak," which poked fun at the early-1970s fad of running nude in public, known as "streaking." It made number one in both the UK and the US and No. 3 on the country chart. In 1975, he released the Grammy-winning "Misty," which became his biggest country hit (reaching number three on the country charts and number 14 on the pop charts); he also entered the country Top 40 with a doo-wop version of "Indian Love Call," "Everybody Needs a Rainbow," and a ballad version of "Young Love" in early 1976. Stevens' tenure with Barnaby came to an end in early 1976.

Stevens joined Warner Brothers in 1976, where his debut was a strong showing with three hit singles in a row. The first was the up-tempo version of "You Are So Beautiful," which reached the country Top 20, then "Honky Tonk Waltz," which reached the Top 30. He then released a novelty single: under the pseudonym "Henhouse Five Plus Too," Stevens recorded a version of Glenn Miller's "In The Mood" in the style of a clucking chicken; it became a Top 40 hit in the US and UK in early 1977. In 1978 he had a hit with "Be Your Own Best Friend" on the country charts, and in 1979 he had his last Hot 100 hit (to date) with the novelty "I Need Your Help, Barry Manilow," which he released from the album The Feeling's Not Right Again. In the US, Stevens' singles would reach only the country chart nationally thereafter. He joined RCA in late 1979, releasing new material in 1980.

1980s[link]

After joining RCA in 1980, Stevens continued having hit singles, but with somewhat less success than in the previous decade. His debut single, the Top 10 "Shriner's Convention" and then the Top 20 love ballad "Night Games" performed relatively well on the charts. In 1981, only one single made the charts, the Top 40 hit "One More Last Chance." In 1982, after he had released a few more singles, notably the Top 40 "Written Down in My Heart," Stevens left RCA and returned to Mercury Records, the label that made him a star in the early 1960s. This resulted in only one album, the 1983 project Me, and only one chart hit, "My Dad," in early 1984.

In 1985, Stevens sung the credits song for Stephen King's "Cat's Eye" (1985).

Stevens then joined MCA in 1984 as a "country comedy" act and thereafter released only novelty song albums. The fan-voted Music City News awards named Stevens Comedian of the Year annually for nine consecutive years from 1986 to 1994. A few of Stevens' commercial singles charted on the Single Sales charts during this time, but only one single, "Mississippi Squirrel Revival," made it to the Top 40. "Mississippi Squirrel Revival" reached the Top 20, making that his final single to hit the Top-40 portion of the country singles chart. "Would Jesus Wear a Rolex" is the only single during his 1984–1989 stint on MCA that came close to reaching the Top 40, stalling at number 41 in 1987. Second to that, the other single close to hitting the Top 40 on the country chart was the number 45 hit "The Haircut Song" in 1985.

His comedy albums were nonetheless enjoying widespread success. His first series of albums for MCA all made the country charts with several of them remaining on the charts for months at a time. His first two albums for MCA reached the Top-5 with I Have Returned hitting the top spot in early 1986. Afterward his albums routinely peaked in the middle of the charts. A 1987 Greatest Hits album became a platinum seller while several other releases achieved gold status. One of the trademarks of Stevens' string of comedy albums were the photo shoots. For example, on one album he's dressed up as Napoleon Bonaparte, on another he's Humpty Dumpty, and on another he's dressed as General Douglas MacArthur. Stevens' lack of airplay wasn't affecting his ability to sell records. National shows like Hee-Haw and a variety of programs on The Nashville Network frequently gave exposure to all forms of country music.

1990s[link]

Stevens left MCA in 1989 for Curb/Capitol Records. His first release arrived in 1990. The two labels split up soon after and Curb Records continued releasing material on Stevens. His All-Time Greatest Comic Hits, a compilation project released by Curb in 1990, became a gold album by mid-decade. Lend Me Your Ears and Number One With a Bullet were released in 1990 and 1991 respectively. The latter featured the satirical hit "Working for the Japanese" in which Stevens sings about the American economy and how dollars are boosting overseas economies instead of its own.

In the 1990s, Stevens took new directions. The most ambitious was the opening of his own theater in Branson, Missouri in 1991. The theater business had been steadily growing in the small Missouri town of Branson for a period of years and by the time Stevens began building his theater the area was reaching its peak. Stevens benefited from the theater boom largely because his stage show was different from others. His reputation as a comedian and as an all-around entertainer meant that for most tourists his show was one of the destination spots judging by the number of sold-out performances he gave at the theater. When crowds reacted favorably to his music videos being played on a large screen at his theater Stevens began selling videos for his fans to take home.

In the spring and summer of 1992, his Comedy Video Classics became a million-selling home video through direct marketing and television advertisements. Commercials for Stevens' home video aired countless times throughout 1992, mostly in the morning hours and often during late-night. Branson was also experiencing its highest commercial peak in the summer and fall of both 1992 and 1993. Ray Stevens was back in the national media once again with his enormously successful home video and music theater. In the midst of all the success, though, Stevens closed down his theater after the 1993 season citing exhaustion and monotony after doing two shows a day, six days a week, for five to six months at a time. Several of his performances at his theater were filmed and surfaced in home video form. Ray Stevens Live! became another home video mail-order success in 1993 following the same path of Comedy Video Classics.

Meanwhile, Comedy Video Classics had become available for retail distribution and it became a big seller again. In 1993, it was named Home Video of the Year by Billboard magazine in their annual end of the year publication which cites the most popular artists, songs, CDs, and video items of the year.

Classic Ray Stevens was issued in the early fall of 1993. This was the first audio release from Stevens since early 1991. The album's title was a reference to the classical-looking photo shoot which features a bust of Ray Stevens mocking Beethoven. The home video of Ray Stevens Live! was released to retail stores in 1994 and it became a Top-5 success on Billboard's Home Video chart. The concert video often ranked above or below Comedy Video Classics on the charts. In the late summer of 1995, the movie Get Serious! was released on home video.

The movie, which runs 1 hour and 50 minutes, offers several plots and a collection of newly-produced music videos which act as commentary to the action. One plot point of the movie centers on a fictional record company for which Stevens records being bought out by a Japanese conglomerate. This is a reference to the consolidation practices taking place in the music industry. Another plot-point deals with Stevens' reputation as a comical singer and how the new executive of the fictional record company, based vocally on Paul Lynde, wants Stevens to change his image from comedy to classical opera. Stevens refuses and this brings to the surface another plot-point of the movie: political correctness. Seeking revenge on Stevens, the executive hatches a plan to ruin Stevens’ career by labeling him politically incorrect. The last plot-point centers on character defamation as numerous characters from several Stevens songs turn out to really exist and they want to sue the singer for defamation. This plot is based on a song that Stevens recorded in 1986 entitled "Dudley Dorite of the Highway Patrol" where a local policeman stops Stevens for speeding and afterward informs the singer that he's in a whole lot of trouble for using easily identifiable people as characters in his songs. The song was re-recorded specifically for the movie as Dudley Dorite is one of the main characters in the movie. He's portrayed by Stevens' long-time songwriting partner, C.W. Kalb, Jr..

The home video became another mail-order success throughout 1995 and was released to retail stores, via MCA, late in 1996. The video hit the Top-5 on Billboard's Home Video chart early in 1997 during a more than 20 week chart run. Stevens had by this point exited Curb Records.

Stevens found a new home with his previous label, MCA. MCA was responsible for the retail distribution of Get Serious! and for marketing Ray as a comical singer for the first time in the mid-1980s.

The reunion with MCA consisted of the retail release of Get Serious! in late 1996 and two new audio CD's in 1997: Hum It and Christmas Through a Different Window, the latter release being a collection of Christmas novelty songs. After the MCA contract ended, Stevens became exclusive to his own label, Clyde Records, for a period of years.

On-line rumors began circulating about his death. The confusion may have arisen in the summer of 1996 following the death of a wrestler named Ray "The Crippler" Stevens. The singer Ray Stevens once recorded a wrestling song entitled "The Blue Cyclone." Stevens, the singer, reported to the media that his office had received thousands of sympathy cards due to the confusion.

In April 1999 Stevens was diagnosed with early stage prostate cancer and had to cancel his series of concerts at the Acuff Theatre that summer. Stevens received a clean bill of health upon successful surgery and returned to the stage in time to deliver his Christmas concert series.

2000s (2000–2009)[link]

After the partnership with MCA ended, he remained active on his own label, Clyde Records, until he found another home with Curb Records, returning to the label in 2001. Early in 2002, "Osama Yo' Mama" was released. It made the country Top 50, reached the Top-5 on the country single sales chart, achieved Gold selling status, and the album of the same name reached the country Top-30. After the release of this album Stevens returned to Branson, Missouri and re-opened his theater in 2004. He remained active there for three more seasons. He shut the theater down for good after the 2006 season, selling it off to cable network RFD-TV, which continues to operate it to this day.

An obscure release called "The New Battle of New Orleans" came along in 2005 as a response to the vandals and looters in the aftermath of Hurricane Katrina. Many people confused the version of The New Battle of New Orleans by its principal writer, Chuck Redden, with the version by Stevens. The recording by the writer features much more pointed accusations and assertions and it is this version which appears on various web-sites specializing in lyric re-printing. The confusion arises when these web-sites credit Stevens as the singer of that version.

Ray and his songwriter friend Buddy Kalb removed a lot of the original lyrics in the song and supplied new lyrics in a more G-rated setting. In spite of the various lyrical re-writes by Stevens and Kalb, the overall point of the song that the locals expected and demanded too much from their government, is still clear. The song was issued as a single-only in 2005.

Curb Records, in the meantime, continued to release DVD music video collections on Stevens during this time. The music videos featured limited animation.

Stevens returned to releasing music once again in 2007, firstly in July 2007, with the single-only "Ruby Falls," a combination of jazz, blues, and country music, and secondly with the CD New Orleans Moon, released on his own label. This CD contains various songs in tribute and honor to New Orleans and Louisiana. Stevens covers "Louisiana Man," "Louisiana," "The Battle of New Orleans," "Way Down Yonder in New Orleans," "New Orleans," and several more.

The following year Stevens issued the album Hurricane, also on his own label. It was released in February 2008 at Stevens' on-line music store at his website then was released nationally in November of that year to a wider audience. This CD featured a wide array of comical songs including a pair of redneck anthems, "Hey Bubba, Watch This!" and "Bubba the Wine Connoisseur." The CD also marked the debut of "Sucking Sound," a political/economic song about Ross Perot and how his warnings of the flaws in a global economy, which were mocked in 1992, became somewhat of a reality by 2008, resulting in massive lay-offs and job losses.

Concurrently in 2008, a tribute to the songs of Frank Sinatra that Stevens recorded was also being offered at the web-site store during the latter half of 2008. The album is titled Ray Stevens Sings Sinatra...Say What?? and it became nationally distributed in February 2009. Stevens did not promote or publicize the tribute album. Later in 2009 he released One for the Road, a CD aimed primarily at truckers. It was sold exclusively at the Pilot truck stops for several weeks prior to its release nationally. The CD contains a mixture of material ranging from truck driver oriented songs to somber ballads. There are also several re-recordings of his greatest hits added into the equation. There are fifteen tracks featured on the trucker CD in which the first three tracks, in addition to track seven, specifically deal with situations while on the road: "Concrete Sailor," "Convoy," "Right Reverend Road Hog McGraw," and "Hang Up and Drive." "Mary Lou Nights" and "Oh, Lonesome Me." "Retired" originated as a duet between Stevens and Brent Burns but for this CD it is delivered solo.

In 2009 Stevens was inducted into the Christian Music Hall of Fame and he appeared on the PBS series Legends and Lyrics. A television show that Stevens stars in, We Ain't Dead Yet, became available to subscribers at his web page. The subscription is to an exclusive section of his web-page called "Ray Stevens Backstage" and each month a different episode becomes available. The series focuses on senior citizens and it usually features a special guest each episode stopping by the main set, a retirement home, to perform songs.

In the early fall of 2009 Stevens released a holiday collection of songs titled Ray Stevens Christmas. Late in November an EP became available featuring a couple of his serious Christmas songs but the main attraction was his cover of Seymour Swine's (a fictional group that recorded a stuttering rendition of "Blue Christmas") "Blue Christmas," complete with stutter. Stevens had also recorded a non-comical version of this song for his Ray Stevens Christmas release. The stuttering version can only be found on the EP release.

In December 2009, Stevens issued the single and on-line video "We the People," which quickly became a viral video and surpassed a million unique views in a month's time on YouTube. The video is critical of health care reform. Stevens followed this music video with "Caribou Barbie" in March 2010. This music video is supportive of Sarah Palin. The video uses a Palin impersonator and through the help of sight-gags it takes aim at several high-profile personalities on cable television.

2010s (2010–present)[link]

Stevens issued another music video on YouTube, "Throw the Bums Out!," as a direct response to the March 2010 passage of health care reform legislation in the House of Representatives.

In April 2010 Stevens released a collection that includes a CD and a DVD, titled We the People. The project features 22 political songs. The four music videos on the DVD are "We the People," "Caribou Barbie," "Throw the Bums Out!," and "Thank You," Stevens appeared in Washington, D.C., on April 15, 2010, as part of the tax day rally associated with the Tea Party. On April 24, 2010 the Country Music Hall of Fame and Museum honored the career of Ray Stevens in the recurring series "Nashville Cats: A Celebration of Music City Musicians." The special focused mostly on Stevens' career as a Nashville-session musician during the 1960s and 1970s.

On May 13, 2010, the music video of "Come to the USA" was released. This is a song dealing with the hot button issue of illegal immigration. The song uses exaggeration and small doses of satire to comment on illegal immigration acceptance internationally compared with the United States’ more passive policy. The song was written and recorded before the Arizona illegal immigration bill, SB 1070, was introduced to the nation. The music video became Stevens' second to surpass a million unique views on YouTube; the first being "We the People." Following the release of the "Come to the USA" music video Stevens found himself being spotlighted again on the Fox News Channel and then by The New York Times. Stevens' We the People CD made its Top-10 debut on the Billboard Comedy Album chart for the week ending June 26, 2010, and it moved into the Top-5 for the week ending July 3, 2010. Meanwhile, a new music video, "The Global Warming Song," had become available on YouTube on June 29. The song, the sixth release from his We the People CD, is a broad exaggeration on the global warming topic, drawing inspiration from the concept of the Earth's temperature rising beyond control. The song depicts a couple of brothers who hold fort in a frozen wasteland with a money-making scheme of awaiting the arrival of climate change. The song is purposely silly and plays on the fears of global warming.

Starting in July 2010 and running through August most PBS stations aired a special titled Marvin Hamlisch Presents the 1970s: The Way We Were during pledge drive fundraisers. The special celebrates the music of the 1970s and Ray Stevens participated in the proceedings. Stevens' contributions include "Everything Is Beautiful," "The Streak," and "Misty." On July 31 Stevens made a guest appearance on the Grand Ole Opry.

On August 4, 2010 a new music video from Stevens made its debut on YouTube. This time around the subject matter is the Federal Government of the United States and the on-going war of words with Arizona over immigration. The song, "God Save Arizona," criticizes the policies of the Federal Government and it questions the competence of Eric Holder, the United States Attorney General with regards to the Federal lawsuit brought against Arizona. The beginning of the song starts out as a tribute to the U.S.S. Arizona during World War II before switching to a look at a modern-day verbal war between Arizona's State Government and the Federal Government.

Given the overall on-line popularity of his music videos on YouTube it enabled Stevens to reach a milestone in early September 2010. This milestone refers to the collective number of plays that all of his music videos had obtained up until that point in time. When the play totals for each officially-released music video were tallied the collective total reached ten million. "Come to the USA" obtained over four million YouTube unique views while "We the People" had obtained over three million.

Stevens returned to Branson, Missouri once again in mid September to kick off a nearly month-long engagement at The Welk Resort which ran through October 23. On the last date of his concert series at the Welk Theatre he participated in a Tea Party rally held in Branson earlier in the day. The rally was billed as 'the Pre-Election Pink Slip Rally and Concert' and it took place throughout most of the morning and into the afternoon. Stevens performed "We the People" and "Throw the Bums Out!" at the rally and that night wrapped up his concert series at the Welk Theatre.

On November 3, the day after the 2010 mid-term elections, Stevens uploaded a new music video on YouTube entitled "Nightmare Before Christmas." The song has nothing to do with politics or elections but instead deals with political correctness gone amuck as Santa Claus gets arrested and is charged with crimes against a politically correct society. In the video Stevens portrays himself, Santa, the prosecutor, and the Judge. Political correctness and the mockery of liberal-progressive special interest groups is at the crux of the song.

On November 29 Stevens alerted his audience via the social network site Twitter that he would be recording ten new political comedy songs. Several days prior, on November 23, Stevens announced on his Facebook page that he's in the process of recording a huge project of one hundred songs to be released at some point entitled The Encyclopedia of Musical Comedy Recordings. On December 2, "Bad Angel," a song that Stevens published and his daughter, Suzi Ragsdale, co-wrote, was nominated for a Grammy Award in the Best Country Collaboration category. The song's trio of artists are Dierks Bentley, Miranda Lambert, and Jamey Johnson. It is available on Bentley's CD Up on The Ridge.

On January 19, 2011 via Twitter, Stevens announced that he would take part in the annual CPAC gathering in Washington, D.C. The event takes place during February 10–12. On January 24 Stevens turned 72 years old and showing no signs of slowing down he embarked on what he referred to as a radio call-in tour. The first program that Stevens called was the Charlie Brennan radio show on KMOX in St. Louis on January 28 to promote a brand new recording about airport security and the Transportation Security Administration (TSA). Next, on February 2, Ray called in to KWEL in Texas to promote his TSA song and the latest happenings in his career.

Stevens called-in to the Jim Bohannon radio program on February 4 resulting in an interview that lasted about one hour. On February 7 he called-in to the Martha Zoller program and a radio program that aired on Minnesota's KLTF. On February 8 a CD single along with an Mp3 single of The Skies Just Ain't Friendly Anymore became commercially available. On February 9 Stevens was spotlighted on the XM and Sirius satellite radio program Cruisin' with Cousin' Brucie which spotlights 1960s pop songs.

Stevens performed three songs while at CPAC on February 10, 2011. The airport security/TSA song entitled The Skies Just Ain't Friendly Anymore kicked off the performance while he followed it with "We the People" and concluded the appearance with a song entitled "Mr. President-Mr. President" which takes a comical look at how President Barack Obama is viewed by a segment of the population amidst domestic and foreign turmoil. On February 17 Stevens called-in to WSGI radio's Steve Jarrell program, "Big Daddy-o on the Patio." Later that same day Stevens uploaded the much-anticipated music video of "The Skies Just Ain't Friendly Anymore."

On February 18 Stevens called radio stations KSCJ and KDWN to promote the music video and to talk about politics in general. By February 24 "The Skies Just Ain't Friendly Anymore" soared past the 52,000 play mark on YouTube.

On February 25 Stevens gave an interview on radio station WPTF's Bill Lumaye program and later the same day appeared on the Fox Business Network program, Freedom Watch, hosted by Judge Andrew Napolitano. In the television interview Stevens offered his opinions of the current political climate, the TSA, and announced that his next single would deal with President Obama's budget plan.

On February 27 the RFD-TV network reran a 1972 episode of Hee-Haw which featured Stevens as one of the guests. He performed Turn Your Radio On and Along Came Jones. On that same day, "The Skies Just Ain't Friendly Anymore" had amassed over 70,000 unique views on YouTube in a span of ten days. Continuing the mostly talk radio station promotion of his TSA song Stevens called the Daybreak USA program on February 28 and on March 2 he called in to Ed Morrissey's radio program. On March 17 one of Stevens' previous music videos, "Come to the USA," reached the five million mark on YouTube. On March 25, via Twitter, Stevens announced that he taped a performance for an upcoming television show hosted by country singer Ronnie McDowell titled Music City Late Night.

On April 14 Stevens decided to end his subscription-based web-site, Ray Stevens Backstage, after a two year run. The site was aimed at providing the most ardent of fans with exclusive content. Upon its cancellation it was revealed that elements of the Backstage site would be incorporated into the main Ray Stevens web-site. A classic music video from Ray uploaded on YouTube in 2009 but taped in 1992 entitled The Mississippi Squirrel Revival surpassed a million on-line views. This became the third music video from Stevens to obtain at least a million on-line views. On April 25 Stevens uploaded a new music video onto YouTube entitled "The Obama Budget Plan." A video clip was highlighted on The O'Reilly Factor. The same day, April 25, Stevens released his latest collection of songs, The Spirit of '76, which contains the previously mentioned "Obama Budget Plan," "God Save Arizona," and "The Skies Just Ain't Friendly Anymore."

The collection was available in its earliest weeks of release in digital download format. By May 1, Stevens' "Obama Budget Plan" on-line music video had generated over 95,000 unique views in less than a week's time. Later that same night news broke on the death of Osama bin Laden and as a result Stevens' music video from 2002 entitled "Osama Yo' Mama," which was uploaded on YouTube in 2009, experienced a resurgence in on-line activity. The video had received more than 990,000 unique views prior to the news of bin Laden's death and in the aftermath it received more than 20,000 additional plays causing it to surpass a million on-line views and as a result it became his fourth music video to surpass a million plays.

On May 5 Stevens called the Lars Larson show on radio station KXL to discuss current events. On May 11 he appeared at a conservative rally in Franklin, Tennessee billed as Conservatives on the Move. Stevens made the rounds of the Fox Business Network in early June during a trip to New York to promote the Obama budget music video and his Spirit of '76 collection. On June 2 Stevens made an appearance on America's Nightly Scoreboard, an economics program hosted by David Asman on the Fox Business Network. The following day, June 3, Stevens made an appearance on Freedom Watch hosted by Judge Napolitano.

On June 4 Stevens appeared on Huckabee, which airs on the Fox News Channel and is hosted by Mike Huckabee. It was on the latter program that Stevens performed "Obama Budget Plan" for the first time on television. On June 27 Stevens appeared at a star-studded reunion at the Quonset Hut Studio. Legendary session musicians and artists gathered to celebrate the studio's history, perform songs, and tell stories about the recording sessions.

After a low-key July, Stevens kicked off the month of August being interviewed on WSM radio. The interview took place on a program hosted by WSM DJ and Grand Ole Opry announcer, Eddie Stubbs, titled Intimate Evenings. The interview aired on August 1. The 2-hour series airs from the Country Music Hall of Fame. The host played several of Ray's songs and often mentioned how packed the venue was and how electric the atmosphere felt. A lot of time was spent on Ray's past (his career, after all, goes back to 1957) but yet there was also discussion of Ray's current recordings and activity. Ray offered his opinions on politics and other topical issues...bringing chuckles and cheers from the host and from the audience. Several days later, on August 9, the CD copy of his digital release from April, Spirit of '76, was released to wider distribution. Previously the CD copy had only been available at the singer's web-site store.

On August 12 the "Obama Budget Plan" music video surpassed half a million views and by the middle of September it had surpassed 700,000 on-line views. On September 27 Stevens uploaded the music video, "Mr. President - Mr. President," and it quickly amassed more than 200,000 unique views in a little more than a week's time. A snippet of the video, during the first days of its YouTube availability, was previewed on The O'Reilly Factor. On October 7 the song was heard on Mark Levin's nationally syndicated radio program. On October 10 Stevens announced that his upcoming novelty song encyclopedia will consist of nine CDs and will be released in January 2012. In December his music video, "Obama Budget Plan," obtained 1,000,000 on-line views. It happened on Christmas Eve.

The release date for The Encyclopedia of Recorded Comedy Music was pushed back one month from January 2012 to February. The release date was February 28, 2012. Publicity for the collection started a week earlier when Stevens made an appearance on the GAC news/video program, On the Streets, on February 21. Stevens gave an interview for the radio series, American Country Countdown, hosted by Nashville songwriter and half of the Brooks and Dunn duo, Kix Brooks. The interview is part of a segment known as The Back Forty.

On February 27 Stevens uploaded a brief video on You Tube promoting the collection. In the video clip Stevens appears on camera and talks about the collection. There is also footage of him performing at his recording studio. On February 29, just a day after releasing the 9-CD encyclopedia box set, Stevens' on-line music video, "Mr. President - Mr. President," passed the half a million mark in YouTube views. On March 8 Stevens appeared on the RFD-TV series, Larry's Country Diner, and performed four songs: The Preacher and the Bear, I Still Write Your Name in the Show, Get a Job, and Mississippi Squirrel Revival. The songs are part of The Encyclopedia of Recorded Comedy Music. Also on March 8 an article on Ray by a writer named Chuck Dauphin appeared on Billboard.com detailing the Encyclopedia's contents. The article also included Ray's feelings about the lack of an abundance of comedy songs on contemporary radio stations, the comedy song's lack of respect, and the unfounded stigma that exists about comedy songs.

April 5 saw the You Tube release of a live version of "We The People" recorded in Branson, Missouri during one of his series of concerts. The video's gotten more than 7,500 views with hardly any promotional hype behind it. A day later on April 6 a fast-paced four minute commercial was uploaded onto YouTube promoting the Encyclopedia of Recorded Comedy Music. The commercial features Buddy Kalb, one of Ray's business associates and songwriters, as well as Ray giving detail about the box set. On April 10 Stevens appeared on Fox and Friends and performed a brief medley of some of the songs on the Encyclopedia. Afterwards he appeared on their "After the Show show", and discussed more about the Encyclopedia and performed "Mississippi Squirrel Revival" in its entirety. Later that evening Stevens was a guest on the Fox Across America radio program hosted by Spencer Hughes. On April 14 Stevens was featured on the country music interview and lifestyle program, Crook and Chase. The syndicated series airs on Saturdays.

On May 6 comedian/actor George Lindsey passed away at the age of 83. A long-time friend of Ray's, Lindsey appeared at Ray's CD release party on February 28th when the 9-CD box set became available. Lindsey had also appeared with Stevens at the Country Music Hall of Fame during the induction of Sonny James in 2006. Stevens and Lindsey dressed up as Indians and performed the song, Running Bear, which had been a big hit for James. Prior to this, Lindsey made a cameo appearance in Stevens' 1995 direct-to-video movie, Get Serious!. Stevens attended George Lindsey's funeral on May 11th and performed "Everything Is Beautiful".

Videos[link]

Stevens' songs have been showcased in several videos. "Gitarzan" was featured on Disc 1 of "The Dr. Demento 20th Anniversary Collection." Stevens videos were frequently offered via television commercials. 1992's "Comedy Video Classics" contained 8 music videos, winning the Home Video of the Year in 1993 as well as other awards. Two videos filmed at his Branson, Missouri theatre "Ray Stevens Live!" and "More Ray Stevens Live!" were released in 1993, although the second collection was only available to fan club members at the time. In 1995 he released a movie, "Get Serious!," which contains ten music videos sandwiched within an actual movie. The film runs 110 minutes. The video collection "Latest and Greatest" was released in 1996. In 2000 he released "Funniest Video Characters" including the video to his 1985 song "The Ballad of the Blue Cyclone." In 2004 "Greatest Video Characters" was released...this was a large all-encompassing collection of music videos from Stevens that had been released on previous collections. Stevens' video albums are released by mail order on his own label, Clyde Records. Beginning in late 2009 Stevens began releasing new music videos directly to YouTube. A lot of the music videos released by Stevens since December 2009 are political in nature. The music videos, many of which have obtained more than half a million unique views, have helped establish Stevens as a legitimate political entertainer.

Grammy Awards[link]

Stevens has 11 Grammy nominations and won two Grammy Awards: one for "Everything Is Beautiful" and one for the arrangement of his country and western version of the jazz standard "Misty" (1975). Stevens was inducted into the Nashville Songwriters Hall of Fame in 1980 as well as the Georgia Music Hall of Fame.

Other awards and accomplishments[link]

• 1969: Gold Single — "Gitarzan"
• 1970: Gold Single — "Everything Is Beautiful"
• 1970: Grammy — "Everything Is Beautiful" (Best Male Pop Vocal Performance)
• 1974: Gold Single — "The Streak"
• 1975: Grammy — "Misty" (Best Arrangement of the Year)
• 1980: Nashville Songwriters Hall of Fame
• 1980: Georgia Music Hall of Fame
• 1984: Gold Album — "He Thinks He's Ray Stevens"
• 1985: Gold Album — "I Have Returned"
• 1986: Music City News Comedian of the Year
• 1986: #1 Country Album Plaque from Billboard — "I Have Returned" (week ending March 15, 1986)
• 1987: Music City News Comedian of the Year
• 1987: Platinum Album — "Greatest Hits"
• 1987: Gold Album — "Greatest Hits, Volume Two"
• 1988: Music City News Comedian of the Year
• 1989: Music City News Comedian of the Year
• 1990: Music City News Comedian of the Year
• 1990: Gold Album — "All-Time Greatest Comic Hits"
• 1991: Music City News Comedian of the Year
• 1992: Music City News Comedian of the Year
• 1992: #1 Home Video Plaque from Billboard — "Comedy Video Classics"
• 1992: Ten Times-Platinum Home Video — "Comedy Video Classics"
• 1993: Billboard Home Video of the Year
• 1993: Music City News Comedian of the Year
• 1993: Platinum Home Video — "Ray Stevens Live!"
• 1994: Music City News Comedian of the Year
• 1995: Platinum Home Video — "Get Serious!"
• 1995: Country Weekly Golden Pick Award "Best Comedian"
• 2001: Atlanta Country Music Hall of Fame
• 2002: Gold Single — "Osama Yo' Mama"
• 2009: Christian Music Hall of Fame

Music City News was a monthly subscription magazine which reported on the latest happenings among country music celebrities. The magazine's subscribers for the most part voted in the annual awards. Years later fans from all over the country could call and vote for their favorite acts in addition to the subscribers who used voting ballots. The winners of the fan voted awards were showcased nationally in an awards gala broadcast on CBS and later, The Nashville Network. Stevens won in the Comedian of the Year category nine consecutive years and performed on their awards telecasts on a consistent basis.

Stevens was the recipient of several publisher awards from BMI Music for songs he either wrote, recorded, or published. Some of the recordings that received these citations were Everything Is Beautiful, The Streak, Shriner's Convention, Gitarzan, and several songs recorded by Sammy Kershaw and published by Stevens.

In July 2009 Stevens began uploading music videos onto YouTube for the first time. Many of the uploads were of music videos that were made in the early and mid-1990s. His user name, raystevensmusic, has since released quite a few music videos on YouTube and by late summer of 2010, a combined total of 10,000,000 unique views was obtained.

Discography[link]

• See Ray Stevens discography

References[link]

• Roy, Don (1998). "Ray Stevens." In The Encyclopedia of Country Music, Paul Kingsbury, Editor. New York: Oxford University Press. p. 507.

External links[link]

• Official website
• Video magazine and subscriber's website