Ghent ( /ˈɡɛnt/; Dutch: Gent, pronounced [ʝɛnt]; French: Gand, pronounced: [ɡɑ̃]) (also spelled Gent) is a city and a municipality located in the Flemish region of Belgium. It is the capital and largest city of the East Flanders province. The city started as a settlement at the confluence of the Rivers Scheldt and Lys and in the Middle Ages became one of the largest and richest cities of northern Europe. Today it is a busy city with a port and a university.

The municipality comprises the city of Ghent proper and the surrounding towns of Afsnee, Desteldonk, Drongen, Gentbrugge, Ledeberg, Mariakerke, Mendonk, Oostakker, Sint-Amandsberg, Sint-Denijs-Westrem, Sint-Kruis-Winkel, Wondelgem and Zwijnaarde. With 240,191 inhabitants in the beginning of 2009, Ghent is Belgium's second largest municipality by number of inhabitants. The metropolitan area, including the outer commuter zone, covers an area of 1,205 km² (465 sq mi) and has a total population of 594,582 as of 1 January 2008, which ranks it as the fourth most populous in Belgium. The current mayor of Ghent, Daniël Termont, leads a coalition of the sp.a, Open VLD and Pro Gent.

Jan van Eyck (or Johannes de Eyck) (Dutch pronunciation: [ˈjɑn vɑn ˈɛjk]) (before c. 1395 – before 9 July 1441) was a Flemish painter active in Bruges and is generally considered one of the most significant Northern European painters of the 15th century. The few surviving records indicate that he was born around 1390, most likely in Maaseik. Little is known of his early life, but his activities following his appointment to the court of Philip the Good c. 1425 are comparatively well documented. Van Eyck had previously served John of Bavaria-Straubing, then ruler of Holland, Hainault and Zeeburg. By this time van Eyck had assembled a workshop and was involved in redecorating the Binnenhof palace in The Hague. He moved to Bruges sometime around 1425 and there came to the attention of Philip the Good. He served as both court artist and diplomat and became a senior member of the Tournai painters' guild, where he enjoyed the company of similarly esteemed artists such as Robert Campin and Rogier van der Weyden. Over the following decade van Eyck's reputation and technical ability grew, mostly from his innovative approaches towards the handling and manipulating of oil paint. His revolutionary approach to oil was such that a myth, perpetuated by Giorgio Vasari, arose that he had invented oil painting.