The Roaring Twenties characterizes the distinctive cultural edge of the 1920s, principally in American cities, but also in Berlin and Paris, for a period of sustained economic prosperity. The phrase emphasizes the period's social, artistic, and cultural dynamism. "Normalcy" returned to politics in the wake of World War I, jazz music blossomed, the flapper redefined modern womanhood, Art Deco peaked, and finally the Wall Street Crash of 1929 ended the era, as the Great Depression set in worldwide. Economically the era saw the large-scale diffusion and use of automobiles, telephones, motion pictures, and electricity, unprecedented industrial growth, accelerated consumer demand and aspirations, and significant changes in lifestyle and culture. The media focused on celebrities, especially sports heroes and movie stars, as cities rooted for their home team and filled the new palatial movie theaters and gigantic stadiums. In most major countries women were voting for the first time.

The social and cultural features known as the Roaring Twenties began in leading metropolitan centers, especially Chicago, New Orleans, New York City, Philadelphia, Paris and London, then spread widely in the aftermath of World War I. Thus when Germany could no longer finance war reparations to the Allies (and they could not repay their loans to the U.S.), Washington came up with the Dawes Plan and Wall Street invested heavily in Germany, which repaid its reparations to nations that in turn used the dollars to pay off their war debts to Washington. By the middle of the decade, prosperity was widespread, with the second half of the decade later becoming known as the "Golden Twenties". In France and francophone Canada, they were also called the "années folles" ("Crazy Years").

James Francis Cagney, Jr. (July 17, 1899 – March 30, 1986) was an American actor, first on stage, then in film, where he had his greatest impact. Although he won acclaim and major awards for a wide variety of performances, he is best remembered for playing tough guys. In 1999, the American Film Institute ranked him eighth among its 50 Greatest American Screen Legends.

In his first professional acting performance, he danced dressed as a woman in the chorus line of the 1919 revue Every Sailor. He spent several years in vaudeville as a hoofer and comedian, until he got his first major acting part in 1925. He secured several other roles, receiving good notices, before landing the lead in the 1929 play Penny Arcade. After rave reviews, Warner Bros. signed him for an initial $500-a-week, three-week contract to reprise his role; this was quickly extended to a seven-year contract.

Humphrey DeForest Bogart (December 25, 1899 – January 14, 1957) was an American actor. He is widely regarded as a cultural icon. The American Film Institute ranked Bogart as the greatest male star in the history of American cinema.

After trying various jobs, Bogart began acting in 1921 and became a regular in Broadway productions in the 1920s and 1930s. When the stock market crash of 1929 reduced the demand for plays, Bogart turned to film. His first great success was as Duke Mantee in The Petrified Forest (1936), and this led to a period of typecasting as a gangster with films such as Angels with Dirty Faces (1938) and B-movies like The Return of Doctor X (1939).

Bogart's breakthrough as a leading man came in 1941, with High Sierra and The Maltese Falcon. The next year, his performance in Casablanca raised him to the peak of his profession and, at the same time, cemented his trademark film persona, that of the hard-boiled cynic who ultimately shows his noble side. Other successes followed, including To Have and Have Not (1944); The Big Sleep (1946); Dark Passage (1947) and Key Largo (1948), with his wife Lauren Bacall; The Treasure of the Sierra Madre (1948); In a Lonely Place (1950); The African Queen (1951), for which he won his only Academy Award; Sabrina (1954); and The Caine Mutiny (1954). His last movie was The Harder They Fall (1956). During a film career of almost thirty years, he appeared in 75 feature films.

The Lane Sisters refers to a group of sisters, three of whom achieved success in the 1920s and 1930s as a singing act, with their popularity onstage leading to a series of successful films. A fourth sister was not successful and left this milieu and a fifth avoided show business altogether. Priscilla Lane enjoyed the most prominent movie career.

The four sisters were from a family of five. Leotabel (Leota) (October 25, 1903 – July 25, 1963), Dorothy (Lola) (May 21, 1906 – June 22, 1981), Rosemary (April 4, 1914 – November 25, 1974), and Priscilla (June 12, 1915 – April 4, 1995), were born to Dr. Lorenzo A. Mullican and his wife, Cora Bell Hicks. Their sister, Martha (1905-19??) did not enter show business. The first three children had been born in Macy, Indiana, but the family moved in 1907 to Indianola, Iowa, a small college town south of Des Moines. Here Dr. Mullican had a dental practice. The Mullicans owned a large house with 22 rooms, some of which they rented out to students attending nearby Simpson College.

Irving A. Aaronson (February 7, 1895 – March 10, 1963) was an American jazz pianist and big band leader.

Born in New York, USA, Irving Aaronson learned piano from Alfred Sendry at the David Mannes School for music. From age 11 he played accompaniment in silent movie theaters (called nickelodeons).

He co-wrote a hit song, Boo-Hoo-Hoo, in 1921 and thereafter formed his own band. During the 1920s and the 30s, he led two big bands and recorded with different record companies. The first group formed under his name was the Versatile Sextette in the early 1920s, later renamed the Crusaders Dance Band. In 1925, it was with this band that his first compositions were recorded^{[citation needed]}

The band signed with the Victor label where the band name was changed to Irving Aaronson and his Commanders. Signed to the label from 1926 to 1929, the band had a notable success with Let's Misbehave in 1927. The band appeared in Cole Porter's Broadway musical Paris, in 1928.

In 1935, Aaronson starred in the Irving Aaronson Orchestra radio program on NBC. The band toured movie theatres and ballrooms across the U.S. before calling it quits in the mid-1930s, at which time Aaronson went to work as a musical director for MGM studios. He remained there in that capacity and as assistant to producer Joe Pasternak until his death from a heart attack in 1963.