A type foundry is a company that designs or distributes typefaces. Originally, type foundries manufactured and sold metal and wood typefaces and matrices for line-casting machines like the Linotype and Monotype machines designed to be printed on letterpress printers. Today's digital type foundries accumulate and distribute typefaces (typically as digitized fonts) created by type designers, who may either be freelancers operating their own independent foundry, or employed by another foundry. Type foundries may also provide custom type design services.

In England, type foundries began in 1476, when William Caxton introduced the printing press. Thereafter the City of London became a major centre for the industry, until recent times when famous metal-based printing districts such as Fleet Street came to the close of their era. The industry was particularly important in Victorian times, when education became available to all due to the new School Boards, and firms such as Charles Reed & Sons were in their heyday. The St Bride Printing Library in the City of London encourages wider public interest in the remarkable history of typefounding for the printed book and newspaper.

Dorcas (Galley) Hoar, a widow from Beverly, Massachusetts, was accused of witchcraft during the Salem witch trials of 1692, found guilty and condemned to hang, but then confessed and with the support of several ministers, was given a temporary reprieve.

The order for Hoar's arrest was issued on April 30, 1692 by magistrates John Hathorne and Jonathan Corwin, after Capt. Jonathan Walcott and Sgt. Thomas Putnam of Salem Village, Massachusetts complained that Hoar, Phillip English of Salem, and Sarah Murrell, also of Beverly, had afflicted Mary Walcott, Mercy Lewis, Abigail Williams, Ann Putnam, Jr., Elizabeth Hubbard and Susannah Sheldon. Marshall George Herrick delivered Hoar and Murrell to Ingersoll's tavern in Salem Village on May 2, but was unable to locate English.

Rev. Deodat Lawson wrote of her, "only one Woman Condemned, after the Death Warrant was signed, freely Confessed, which occasioned her Reprieval for sometime; and it was observable, This Woman had one Lock of Hair, of a very great length, viz. Four Foot and Seven Inches long, by measure, this Lock was of a different colour from all the rest, (which was short and grey) it grew on the hinder part of her Head, and was matted together like an Elf-Lock; the Court ordered it to be cut off, to which she was very unwilling, and said, she was told if it were cut off, she should Dye, or be Sick, yet the Court ordered it so to be."

OR 7, OR7, or OR-7 may refer to:

Rick Bass (born March 7, 1958) is an American writer and an environmental activist.

Bass was born in Fort Worth, Texas, U.S., the son of a geologist, and he studied petroleum geology at Utah State University. He grew up in Houston, and started writing short stories on his lunch breaks while working as a petroleum geologist in Jackson, Mississippi. In 1987, he moved with his wife, the artist Elizabeth Hughes Bass, to the remote Yaak Valley, where he works to protect his adopted home from roads and logging. Rick serves on the board of both the Yaak Valley Forest Council and Round River Conservation Studies. He continues to give readings, write, and teach around the country and world. He lives in Montana with his family.

His papers are held at the Southwest Collection/Special Collections Library at Texas Tech University and Texas State University–San Marcos.

He won the 1995 James Jones Literary Society First Novel Fellowship for his novel in progress, Where the Sea Used to Be. He was a finalist for the Story Prize in 2006 for his short story collection The Lives of Rocks. He was a finalist for the 2008 National Book Critics Circle Award (autobiography) for Why I Came West (2009). He was also awarded the General Electric Younger Writers Award, a PEN/Nelson Algren Award Special Citation for fiction, and a National Endowment for the Arts fellowship.