Wystan Hugh Auden ( /ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973), who published as W. H. Auden, was an Anglo-American poet, born in England, later an American citizen, regarded by many as one of the greatest writers of the 20th century. His work is noted for its stylistic and technical achievements, its engagement with moral and political issues, and its variety of tone, form and content. The central themes of his poetry are love, politics and citizenship, religion and morals, and the relationship between unique human beings and the anonymous, impersonal world of nature.

Auden grew up around Birmingham in a professional middle class family and read English literature at Christ Church, Oxford. His early poems, written in the late 1920s and early 1930s, alternated between telegraphic modern styles and fluent traditional ones, were written in an intense and dramatic tone, and established his reputation as a left-wing political poet and prophet. He became uncomfortable in this role in the later 1930s, and abandoned it after he moved to the United States in 1939, where he became an American citizen in 1946. His poems in the 1940s explored religious and ethical themes in a less dramatic manner than his earlier works, but still combined traditional forms and styles with new forms devised by Auden himself. In the 1950s and 1960s many of his poems focused on the ways in which words revealed and concealed emotions, and he took a particular interest in writing opera librettos, a form ideally suited to direct expression of strong feelings.

Frederick Louis MacNeice CBE (12 September 1907 – 3 September 1963) was an Irish poet and playwright. He was part of the generation of "thirties poets" which included W. H. Auden, Stephen Spender and Cecil Day-Lewis; nicknamed "MacSpaunday" as a group — a name invented by Roy Campbell, in his Talking Bronco (1946). His body of work was widely appreciated by the public during his lifetime, due in part to his relaxed, but socially and emotionally aware style. Never as overtly (or simplistically) political as some of his contemporaries, his work shows a humane opposition to totalitarianism as well as an acute awareness of his Irish roots.

Louis MacNeice (known as Freddie until his teens, when he adopted his middle name) was born in Belfast, the youngest son of John Frederick and Elizabeth Margaret ("Lily") MacNeice. Both were originally from the west of Ireland. MacNeice's father, a Protestant minister, would go on to become a bishop of the Anglican Church of Ireland and his mother Elizabeth née Cleshan, from Ballymacrony, Co. Galway, had been a schoolmistress. The family moved to Carrickfergus, County Antrim, soon after MacNeice's birth. When MacNeice was six, his mother was admitted to a Dublin nursing home suffering from severe depression and he did not see her again. She survived uterine cancer but died of tuberculosis in December 1914.MacNeice later described the cause of his mother's death as "obscure", and blamed his mother's cancer on his own difficult birth. His brother William, who had Down's syndrome, had been sent to live in an institution in Scotland during his mother's terminal illness. Shortly after the death, in early 1917, his father married Georgina Greer and MacNeice's sister Elizabeth was sent to board at a preparatory school at Sherborne, England. MacNeice joined her at Sherborne preparatory school later in the year.