Coclé is a province of central Panama on the nation's southern coast. The capital is the city of Penonomé. This province was created by the Act of September 12, 1855 with the title of Department of Coclé during the presidency of Dr. Justo de Arosemena. It became a province, Decretory Number 190, on October 20, 1985. Coclé is primarily an agricultural area, with sugar and tomatoes as major crops. The province has a number of well known beaches, such as Santa Clara, Farallon and Rio Hato, and tourist activity has increased in recent years. It has a population of 233,708 habitants (2010).
During pre-Columbian times, the area of Panama which today includes Coclé province had a number of identifiable native cultures. Archaeologists have loosely designated these cultures by pottery style. The poorly studied La Mula period ranged from 150 BC to AD 300. It was followed by the Tonosi period, from AD 300 to AD 550, and by the Cubita period, from AD 550 to AD 700. A unified Native American culture appears to have flourished in this area from approximately 1200 BC until the 16th century.
LaCosta Tucker (born December 12, 1951) is an American country music artist who recorded in the 1970s and 1980s as La Costa. The sister of country singer Tanya Tucker, LaCosta charted several singles of her own in the 1970s on the Billboard country singles charts, including the #3 "Get on My Love Train."
Born in Seminole, Texas, Tucker moved around frequently, as her father Beau Tucker was a construction worker. Tucker had two siblings, Donald and younger sister, Tanya Tucker. Beau felt LaCosta had the talent to be a star, and Tucker won her first talent contest at age four. In-between entering beauty pageants and talent shows, she performed with Tanya in a band called the Country Westerners. She graduated from Cochise College in Douglas, Arizona and began working as a medical records technician as she sang in clubs and became Miss Country Music, Phoenix.
La Costa married, and around this time, Tanya became a country music star. La Costa moved to Las Vegas, to be near Tanya, and Beau Tucker helped her get a recording contract with Capitol Records in 1974. Going only by La Costa, she soon had a hit record with "I Wanna Get To You", which landed at 25 on the country charts, followed by "Get On My Love Train" at number 3 and "He Took Me for a Ride" at number 10. She charted 10 more singles for Capitol and recorded five albums for the label. In 1982 she moved to Elektra Records and she charted with "Love Take It Easy On Me", under her full name of La Costa Tucker.
Isabel González (May 2, 1882 - June 11, 1971) was a Puerto Rican activist who helped pave the way for Puerto Ricans to be given United States citizenship. As a young unwed pregnant woman, Gonzalez had her plans to find and marry the father of her unborn child, derailed by the United States Treasury Department, when she was excluded as an alien "likely to become a public charge" upon her arrival to New York City. Gonzalez challenged the Government of the United States in the groundbreaking case Gonzales v. Williams (192 U.S. 1 (1904)). Officially the case was known as "Isabella Gonzales, Appellant, vs. William Williams, United States Commissioner of Immigration at the Port of New York" No. 225, argued December 4, 7, 1903 and decided January 4, 1904. Her case was an appeal from the Circuit Court of the United States for the Southern District of New York, filed February 27, 1903, after also having her Writ of Habeas Corpus (HC. 1-187) dismissed. Her Supreme Court case is the first time that the Court confronted the citizenship status of inhabitants of territories acquired by the United States. Gonzalez actively pursued the cause of U.S. citizenship for all Puerto Ricans by writing and publishing letters in the New York Times.
[Intro:]
Cale Sampson
Check it out, were gonna do something special here
Every word that I say is gonna start with the letter "C"
And then "A", then "L" and then "E"
It's all gonna rhyme, and it's all gonna make sense
So put your listening caps on
Let's get into this
[Cale Sampson:]
Cale's Crafty, Consistently Creative
Constantly Consciously Communicative
Commanding, Careful Concentration
Causing Consequential Complications
Calamity, Chaos, Confusion
Cataclysmic, Climactic Conclusions
Cleverly Contrived, Classified Content
Chronicled Courtesy Continuous Comments
Conveying, Crystal-Clear Conviction
Comprehensible, Comfortable Conditions
Crusading Cross-Country Competently
Consulting Compasses Confidently
Castaway Carrying Confidential
Combos Compiling Cardinal Credentials
Caliber, Counter Clockwise Calendar
Combating Carnivore, Cannibal Challengers
Arranging Articulate Alliances
Alphabetical, Audible Appliances
Above-Average, Atypical Anomaly
Athletically Abnormal Anatomically
Agile, Acrobatically Advanced
Absolutely Annihilating Anyone Against
Appreciated, Around and Abroad
Attentive Audiences Automatically Applaud
Acknowledging, An Admirable Aptitude
Amplified Appreciation, Astonished Attitudes
All Accounts Ahead Affirm Awful Aftermath
Among Afraid Attendants Anxiety Attacks
Alarming, Asthmatic Activation
Anguish, Agony, Aggravation
Accelerating Avidly, Abusing Anatomy
As Antidotes Are Applied Actively
Long Lost Lyrical Laborer Letting Loose
Lateral, Linear Lines Like Longitude
Lengthening Lithospheric Landscapes
Literally Locating Liquidizable Lakes
Leech Loaded Lagoons Lingering Latently
Luring Lizardly Locust Larva Lately
Lousy, Ludicrous, Lugubrious Lugs
Lazy, Lethargic, Lacking Lasting Love
Limitless Lunar Looking Luminous Light
Lucidly Levitating Liberating Life
Lecturing Loud, Lacerating Languish
Linguistical Levels Launching Language
Lucrative Lungs, Learning Large Lexicons
Leaping Ladders, Labyrinths, Leviathans
Larynx, Leadership, Listening, Lesson
Longevity, Legacy, Licensed Living Legend
Energetic, Exciting Entertainer
Elaborate, Effective Explainer
Exceeding Enormous Expectations
Every Exhalation's Education
Experimentation, Extreme Exploration
Exhibiting Evidential Evaluations
Eerie, Extraction Excavations
Erecting Enthusiastic Examinations
Emotionally Encouraging Entity
Embodying Extraordinary Energy
Electrified Enriched Eyewitnesses
Emitting Exhilarating Elicitness
Eclipsing Exuberant Explosiveness
Ecstatically Enjoying Euphorianess
Experiencing, Extravagant Events
The steps that we take
The steps that we take
The steps that we take
The steps that we take
well I'm lost in the drums
and I'm lost in the base
and I'm lost in the girl with a cute face
And I loose my self in the drums that i play
and I play like I play for the beauty of your face
and I know, I know
I know what I know
you wont believe me if I say so
If you for a while could see what I see in you girl
Cant she tell, cant she tell?
If you see you're even more beautiful then
Go go, go
All we need Is some rhythm to dare
1, 2, 3 let me lay out the rhythm of the steps that we take
Go go, go
all we need Is some rhythm to dare
1, 2, 3 let me lay out the rhythm of the steps that we take
The steps that we take.
The steps that we take.
We've been lost too long
we've been lost in the blaze
But its never to late
to walk away
and what are the choices
realise and stay and
realise her faith go down with the plain
and whats new whats old
o lend me hope
say you wont be the one without control
let it happen girl
let it happen let go, go
Cant she tell, cant she tell?
If you see you're even more beautiful then
If you could see what i see girl
Cant she tell, cant she tell?
If you see you're even more beautiful then
Go go, go
all we need Is some rhythm to dare
1, 2, 3 let me lay out the rhythm of the steps that we take
Go go, go
all we need Is some rhythm to dare
1, 2, 3 let me lay out the rhythm of the steps that we take
The steps that we take.
The steps that we take.
The steps that we take.