Name | Idoli |
---|---|
Landscape | yes |
Background | group_or_band |
Alias | VIS Idoli |
Origin | Belgrade, SerbiaYugoslavia |
Genre | New Wave, punk rock, art rock, pop rock, post-punk, experimental music |
Years active | 1980–1984 |
Label | Izgled, Jugoton, Croatia Records, City Records, PGP RTS |
Associated acts | Apartchiks, Dobrovoljno Pevačko Društvo, Die Tonzentrale, Propaganda, Zona B |
Past members | Vlada DivljanNebojša KrstićSrđan ŠaperBoža JovanovićKokan PopovićZdenko KolarBranko IsakovićGoran Vejvoda |
Idoli (Serbian Cyrillic: Идоли; trans. The Idols) were a new wave band from Belgrade, SR Serbia. They are considered to be one of the greatest and most influential Yugoslav rock bands and their 1982 album Odbrana i poslednji dani was voted by the critics as the greatest Yugoslav rock album.
VIS Idoli was officially formed on March 1, 1980 when the band had their first rehearsal. The first lineup consisted of primary school friends Vlada Divljan (guitar, vocals), Zdenko Kolar (bass), Boža Jovanović (drums) and Divljan's high school friends Srđan Šaper (percussion, vocals) and Nebojša Krstić (percussion). At that time the band collaborated with Dragan Papić who was a kind of media activist. The band manipulated the media very well. For example, they were to announce a change to the band's name on several occasions and the new names would be "Apoloni 5" (Appoloniouses 5) or "Idoli plus bradonje" ("The Idols plus the bearded") because of Kolar and Jovanović's wearing beards.
On June 1980, the band made their first live appearance at Belgrade's SKC (Student's Cultural Center) with the leading Serbian new wave acts. After a month of existence, the band released their first single with a magazine called "Vidici" and it consisted of two tracks, "Pomoć, pomoć" ("Help, help") and "Retko te viđam sa devojkama" ("I Rarely See You With Girls"), a song with a gay-hint. Already parting ways with Papić, the band recorded another version of the track as a B-side of Maljčiki single, but this time in Zagreb with the producer Goran Bregović. At the 1980 Subotica Youth Festival, where new wave bands from Zagreb and Belgrade met for the first time, they appeared with the track "Zašto su danas devojke ljute?" ("Why Are The Girls Angry Today?") and got one of the prizes.
Idoli, with Električni Orgazam and Šarlo Akrobata participated in the project called Paket aranžman with four tracks, "Schwule Über Europa" (German for "Boredom Over Europe") (a parody on the attitude towards Germans) "Plastika" ("Plastic"), "Maljčiki" (Russian for "Boys", a parody on Russians) and "Amerika" ("America"). The promotional video for "Maljčiki" was banned on national television and some radio stations after the Soviet embassy responded.
The next release was a self-titled EP or mini LP as it was called in former Yugoslavia, featuring six tracks including a cover version of Chuck Berry's "Come On" ("Hajde") and Darko Kraljić's "Devojko mala". Film members Mladen Juričić (also known as Max Wilson) playing harmonica and Jurij Novoselić (also known as Kuzma Videosex) who played organ made guest appearances. The record was produced by another Film member, Ivan Stančić Piko. The cover of the album is the Red Nude by Amedeo Modigliani. Jugoton later re-released the EP with Film's live EP in Kulušić as a compilation album Zajedno. A tour with Film came in 1981 when they traveled in a boat and played in sea side resorts. In the summer of 1981, a new drummer became Kokan Popović who previously played with Divljan and Kolar in Merlin and Zvuk Ulice.
The band started recording their first album in autumn 1981 with Goran Vejvoda and Dušan Mihajlović Spira who ought to have been the assistant producer as they wanted to produce the record by themselves. After a short period Mihajlović left and the only assistance was Mile Miletić Pile. The recording of the album took more than four hundred hours which was a record in former Yugoslavia still to be broken. Guests on the album were Bebi Dol who did backing vocals on "Odbrana" ("Defence"), and Vuk Vujačić, Goran Grbić and Slobodan Grozdanović were a brass section on "Senke su drugačije" ("The Shadows Are Different"). Odbrana i poslednji dani came out in early 1982. It got the name from a Borislav Pekić book with the same title on which the whole album is based. It is a complex concept album dealing with an anthropological approach towards orthodoxy. The track "Poslednji dani" ("The Last Days") originally entitled "Maršal" ("Marshall"), dedicated to former Yugoslav president Josip Broz Tito, did not include the last verse due to the record company disapproval. A detail from a cloth on a Saint Nicholas icon was used as the cover and the font used on the record was a Cyrillic font similar to the one used in the Miroslav's Gospel. The band won the best album and the best cover award in 1982. In 1986 Yugoslav rock critics voted Odbrana i poslednji dani the best Yugoslav rock album of the 20th century.
On July 1982, Zdenko Kolar went to serve in the army and his replacement was Bulevar bassist Branko Isaković. The band started recording a new album in London with producer Bob Painter. Even though they changed their style to pop/rock, Čokolada went platinum and the title track became their greatest commercial hit. There was a slight scandal about the track being composed by Dušan Gerzić for the band Via Talas and Šaper presenting it as an Idoli track. However, Gerzić was credited co-author on "Bambina" which was released as a single. For this record Divljan wrote only "Radostan dan", "Vetar i zastave" and "Ja sam tu" (for which Divljan added a verse from Mišo Kovač track "Plakat će zora" written by Drago Britvić) because he was about to graduate mining and geology at the University of Belgrade. At the same time Šaper graduated from his studies in movie directing. Guest appearances on the album were reporter Vivien Goldman who was a guest vocalist and producer Bob Painter who played the keyboards. The original idea was to release a double EP called "U gradu bez sna", but Jugoton refused and released it as a long play album.
Following the breakup, Krstić and Šaper wrote music for the singer Biljana Krstić, they also recorded an album called Poslednja mladost u Jugoslaviji with the band Unutrašnja Imperija (consisting of Dragomir Mihajlović "Gagi" (guitar), Branko Isaković (bass) and Dragoljub Đuričić (drums)). In 1995 the two recorded one more album this time forming a band Dobrovoljno Pevačko Društvo with Zoran Kiki Lesendrić from Piloti. The CD was called "Nedelja Na Duhove and was released through Eastfield Music. The album was recorded in Budapest and produced and arranged by Kiki Lesendrić. As studio musicians appeared Nenad Stefanović Japanac (bass and guitar), Milan Đurđević (keyboards), Istvan Alapi (guitar) and Zoltan Hetenyi (drums). Backing vocals were done by Aleksandra and Kristina Kovač.
After the album release, the two quit their musical careers. Šaper started a marketing business with his firm "Idols & Friends", worked as a creative director in "Saachi & Saachi" and "Ogilvy & Mather" and lately is the head of "McErricson". He acted and wrote the theme for "Davitelj protiv davitelja" and directed music videos and worked on TV and movie soundtracks. He is also active in politics and is head of the Serbian Democratic Party. Krstić became a physician at Vis isle and then at the "Hajat" hotel in Belgrade. He also acted in the film "Šest dana juna". After his medical career he took up marketing until he became president Boris Tadić's advisor. He is also a member of the Democratic Party. Divljan started a solo career in 1988 when he released his first solo album Tajni život A. P. Šandorova and with Srđan Gojković Gile from Električni Orgazam released two rock albums for children, Rokenrol za decu ("Rock 'n' Roll for Children) in 1989 and Rokenrol bukvar ("Rock 'n' Roll Alphabet") in 1990. In 1991 he moved to Australia only to return in 1995 when he formed the Old Stars Band. The recordings of two shows, on January 18 and 24 in M Studio in Novi Sad, was released on live album Odbrana i zaštita (B 92, 1996). In 1999 he moved to Vienna. His next two albums were released with Old Stars Band. In the meantime he collaborated with Kiril Džajkovski and worked on several movie soundtracks. At the moment he is recording a new solo album with the work title Esperanto, with a new backing band called Nevladina Organizacija.
Zdenko Kolar worked as a driver of a trolley car and acted in TV commercials. He formed Zona B in 1987, the band recorded five albums featuring covers of blues classics and their own songs. He was a member of the Old Stars Band and currently works in Nevladina Organizacija beside Zona B.
Kokan Popović and Dragan Mitrić (who played keyboards in Zvuk Ulice, but was not a member of Idoli) were also in a band called Propaganda which released only one album in 1982, partially featuring material from the Zvuk Ulice period. Popović now lives in Johannesburg and in 2006 he presented to the Belgrade audience with his band Kokan and the Traitors which consists of Serbian musicians living in Johannesburg.
In 2007 Croatia Records released a four-CD box set VIS Idoli consisting of all studio works except the first Vidici single. The same record label released a box set consisting of Paket aranžman, Električni Orgazam and Šarlo Akrobata debut albums.
The album Odbrana i poslednji dani was polled in 1998 as the greatest Yugoslav popular music album in the book (YU 100: The Best albums of Yugoslav pop and rock music). In the same book Čokolada was ranked #46, and VIS Idoli was ranked #71. The B92 Top 100 Domestic Songs List features three idoli songs: "Maljčiki" (ranked #18), "Rusija" (ranked #25), and "Moja si" (ranked #52).
Various artist project Yugoton consisting of Polish rock bands recorded a tribute to Yugoslav popular new wave bands including Idoli tracks "Maljčiki" (Pol. "Malcziki") and "Retko te viđam sa devojkama" (Pol. "Rzadko widuję cię z dziewczętami"). "Maljčiki" was even released as a first single from the record.
Category:Serbian rock music groups Category:Serbian New Wave musical groups Category:Serbian pop rock music groups Category:Serbian experimental musical groups Category:Serbian post-punk music groups Category:Yugoslav rock music groups Category:Musical groups established in 1980 Category:Musical groups disestablished in 1984
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