Pale may refer to:

Matthew Dear is an American music producer, DJ and electronic avant-pop artist.

Texas- (Kingsville, Texas) born Dear moved to Michigan as a teenager, where he was inspired by the sound of Detroit Techno. Dear met Sam Valenti IV at a party while attending the University of Michigan, after which the two started the record label, Ghostly International, based on a shared love of electronic music. Dear’s first single was 1999’s "Hands Up For Detroit" (co-produced by ghettotech pioneer Disco D, who performed under the name Daisha). Successive singles, such as "Stealing Moves" and the chart-topping "Mouth to Mouth" (as Audion) were issued on Spectral Sound, Ghostly’s offshoot that focuses on dancefloor music.

Dear’s first album Leave Luck to Heaven appeared in 2003 and was praised widely as a seminal fusion of pop and minimal techno. The album’s single "Dog Days" became one of Spectral’s best sellers and a favorite of international DJs like Richie Hawtin. Dear followed the album with Backstroke in 2004 and has also begun working under the harder-edged Audion alias, apart from additional monikers False and Jabberjaw.

Tegan and Sara are a Canadian indie band formed in 1995 in Calgary. Composed of identical twin sisters Tegan Rain Quin and Sara Keirsten Quin (born September 19, 1980). Both Tegan and Sara play guitar and keyboard and write their songs.

Tegan and Sara Quin were born September 19, 1980 in Calgary, Alberta. They began playing guitar and writing songs at age 15. They initially played as Plunk without a drummer or bass player. In 1997, they used their school’s recording studio to record two demo albums: Who's in Your Band? and Play Day. In 1998, they won Calgary's Garage Warz competition, using the studio time they won to record their first professional demo, Yellow tape, which was followed by Orange tape and Red tape.

Two songs from Red tape appeared on their first album, Under Feet Like Ours, which they released independently in 1999 under the name "Sara and Tegan". They later changed their name to "Tegan and Sara" because it was easier to pronounce and reprinted the album using that name. They also wanted their name to stand out amongst the other 'Sara' musicians at the time such as Sarah McLachlan and Sarah Slean. Tegan was easier to remember.^{[citation needed]}Neil Young's manager signed them to Young's Vapor Records label, and they released This Business of Art through Vapor in 2000. They have toured extensively since then.

Naughty Boys (浮気なぼくら, Uwaki na bokura; "Naughty boys"^?) is the sixth album by Yellow Magic Orchestra, recorded from October 1982 to March 1983, and released on May 24, 1983. It contains the pop-oriented single "Kimi ni Mune Kyun", as well as a "preview" of "You've Got to Help Yourself", which was released in its full version on the companion album Naughty Boys Instrumental, and again with vocals on Service.

Naughty Boys was their final album to top the Oricon charts. After that, no technopop artist was able to reach No.1 until Perfume's 2008 album Game. "Kimi ni Mune Kyun" also became the highest charting single by a technopop artist on the Oricon charts, debuting at No. 2; a record the song retained until Perfume's "Love the World" debuted at No. 1 in 2008. "Ongaku" ("Music") was reportedly written by Ryuichi Sakamoto for his then-three-year-old daughter, Miu. Naughty Boys was re-released in 2004 in a double disc package alongside Naughty Boys Instrumental.

Various cover versions of "Kimi ni Mune Kyun" have been produced by later artists, including The Human League ("YMO Versus The Human League" in 1993),Asako Toki (in 2006), and Yuko Ando in 2009. Also in 2009, a cover of "Kimi ni Mune Kyun" was used as the ending theme song for the anime series Maria Holic, sung by Asami Sanada, Marina Inoue, and Yū Kobayashi, the voice actresses of the main characters.