Copeland may refer to:

Kenneth Copeland (born December 6, 1936 in Lubbock, Texas) is an American author, public speaker, and televangelist. He is the founder of Kenneth Copeland Ministries, and known for teaching “prosperity message ” which says that believers can become wealthy through tithing, giving offerings and using faith, as well as sound financial practices.

Prior to his conversion to Christianity in November 1962, Copeland was a recording artist on the Imperial Records label, having one Billboard Top 40 hit ("Pledge of Love", which charted in the Top 40 on April 20, 1957, stayed on the charts for eight weeks, and peaked at #12).

Following his religious conversion, Copeland turned the rest of his life over to the gospel and ministry work. In the 1960s, he was a pilot and chauffeur for Oral Roberts. In the fall of 1967, he enrolled in Oral Roberts University in Tulsa, Oklahoma.

Kenneth is married to Gloria Copeland. His children are John Copeland, Kellie Copeland and Terri Pearsons.

He was a member of the Oral Roberts University Board of Regents until 2008. Copeland's oldest daughter, Terri, is married to pastor George Pearsons, who served until January 2008 as the ORU Board chairman.

Stewart Armstrong Copeland (born July 16, 1952) is an American musician, best known as the drummer for the band The Police. During the group's extended hiatus from the mid-1980s to 2007, he played in other bands and composed soundtracks. Copeland was ranked by a Rolling Stone magazine reader poll in 2010 as the fifth greatest drummer of all time.

Copeland was born in Alexandria, Virginia, the youngest of four children of CIA officer Miles Copeland, Jr. and Scottish archaeologist Lorraine Adie. The family moved to Cairo, Egypt a few months after his birth, and Copeland spent his formative years in the Middle East. In 1957, the family moved to Beirut, Lebanon and Copeland attended the American Community School there. He started drum lessons at age twelve and by age thirteen he was playing drums for school dances. Later he moved to England and attended Millfield from 1967 to 1969. Copeland went to college in California, attending United States International University and UC Berkeley. Returning to England, he worked as road manager for the progressive rock band Curved Air's 1974 reunion tour, and then assumed drumming duties for the band during 1975 and 1976.

In psychology-related slang, control freak is a derogatory term for a person who attempts to dictate how everything around them is done. The phrase was first used in the late 1960s — an era when great stress was laid on the principle of 'doing one's own thing' and letting others do the same.

Control freaks are often perfectionists defending themselves against their own inner vulnerabilities, in the belief that, if not in total control, they risk exposing themselves once more to childhood angst. Such figures manipulate and pressurise others to change, so as to avoid having to change themselves; use power over others to escape an inner emptiness. When a control freak's pattern is broken, “the Controller is left with a terrible feeling of powerlessness … But feeling their pain and fear brings them back to themselves”.

Control freaks have been linked to codependents, in the sense that the latters' fear of abandonment leads to attempts to control those they are dependent on. Recovery for them entails recognising that being a control freak helped paradoxically preserve codependency itself.

Misty Copeland (born September 10, 1982) is an American ballet dancer, described by many accounts as the first African American female soloist for the American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States (along with New York City Ballet and San Francisco Ballet). However, Anne Benna Sims and Nora Kimball, who were with the ABT in the early and mid 1980s respectively, preceded her. In this role as the third African-American soloist and first in two decades with ABT, she has endured the cultural pressure associated with it.

Copeland is considered a prodigy who rose to stardom despite not starting ballet until the age of 13. By age 15, Copeland's mother and ballet teachers, who were serving as her custodial guardians, fought a custody battle over her. Meanwhile, Copeland, who was already an award-winning dancer, was fielding professional offers. The 1998 legal proceedings involved filings for emancipation by Copeland and restraining orders by her mother. Both sides dropped legal proceedings, and Copeland moved home to begin studying under a new teacher who was a former ABT member.