Look up BM or .bm in Wiktionary, the free dictionary.

BM or bm may refer to:

Businesses and organisations[link]

• British Movement, a British fascist group
• Bayu Indonesia Air (IATA code)
• Bolinder-Munktell, a Swedish tractor and machinery manufacturer now part of Volvo
• Bolliger & Mabillard, a Swiss roller coaster manufacturer
• Boston and Maine Railroad
• British Midland International, a British airline, now branded as bmi
• British Museum
• Bursa Malaysia, Malaysia Exchange

Health[link]

• Bachelor of Medicine
• Basement membrane
• Body modification, the action of changing one's body for aesthetic or functional reasons. (e.g. tattoos, scarification, piercings etc.)
• Boehringer Mannheim test, a blood test performed using a glucose meter
• Bone marrow
• Bowel Movement
• Breast milk

Language[link]

• Malay Language
• Bambara language (ISO 639 alpha-2 code) (bm)

Military[link]

• Bandmaster, a warrant officer appointment in the British Army and Royal Marines.
• Boatswain's mate (United States Navy), A U.S. Navy rating.
• Boatswain's mate (US Coast Guard), A U.S. Coast Guard rating.
• Bravery Medal (disambiguation), a military decoration awarded in several countries.
• Breastwork Monitor, a designation for Monitor-class warships of the U.S. Navy at the turn of the 20th century.

Music[link]

• BM (album), 2008 Barbara Morgenstern album
• BM, 2009 Billy Mahonie album
• B minor, a musical chord (Bm)
• Bachelor of Music
• Beautiful music, a radio format
• Bella Morte, a gothic rock band from Charlottesville, Virginia, USA
• Black metal, a form of Heavy metal music
• Bob Marley, Jamaican reggae singer
• Bret Michaels, the lead singer of the metal band, Poison.

Places[link]

• Bermuda (ISO 3166-1 2-letter country code)
• British Museum in London (except in the natural sciences)
• Natural History Museum of London specimen code (in the natural sciences)
• Burma (FIPS Pub 10-4 code and obsolete NATO country code)

Computing and Entertainment[link]

• .bm, the Internet country code top-level domain for Bermuda
• Black Mage, a character class in the Final Fantasy series
• Beast Master (usually in reference to a talent specification for a Hunter on World of Warcraft)
• Beatmania, a rhythm game from the Bemani series
• Blaster Master, a video game by Sunsoft
• Barbie Mariposa, film
• Barbie: Mermaidia, film
• Batman (comic book) and Batman (film), comic book superhero and character in/name of film
• Baby Mama (film), a 2008 comedy film
• Boyer–Moore string search algorithm
• bad manner, a common term used to describe poor sportsmanship in electronic sports, often abbreviated to "bm"
• Bubble Makers, one of the most feared alliances in the flash game Battle Pirates. This alliance is situated in sector 9, and feasts on the marrow of its victims in sectors 8 and 10

Miscellaneous[link]

• Baby mama, the popular street term for the mother of one's illegitimate child
• Bar Mitzvah or Bat Mitzvah, terms for a Jewish child who is considered responsible for their actions, and the ceremony marking this point (usually 13 years of age)
• Benchmark (surveying), indicating reference points on maps
• Berlekamp-Massey algorithm, an algorithm to construct linear feedback shift registers
• Best man, the chief male assistant to the bridegroom at a wedding
• Bloody Mary (cocktail), popular cocktail containing vodka, tomato juice, and other spices or flavorings
• Brick and mortar, a physical business location
• Builder's Measurement or Builder's Old Measurement, a calculation of ship size used during the 18th and 19th centuries
• Burning Man, an annual event held in the Black Rock Desert of Nevada, USA
• Business model
• Balde de Merda

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Georges Brassens
Background information
Born	(1921-10-22)22 October 1921 Sète, France
Died	29 October 1981(1981-10-29) (aged 60) Saint-Gély-du-Fesc
Occupations	Singer-songwriter
Instruments	Acoustic guitar
Years active	1951–1981
Labels	Universal Music
Associated acts	Pierre Nicolas, sometimes Barthélémy Rosso, Joël Favreau

Georges Brassens (French pronunciation: [ʒɔʁʒ bʁasɛ̃s]), 22 October 1921 – 29 October 1981), was a French singer-songwriter and poet.

Biography[link]

Brassens was born in Sète, a town in southern France near Montpellier. Now an iconic figure in France, he achieved fame through his elegant songs with their harmonically complex music for voice and guitar and articulate, diverse lyrics; indeed, he is considered one of France's most accomplished postwar poets. He has also set to music poems by both well-known and relatively obscure poets, including Louis Aragon (Il n'y a pas d'amour heureux), Victor Hugo (La Légende de la Nonne, Gastibelza), Jean Richepin, François Villon (La Ballade des Dames du Temps Jadis), and Guillaume Apollinaire, Antoine Pol (Les Passantes).

During World War II, he was forced by the Germans to work in a labor camp at a BMW aircraft engine plant in Basdorf near Berlin in Germany (March 1943). Here Brassens met some of his future friends, such as Pierre Onténiente, whom he called Gibraltar because he was "steady as a rock." They would later become close friends.

After being given ten days' leave in France, he decided not to return to the labour camp. Brassens took refuge in a slum called "Impasse Florimont," in the 14th arrondissement of Paris, where he lived for several years with its owner, Jeanne Planche, a friend of his aunt. Planche lived with her husband Marcel in relative poverty: without gas, running water, or electricity. Brassens remained hidden there until the end of the war five months later, but ended up staying for 22 years. Planche was the inspiration for Brassens's song Jeanne.

Apart from Paris and Sète, he lived first in Crespières (near Paris) and latterly in Lezardrieux (Brittany).

Biography[link]

Childhood[link]

Brassens grew up in the family home in Sète with his mother, Elvira Dagrosa, father, Jean-Louis, half-sister, Simone (daughter of Elvira and her first husband, who was killed in the war), and paternal grandfather, Jules. His mother, who came from southern Italy (Basilicata province), was a devout Roman Catholic, while his father was an easy-going, generous, openminded, anticlerical man. Brassens grew up between these two starkly contrasting personalities, who nonetheless shared a love for music. His mother—whom Brassens labelled a "missionary for songs" (militante de la chanson), Simone and Jules, were always singing. This environment imparted to Brassens a passion for singing that would come to define his life. At the time he listened constantly to his early idols: Charles Trenet, Tino Rossi, and Ray Ventura. He was said to love music above all else: it was his first passion and the path that led him to his career. He told his friend André Sève, "[It is] a kind of internal vibration, something intense, a pleasure that has something of the sensual to it." He hoped to enroll at a music conservatory, but his mother insisted that he could only do so if his grades improved. Consequently, he never learned to read music. A poor student, Brassens performed badly in school.

Alphonse Bonnafé, Brassens's ninth-grade teacher, strongly encouraged his apparent gift for poetry and creativity. Brassens had already been experimenting with songwriting and poetry. Bonnafé aided his attempts at poetry and pushed him to spend more time on his schoolwork, suggesting he begin to study classical poetry. Brassens developed an interest in versification and rhyme. By Brassens's admission, Bonnafé's influence on his work was enormous: "We were thugs, at fourteen, fifteen, and we started to like poets. That is quite a transformation. Thanks to this teacher, I opened my mind to something bigger. Later on, every time I wrote a song, I asked myself the question: would Bonnafé like it?" By this point, music had taken a slight backstage to poetry for Brassens, who now dreamed of being a writer.

Nonetheless, personal friendships and adolescence still defined Brassens in his teens. At age seventeen, he was implicated in a crime that would prove to be a turning point in his life. In order to make a little money, Georges and his gang decided to turn to small thefts whose principal victims were their respective families. Georges stole a ring and a bracelet from his sister. The police found and caught him, which caused a minor scandal. The young men were publicly characterized as "high school mobsters" or "scum". Some of the perpetrators, unsupported by their families, spent time in prison. While Brassens's father was more forgiving and immediately picked up his son, Brassens was expelled from school. He decided to move to Paris in February 1940, following a short trial as an apprentice mason in his father's business after World War II had already broken out.

Wartime[link]

Apprenticeship[link]

Brassens lived with his aunt Antoinette in the 14th arrondissement of Paris, where he taught himself to play piano. He began working at a Renault car factory. In May 1940 the factory was bombed, and France invaded by Germany. Brassens returned to the family home in Sète. He spent the summer in his home town, but soon returned to Paris, feeling that this was where his future lay. He did not work, since employment would serve only to profit the occupying enemy. Saddened by the lack of poetic culture, Brassens spent most of his days in the library. It was then that he set a pattern of rising at five in the morning, and going to bed at sunset – a pattern he maintained the greater part of his life. He meticulously studied the great masters: Villon, Baudelaire, Verlaine and Hugo. His approach to poetry was almost scientific. Reading, for instance, a poem by Verlaine, he dissected it image by image, attentive to the slightest change in rhythm, analysing the rhymes and the way they alternated. He drew on this enormous literary culture as wrote his first collection of poems, Des coups d’épée dans l’eau, whose conclusion foreshadowed the anarchism of his future songs:

Le siècle ou nous vivons est un siècle pourri.

Tout n'est que lâcheté, bassesse,

Les plus grands assassins vont aux plus grandes messes

Et sont des plus grands rois les plus grands favoris.

Hommage de l'auteur à ceux qui l'ont compris,

Et merde aux autres.

(The century we live in is a rotten century.

Nothing but cowardice and baseness.

The greatest murderers attend the greatest masses

And are the greatest favourites of the greatest kings.

Homage from the author to those who understood it,

And shit for the others.)

Brassens also published A la venvole in 1942, thanks to the money of his family and friends, and with the surprising help of a woman named Jeanne Planche, a neighbour of Antoinette, probably the first Brassens fan. Brassens later commented on his early works: "In those times, I was only regurgitating what I had learned reading the poets. I hadn't transformed it into honey yet."

Exile[link]

In March 1943, Brassens was requisitioned for the STO (Service de Travail Obligatoire: Obligatory Work Service) and was taken to Basdorf, Germany. He found time to write, but he stooped to easiness. It was nevertheless in Germany that he wrote Bonhomme and Pauvre Martin, along with more than a hundred songs, that were later either burned or frequently altered before they reached their final form (Le Mauvais sujet repenti). He also wrote the beginning of his first novel, Lalie Kakamou. In Germany, he met some of his best friends like Pierre Onténiente, whom he nicknamed "Gibraltar", because he was "firm as a rock." Onténiente later became his right-hand man and his private secretary.

A year after he arrived in Basdorf, Brassens was granted a ten day furlough. It was obvious to him and his new friends that he wouldn't come back. In Paris, he had to find a hideout, but he knew very few people. He had indeed led quite a lonely life in Paris, seeing only a friend from Sète and the girls. Finally, Jeanne Planche came to his aid and offered to put him up as long as necessary. Jeanne lived with her husband Marcel in a hovel at 9 impasse Florimont, with no gas, water or electricity. Brassens accepted... and stayed there for twenty two years. He once said on the radio: "I was nice there, and I have gained since then quite an amazing sense of discomfort." According to Pierre Onténiente: "Jeanne had a crush on Georges and Marcel knew nothing, as he started to get drunk at eight in the morning."

Anarchist influences[link]

Once put up at Jeanne Planche's, Georges had to stay hidden for five months, waiting for the war to come to an end. He continued writing poems and songs. He composed using as his only instrument a small piece of furniture that he called "my drum" on which he beat out the rhythm. He resumed writing the novel he started in Basdorf, for only now did he consider a career as a famous novelist. The end of World War II and the freedom suddenly regained didn't change his habits much, except that he got his library card back and resumed studying poetry.

The end of the war meant the homecoming of the friends form Basdorf, with whom Brassens planned to create an anarchist-minded paper, Le Cri des gueux (The villains' cry), which never came into being for lack of money. At the same time, he set up the "Prehistoric Party" with Emile Miramont (a friend from Sète nicknamed "Corne d'Auroch" –auroch's horn) and André Larue (whom he met in Basdorf), which advocated the return to a more modest way of life, but whose chief purpose was to ridicule the other political parties. After the failure of Le Cri des gueux, Brassens joined the Anarchist Federation and wrote some virulent, black humour tinged articles for Le Libertaire, the Federation's paper. But the extravagance of the future songwriter wasn’t to everybody’s taste, and he soon had to leave the Federation, albeit without resentment.

Brassens said in an interview: "I'm an anarchist, so much so that I always cross at the zebra crossing to avoid arguing with the police." He also said: "I'm not very fond of the law. As Léautaud would say, I could do without laws [...] I think most people couldn’t."

Career[link]

His friends who heard and liked his songs urged him to go and try them out in a cabaret, café or concert hall. He was shy and had difficulty performing in front of people. At first, he wanted to sell his songs to well-known singers such as "les frères Jacques". The owner of a cafe told him that his songs were not the type he was looking for. But at one point he met the singer Patachou in a very well-known cafe, Les Trois Baudets, and she brought him into the music scene. Several famous singers came into the music industry this way, including Jacques Brel and Léo Ferré. He later on made several appearances at the Paris Olympia under Bruno Coquatrix' management and at the Bobino music hall theater.

1964

He toured with Pierre Louki, who wrote a book of recollections entitled Avec Brassens (éditions Christian Pirot, 1999, ISBN 2-86808-129-0). After 1952, Brassens rarely left France. A few trips to Belgium and Switzerland; a month in Canada (1961, recording issued on CD in 2011) and another in North Africa were his only trips outside France – except for his concerts in Wales in 1970 and 1973 (Cardiff).^[1]

Songs[link]

Brassens rarely performed abroad. His lyrics are difficult to translate, though attempts have been made.^[2] He accompanied himself on acoustic guitar. Most of the time the only other accompaniment came from his friend Pierre Nicolas with a double bass, and sometimes a second guitar (Barthélémy Rosso, Joël Favreau).

His songs often decry hypocrisy and self-righteousness in the conservative French society of the time, especially among the religious, the well-to-do, and those in law enforcement. The criticism is often indirect, focusing on the good deeds or innocence of others in contrast. His elegant use of florid language and dark humor, along with bouncy rhythms, often give a rather jocular feel to even the grimmest lyrics.

Some of his most famous songs include:

• Les copains d'abord, about a boat of that name, and friendship, written for a movie Les copains (1964) directed by Yves Robert; (translated and covered by Asleep At The Wheel as "Friendship First" and by a Polish cover band Zespół Reprezentacyjny as "Kumple to grunt" and included on their 2007 eponymously titled CD).
• Chanson pour l'Auvergnat, lauding those who take care of the downtrodden against the pettiness of the bourgeois and the harshness of law enforcement.
• La Cane de Jeanne for Marcel and Jeanne Planche, who befriended and sheltered him and others.
• La mauvaise réputation – "the bad reputation" – a semi-autobiographical tune with its catchy lyric: "Mais les braves gens n'aiment pas que l'on suive une autre route qu'eux" (But the good folks don't like it if you take a different road than they do.)
• Les amoureux des bancs publics – about young lovers who kiss each other publicly and shock self-righteous people.
• Le gorille – tells, in a humorous fashion, of a gorilla with a large penis (and admired for this by ladies) who escapes his cage. Mistaking a robed judge for a woman, the beast forcefully sodomizes him. The song contrasts the wooden attitude that the judge had exhibited when sentencing a man to death by the guillotine with his cries for mercy when being assaulted by the gorilla. This song, considered pornographic, was banned for a while. The song's refrain (Gare au gori – i – i – i – ille, "beware the gorilla") is widely known; it was translated into English by Jake Thackray as Brother Gorilla, by Greek singer-songwriter Christos Thivaios as Ο Γορίλλας ("The Gorilla"), by Spanish songwriter Joaquín Carbonell as "El Gorila" ("The Gorilla"), by Italian songwriter Fabrizio De André as "Il Gorilla" ("The Gorilla" – FDA included this translation into his 1968 album "Volume III"), by a Polish cover band Zespół Reprezentacyjny as "Goryl" and by Israeli writer Dan Almagor as "הגורילה".
• Fernande – a 'virile antiphon' about the women lonely men think about to inspire self-gratification (or to nip it in the bud). Its infamous refrain (Quand je pense à Fernande, je bande, je bande..., `When I think about Fernande, I get hard') is still immediately recognized in France, and has essentially ended the use of several female first names.
• Supplique pour être enterré à la plage de Sète, a long song (7:18) describing, in a colourful, "live" and poetic way, his wish to be buried on a peculiar sandy beach in his hometown, "Plage de la Corniche".
• Mourir pour des idées, describing the recurring violence over ideas and an exhortation to be left in peace (translated into Italian by Italian singer-songwriter Fabrizio De André as "Morire per delle idee" and included in FDA's 1974 album "Canzoni" and by a Polish cover band Zespół Reprezentacyjny as "Śmierć za idee" and included on their 2007 CD "Kumple to grunt").

Brassens died of cancer in 1981, in Saint-Gély-du-Fesc, having suffered health problems for many years, and rests at the Cimetière le Py in Sète.

Legacy[link]

In recent years, more than 50 doctoral dissertations have been written about Georges Brassens. Many artists from Japan, Israel, Russia, the United States (where there is a Georges Brassens fan club), Italy and Spain have made cover versions of his songs. His songs have been translated into 20 languages, including Esperanto.

Many singers have covered Georges Brassens' lyrics in other languages, for instance Pierre de Gaillande, who translates Brassens' songs and performs them in English, Koshiji Fubuki in Japanese, Fabrizio De André (in Italian), Alberto Patrucco (in Italian), and Nanni Svampa (in Italian and Milanese), Graeme Allwright and Jake Thackray (in English), Sam Alpha (in creole), Yossi Banai (in Hebrew), Jiří Dědeček (in Czech), Mark Freidkin (in Russian), Loquillo, Paco Ibáñez, Javier Krahe, Joaquín Carbonell and Eduardo Peralta (in Spanish), Jacques Ivart (in esperanto), Franz Josef Degenhardt and Ralf Tauchmann (in German), Zespół Reprezentacyjny (they released 2 CDs of Brassens' songs in Polish) and Piotr Machalica (in Polish), Cornelis Vreeswijk (Swedish) and Tuula Amberla (in Finnish). Dieter Kaiser, a Belgian-German singer who performs in public concerts with the French-German professional guitarist Stéphane Bazire under the name Stéphane & Didier has translated into German language and gathered in a brochure 19 Brassens songs. He also translated among others the poem "Il n'y a pas d'amour heureux" of the French contemporary poet Louis Aragon. Franco-Cameroonian singer Kristo Numpuby also released a cover-album with the original French lyrics but adapted the songs to various African rhythms.

An international association of Georges Brassens fans exists and there is also a fan club in Berlin-Basdorf which organizes a Brassens festival every year in September.

Brassens composed about 250 songs, of which 200 were recorded, the other 50 remaining unfinished.

Renée Claude, an important Québécois singer, dedicated a tribute-album to him, J'ai rendez-vous avec vous (1993).

His songs have a major influence on many French singers across several generations, including Maxime Le Forestier, Renaud, Bénabar and others.

In 2008, the English folk-singer Leon Rosselson included a tribute song to Brassens, entitled "The Ghost of Georges Brassens", on his album A Proper State.

The song "À Brassens" ("To Brassens") from Jean Ferrat's album Ferrat was dedicated to Brassens.

Heritage sites[link]

Many schools, theatres, parks, public gardens, and public places are dedicated to Georges Brassens and his work, including:

• L'Espace Brassens in his hometown of Sète, a museum to his life.
• A park built on the site of the former Vaugirard horse market & slaughterhouses, was named parc Georges Brassens. Brassens lived a large part of his life about hundred metres from the slaughterhouses, at 9 impasse Florimont and then at 42 rue Santos Dumont. The park was inaugurated in 1975.
• A nearby station of Tram line 3 is also named in Brassens' honour.
• The Place du Marché of Brive-la-Gaillarde was renamed Place Georges Brassens, as a tribute to women that had had a clash here with the French gendarmerie, a clash he evoked in one of his songs, Hécatombe.
• In the Paris Métro station Porte des Lilas (Line 11) there is a mural portrait of Brassens along with a quote from his song "La Porte des Lilas", written for the 1957 film "Porte des Lilas" by René Clair. In this film, Brassens had a supporting role, practically playing himself.

References[link]

External links[link]

Wikimedia Commons has media related to: Georges Brassens

• (English) Espace Brassens museum in Sète
• (French) Georges-Brassens.com
• (French) AnalyseBrassens.com
• Georges Brassens at the Internet Movie Database

Thomas Fersen
Background information
Born	(1963-01-04) 4 January 1963 (age 49)
Origin	Paris, France
Occupations	singer-songwriter

Thomas Fersen (born 4 January 1963 in Paris) is a French singer-songwriter.

During his childhood, he was part of a punk group before playing the piano in café-theatres. He released his first album in 1993; it gave him immediate name recognition.

Fersen is an accomplished poet who regularly plays with language, using puns, rich rhymes, symbols and images taken from the realms of plants (vegetables, fruits) and animals (birds and various beasts) to tell stories or original fables, to recreate moments from daily life, impressions and sentiments, and also the dreams of ordinary people and their failings and faults. His deep and gravelly smoker's voice gives a particular tone to his songs, which belong to different musical styles depending on the album (rock, folk-rock or jazz and blues).

The stage name "Thomas Fersen" comes from the names of Thomas Boyd, a Scottish footballer, and Hans-Axel de Fersen, Marie-Antoinette's Swedish lover.

He was one of the first singers to join the label Tôt ou tard.

Discography[link]

• 1993 – Le Bal des oiseaux (The Ball of the Birds)
• 1995 – Les Ronds de carotte (The Slices of Carrot)
• 1997 – Le Jour du poisson (The Day of the Fish)
• 1999 – Qu4tre (Four)
• 2001 – Triplex (triple album live)
• 2003 – Pièce montée des grands jours (Pièce montée for the Great Days)
• 2004 – La Cigale des grands jours (La Cigale in the Great Days) (public recording at La Cigale; a DVD of the concert also exists)
• 2005 – Le Pavillon des fous (The Insane Asylum)
• 2007 – Gratte-moi la puce – Best of de poche (Scratch My Fleas – Best Of The Worst )
• 2008 – Trois petits tours (Three Times Round)
• 2011 – Je suis au paradis (I am in heaven)

Other musical involvement[link]

• 2005 – on the Plutôt tôt Plutôt tard album by duos from the Tôt ou tard label, the songs Escobar with JP Nataf, Le bouton with Bumcello, and La barmaid with Jeanne Cherhal
• 2006 – Cover of Sacré géranium by Dick Annegarn on the compilation Le Grand Dîner

External links[link]

• (French) Fersen Makes His Scene (unofficial site)
• (French) Fersen on the site of the label Tôt ou tard

This article about a French singer is a stub. You can help Wikipedia by expanding it. v t e

This article may be expanded with text translated from the corresponding article in the French Wikipedia. (October 2010) Don't speak French? Click here to read a machine-translated version of the French article. Click [show] on the right to review important translation instructions before translating. Google's machine translation is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. After translating, {{Translated|fr|Paul Personne}} must be added to the talk page to ensure copyright compliance. For more guidance, see Wikipedia:Translation.

Paul Personne
Paris, February 2007.
Background information
Birth name	René-Paul Roux
Born	27 December 1949
Origin	Argenteuil, France
Genres	Blues
Occupations	Musician, singer, songwriter
Instruments	Guitar
Years active	1966–present
Website	http://www.paulpersonne.fr
Notable instruments
Les Paul

Paul Personne (born 27 December 1949, Argenteuil, France) is a French blues singer and guitarist.^[1]

Discography[link]

Studio albums[link]

• Paul Personne (1982, Epic)
• Exclusif (1983, Philips)
• Barjoland (1984, Philips)
• 24/24 (1985, Philips)
• La Chance (1989, Bird)
• Comme A La Maison (1992, Polydor)
• Rêve Sidéral D'Un Naïf Idéal (1994, Polydor)
• Instantanés (1996, Polydor)
• Patchwork Electrique (2000, Polydor)
• Demain Il F'ra Beau (2003, Polydor)
• Coup D'Blues (2003, Polydor)

Live albums[link]

• La Route De La Chance (1990, Bird)
• Route 97 (1997, Polydor)
• Il était une fois la route (2006, XIII Bis Records)

Live DVDs[link]

• Il était une Fois la route (2006, XIII Bis Records)
• Un 24 juillet aux vieilles charrues (2004, Polydor)

Compilation albums[link]

• The Best Of (2005, Polydor Canada) 1983–2005

Box set[link]

• Anthologie 1983–1997 (1997, Polydor)

References[link]

External links[link]

Wikimedia Commons has media related to: Paul Personne

• Official website

This article about a French singer is a stub. You can help Wikipedia by expanding it. v t e

This article about a French musician is a stub. You can help Wikipedia by expanding it. v t e

Stevie Nicks
Stevie Nicks live in 2009.
Background information
Birth name	Stephanie Lynn Nicks
Born	(1948-05-26) May 26, 1948 (age 64)
Origin	Phoenix, Arizona, United States
Genres	Pop, rock, pop rock, soft rock, country rock
Occupations	Singer-songwriter, musician
Instruments	Vocals, piano, keyboards, guitar, percussion
Years active	1967–present
Labels	Modern, Atlantic, Reprise
Associated acts	Fleetwood Mac, Buckingham Nicks, Tom Petty and the Heartbreakers, David A. Stewart, Sheryl Crow
Website	stevienicks.net

Stephanie Lynn "Stevie" Nicks (born May 26, 1948) is an American singer-songwriter, best known for her work with Fleetwood Mac and an extensive solo career, which collectively have produced over forty Top 50 hits and sold over 140 million albums. She has been noted for her ethereal visual style and symbolic lyrics.^[1] Nicks joined Fleetwood Mac on December 31, 1974, along with her then-boyfriend Lindsey Buckingham. Fleetwood Mac's second album after the incorporation of Nicks and Buckingham, 1977's Rumours, produced four US Top 10 singles (including Nicks's song "Dreams", which was the band's first and only US number one) and remained at No.1 on the American albums chart for 31 weeks, as well as reaching the top spot in various countries around the world. To date the album has sold over 40 million copies worldwide, making it the eighth best-selling album of all time.

Nicks began her solo career in 1981 with the 8 million selling album Bella Donna, and she has produced six more solo studio albums to date. Her seventh solo studio album entitled In Your Dreams, and her first in ten years, was produced largely by Dave Stewart of Eurythmics fame and Glen Ballard and was released on May 3, 2011. After the release of her first solo album, Rolling Stone deemed her "The Reigning Queen of Rock and Roll".^[2] Having overcome cocaine addiction, and dependency on tranquilizers, Nicks remains a popular solo performer. As a solo artist, she has garnered eight Grammy Award nominations^[3] and, with Fleetwood Mac, a further five, of which one was the 1978 award for Album of the Year for Rumours, which they won. As a member of Fleetwood Mac, she was inducted into the Rock and Roll Hall of Fame in 1998. Nicks is known for her distintive voice, mystical visual style and symbolic lyrics as well as the famous (sometimes tense) chemistry between herself and former boyfriend and guitarist/vocalist in Fleetwood Mac, Lindsey Buckingham.^[4]

History[link]

Early life[link]

Nicks was born at Good Samaritan Hospital in Phoenix, Arizona, to Jess Nicks, a corporate executive, and Barbara Nicks, a homemaker. Nicks' grandfather, Aaron Jess Nicks, a struggling country music singer, taught Nicks to sing, performing duets with her by the time she was four years old. Nicks' mother was very protective of her, keeping her at home "more than most people were" and fostering in her a love of fairy tales.^[5][6] As a young child, Nicks had difficulty pronouncing her given name Stephanie, instead pronouncing it "tee-dee", which became the nickname "Stevie".^[7] Nicks' father Jess's career as a food business executive necessitated frequent moves, and the family lived in Phoenix, Albuquerque, El Paso, Salt Lake City, Los Angeles, and San Francisco during Nicks' youth. With the Goya guitar that she received for her sixteenth birthday, Nicks wrote her first song called "I've Loved and I've Lost, and I'm Sad But Not Blue". She joined her first band "The Changing Times" while attending Arcadia High School in Arcadia, California.

Nicks first met her future musical and romantic partner Lindsey Buckingham during her senior year at Menlo Atherton High School.^[8] She was attending a high school party and saw Buckingham playing "California Dreamin'", and joined in with the harmony.^[9] Buckingham contacted Nicks a few years later and asked her to join him and his bandmates Javier Pacheco and Calvin Roper in a band called Fritz. Fritz became popular as a live act from 1968 until 1972, opening for popular musicians Jimi Hendrix and Janis Joplin, among others, in the San Francisco Bay Area.^[10] Both Nicks and Buckingham attended San Jose State University in Northern California, where Nicks majored in Speech Communication. They dropped out in 1968 and moved to Los Angeles together to pursue a career in music when Nicks' family moved to Chicago.^[11]

[edit] Buckingham Nicks: 1972–1974

After Fritz disbanded in 1972, Nicks and Buckingham continued to write and record as a duo, producing demo tapes at the coffee plant belonging to Buckingham's father Morris.^[12] They secured a deal with Polydor Records. Polydor used tracks from the demo tapes to release the album^{[clarification needed]} Buckingham Nicks in 1973. The album was not a commercial success, despite the live shows that Nicks and Buckingham performed together to support it, and Polydor dropped the pair from the label. To support herself and Buckingham, who wrote music while recovering from mononucleosis, Nicks worked a variety of jobs, which included waiting tables and a stint cleaning engineer/producer Keith Olsen's house, where Nicks and Buckingham lived for a time.^[13] Nicks says that she first used cocaine during this time.^[14]

Nicks and Buckingham briefly relocated to Aspen, Colorado. While there, Buckingham landed a guitar-playing gig with the Everly Brothers, and toured with them while Nicks stayed behind. During this time, Nicks wrote "Rhiannon" after seeing the name in the novel Triad by Mary Leader, unaware at the time of the Mabinogi legend of Rhiannon. She also wrote "Landslide", inspired by the scenery of Aspen and her inner turmoil over her decision to pursue music.^[15]

[edit] Fleetwood Mac and Rumours: 1975–1978

Nicks and Buckingham joined Fleetwood Mac on December 31, 1974, after Keith Olsen played their track "Frozen Love" for drummer Mick Fleetwood, who had come to Studio City in California, in search of a studio to record Fleetwood Mac's next album. Fleetwood remembered Buckingham's guitar work after guitar player Bob Welch's departure to pursue a solo career. Initially extending the offer only to Buckingham, Fleetwood later included Nicks in the offer when Buckingham insisted that they were "a package deal".

In 1975 the band achieved success with the album Fleetwood Mac. That same year, Nicks worked with clothing designer Margi Kent to develop Nicks's unique onstage look, with costumes that featured flowing skirts, shawls and platform boots.^[16]

Following the success of Fleetwood Mac, increasing tension between Nicks and Buckingham began to take its toll on their creativity, and Nicks ended the relationship.^[17][18] Fleetwood Mac began recording their follow-up album, Rumours, in early 1976 and continued until late in the year. Also, Nicks and Buckingham sang back-up on Warren Zevon's debut album.^[19][20]

Among Nicks's contributions to Rumours was "Dreams", which became the band's only Billboard Hot 100 No.1 hit single to date. Nicks had also written and recorded the song "Silver Springs", but it was ultimately not included on the album because of space limitations for studio albums on vinyl records, which were limited to 24 minutes per side. Instead, it was released as a B-side of the "Go Your Own Way" single, and would remain in some obscurity until it appeared on the four-disc Fleetwood Mac retrospective 25 Years – The Chain in 1992. The song, the rights to which are owned by Nicks's mother Barbara, has always been very special to Nicks, and she was devastated when told about the omission after the decision had been made.^[21]

In November 1977, after a New Zealand concert for the Rumours tour, Nicks and Fleetwood, who was married to Jenny Boyd, secretly began an affair.^[22][23] The pair mutually decided to end the affair, because, according to Nicks, "we knew it would be the end of Fleetwood Mac."^[24] Soon after, in October 1978, Mick Fleetwood left his wife for Nicks's best friend Sara Recor.^[25] After the success of the Rumours album and tour in 1977–78, Fleetwood Mac began recording their third album with Buckingham and Nicks, Tusk, in the spring of 1978. That year, Nicks sang back-up on virtually every track of Not Shy, recorded by musician Walter Egan, a friend of both Nicks and Buckingham. One track, "Magnet & Steel", prominently featured Nicks on back-up vocals and became a hit single on Billboard's "Hot 100" chart during the summer of 1978. Lindsey Buckingham also played guitar and sang back-up on some of the tracks recorded for that album.

[edit] Tusk, Bella Donna and Mirage: 1978–1982

By 1978, Nicks had amassed a large backlog of songs dating back to her Buckingham Nicks days that she had been unable to record and release with Fleetwood Mac because of the constraint of having to accommodate three songwriters on each album.^[26] Nicks wrote and recorded demos for the solo project during Tusk sessions in 1979 and the Tusk world tour of 1979–80. Nicks, Danny Goldberg, and Paul Fishkin founded Modern Records to record and release Nicks's material. Nicks recorded the hit duets "Whenever I Call You Friend" with Kenny Loggins in 1978, and "Gold" with John Stewart in 1979.

Fleetwood Mac's Tusk was released on October 19, 1979. During 1981, Nicks toured with Tom Petty and the Heartbreakers and New Zealand band Split Enz as a guest.

Nicks released Bella Donna on July 27, 1981 to critical and commercial acclaim. Bella Donna was the first album to feature Nicks's back-up singers, Sharon Celani and Lori Perry, who have contributed vocals to all of Nicks's solo albums since then.

The day that Bella Donna reached No.1 on the Billboard 200, Nicks's best friend Robin Anderson was diagnosed with leukemia. Robin gave birth to a son, appointing Nicks as the child's godmother. Following Robin's death in 1982, Nicks married Robin's widower Kim Anderson. They divorced eight months later.^[27]

In November, 1981, Nicks embarked on the White Winged Dove tour, which she had to cut short to record the Mirage album with Fleetwood Mac. After the Mirage tour in 1982, Nicks prepared to record her second solo album.

[edit] Wild Heart and Rock a Little: 1983–1986

Nicks released The Wild Heart on June 10, 1983. The album introduced songwriter and performer Sandy Stewart as co-writer, vocalist, and musician. The Wild Heart went double platinum, reached No.5 on the Billboard album chart, and featured three hit singles. Nicks performed at the second US Festival at Glen Helen Regional Park in San Bernardino, California, and later toured the US from June 1983 to November 1983. Nicks appeared on Saturday Night Live in 1983, performing "Stand Back" and "Nightbird".

Following the tour for The Wild Heart, Nicks commenced work on her third solo album. Originally titled Mirror Mirror, Nicks recorded songs for the album during 1984. However, Nicks was unhappy with the album, and opted to record a new batch of songs in 1985.^[28] Rock a Little, as it was re-titled, was released November 18, 1985 to commercial success, supported by three hit singles.

Nicks toured for Rock A Little in 1986. The tour ended on October 10, 1986.

The tour marked a turning point in Nicks's career: although she had achieved significant critical acclaim, drugs were taking a toll on her performing, affecting her vocals and changing her on-stage persona.^{[citation needed]} In 1986, a plastic surgeon warned her of severe health problems if she did not stop using cocaine.^[29] At the end of the Australian tour, Nicks checked herself into the Betty Ford Center to overcome her cocaine addiction.^[30] Later that year, a doctor prescribed the sedative Klonopin to help her avoid a cocaine relapse.^[31]

[edit] Tango in the Night, The Other Side of the Mirror, and Behind The Mask : 1987–1990

In 1985, Fleetwood Mac began work on Tango in the Night, which was released in April 1987.

Creative differences and unresolved personal issues within the band led Buckingham to quit the group right before their world tour. According to bassist John McVie, a "physically ugly" confrontation between Nicks and Buckingham ensued when Nicks angrily challenged Buckingham's decision to leave the band.^[32]

The band embarked on the Shake The Cage tour in September 1987, with Buckingham replaced by Rick Vito and Billy Burnette. The tour was suspended during Nicks's bout with chronic fatigue syndrome and developing addiction to tranquilizers, though it resumed in 1988. Tango in the Night met with commercial success and was followed in 1988 by Fleetwood Mac's Greatest Hits album in November 1988.

Also in 1988, Nicks began work on a fourth solo album with British producer Rupert Hine. The Other Side of the Mirror was released on May 11, 1989 to commercial success. Nicks became romantically involved with Hine.^[33]

Nicks toured the US and Europe from August to November 1989, the only time she has toured Europe as a solo act. She has famously been quoted since as stating that she has "no memory of this tour" due to her increasing dependency on the tranquillizer Klonopin,^[34] prescribed in ever increasing amounts by a psychiatrist between 1987 and 1994 in an attempt to keep Nicks from regressing to her former abuse of cocaine.

In 1989, Nicks set to work with Fleetwood Mac on a new album, Behind the Mask, which was released in 1990 to moderate commercial success in the US. In the UK, however, the album entered the chart at No.1 and has been certified Platinum there. The band went on a world tour to promote the album, on the last night of which Buckingham and Nicks reunited on stage to perform "Landslide".^[35] After the tour concluded, Nicks left the group over a dispute with Mick Fleetwood, who would not allow her to release the 1977 track "Silver Springs" on her album Timespace – The Best of Stevie Nicks, because of his plans to release it on a forthcoming Fleetwood Mac box set.^[36]

[edit] Timespace and Street Angel: 1991–1996

On the tenth anniversary of her solo career debut, Nicks released Timespace – The Best of Stevie Nicks on September 3, 1991.

Fleetwood Mac also released a four-disc box set, 25 Years – The Chain, which included "Silver Springs".

During the 1992 US presidential campaign, Bill Clinton used the Fleetwood Mac hit "Don't Stop" as his campaign theme song, and Nicks joined her band mates to perform the song at Clinton's 1993 Inaugural Gala. No plans for an official reunion were made at that time. Nicks was criticized for her weight gain.^[37] Nicks, who is 5 feet 1 inch (1.55 m), had gained weight, peaking at 175 lb (79.4 kg).

In late 1993, while Nicks held a baby shower at her house, she tripped and cut her forehead near a fireplace. Not feeling any pain from the injury, Nicks realized she needed help and endured a painful 47-day detox from Klonopin in a hospital.^[38]

Nicks used material written mostly in previous years to record a solo album in 1992 and 1993 entitled Street Angel, which was ultimately released following her detox in May 1994. Nicks has expressed major disappointment with the album, claiming that a lot of production work took place during her second stint in rehab, meaning she had little to no say over the final product.^[39]

Released May 23, 1994, Street Angel was poorly received. Despite praise from critics and fans for her vocals on the three-month Street Angel tour, Nicks was crushed by the focus on her weight and the poor reception of the album itself. Disgusted by the criticism she received during the tour for being overweight, Nicks vowed to never set foot on a stage again unless she slimmed down.^[40]

In 1995, Nicks was reunited with Lindsey Buckingham and contributed the duet "Twisted" to the Twister movie soundtrack, while in 1996 the Sheryl Crow penned "Somebody Stand By Me" featured on the Boys on the Side soundtrack, and Nicks also remade Tom Petty's "Free Fallin'" for Fox's TV hit Party of Five.

[edit] The Dance: 1997–1998

In 1996 Lindsey Buckingham, working on a planned solo album, enlisted the help of Mick Fleetwood and John McVie, which eventually led to a reunion of the entire band. A newly invigorated and slimmed down Nicks joined Fleetwood Mac for The Dance, a highly successful 1997 tour that coincided with the 20th anniversary of the release of Rumours. Prior to the tour, Nicks started work with a voice coach, to lend her voice more control and protect it from the stress of lengthy touring schedules. She also went on a diet and started jogging to lose weight before the tour as well.

The live CD release, The Dance, was released to commercial and critical acclaim, earning the group several Grammy nominations. In 1998, Nicks joined the group for its induction into the Rock and Roll Hall of Fame. This same year, she won the Outstanding Contribution at the BRIT Awards.

Nicks put work on a new solo album on hold when she was approached by Warner Music to release a solo career-spanning box set, to finish her contract with Atlantic Records in the US. After the culmination of the Fleetwood Mac reunion tour, Nicks settled down in Los Angeles and Phoenix with close friends and colleagues to devise a track list for this three-disc collection.

[edit] Enchanted and Trouble in Shangri-La: 1998–2001

The box set Enchanted was released to acclaim on April 28, 1998 with liner notes from Nicks, as well as exclusive rare photographs, and pages from her journals. Nicks supported the box set with a successful US tour. In 1998, Nicks contributed to the Practical Magic soundtrack and performed in Don Henley's benefit concert for the Walden Woods Project.

Nicks had begun writing actively for Trouble in Shangri-La in 1994 and 1995 as she came out of her Klonopin dependency. According to Nicks, friend and former musical partner Tom Petty was responsible for convincing her to write music again when he rebuffed her request that he write a song with her. Nicks resumed recording songs for the Trouble in Shangri-La album with Sheryl Crow, who produced and performed on several tracks. When a scheduling conflict forced Crow to drop out of the project, Nicks first approached R&B producer Dallas Austin, but these sessions have never surfaced. Nicks finally called on John Shanks to produce the remainder of the album, with additional contributions from David Kahne, Rick Nowels, Pierre Marchand, and Jeff Trott. Artists Natalie Maines, Sarah McLachlan, and Macy Gray contributed to some of the tracks.

Released May 1, 2001, Trouble in Shangri-La restored Nicks's solo career to critical and commercial success. "Planets of the Universe" was nominated for a Grammy Award for Best Female Rock Vocal Performance, and Nicks was named VH1's "Artist of the Month" for May 2001. Nicks was named one of People magazine's 50 Most Beautiful People, was featured in a well-received Behind The Music episode, and performed an episode of the VH1 Storytellers Concert Program. Nicks made several television appearances in support of the album and performed at the 2001 Radio Music Awards.

Nicks supported the album with a successful tour, although some shows were canceled or postponed because of Nicks's bout with acute bronchitis. Shows were also canceled because of the September 11 attacks in the U.S.

[edit] Say You Will: 2001–2004

during Fleetwood Mac's 2003 tour.

In 2001, Fleetwood Mac began work on a new studio album. After the end of her solo tour, Nicks convened with the other members of the band for recording during 2002.

Say You Will was released in April 2003 and met with commercial success but mixed reviews. Nicks joined the group to support the album with a world tour lasting until September 2004.

Nicks has subsequently stated in several interviews that she was not happy with the album or the successful world tour that followed, citing production disputes with Buckingham as a core factor, as well as the absence of fellow female band member Christine McVie.^[41] A documentary of the making of the album, Destiny Rules, was released on DVD in 2004 and chronicles the sometimes turbulent relationships between band members, especially Buckingham and Nicks, during that time in the studio.

[edit] Crystal Visions and Soundstage Sessions: 2007–2009

On March 27, 2007, Reprise Records released Crystal Visions – The Very Best of Stevie Nicks in the US. The album debuted at No.21 on the Billboard 200 Albums Chart.

The compilation includes her hit singles, a dance remix, and one new track, a live version of Led Zeppelin's "Rock and Roll". There are two versions of this album, one with just the audio CD and another version with an included DVD featuring all of Nicks's music videos with audio commentary from Nicks, as well as rare footage from the Bella Donna recording sessions.

A tour with Chris Isaak, opening in Concord, California on May 17, 2007 supported the release.

Reprise Records initially released two radio only promos, the live version of "Landslide" with the Melbourne Symphony Orchestra and "Rock and Roll". Both tracks failed to garner much airplay and made no impact on the charts. Reprise Records released "Stand Back" (issued with club mixes) on May 29, 2007. "Stand Back", which peaked at No.5 on the pop singles chart in 1983, reached No.2 on the "Billboard Club Chart". Nicks previously reached No.1 on this chart, with "Planets Of The Universe" (from Trouble in Shangri-La) in 2001. The remix single of "Stand Back" debuted on the Billboard Hot Singles Sales Chart on September 15, 2007 at No.10 peaking at No.4 the following week. It also debuted on the Billboard Hot Dance Singles Sales Chart at No.3 peaking at #1.

On March 31, 2009, Stevie released the album, The Soundstage Sessions, via Reprise Records. The album debuted at No.47 on the Billboard 200 Albums Chart. The first single from the album was "Crash Into Me" and was released as a digital download, along with "Landslide" (orchestra version) as a B-side, on March 17, 2009.

Along with the CD, Nicks also released a DVD titled Live In Chicago. Both are of her October 2007 Soundstage performance which was filmed and recorded before an intimate audience at Grainger Studio in Chicago. The DVD features special guest Vanessa Carlton.

[edit] In Your Dreams: 2010–present

After completing the Unleashed Tour with Fleetwood Mac, Stevie began work on her first solo album in a decade with David A. Stewart (musician and record producer, best known for his work with Eurythmics), who announced this via his Twitter in February 2010. During 2010, Stewart used Twitter to confirm various facts about the album; in one of the tweets, Stewart stated that he, Nicks, Waddy Wachtel, Mike Campbell (of the Heartbreakers), Mike Rowe, and Steve Ferrone were all working on the album, and that Mick Fleetwood has also contributed drums to at least one track. Waddy Wachtel has been Nicks's lead guitarist for most of her solo career, featuring prominently on all of her albums to date. It was also later confirmed that Lindsey Buckingham would appear on the track "Soldiers Angel".

Nicks performed in a series of shows in August 2010 ("it's not really a tour," she said). They did not contain any of her new music, because she does not want it to end up on YouTube. The Santa Barbara show benefited a little girl she knows in Los Angeles with rhabdomyosarcoma, a rare cancer.

On January 13, 2011, Reprise announced Stevie's upcoming album In Your Dreams would be released on May 3, and the lead single, "Secret Love", would be released on February 8. Reprise provided a free download of the single to fans who pre-ordered the album via certain websites. Nicks originally wrote "Secret Love" in 1976 and recorded a demo of it for Fleetwood Mac's 1977 album, Rumours. It did not make the final cut for the album. The demo version had been circulating among fans for many years prior to its inclusion on In Your Dreams. Nicks promoted the song with a video directed by Dave Stewart. Nicks' goddaughter Kelly appears in the video wearing a vintage dress that Nicks wore on stage in 1976. According to Nicks, Kelly portrays the young Stevie Nicks blending with the soul of Nicks' 62 year-old self. On the US Billboard Charts, "Secret Love" was a modest hit on the Adult Contemporary Singles Chart, peaking at #20, and at #25 on the Triple A Singles Chart.

In Your Dreams received overwhelmingly positive reviews, rivaling that of Stevie's 1981 debut. Rolling Stone commented "It's not just her first album in 10 years, it's her finest collection of songs since the Eighties", which mirrored the reception from most other critics and music industry members. The album debuted at #6 on the Billboard 200 giving Nicks her fifth top ten album on that chart,^[42] with 52,000 copies sold in the first week. Elsewhere, the album has made numerous Top 50 debuts, including #24 on the Australian ARIA Chart and #22 in Canada.

The same day that Nicks' new album was released, Fox Network broadcast the Glee episode (Season 2, Episode 19) "Rumours" that featured six songs from Fleetwood Mac's 1977 album, including Nicks' song "Dreams" (the band's only #1 song on the US charts).^[43] The show sparked renewed interest in the band and its most commercially successful album, and Rumours reentered the Billboard 200 chart at #11, the same week that In Your Dreams debuted at #6. (Nicks was quoted by Billboard saying that her new album was "my own little Rumours."^[44]).^[45]

Nicks contributed a cover of Buddy Holly's "Not Fade Away" for the tribute album Listen to Me: Buddy Holly, which was released in September 2011.^[46][47]

On March 29, 2012, Nicks made a guest appearance as herself on the NBC sitcom Up All Night. The show featured an excerpt of the 1981 track "Sleeping Angel", as well as new duets with both Maya Rudolph and Christina Applegate of "Whenever I Call You Friend" and "Edge of Seventeen". Rudolph and Applegate have said they are fans of the singer.^{[citation needed]}

Tours[link]

Nicks on the 2008 leg of her "Crystal Visions" tour.

After a few months' respite from the Say You Will tour, Nicks did a four-night stint in May 2005 at Caesars Palace in Las Vegas, and then did a 10-show tour with Don Henley. During the summer of 2005, Nicks continued the tour solo with pop singer Vanessa Carlton as the opening act, playing over 20 dates nationwide.

In October 2005, she attended the Melbourne Cup Week in Australia, and one of the horse racing stakes was named after her: The Stevie Nicks Plate. She used this opportunity to launch her promotion of an Australian/New Zealand extension to her Gold Dust Tour in February and March 2006. Nicks toured in Australia and New Zealand with popular Australian performer John Farnham.^[48] She also appeared in concert with Tom Petty in June near Manassas, Virginia and at the Bonnaroo Music Festival that same month.^[49]

In 2006, Nicks performed with Tom Petty and the Heartbreakers for the first leg of their tour in the summer, and later in the year returned as a guest performer for a number of songs on the tour celebrating Petty's 30th anniversary since his debut album. Tom Petty's Homecoming Concert in Gainesville, FL, which contained performances with Stevie Nicks, was filmed for PBS Soundstage as well as DVD release for March 2007. Nicks was also the featured performer for Bette Midler's benefit function, Hullaween, in October 2006.^[50]

Beginning in May 2007, Nicks began touring with pop/rock artist Chris Isaak. The last Stevie Nicks/Chris Isaak show was June 17, 2007 at the Tweeter Center in Boston, MA. Nicks continued the tour solo, with Vanessa Carlton opening on some dates. The tour finished at The Borgata in Atlantic City on August 24, 2007.

In 2008, Nicks embarked on the Soundstage Sessions Tour in the U.S.

In 2009, Fleetwood Mac embarked on a global hits tour. The Unleashed Tour took place in arenas on multiple continents. The tour ended in December with two sell-out shows of 35,000 people at the New Plymouth TSB Bowl of Brooklands in New Zealand.

Rod Stewart and Nicks co-headlined The Heart & Soul Tour. Launched March 20, 2011 in Fort Lauderdale, Florida, the tour united the two singers for a series of arena concerts throughout North America – with performances in New York, Toronto, Los Angeles, Philadelphia, Chicago, Detroit, Tampa, Montreal and more.^{[51][dated info]}

A solo tour for In Your Dreams began on August 9, 2011 in Denver, Colorado. Nicks announced on her July 27 appearance on America's Got Talent that Michael Grimm would be going on tour with her. She then continued on an Australian and New Zealand leg of the tour accompanied by Dave Stewart until December 2011.

In recent weeks, a series of summer 2012 dates have been announced as Stevie will reunite with Rod Stewart for another leg of the very successful Heart & Soul Tour. Dates announced are currently for arena concerts in US cities only, but further announcements are being released to the internet daily.

Dates are also now being advertised for a continuation of the 'In Your Dreams' tour, kicking off in June 2012 and calling at several US cities.

Solo tours[link]

• Buckingham Nicks Tour: 1974–1975 (with Lindsey Buckingham)
• White Winged Dove (Bella Donna) Tour: 1981
• The Wild Heart Tour: 1983 (with Joe Walsh)
• Rock A Little Tour: 1986
• The Other Side of the Mirror Tour: 1989
• Whole Lotta Trouble (Timespace) Tour: 1991
• Street Angel Tour: 1994
• Enchanted Tour: 1998
• Holiday Millennium Tour: 1999–2000
• Trouble In Shangri-La Tour: 2001 (on select dates with Sheryl Crow)
• Two Voices Tour: 2005 (with Don Henley)
• Gold Dust Tour: 2005–2006 (with Vanessa Carlton)
• Crystal Visions Tour: 2007–2008
• Soundstage Sessions Tour: 2008 (with Chris Isaak)
• Heart & Soul Tour (with Rod Stewart): 2011, 2012
• In Your Dreams Tour: 2011, 2012

Touring band (2011)[link]

• Sharon Celani – Backing vocals (1981–present)
• Waddy Wachtel – Lead guitarist, Musical director (1981–1986, 2001–present)
• Lori Nicks – Backing vocals (1981–1989, 1996, 2007–present)
• Carlos Rios – Rhythm guitar (1988–present)
• Al Ortiz – Bass guitar (2001–present)
• Lenny Castro – Percussionist ( 1994–2001, 2007-present)
• Jimmy Paxson – Drums (2005–present)
• Darrell Smith – Keyboardist (2005–present)
• Ricky Peterson – Keyboardist (2007–present)

"Stevie Nicks' Band of Soldiers" charity work[link]

Nicks has started a charity foundation entitled "Stevie Nicks' Band of Soldiers" which is used for the benefit of wounded military personnel.^[52]

In late 2004, Nicks began visiting Army and Navy medical centers in Washington, D.C. While visiting wounded service men and women, Nicks became determined to find an object she could leave with each soldier that would raise their spirits, motivate, and give them something to look forward to each day. She eventually decided to purchase hundreds of iPod Nanos, load them with music, artists, and playlists which she would hand select, and autograph them:^[53]

"I call it a soldiers' iPod. It has all the crazy stuff that I listen to, and my collections I've been making since the '70s for going on the road, when I'm sick...Or the couple of times in my life that I have really been down, music is what always dances me out of bed." - Stevie Nicks. The Arizona Republic

She now regularly delivers these tokens of her appreciation, bringing her closest friends along to share the experience:^[53]

"So, as Mick [Fleetwood] and I went from room to room delivering their tiny iPod, they told us their stories. Mick became his tall, loving, father figure, English self, taking in every word they said, remaining calm (at least on the outside) inspiring them. We floated from room to room down thru the halls of the 2 hospitals over a three-day period. We gave out all our iPods. Right before I left for D.C., Stephen Tyler and Joe Perry dug into their pockets and came up with $10,000 for me. In my eyes they went from the coolest rock stars to generous great men; as my press agent Liz Rosenberg said, every returning wounded soldier should be given an iPod. It will be an integral part of their recovery." - Stevie Nicks^[53]

In 2006, Nicks held a get-together to raise money for her charity work. Many of her peers made contributions. Nicks continues to develop this philanthropic endeavor.^[54]

Influence[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2011)

Many celebrities - among them Courtney Love, Michelle Branch, Belinda Carlisle, the Dixie Chicks, Mary J. Blige, Sheryl Crow, Nadia Ali, Florence Welch, Taylor Swift, Laura Branigan, Sarah McLachlan, Kelly Clarkson, Vanessa Carlton, Georgi Cussick, Tori Amos, Michelle Hotaling, Jennifer Hanson, Ruston Taylor, and Delta Goodrem - have cited Nicks as an inspiration. She has participated in duets or provided guest vocals for several of their albums and some have returned the favour, notably Crow and the Dixie Chicks. The Dixie Chicks covered her 1975 classic "Landslide", which became a Top 10 hit (#1 on the Adult Contemporary chart) and a No.1 Hit on the Country Chart. Alternative rock band The Smashing Pumpkins made an acoustic cover of the song that was featured on their 1994 B-side collection Pisces Iscariot. The cover was a hit and made it to the top three on the Modern Rock Tracks chart in the US that year. She recorded a duet of "Santa Claus is Coming to Town" with Chris Isaak on his 2004 Christmas album Chris Isaak Christmas and sang with Isaak on his PBS Christmas television special. Other successful covers have included The Corrs' "Dreams", and Courtney Love's band Hole with "Gold Dust Woman". "Edge Of Seventeen" was sampled on Destiny's Child's 2001 No.1 single "Bootylicious". Nicks appeared in the video for "Bootylicious" and in an episode of MTV's Making The Video that featured it, in which she expressed her admiration for both the song and the group. Neil Tennant of the Pet Shop Boys has expressed extreme interest in working with Nicks. Lindsay Lohan covered "Edge of Seventeen" on her 2005 album, A Little More Personal. Deep Dish fulfilled their "Dreams" of working with Nicks in 2005 when Nicks offered to re-record vocals on a remix of her No.1 penned song, "Dreams". The Deep Dish version went on to reach No.2 on the Billboard Hot Dance Airplay Chart, as well as providing Nicks with her third UK top 40 hit. Nicks provided additional vocals and writing on Vanessa Carlton's 2007 album Heroes and Thieves. Carlton had previously been on tour with Nicks in 2005 and 2006.

The Dixie Chicks' cover of Nicks's 1975 song "Landslide" also earned her a BMI Songwriters Award in 2003 when it won "Song of the Year" (the award is given to the songwriter of the track, regardless of the performer). According to BMI, "Landslide" also earned Nicks the 35th Robert J. Burton Award as "Most Performed Country Song of the Year". This distinction is given to the song tallying the most feature US broadcast performances during the eligibility period. Included on the Dixie Chicks' platinum Monument album Home, "Landslide" was a Country, Adult Top 40, Hot 100 and AC Billboard charts smash. Nicks previously collected a Pop Award in 1998 for Fleetwood Mac's recording of the song, which has achieved Million-Air status with over three million airplays.^[55]

On January 31, 2010, Nicks performed with Taylor Swift at the 52nd Grammy Awards. Swift, who describes Nicks as one of her childhood heroes, introduced her to the audience by saying "It's a fairy tale and an honor to share the stage with Stevie Nicks."^[56]

On February 4, 2012 (the 35th anniversary of the release of Rumours), the group Mirabelle released Crystal Revisions, a tribute album consisting of Fleetwood Mac and Stevie Nicks covers.^[57]

Personal life[link]

During the Rumours tour, Nicks had a relationship with singer/songwriter Don Henley of the Eagles. Nicks ended her relationship with Henley at the beginning of the Tusk tour in 1979.

Her only marriage was to Kim Anderson, the widower of her friend Robin Anderson, soon after Robin died of leukemia while Bella Donna was on the top of the charts. Stevie and Kim were soon divorced: "We didn't get married because we were in love, we got married because we were grieving and it was the only way that we could feel like we were doing anything."^[27][58]

Until July 2007 Nicks lived in Paradise Valley, Arizona, a suburb of Phoenix in a home she had built in 1981 and shared with brother Chris, his wife Lori and their daughter Jessica. She announced in mid-2007 that her Paradise Valley home would be put up for sale, citing her aspirations to "downsize" and focus more on her charity work, and the fact that in the last year she had only "spent about two weeks there." The house was put on the market for a reported $3.8 million, and many fans, feeling it was the end of a major era in her life and career, tagged it as a "Kingdom Up For Sale", a line from the song "Gold Dust Woman". She also owns a home in Pacific Palisades, California.

According to a September 2007 article in the Daily Telegraph, Nicks says she is again selling her home, her recently purchased Pacific Palisades home (purchased two years before by Nicks, right down the street from a rental home she had for years in Pacific Palisades). She has said it is a "house for adults", "And even though I'm pushing 60 I don't feel that I'm that old yet." She will be moving to a penthouse apartment on the beach and the old house is already on the market.^[59]

Beginning in 2007, reports surfaced concerning Lindsay Lohan's interest in buying the rights to Nicks's life story and developing a motion picture in which she planned to play Nicks. In March 2007, while promoting her album Crystal Visions, Nicks was asked about this rumor. Nicks told Access Hollywood, "That is completely insane and crazy. There is no movie in the works on my life. Nobody can do a movie about my life without me being involved, because nobody knows what really happened in my life until I tell them. So, nobody can make a movie about my life. And if anybody ever went and made a movie about my life without my permission and my being involved, I would slam it so hard to the press that it would never do anything." Nicks has gone on record to the New York Times as being strongly opposed to the prospect, and was quoted in 2009 as saying "Over my dead body. She needs to stop doing drugs and get a grip. Then maybe we'll talk."^[60] She has since cleared up her comments and praised Lohan's talents.^[61]

Image[link]

Stevie Nicks is known for her mystical image, her billowing chiffon skirts, shawls, layers of lace and long blonde hair. Margi Kent, a designer from California, has worked with Nicks since the 1970s to perfect her style. Perhaps the most famous part of Nicks's wardrobe is her platform boots. Nicks has worn suede platform boots in various colors, usually black, cream, tan or maroon in almost all of her performances since 1975. Standing at 5 feet 1 inch (1.55 m), Nicks has stated she felt a little ridiculous standing next to the much taller Mick Fleetwood.^[62] For this reason she developed a penchant for 6-inch (15 cm) platform boots. "Even when platforms went completely out of style, I kept wearing them because I didn't want to go back to being 5 feet 3 inches (1.60 m) in heels", she told Allure magazine in 1995.^[63] Over the years, Nicks has developed a style which she calls her "uniform",^[64] which is best exemplified by the outfit worn on the cover of Fleetwood Mac's Rumours, perhaps the base inspiration for many of her costumes. Another trademark of Nicks's is a Dickens-style gentleman's formal top hat, which she began wearing in the late 1970s. During the early 1980s she wore Renaissance poets' velvet berets with plume feathers (as shown in the vintage photo used on the cover of her March 2007 CD release Crystal Visions – The Very Best of Stevie Nicks). In the late 1980s and early 1990s, she wore fashionable ladies hats on stage and to this day, often still sports a black top hat adorned with giant plumes.

Many of Nicks's shawls and capes also have an association with her songs in her live performances, many becoming as signature in live performances as the songs themselves. These include a red/crimson shawl for "Sara", white for "Edge of Seventeen", gold for "Gold Dust Woman" and black with round gold circles for "Stand Back". One of her trademarks is twirling across the stage with shawls flying during the interlude of her classic songs, notably "Stand Back" and "Gypsy".

Nicks has said that her vocal style and performance antics evolved from female singers like Grace Slick and Janis Joplin. She admitted inspiration when she saw Joplin perform live (and opened for with her first band "Fritz") shortly before Joplin's death. Nicks owns a strand of Joplin's stage beads. She also commented that she once saw a woman in her audience dressed in dripping chiffon with a Gibson Girl hairstyle and big boots and Nicks knew she wanted something similar. She took the look and made it her own.^[65] Another important part of Nicks's image is her jewelry. Nicks typically introduces one signature piece of jewelry during each tour. Such items have included silver bracelets, crescent moon pendant, pyramid-shaped pendant, winged-heart pendant, gold crosses and, most recently, a Tiffany pendant with diamonds meaning "longevity." The crescent moon pendant is arguably the most iconic of all Nicks's jewelry – the original was bought while she was in England on tour with Fleetwood Mac during the Tusk era. Nicks then had her personal jeweler, Henri David of Philadelphia, make replicas of the moon pendant which have become treasured gifts to her friends. In recent years, celebrity pals such as Bette Midler and ice-skating star Tai Babilonia have been photographed wearing their "Stevie moons".

Nicks has even commented in interviews recently^[when?] that she never would have dreamed that her trademark "Bella Donna/Witchy Woman" image would have been taken so seriously by her fans, often joking that she does not live her private life in her stage clothes and "Stevie garb" as many people seem to think. However, she greatly credits her career/stage image for its role in giving her a trademark that has made her unique and "timeless."

Microphone and tambourine[link]

Stevie Nicks is known for her use of the Sennheiser MD-441-U5 microphone.^[66] It was a frequent sight in Nicks's early tours. Also synonymous with Nicks's microphone are the items with which she chooses to decorate her microphone stand. Over the years, such items have included roses, ribbons, chiffon, crystal beads, scarves and small stuffed toys.^[67]

Upon being asked in a question forum on her official website about playing the tambourine, Nicks stated that she began playing the tambourine upon joining Fleetwood Mac in 1975, feeling the need to do something onstage during songs that featured Buckingham or McVie. Like her microphone, her tambourine usually features scarves and/or streamers. Nicks's trademark tambourine since the early 1980s is in the shape of a black half-moon. The tambourine is sometimes silenced using tape. She has spoken of being embarrassed about handing President Bill Clinton a silenced tambourine when he joined Fleetwood Mac on stage.

Rumours of witchcraft[link]

A rumor that has trailed Nicks through the years is that she is a witch and is heavily involved in Wicca. While she admits to having a high regard for the mythic and gothic, she denies any solitary dedication to any one religion, including Wicca. She speaks about this erroneous image in a 2006 interview.^[68] Nicks's music is copyrighted under the name Welsh Witch Music, a reference to her song "Rhiannon", which she introduced as "a song about a Welsh witch" in concerts between 1975 and 1978. In a Yahoo! interview on April 28, 1998, Nicks said of the rumor: "I have no idea what precipitated those rumors… I am not a witch. Get a life!" Nicks also stated in a 1983 Entertainment Tonight interview: "I spent thousands of dollars on beautiful black clothes and had to stop wearing them for a long time because a lot of people scared me. And that's really unfair to me, I think, for people – other people – to conjure up their ideas of what I am or what I believe in." In a 1998 Redbook magazine article, Nicks spoke of her faith, stating that she believes in angels and knows that she is alive today because "there was a God" looking out for her during her years of addiction.

Discography[link]

Solo[link]

Studio albums[link]

• Bella Donna (1981)
• The Wild Heart (1983)
• Rock a Little (1985)
• The Other Side of the Mirror (1989)
• Street Angel (1994)
• Trouble in Shangri-La (2001)
• In Your Dreams (2011)

Live album[link]

• The Soundstage Sessions (2009)

Compilations[link]

• Timespace – The Best of Stevie Nicks (1991)
• Enchanted (3 CD box set) (1998)
• Crystal Visions – The Very Best of Stevie Nicks (2007)

Solo videos and DVDs[link]

• Stevie Nicks: Live in Concert (VHS) (1984)
• I Can't Wait: The Music Video Collection (VHS) (1986)
• Live at Red Rocks (VHS) (1986)
• Crystal Visions - The Very Best of Stevie Nicks (Deluxe Edition with DVD) (2007)
• Soundstage: Stevie Nicks Live (Sears-exclusive Blu-Ray) (2008) (later released on DVD as Live in Chicago in 2009)

[edit] As Buckingham Nicks

• Buckingham Nicks (1973)

With Fleetwood Mac[link]

• Fleetwood Mac (1975)
• Rumours (1977)
• Tusk (1979)
• Live (1980)
• Mirage (1982)
• Tango in the Night (1987)
• Greatest Hits (1988)
• Behind the Mask (1990)
• 25 Years – The Chain (2 CD & 4 CD Boxset) (1992)
• The Dance (1997)
• The Very Best of Fleetwood Mac (2002)
• Say You Will (2003)
• Live in Boston (2004)

Awards & nominations[link]

Grammy Awards[link]

Solo:
Stevie has been nominated for eight Grammy Awards as a solo artist, holding the record for most nominations for Best Female Rock Vocal without a win.

With Fleetwood Mac:
Stevie has been nominated for nine competitive Grammy Awards as a member of Fleetwood Mac, winning the 1978 Grammy Award for Album of the Year for Rumours, and received the 2003 Grammy Hall of Fame Award.

See also[link]

• List of number-one dance hits (United States)
• List of artists who reached number one on the US Dance chart

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Stevie Nicks

Wikimedia Commons has media related to: Stevie Nicks

• Official website
• Reprise Records
• Stevie Nicks at the Internet Movie Database
• Works by or about Stevie Nicks in libraries (WorldCat catalog)
• Stevie Nicks at Allmusic
• Five audio interview segments with Stevie Nicks discussing her Bella Donna Album