Lori or Luri (Lori/Persian: لری‎, pronounced [loriː], [luriː]) is a collection of Southwestern Iranian languages which are mainly spoken by the Lurs and Bakhtiari people in the Iranian provinces of Lorestan, Chaharmahal and Bakhtiari, Kohgiluyeh and Boyer-Ahmad and parts of Khuzestan and Esfahan province and Fars provinces. Lori is a descendant of a variant of Middle Persian and is lexically similar to modern Persian. According to the linguist Don Stillo: "Persian, Lori-Baḵtiāri and others, are derived directly from Old Persian through Middle Persian/Pahlavi". These dialects are also referred to as the “Persid” southern Zagros group. The special character of the Lori language suggests that its spreading area was Iranicized from Persia and not from Media.

Kaizers Orchestra is a Norwegian alternative rock group formed on January 1, 2000. The two leading members, vocalist Janove Ottesen and guitarist Geir Zahl, had known each other for years, and first played together in a band called Blod, Snått & Juling (Blood, Snot & Beating) in 1989.

Kaizers Orchestra are notable for being among the first non-black metal Norwegian bands or artists singing in their native language to become popular beyond Scandinavia^{[citation needed]}. To other Norwegians, the band is instantly recognizable both because of their unique, unpredictable style, and because of vocalist Ottesen's marked Jæren dialect, shared by four of the other band members.

In 1995, childhood friends Janove Ottesen and Geir Zahl released their only album by their band gnom called Mys. Of its 1000 copies, only 500 or so were sold the first year, and they were pretty much ignored. However, they were known well in the area around Stavanger in Norway, having played as the local band Blod, snått & juling, and one of the songs they wrote after Mys called "Bastard" got good crowd response. A line from "Bastard" ("A certain Mr. Kaizer took me in/He is the proud owner of the world's heaviest siamese cat") and the song's overall crowd response became a source of inspiration for Ottesen, and after gnom dissolved after disappointing record sales, he formed Kaizers Orchestra.

Beniamino Gigli (pronounced: [benjaˈmiːno ˈdʒiʎʎi]) (March 20, 1890 – November 30, 1957) was an Italian opera singer. The most famous tenor of his generation, he was renowned internationally for the great beauty of his voice and the soundness of his vocal technique. Music critics sometimes took him to task, however, for what was perceived to be the over-emotionalism of his interpretations. Nevertheless, such was Gigli's talent, he is considered to be one of the very finest tenors in the recorded history of music.

Gigli was born in Recanati, in the Marche, the son of a shoemaker who loved opera. His brother Lorenzo became a famous Italian painter.

In 1914, he won first prize in an international singing competition in Parma. His operatic debut came on October 15, 1914, when he played Enzo in Amilcare Ponchielli's La Gioconda in Rovigo, following which he was in great demand.

Gigli made many important debuts in quick succession, and always in Mefistofele: Teatro Massimo in Palermo (March 31, 1915), Teatro di San Carlo in Naples (December 26, 1915), Teatro Costanzi di Roma (December 26, 1916), La Scala, Milan (November 19, 1918), and finally the Metropolitan Opera, New York (November 26, 1920). Two other great Italian tenors present on the roster of Met singers during the 1920s also happened to be Gigli's chief contemporary rivals for tenor supremacy in the Italian repertory—namely, Giovanni Martinelli and Giacomo Lauri-Volpi.

Ashur Bet Sargis (Syriac: ܐܫܘܪ ܒܝܬ ܣܪܓܝܤ), (Born in 2 July 1949), is an Assyrian Composer and Singer. He became famous in the Assyrian communities worldwide for his nationalistic songs in the 1970s.

Ashur Bet Sargis was born in Baghdad, Iraq in 1949 to an Assyrian family. He started playing organ as a teenager at the local Assyrian church. He later began composing nationalistic songs under the influence of established Assyrian musicians such as Evin Aghassi and King Biba, as well as western artists. As Ashur recalls of his early days in the biography written for his 4-CD set “So far”:

Shortly after the Ba'ath led revolution of 1968, Ashur fled the unstable political situation in Iraq in 1969, ending up in Chicago, IL. Two years later he formed his first band, “East Bird Band”, which released its first recording in 1973. In 1976, after relocating to Los Angeles, Ashur became the first Assyrian artist to tour overseas when he and his band played three sold-out shows in Australia. Soon afterwards he would travel to Iran, which at that time had the second largest population of Assyrians in the Middle East, and had long been a large producer of Assyrian music on the record labels that flourished in Tehran in the days before the Islamic revolution such as Irangram and Monogram. After two weeks of performances there, he returned to Los Angeles to record his second album, “Ashur Sargis Sings for Ancient Assyria”, which included re-recordings of hits from the first album like “Tanilee Lay-Lay” (“Sing Me A Lullaby”, with lyrics by Assyrian nationalist leader Freydun Atturaya) and “Bet Nahren Atrewa”, as well as several other songs that have since become staples of his catalogue and concerts.

Robert Burns (25 January 1759 – 21 July 1796) (also known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet, Robden of Solway Firth, the Bard of Ayrshire and in Scotland as simply The Bard) was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a "light" Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these his political or civil commentary is often at its most blunt.

He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish Diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the 'Greatest Scot' by the Scottish public in a vote run by Scottish television channel STV.