Age of Dinosaurs (2013)

Actors

• Joshua Michael Allen (actor)
• Sada Alpat (actor)
• Max Aria (actor)
• Joe Bohn (actor)
• Ronny Cox (actor)
• Antonio Cullari (actor)
• Eric Geller (actor)
• Steve Gijrath (actor)
• Johannes Goetz (actor)
• Michael Hover (actor)
• Benjamin James (actor)
• Andray Johnson (actor)
• Roger Lim (actor)
• Arthur Richardson (actor)
• Kenneth Adams (actor)

Genres

• Action
• Sci-Fi

Taglines:

Back from extinction!

The Cops Did It (2009)

Actors

• Shawn Banks (actor)
• Nick Barnes (actor)
• Austin Blay (actor)
• Craig Chamberlin (actor)
• Stue Davis (actor)
• Dallas Fletcher (actor)
• Luis Folgueiras (actor)
• Damon Free (actor)
• David Gross (actor)
• Lloyd Kaufman (actor)
• Sevan McBride (actor)
• Teddy Mullin (actor)
• Tom Myers (actor)
• Jason Noon (actor)
• Anthony Azar (actor)

Genres

• Comedy

One Point O (2004)

Actors

• Constantin Cotimanis (actor)
• Matt Devlen (actor)
• Constantin Florescu (actor)
• Lance Henriksen (actor)
• Emil Hostina (actor)
• Udo Kier (actor)
• Sebastian Knapp (actor)
• Bruce Payne (actor)
• Richard Rees (actor)
• Giovanni Sampogna (actor)
• Jeremy Sisto (actor)
• Michael Weinberg (actor)
• Roxana Ciuhulescu (actress)
• Lucia Maier (actress)
• Eugene Byrd (actor)

Genres

• Drama
• Horror
• Mystery
• Sci-Fi
• Thriller

Taglines:

Are you infected?

Quotes:

Derrick: Smartcouch. It's nanotech. It's a fantastic piece of furniture, Simon. And it cleans itself.

Simon J: I'm full of bugs. I'm full of mistakes.::Trish: Ssshhh. Life is full of mistakes.

Adam: There are changes happening, not all of them good.

The Neighbour: I drink... [different voice] Cola 500.::Simon J: Fine.

Howard: The bad people can save you but they won't. The good people wanna save you but they can't.

[first lines]::Hiep Pham: Simon, we're still waiting for your code. Everyone else has finished. May I remind you that your completion date is non-negotiable? I repeat, non-negotiable.

Howard: You'll be fine. You have a conscience. That's all you need.

Howard: If I don't remove your hard drive, you will either die, or farm will get ya.

[last lines]::Howard: Ya know, you're gonna feel more comfortable for a while. And you're gonna sleep. And when you wake up, everything is gonna be different. Everything is gonna be good. And the time that we woke up, is the time we fall back. It's just the beginning.

The Neighbour: Bugs are part of the game.

Piggie (2003)

Actors

• Robert John Burke (actor)
• David G. Knappe (actor)
• Fenton Lawless (actor)
• John C. Reilly (actor)
• Eric Dean Scott (actor)
• Dean Wareham (actor)
• Ty-Ranne Grimstad (actress)
• Savannah Haske (actress)
• Lauren Kincheloe (actress)
• Charis Michelsen (actress)
• Carol-Lynn Sappe (actress)
• Alison Dickey (producer)
• Alison Bagnall (writer)
• Savannah Haske (writer)
• Alison Bagnall (director)

Genres

• Drama

Taglines:

This little piggie wants a boyfriend

Convict 762 (1997)

Actors

• Billy Drago (actor)
• Frank Zagarino (actor)
• Shae D'lyn (actress)
• Tawny Fere (actress)
• Merle Kennedy (actress)
• Charlie Spradling (actress)
• Shannon Sturges (actress)
• Michole Briana White (actress)
• Barnet Bain (producer)
• Paul Eyres (producer)
• Maryann Ridini Spencer (producer)
• J Reifel (writer)
• Marco Marinangeli (composer)
• Luca Bercovici (director)
• Julie Anne Adams (miscellaneous crew)

Genres

• Action
• Sci-Fi
• Thriller

Taglines:

The more he kills the stronger he gets!

Niles, Than Filmography

• Erase Away
  2013, role: miscellaneous crew
• Iso
  2011, role: producer
• Iso
  2011, role: writer
• Iso
  2011, role: director
• College House
  2010, role: actor , character name: The Guy on the Floor

• Lyrics: play full screen play karaoke
• Die Rache Krieg Lied Der Assyriche - Nile
• Defiling The Gates Of Ishtar - Nile
• Churning The Maelstrom - Nile
• Black Hand Of Set - Nile
• The Blessed Dead - Nile
• The Black Flame - Nile
• Pestilence And Iniquity - Nile
• Multitude Of Foes - Nile
• Opening Of The Mouth - Nile
• Nas Ankhu Khan She En Asbiu - Nile
• In Their Darkened Shrines - Nile
• Howling Of The Jinn - Nile
• Godless - Nile
• Execreation Test - Nile
• Invocation Of The Gate Of Aat-Ankh-Es-En-Amenti - Nile
• Immortality Through Art - Nile
• Serpent Headed Mask - Nile
• Wrought - Nile
• Worship The Animal - Nile
• Divine Intent - Nile
• Nepenthe - Nile
• Mecca - Nile
• Der Rache Kreig Leid Der Assyriche - Nile
• The Inevitable Degradation Of Flesh - Nile
• Unas Slayer Of The Gods - Nile
• Tribunal Of The Dead - Nile
• When My Wrath Is Done - Nile
• To Dream Of Ur - Nile
• The Language Of The Shadows - Nile
• The Eye Of Ra - Nile
• The Chaining Of The Iniquitous - Nile
• The Black Hand Of Set - Nile
• The Fiends Who Come To Steal The Magick Of The Deceased - Nile
• Silvara - Nile
• Sarcophagus - Nile
• Nas Akhu Khan She En Asbiu - Nile
• Memoriam Tenere - Nile
• Kheftiu Asar Butchiu - Nile
• Kafir - Nile
• Ithyphallic - Nile
• Laying Fire Upon Apep - Nile
• Kem Khefa Kheshef - Nile
• Hittite Dung Incantation - Nile
• Eat Of The Dead - Nile
• Even The Gods Must Die - Nile
• Enduring The Eternal Molestation Of Flame - Nile
• 4th Arra Of Dagon - Nile
• As He Creates So He Destroys - Nile
• Extinct - Nile
• Chapter For Transforming Into A Snake - Nile
• Wind Of Hours - Nile
• Whisper In The Ear Of The Dead - Nile
• What Can Be Safely Written - Nile
• The Howling Of the Jinn - Nile
• The Gods Who Light Up The Sky At The Gate Of Sethu - Nile
• The Essential Salts - Nile
• Surrounded By Fright - Nile
• Supreme Humanism Of Megalomania - Nile
• Stones Of Sorrow - Nile
• Smashing The Antiu - Nile
• Ramses Bringer Of War - Nile
• Permitting The Noble Dead To Descend To The Underworld - Nile
• Natural Liberation Of Fear Through The Ritual Deception Of Death - Nile
• Masturbating The War God - Nile
• Khetti Satha Shemsu - Nile
• Iskander Dhul Kharnon - Nile
• I Whisper In The Ear Of The Dead - Nile
• Black Seeds Of Vengeance - Nile
• Beneath Eternal Oceans Of Sand - Nile
• Barra Edinazzu - Nile
• Nile - Nile
• Sss Haa Set Yoth - Nile
• User-maat-re - Nile
• Utterances Of The Crawling Dead - Nile
• Those Whom The Gods Detest - Nile
• The Burning Pits Of The Duat - Nile
• Lashed To The Slave Stick - Nile
• Von Unaussprechlichen Kulten - Nile
• Annihilation Of The Wicked - Nile
• Wind Of Horus - Nile
• Sacrifice Unto Sebek - Nile
• Execration Text - Nile
• Cast Down The Heretic - Nile

Ia Namtaru
Ia Lammia
Ia Asaku
Ia Pazuzu
Ia Zixul zi Azkak
Ia Gula zi Pazu
Alal uggae Utukku Xul
Ia Ia Pazuzu
Ia Ningursu Ia Ia Umduggu
Shemti Shebui Nehenkau
Addu Nergal Arrallu
Nergal dread God of War and Plague
Avenge the shades of our Fallen ones
Blacken the sun with Fierce Winds
Bring forth your Terrible Storms!
Yea! Burn the flesh of our Enemies
Gash their throats with Weapons of Iron
Destroy Them utterly

Impure am I
Impure I spill my seed
Upon barren earth
And spit in the face of the Goddess
Unclean am I
Unclean I copulate
with the hands of the God
and defile the Gates of Ishtar
Unblessed am I
Unrepentant
Defiant
Buh Luh Uh
Si il Inanna
As Gi Su Ak
Gis Tes
Gis Tes
Unwashed am I
Unwashed I lay violent hands
upon the Altar of the Goddess
In filth I lay
In filth I desecrate
and profane the Temple of Ishtar
And blaspheme in the presence of whores
Baad Angarru
Ninnghizzhidda
Open the Gate
That I may enter
Open
Lest I attack the Gate
Open
Lest I break down the walls
Open the Gate
Lest I cause the dead to outnumber the living
Open the Gate

Am the Uncreated GodBefore Me The Dwellers in Chaos are DogsTheir Masters Merely WolvesI Gather The PowerFrom Every PlaceFrom Every PersonFaster Than Light ItselfHail To He Who Is In The DuatWho Is StrongEven Before The Servants of SerpentsHe Gathers The PowerFrom Every Pit of TormentFrom They Who Hath Burnt in FlamesFrom Words of Power Uttered By theDarkness ItselfHail To He in The PitWho Is StrongEven Before the Terrors of The AbyssWho Gathers The PowerFrom The Wailing And LamentationsOf The Shades Chained ThereinFrom He Who Createth Gods FromThe Silence Alone[Last year, after the release of Black Seeds of Vengeance, I received e-mails containing the text of a work whose origins had until then been completely unknown to me. Entitled, "The Chapter for Bringing Heka to those who Burn," the author claimed it was part of a larger collection of works known as "The Book of Resurrection Apophis." In Egyptian methology, Apophis is also known as Apep, the terrible monster serpent who, in dynastic times, was a personification of the darkness of the darkest hour of night. Apeop is the dreaded embodiment of utter evil in the form of a giant snake that arises anew each night to struggle against the Sun god, Ra. Against Apep, Ra must not only fight, but must succesfully conquer morning sun, lest darkness and chaos engulf the entire earth during the day as well. Apep was both crafty and evil doing, and, like Ra, possessed many names, to destroy him it was necessary to curse him by each and every name by which he as known. In Egyptian papyri, Apep is also represented in the form of an enormous serpent, into each undulation of which a knife is stuck. In the Book of Gates, we see him fastened by the neck with a chain (along which is fastened the Goddess, Serqet), the end of which is in the hands of a god, and also chained to the ground with five chains. Coincidentally (or perhaps not), Apophis is also the name the Hyskos king Aussere adopted during his reign over the conquered and subjugated Egypt of 1570 B.C. The Hyskos had invaded Egypt and established their new political and religious capical city, Avaris, in the delta region of Egypt. Avaris is also the site of the original Temple of Set. Set (or Sutekh, to the Hyskos) wa the chief god of the Hyskos at that time, but in Egyptian mythology since pre-dynastic times, Set was the murderous brother of Osiris, and the original ultimate embodiment of the forces of darkness, chaos and evil, at whose command was te monster serpent, Apep. During the early period of the Hyskos occupation, the Hyskos faced little significant opposition. But during the reign of Apophis I, the Theban princes of Egypt rose up to drive the Hyskos back out of Egypt, a feat that is recounted on two large stelae set up by Kamose in the Temple of Amun at Karnak. The text which I received was in three languages - Egyptian, Greek and modern English, along with rubric instructions for the proper recitation of the chants, which are to be memorized and repeated as a sort of mantra, and as such should be spoken in Egyptian rather than English. The translations were given only to throw light upon the meanings of the spell. Upon closer examination of the text, it seems to bear superficial resemblance to Chapter 24 of the Papyrus of Ani, "The Chapter for Bringing Magick to Ani," (which is also known in some Books of the Dead as "The Chapter for Gaining Power," and in modern ritualmagick as "The Gathering of Heka.") But the similarities go immediately astray, for "The Chapter for Bringing Heka to those who Burn" seems as though it is, in this incarnation, a blasphemous underworld perversion of the chapters contained in the Theban Recension of the Book of the Dead. Perhaps it was intended for use by ancient cultists who would be intent upon using the darker forces of Chaos and the spiritual energy of those souls burning in the fiery pits of torment in the underworld for their own cultist ambitions of the upsetting the orderer structure of the ancient Egyptian world. More likely, their goal was probably to alter the political balance of rival religious factions in the turmoil of those tumultuous intermediate times. By the end of the 14th Dynasty, Egypt's once considerable might as a nation had eroded due to internal political struggles, so that it was unable to defent itself against invaders. The Hyskos overwhelmed the Dynasty, remaining in power until being expelled during the 17th Dynasty ina great war, which lasted, according to Manetbo, about a quarter of a century.]

Eaters of Human Flesh
Hath eaten unlawful Flesh
Upon our Brethren
They Have Feasted
Seed of our Father
We must now Avenge
In secret conclave we Gather
To rain Destruction on those Whom
We have Cursed
With vile Black Arts
And Tempestuous Rage
We vent our Wrath
Red Blood stains my Hands
And damns my Soul
You will drink the Black Sperm
Of my Vengeance
The Mighty Voices
Of my Vengeance
Smash the Stillness of the Air
And stand as Monoliths of Wrath
Upon a plain of writhing Serpents
I call upon the messengers of Doom
To slash with Grim Delight
This Victim I have Chosen
Feed upon his Brain Pulp
Rend his Throat
Pierce his Lungs with the stings of Scorpions
Oh Kali
Oh Sekhmet

Looked Down Upong With Scorn
We Work the Fields of the Masters
And Share Not the Bounty of the Black Earth
Destitute Servile Cast Out
Affording No Tomb
We Shall Be Buried
Unprepared in the Sand
We Shall Never Be The Blessed Dead
Scorned By Asar
Condemned at the Weighing of the Heart
We are Exiled from the Netherworld
Serpents fall Upon us Dragging us Away
Ammitt Who Teareth the Wicked to Pieces
Pale Shades of the UnBlessed Dead
None Shall Enter Without the Knowledge
Of the Magickal Formulas
Which is Given to Few to Possess
Not for Us to Sekhet Aaru
Our Souls Will be Cut to Pieces with Sharp Knives
Tortured Devoured
Consumed in Everlasting Flames
We Shall Never Be The Blessed Dead
[The phrase, "the Blessed Dead," is a reference to those who obtain the "blessed" condition in the afterlife: the beautified condition of eternal lifein the presence of Osiris in the Sekbet-Aaru, or "Field of Reeds." Those who had lived a moral life, observed the proper burial rites and procedures, and possessed all the correct magickal spells to navigate the treacherous and horrific Egyptian underworld, who could recite the 42 negative confessions, and whose hearts were found to be pure at the "Weighing of the Heart," were then allowed to be "Osirified" - to become a person like as unto Osiris - and enjoy a pleasant afterlife as ne of the blessed dead.]
[Proper burial, though, was an expensive undertaking. It was usually afforded only by pharaohs, priests, and the wealthy class. What of those who could not afford the extravagant tombs, mummification, magickal amulets, and costly papurys texts on which were written the necessary spells for successfully navigating the underworld? Even linen, which was used to wrap the mummies, was so expensive in ancient Egypt that people had to save what little scraps of it they could for years to have enough to have themselves wrapped. Also of mention would be the cost of professional mourners, embalmers, and priests for the "Opening of the Mouth" ceremony. This was all extremely expensive. Even a wealthy person in ancient Egypt would spend a lifetime saving and preparing for his or her burial and afterlife. I suppose it is no small coincidence that the religious priests were directly involved in the embalming industry.]
[But what of the middle and lover classes of people - the common working man? What then of the slaves and servant classes? if all these costly preparations and arcane knowledege were essential to achieving a state of blessedness in the afterlife, would a person of limited financial means be condemned beforehand to burn in torment in the afterlife, so only the wealthy became the Blessed Dead? While most of the populate certainly accepted this fatalistic concept - and by all that we know of ancient Egypt, embraced life and the hope of an eternal afterlife - most ancient Egyptians probably were resigned to do whatever funereal preparations were within their means It stands to reason, however, that certainly some small number of lower income / slave / working class people (predestined, of course, to certain financial / spiritual doom, as upward caste mobility was very limited in ancient times) would be less than inclined to accept at face value the idea that, no matter what, by the end of their lives they would not be able to afford to be buried as one of the blessed dead. Would they be resigned to their eternal fate, or live their lives with subversive viewpoints - perhaps rebelling against the established religious order, or perhaps choosing to worship amongst the pletbora of "other gods" of the Egyptian pantheon? (Budge refers to them as, "Wretched little gods.")]

Withdraw Thy Phallus Baboui
Open the Gates of the Duat
For I am Burning in Aataakhu
Chains Bind Me
Flames Encircle Me
And Burn My Flesh
Open
For Me the Gates Shall Open
Over the Fire of the Spirit
The Breath Drawn by the Gods
Arise Apophis Return
That I Might Return
Borne by the Flame
Drawn by the Gods Who Clear the Way
That I Might Pass
The Gods Which Sprang from the Drops of Blood
Which Dripped From
The Phallus of Set
That I might be Reborn
For I am Khetti Satha Shemsu
Seneh Nekai
And Will Become Set of a Million Years
Akhu Amenti Hekau
I Shed My Burnt Skin

Heralds of Pestilence
Blackest Plague Rusheth through the Land
Burning Evil Winds
Carry Sickness
Invoking the Bitter Venom of the Gods
Loathsome Sickening Stench of the Defiled
A Cesspool Breeding the Unclean
Hordes of Locusts
Fiends of the South Winds
Cleanse the Earth from the Impure
The Daemon That Siezeth the Body
The Daemon that Rendeth the Body
Ruthless and Profane
Lord of all Fevers and Plagues
Grinning Dark Angel of the four Wings
Spawn of Eng
Horned God with rotting Genitalia

Sep Au Hetep
Ab Au Makhar Gau t Metkh
Mekhar R Khhert Ua an Aqu
Mekri Sau t Athien Hapti
Tehem Er Sa Msa
I Call Upon Thee My Father Amun
For I am in the midst of A Multitude of Foes
Abandoned by the Legions of Amun and Ra
Engulfed by the Heat of the Fire
Blood of the Impure
Drips from my Weapons
Dismembered Armies Rot in the Sun
Mekhi Kherit Au Aqu

I split open your Eyes for you
I open your mouth for you
With the Adze of Iron
Which split open the mouths of the Gods
The Iron which issueth from Set
With the Adze of Iron
I did clean your Bones
With Iron Hook and Chisel
I did scrape your Flesh
And separate your Bones for you
Sebau Fiends work Evil
On the Body
Raise yourself Asari
Receive your Head
Collect your Bones
Gather your limbs Together
Throw off the Earth from your Flesh
Khnemet-Ur cometh to Thee
With the Iron of Set
I hath Violated Thee
With this Phallus of Iron
I hath committed Sodomy upon Thee

Nas Aakhu Khan She en Asbiu
Ua tehani,Ua temam,Ua khames Re Per Akhu
Ua khames em bah khan She en Amu
Ua khames em bah khan She en Seshet
Temam aakhu Thaui,Temam aakhu Shemsu Satha
Saakhu Nebu Tchaut,Saakhu Nebu Khebentiu
Snemeh em bah Akhu-Ager
Tata ab uk em She en Asbiu
Ta-ua Akh uk em She en Nesersert
Meh u She en Shemmet,Meh u She en Shamu
Ua uk,Ua uk,Ua uk Aat en Khet
Ua uk,Ua uk,Ua uk

[ Part I - Hall Of Saurian Entombment ]
Through Subterranean Labyrinths of Catacombs
We Hath Crawled To Gather in this Dimly Lit
Hall Of Colossal Proportion
Which Few Ever See
Along Black Walls
Rise Tier after Tier of Carven Painted Sacrophagi
Each Standing in a Niche in the Stone
The Mounted Tiers Rising Up
To Be Lost in the Gloom Above
Thousands of Carven Masks
Stare Down Upon Us
We Who are Rendered Futile and Insignificant
By This Vast Array of the Dead
[ Part II - Invocation To Seditious Heresy ]
And Here I Stand
I who would be master of the Black Earth
Have summoned you here secretly
You who are faithful to me
To share in the Black Kingdom that shall nr
Tonight we shall witness
The breaking of the chains which Enslave us
And the birth of a Dark Empire
Who am I to know what powers lurk and and Dream
in these murky Tombs
They hold secrets forgotten for three thousand years
But I shall Learn They shall teach me
See how they sleep staring through their
Carven Masks
Priests Monks Acolytes Kheri Heb Rekbi Khet
The Mummified Remains of the Sacrificial Whores
of The Cannibalistic Serpent Cult s of Thirty
Centuries With Black Incantation and Foul
Necromantic Art
Propitiated with the Blood of the Living
We will waken them from their long Slumber
The Ancients knew Nay Commanded the
Words of Power
And shall teach them to Me
I shall restore them to Life
To Labour for my own Dark Imperial Desires
I will Waken Them Will Rouse Them
Will learn their forgotten Wisdom
The knowledge locked in those withered Skulls
By the Lore of The Dead
We shall Enslave the Living
Pharaohs and Priests long Forgotten
Shall be our Warriors and Slaves
Who will Dare to Oppose Us
Out of the Dust shall Avaris Rise
[ Part III - Destruction Of The Temple Of The Enemies Of Ra ]
Foul Enemies of Ra who have Rebelled
Malicious Fiends
Spawn of Inertness Impotent Rebels
Nameless Filth
For whom Blazing Pits of Fire have been prepared
By the Command of Ra
Down Upon your Faces
You are overthrown
Your Skulls are Crushed in
You are Destroyed Annihilated
Gashed with Flints Your Windpipes Cut
The Joints of your Backs are Rent Apart
The Fire of the Eye of Horus is Upon You
Searching You Consuming You
Setting you on Fire Burning you To Ashes
Unemi The Devouring Flame Consumes You
Sekhmet The Blasting Immolation of the Desert
Maketh an End of You
Xul ur
Adjugeth you to Destruction
Flame Fire Conflagration Pulverize You
Your Souls Shades Bodies and Lives
Shall Never Rise Up Again
Your Heads Shall Never Rejoin your Bodies
Even The Words of Power
Of The God Thoth
The Lord of Spells
Shall Never Enable you to Rise Again
[ Part IV - Ruins ]
I knew they were Accursed
so remote were these nameless desert ruins
Crumbling and inarticulate the debris of
its collapsed walls was
Nearly hidden by the sands of the uncounted ages
It must have been thus before the first stones of
Memphis were laid
And the bricks of Babylon unbaked
Fear spoke from the age worn stones
This desolate survivor of the Deluge
This crumbling antidiluvial ancestor
Of the Eldest Pyramid
Only the grim brooding desert Gods
Knew what really took place here
What indescribable struggles and bloodshed
Awoke some distant throng of condemned spirits
And broke the tomblike silence of these crumbled
Time ravaged remains these night black ruins
Of some vanguished and buried Temple of Belial
But as the Night wind diad away
Above the desert rim rose the
Blazing edge of the morning sun
Which in my fevered state
I swore that from some remote depth there came a
Great crash of metal
Like a great Bronze gate
Clanging shut whose reverberations swelled out
To hail the rising Sun as Memnon hails in
From the banks of the Nile

Nafs I Ammara
Fana Azif
I am the Infidel
Fiendish Insects encircle Me
Howling Winds Wraiths
Surrounding me disembodied Ka
Dulcarnon
Hideous Unseen
Speaking in Tongues
Heard only by the Mad
Shrieking Insects Swarm over Me
Suffocate Me
Suffocate my Soul
Majun I am Empty
Crawling Reptiles Devour my Soul
They utterly and completely Annihilate Me
I can hear the Howling of the Jinn

Atheos anarchas
No belief in any deity
No lies or false idols
No dogma shall enslave me
My words of truth
The tongue of fire
A cleansing of utter blasphemy
No law of man or god
No chains of servitude
Bind me to the unjust
Purify me in flames
I have no fear of retribution
Before no graven images
Shall I bend in acquiescence
Say not unto me
Thou shall not
The head of Ramses
Lies fallen to the ground
Broken-crumbled-destroyed
Left in ruins

Mut The Dangerous DeadTrouble me No LongerI Inscribe Thy NameI Threaten Thee With The Second DeathI Kill Thy NameAnd Thus I Kill Thee AgainIn The AfterlifeBau Terror of the LivingAngry Spirits of the Condemned DeadI Write thy NameI Burn Thy Name In FlamesI Kill Thy NameAnd Thus Thee Are AccursedEven Unto The UnderworldMut The Troublesome DeadPlague Me No LongerThou Art CursedThy Name Is CrushedThine Clay is Smashed And BrokenThy Vengeance Against The LivingShall Come to Naught[Among the most sinister objects from the ancient world are the figurines in human shape which were used to cast spells on the persons they depicted. Such objects survive to this day usually only when they are buried as a part of a rite, and usually in the vicinity of a tomb or necropolis. Archeologist have found the remains of such rites at the royal cemetaries of Giza, Saqqarra, Lisht, and at several forts in Nubia. Stone, wax, or mud figures, or broken clay tablets or clay pots, are inscribed with lists of the enemies of Egypt. The body of the figure is usually flattened to make room for the text, or sometimes a papyrus is inserted inside the body cavity. On the back, the arms, or the arms and legs, are bound together. The inscriptions found on them are called "execration texts." These texts threaten death to specific people. Often, they include the name, parentage, and title of war. The execration texts were mainly aimed at enemy rulers, hostile nations, and tribes in Nubia, Libya, and Syria-Palestine. Magickal incantations and rites were used to cause death and suffering, and to prevent the angry spirits of the executed from taking vengeance on those who had condemned them. Usually included in these texts are long-standing enemies of those involved in the cursing rites. There is also often a catchball phrase against any man, woman, or eunuch who might be plotting rebellion. Amongst the common people, the execration rituals were carried out after the killing of a personal enemy or the execution of criminals. By killing the enemy's name, which was an integral part of the personality, this rite would extend the punishment into the afterlife. The spirits of defeated enemies or executed traitors were regarded as a continued supernatural threat, which needed to be met with magic. The wording of the texts is similar to that of contemporary spells on papyrus, which promise to protect against the malice of demons and ghosts. Those named in the execration texts are referred to as "mut" - the dangerous dead. It is also the word used to describe the troublesome dead in protective spells for private persons. The stone figures and red clay pots on which the execration texts were written were ritually broken as part of the cursing ceremony in order to smash the enemy's power. A pit near the Egyptian fort of Mirgissa in Nubia contained hundreds of such pot shards, as well as over 350 figures. Deposite of figures have been found outside fortresses, tombs, and funerary temples. The clay figures were burned and then buried with iron spikes driven through them, or nailed to the outer walls, as the bodies of executed traitors and foreign enemies sometimes were. The more eloborate enemy figures were sometimes trussed up like animals about to be sacrificed. Some are shown with their throats cut, the method used to kill sacrificial animals. The dismembered body of a Nubian and a flint sacrificial knife were found nar the Mirgissa pit. Some Egyptologists believe that human sacrifices routinely accompanied execration rituals, while others have argued that the figures were normally a substitute for such sacrifices.]

[Instrumental]

[Instrumental]

Aa-herit Nebu Huit-Ra
We come before Thee wearing serpent headed Masks
In sanguinary worship we offer the Tcheser-t Senfiu
The sacrificial drink of the Gods of Blood
in a goblet carved from a human skull
Aa-t-aru
Fiendish blood drinking reptile Lord of the Ankhit-Thekh
rites of bloodfeast
We propitiate Thee with our own fluid of life
and the freely offered flesh of these ritual prostitutes
that Thou mayest copulate with thine self
and spill Thy seed upon the Black Earth
Aui-f-em-kha-nef Netri nek khefa
We don the Abui ames Machta the ceremonial two horned phallus
to become as like unto the two horned serpent god Sekhui
We besmear ourselves with the bloodseed of
the living serpent goddess Arati
And with curved blades

Nanna Father of the Zonei
Eldest of the Wanderers
A Shadow out of Time
The Moon is calling Me
The Breath of the Old Ones
Whispers in my Ear
With inhuman Impatience
They Beckon to Me
I call to the Moon and Sin
I now possess the secrets of the Tides of Blood
I have traveled on the Spheres
And the spheres do not protect Me
I have Walked in the Pit
And the Pit does not protect Me
The Lords of the Wind rush about Me
The Lords of the Earth crawl about my Feet
And are Angered
A Wind has Risen The Dark Waters Stir
The lines of my life have been Obliterated
By my wanderings in the Waste
My fate is no longer Writ in the Stars
For I have broken the Covenant
Have the Gods forsaken Me
I cannot read the Omens
What sacrifice have I failed to Make
I call to the Gods
Do not cast thy servant Down

Tribal indeligible ageless
we celebrate our carnal nature
bloodsmeared and naked we dance under the horns
Idol of instinct, idol of lust
dark lord of claw and fang
Unclean we enshrine the beast
with sacrificial altars of flesh and bone

Rise in Splendor
Arms upheld unto the Sky
Blindly I Follow
Soon All will be Revealed
Searing Transcendant
Visions of Divine Intent
Worshipful Obediant
I Await the Burning
In Supplication
I turn my eyes toward the Sun
It Burns
I turn my eyes toward the Sun
Its Flames
Oh God it Burns
Refusing to look Away
In Agony
I become Divine
Obeisance I Make
Engulfed in Radiant Fury
Amon - Ra
The Hidden One
Takes my sight that I might See
Blinded I cry Out
In Gratitude
Tears Streaming
I Return unto the Sands
Burnt Charred
I behold no God

I drink the milk of ceres
dread elixir
crude nauseous willful poison
healing wounds unhealed
purge vomit convulse collapse
i gain the knowledge
separate mind from body
i break open the skull
Papaver somniferum
amrosia of the ancients
morpheus god of dreams grants me
entrance to the den of the wicked
anarchy of dreaming sleep summons
long dead harlots
i kiss the queen of hell
cleansed from the dishonours of the grave
Potent destroyer of grief
abyss of divine enslavement
thou hast the key to paradise
nepenthe
Every night i descend into chasms
and sunless abysses, depths below depths

Oasis dark sanctuary
night is born heavy with
Shaman dance
by the light of the moon
open your eyes to the song of the universe
Slowly we drag ourselves out of the primal slime
Slowly we arise to become mankind
Irrepressable we journey to Mecca
The heavens the gods are all within you
Listen as the voice of reason speaks
The ranting and raving will tear the world apart
Ancient alive seething with power
Enigma of a single human heart
Monumental, neolithic
Bare your soul and enter Mecca
Come arise from the primordial mud
Cloak thy nakedness
In the endless stuggle of the ages